Ray Bradbury

Total Page:16

File Type:pdf, Size:1020Kb

Ray Bradbury Year 8 summer project Science Fiction writing Week 1 This summer project is to help to inform you about topics linked to the work you will start in year 9. The project will help to develop your understanding of a fascinating genre of fiction as well as helping you to think about the impact of science and technology in our world today. We will be using different mediums in order to get you thinking about our world today, the predictions made about the future from the past and the future developments that could be made in science and technology. You will be creating a portfolio of your work, which you can then bring into school in September, as you start year 9. Your portfolio can be created in whatever way best suits you. It could be completed on your computer using word of PowerPoint or another application, or it can be done as a hard copy on paper. You might want to get a folder or a book to store your work. Jurassic Park by Michael Crichton imagines a What is science fiction? world in which dinosaurs are brought back Science fiction, often called sci-fi typically deals into the world through genetic with imaginative and futuristic concepts, such developments in science. as advanced science and technology, space exploration, time travel, parallel universe, extra-terrestrial life. Science fiction often looks at real life examples of changes to science and Frankenstein by Mary Shelley is about a technology and imagines how these could scientist who tries to use science to re- develop in the future. It is a form of fantasy, but create life. based on the impact of actual or imagined science and technology on society or individuals, or has scientific elements as the Brave New World by Aldous Huxley imagines essential component to the story. Here are a futuristic future world state in which some examples. humans/citizens are environmentally engineered into a social hierarchy based on You can use this video to give you some more intelligence, in order to keep state control. information. There is a bonus quiz on this videos if it helps you. You can check your answers at the end of the PowerPoint. War of the Worlds is one of the earliest https://www.youtube.com/watch?v=8BUAV7ZP stories to detail a conflict between mankind MQA and extra-terrestrial forces. Week 1 task We are going to be looking at Science fiction writing through different sub-genres. A genre is a style or category of art, music, or literature. Sub-genres are genres that are part of a larger genre. Here are some of the sub-genres of Science Fiction. Alien invasion Your task – You are going to be designing your own futuristic Alternate/parallel universe world. You can write a description of this world, draw a picture of this world or use another medium in order to present your Sci-Fi Apocalyptic/post apocalyptic worlds world. Here are some ideas to think about: Artificial intelligence 1. What advances in technology and science might make this world different? Robots / androids / genetic engineering? Cyberpunk On the next 2. How might people live? Will they still live in house? If so, what Dying earth slide there are might these houses look like? If not, where might they live? some pictures Galactic empire 3. What kind of government will be in charge? Will there be a and video links, government? Robots and androids which might help you design 4. Will be people have jobs? If so, what jobs might they have? If Space exploration your futuristic not, what might they be doing instead? 5. What remnants our current world will still be there? Will there Time travel world. be anything from our current world in this new Sci-Fi world? Virtual reality My Sci-Fi future world… Information Films https://www.youtube.com/watch?v=VNficZQdh2Q https://www.youtube.com/watch?v=5PSNL1qE6VY https://www.youtube.com/watch?v=JI9lVkJdif4 https://www.youtube.com/watch?v=z5YMEwX2-88 https://www.youtube.com/watch?v=28Z_D9Grh18 Bonus quiz… 1. Name one of the novels written by Michael Crichton 2. Name one of the novels written by William Gibson 3. Who wrote 1984 and Animal farm? 4. Who is most known for 2001 Space Odyssey? 5. Who wrote the Martian Chronicles and Fahrenheit 451? 6. Which famous BBC radio comedy was written by Douglas Adams? 7. Name one of the novels written by Phillip K. Dick 8. Where does Nemo in Finding Nemo get his name from? 9. Who wrote Foundation and Nightfall? 10. Who wrote War of the Worlds, The Time Machine and The Invisible Man? https://www.youtube.com/watch?v=8BUAV7ZPMQA Week 2 – Artificial Intelligence, Virtual Reality and current developments in science and technology. What predictions can we make about the future? A lot of Science Fiction In Aldous Huxley’s novel ‘Brave New World,’ he predicted that writing predicts new people in the future would become reliant on prescription scientific and drugs. He also predicted that there would be vast steps forward technological advances in in genetic engineering and that cloning would happen. The the future. Let’s look at novel was published in 1932, but predicted a lot about our the predictions for the world today that has come true. future made by some famous writers. Ray Bradbury’s novel Fahrenheit 451, published in 1953 predicted that would have Bluetooth headsets, which he described as ‘thimble radios’ and George Orwell's novel 1984 was ‘seashells’. He also predicted that we published in 1949, but he managed to would become consumed with television predict that we would have facial on huge screens and in the short story, recognition, surveillance cameras, and the Pedestrian, he predicted the music made using Artificial Intelligence. loneliness people would feel if they did not use technology, especially televisions. We are now going to look at the predictions we might make for the future, based on current technological and scientific developments. First of all, let’s look at how far we have come. Can you name any of these forms of technology from the past? – answers are at the end of the PowerPoint We are now going to look at the predictions we might make for the future, based on current technological and scientific developments. Let’s look at current developments in science and technology. Make a table of positive and negative effects of these advances in AI Artificial Intelligence - the theory and development of computer systems able to perform tasks normally requiring human intelligence, such as visual perception, speech recognition, Positives Negatives decision-making, and translation between languages. Watch these videos and consider what you think about these developments in Artificial Intelligence. Do you think that these developments are positive or do you think they might cause issues in the future. If so, what issues might arise? Definitions: Android - (in science fiction) a robot with a human appearance. Watch these clips and think about the impact AI has Robots - a machine resembling a human being and able to replicate certain human movements and functions automatically. on the world and the possible problems it can cause. The Avengers – what happens when the enemy is an https://www.youtube.com/watch?v=VZwG6pfqLEM android? https://www.youtube.com/watch?v=YBNT3xWfMW0 https://www.youtube.com/watch?v=tmeOjFno6Do https://www.youtube.com/watch?v=5_jp9CwJhcA A.I – what happens when a robot has feelings? https://www.youtube.com/watch?v=_19pRsZRiz4 I, Robot (15) – what happens when robots become too powerful? https://www.youtube.com/watch?v=7Dlo-VB0-HI We are now going to look at the predictions we might make for the future, based on current technological and scientific developments. Make a table of positive and negative Let’s look at current developments in science and technology. effects of these advances in VR Virtual Reality - the computer-generated simulation of a three- dimensional image or environment that can be interacted with in Positives Negatives a seemingly real or physical way by a person using special electronic equipment, such as a helmet with a screen inside or gloves fitted with sensors. What are the positive and negative implications of these developments in Virtual Reality? What do you think the next developments in VR will be? Watch these clips to help you think about the impact of https://www.youtube.com/watch?v=6PxI7LHU_mA developments in VR. https://www.youtube.com/watch?v=aXN6Hc4K8T0 Jumanji – what happens when people get sucked into a computer game as different people? https://www.youtube.com/watch?v=2QKg5SZ_35I Ready Player One – What happens when you can escape into a different world? https://www.youtube.com/watch?v=cSp1dM2Vj48 Johnny English – What happens when your virtual world goes wrong? https://www.youtube.com/watch?v=5W19mLb-9JM Task – Read this short story called ‘There will come soft rains’ by Ray Bradbury. Task 1- This is a short story about a mechanical house which Task 2- Now that you have looked at some of the has been left unoccupied after a nuclear explosion destroys current developments in technology, research humanity. some of the current developments in science that Answer these questions are happening at the moment. 1. what do you think Ray Bradbury is trying to tell the reader about these imagined advances in technology? Write down your predictions for the future. What 2. What is he trying to tell the reader about a reliance on advances in science and technology will there be technology? in the future? 3. Would you want to live in a house like this? Extension – design and label your own robot / Alternatively – you can listen to the story here, while you read android.
Recommended publications
  • Imaginative Geographies of Mars: the Science and Significance of the Red Planet, 1877 - 1910
    Copyright by Kristina Maria Doyle Lane 2006 The Dissertation Committee for Kristina Maria Doyle Lane Certifies that this is the approved version of the following dissertation: IMAGINATIVE GEOGRAPHIES OF MARS: THE SCIENCE AND SIGNIFICANCE OF THE RED PLANET, 1877 - 1910 Committee: Ian R. Manners, Supervisor Kelley A. Crews-Meyer Diana K. Davis Roger Hart Steven D. Hoelscher Imaginative Geographies of Mars: The Science and Significance of the Red Planet, 1877 - 1910 by Kristina Maria Doyle Lane, B.A.; M.S.C.R.P. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2006 Dedication This dissertation is dedicated to Magdalena Maria Kost, who probably never would have understood why it had to be written and certainly would not have wanted to read it, but who would have been very proud nonetheless. Acknowledgments This dissertation would have been impossible without the assistance of many extremely capable and accommodating professionals. For patiently guiding me in the early research phases and then responding to countless followup email messages, I would like to thank Antoinette Beiser and Marty Hecht of the Lowell Observatory Library and Archives at Flagstaff. For introducing me to the many treasures held deep underground in our nation’s capital, I would like to thank Pam VanEe and Ed Redmond of the Geography and Map Division of the Library of Congress in Washington, D.C. For welcoming me during two brief but productive visits to the most beautiful library I have seen, I thank Brenda Corbin and Gregory Shelton of the U.S.
    [Show full text]
  • Martian Crater Morphology
    ANALYSIS OF THE DEPTH-DIAMETER RELATIONSHIP OF MARTIAN CRATERS A Capstone Experience Thesis Presented by Jared Howenstine Completion Date: May 2006 Approved By: Professor M. Darby Dyar, Astronomy Professor Christopher Condit, Geology Professor Judith Young, Astronomy Abstract Title: Analysis of the Depth-Diameter Relationship of Martian Craters Author: Jared Howenstine, Astronomy Approved By: Judith Young, Astronomy Approved By: M. Darby Dyar, Astronomy Approved By: Christopher Condit, Geology CE Type: Departmental Honors Project Using a gridded version of maritan topography with the computer program Gridview, this project studied the depth-diameter relationship of martian impact craters. The work encompasses 361 profiles of impacts with diameters larger than 15 kilometers and is a continuation of work that was started at the Lunar and Planetary Institute in Houston, Texas under the guidance of Dr. Walter S. Keifer. Using the most ‘pristine,’ or deepest craters in the data a depth-diameter relationship was determined: d = 0.610D 0.327 , where d is the depth of the crater and D is the diameter of the crater, both in kilometers. This relationship can then be used to estimate the theoretical depth of any impact radius, and therefore can be used to estimate the pristine shape of the crater. With a depth-diameter ratio for a particular crater, the measured depth can then be compared to this theoretical value and an estimate of the amount of material within the crater, or fill, can then be calculated. The data includes 140 named impact craters, 3 basins, and 218 other impacts. The named data encompasses all named impact structures of greater than 100 kilometers in diameter.
    [Show full text]
  • Exponential Sums After Bombieri and Iwaniec Astérisque, Tome 198-199-200 (1991), P
    Astérisque M. N. HUXLEY Exponential sums after Bombieri and Iwaniec Astérisque, tome 198-199-200 (1991), p. 165-175 <http://www.numdam.org/item?id=AST_1991__198-199-200__165_0> © Société mathématique de France, 1991, tous droits réservés. L’accès aux archives de la collection « Astérisque » (http://smf4.emath.fr/ Publications/Asterisque/) implique l’accord avec les conditions générales d’uti- lisation (http://www.numdam.org/conditions). Toute utilisation commerciale ou impression systématique est constitutive d’une infraction pénale. Toute copie ou impression de ce fichier doit contenir la présente mention de copyright. Article numérisé dans le cadre du programme Numérisation de documents anciens mathématiques http://www.numdam.org/ EXPONENTIAL SUMS AFTER BOMBIERI AND IWANIEC by M.N. HUXLEY BOMBIERI and IWANIEC [BI1, BI2] obtained 9 = 9/56 for the Lindelof exponent (the least 9 for which the Riemann zeta function satisfies C(l/2 + i<) = 0(te+£) as <->oo.) They remarked that their method might not be special to the Lindelof problem; in fact, as the saying goes, "they wrought [worked] better than they knew". To show that one property is uniformly distributed with respect to another property, one forms exponential sums 2M-1 5 = e{f[m)) , (1) M where e(x) = exp 2nix, f(m) = TF(m/M) with F(x) in the function class Cn[l — <5,2 + 6] for some 6 > 0 and n > 4. The case F(x) = log x gives Dirichlet series. If F(x) is a polynomial of degree d with rational coefficients, denominator g, and if T = Md, then the sum 5 is approximately MSJq , where Sq is a complete exponential sum with denominator q.
    [Show full text]
  • Mosasaurs from Germany – a Brief History of the First 100 Years of Research
    Netherlands Journal of Geosciences —– Geologie en Mijnbouw | 94 – 1 | 5-18 | 2015 doi: 10.1017/njg.2014.16 Mosasaurs from Germany – a brief history of the first 100 years of research Sven Sachs1,*,JahnJ.Hornung2 &MikeReich2,3 1 Im Hof 9, 51766 Engelskirchen, Germany 2 Georg-August University Gottingen,¨ Geoscience Centre, Department of Geobiology, Gottingen,¨ Germany 3 Georg-August University Gottingen,¨ Geoscience Museum, Gottingen,¨ Germany * Corresponding author. Email: [email protected] Manuscript received: 30 December 2013, accepted: 26 May 2014 Abstract In Germany, mosasaur remains are very rare and only incompletely known. However, the earliest records date back to the 1830s, when tooth crowns werefoundinthechalkoftheIsleofRugen.¨ A number of prominent figures in German palaeontology and geosciences of the 19th and 20th centuries focused on these remains, including, among others, Friedrich von Hagenow, Hermann von Meyer, Andreas Wagner, Hanns Bruno Geinitz and Josef Pompeckj. Most of these works were only short notes, given the scant material. However, the discovery of fragmentary cranial remains in Westphalia in 1908 led to a more comprehensive discussion, which is also of historical importance, as it illustrates the discussions on the highly controversial and radical universal phylogenetic theory proposed by Gustav Steinmann in 1908. This theory saw the existence of continuous lines of descent, evolving in parallel, and did not regard higher taxonomic units as monophyletic groups but as intermediate paraphyletic stages of evolution. In this idea, nearly all fossil taxa form part of these lineages, which extend into the present time, and natural extinction occurs very rarely, if ever. In Steinmann’s concept, mosasaurs were not closely related to squamates but formed an intermediate member in a anagenetic chain from Triassic thalattosaurs to extant baleen whales.
    [Show full text]
  • Alpha ELT Listing
    Lienholder Name Lienholder Address City State Zip ELT ID 1ST ADVANTAGE FCU PO BX 2116 NEWPORT NEWS VA 23609 CFW 1ST COMMAND BK PO BX 901041 FORT WORTH TX 76101 FXQ 1ST FNCL BK USA 47 SHERMAN HILL RD WOODBURY CT 06798 GVY 1ST LIBERTY FCU PO BX 5002 GREAT FALLS MT 59403 ESY 1ST NORTHERN CA CU 1111 PINE ST MARTINEZ CA 94553 EUZ 1ST NORTHERN CR U 230 W MONROE ST STE 2850 CHICAGO IL 60606 GVK 1ST RESOURCE CU 47 W OXMOOR RD BIRMINGHAM AL 35209 DYW 1ST SECURITY BK WA PO BX 97000 LYNNWOOD WA 98046 FTK 1ST UNITED SVCS CU 5901 GIBRALTAR DR PLEASANTON CA 94588 W95 1ST VALLEY CU 401 W SECOND ST SN BERNRDNO CA 92401 K31 360 EQUIP FIN LLC 300 BEARDSLEY LN STE D201 AUSTIN TX 78746 DJH 360 FCU PO BX 273 WINDSOR LOCKS CT 06096 DBG 4FRONT CU PO BX 795 TRAVERSE CITY MI 49685 FBU 777 EQUIPMENT FIN LLC 600 BRICKELL AVE FL 19 MIAMI FL 33131 FYD A C AUTOPAY PO BX 40409 DENVER CO 80204 CWX A L FNCL CORP PO BX 11907 SANTA ANA CA 92711 J68 A L FNCL CORP PO BX 51466 ONTARIO CA 91761 J90 A L FNCL CORP PO BX 255128 SACRAMENTO CA 95865 J93 A L FNCL CORP PO BX 28248 FRESNO CA 93729 J95 A PLUS FCU PO BX 14867 AUSTIN TX 78761 AYV A PLUS LOANS 500 3RD ST W SACRAMENTO CA 95605 GCC A/M FNCL PO BX 1474 CLOVIS CA 93613 A94 AAA FCU PO BX 3788 SOUTH BEND IN 46619 CSM AAC CU 177 WILSON AVE NW GRAND RAPIDS MI 49534 GET AAFCU PO BX 619001 MD2100 DFW AIRPORT TX 75261 A90 ABLE INC 503 COLORADO ST AUSTIN TX 78701 CVD ABNB FCU 830 GREENBRIER CIR CHESAPEAKE VA 23320 CXE ABOUND FCU PO BX 900 RADCLIFF KY 40159 GKB ACADEMY BANK NA PO BX 26458 KANSAS CITY MO 64196 ATF ACCENTRA CU 400 4TH
    [Show full text]
  • Zen in the Art of Writing – Ray Bradbury
    A NOTE ABOUT THE AUTHOR Ray Bradbury has published some twenty-seven books—novels, stories, plays, essays, and poems—since his first story appeared when he was twenty years old. He began writing for the movies in 1952—with the script for his own Beast from 20,000 Fathoms. The next year he wrote the screenplays for It Came from Outer Space and Moby Dick. And in 1961 he wrote Orson Welles's narration for King of Kings. Films have been made of his "The Picasso Summer," The Illustrated Man, Fahrenheit 451, The Mar- tian Chronicles, and Something Wicked This Way Comes, and the short animated film Icarus Montgolfier Wright, based on his story of the history of flight, was nominated for an Academy Award. Since 1985 he has adapted his stories for "The Ray Bradbury Theater" on USA Cable television. ZEN IN THE ART OF WRITING RAY BRADBURY JOSHUA ODELL EDITIONS SANTA BARBARA 1996 Copyright © 1994 Ray Bradbury Enterprises. All rights reserved under International and Pan-American Copyright Conventions. Owing to limitations of space, acknowledgments to reprint may be found on page 165. Published by Joshua Odell Editions Post Office Box 2158, Santa Barbara, CA 93120 Library of Congress Cataloging-in-Publication Data Bradbury, Ray, 1920— Zen in the art of writing. 1. Bradbury, Ray, 1920- —Authorship. 2. Creative ability.3. Authorship. 4. Zen Buddhism. I. Title. PS3503. 167478 1989 808'.os 89-25381 ISBN 1-877741-09-4 Printed in the United States of America. Designed by The Sarabande Press TO MY FINEST TEACHER, JENNET JOHNSON, WITH LOVE CONTENTS PREFACE xi THE JOY OF WRITING 3 RUN FAST, STAND STILL, OR, THE THING AT THE TOP OF THE STAIRS, OR, NEW GHOSTS FROM OLD MINDS 13 HOW TO KEEP AND FEED A MUSE 31 DRUNK, AND IN CHARGE OF A BICYCLE 49 INVESTING DIMES: FAHRENHEIT 451 69 JUST THIS SIDE OF BYZANTIUM: DANDELION WINE 79 THE LONG ROAD TO MARS 91 ON THE SHOULDERS OF GIANTS 99 THE SECRET MIND 111 SHOOTING HAIKU IN A BARREL 125 ZEN IN THE ART OF WRITING 139 .
    [Show full text]
  • NATURE [J'une 20, 1872 Aqueous Vapour in Condensing Developes
    148 NATURE [J'une 20, 1872 aqueous vapour in condensing developes. ~ositive elec­ originally advanced, the data required for its mathematical tricity. No unusual development of electnc1ty has ever demonstration were entirely wanting. The evidence, been detected by him in a cloud when no rain is falling. however, by which it was sustained was sufficient to give The above results, though falling short of what has to it a high degree of probability. be done to complete the theory, are yet definite, and hence The existence of a divellent force by which comets valuable, the more so if supported by other observers near their perihelia have been separated into parts, is placed in equally favourable situations. But of the varia­ clearly shown by the facts enumerated in the following tions in intensi"ty of positive or negative electricity nothing lines. Whether this force, as suggested by Schiaparelli, has been said. is simply the unequal attraction of the sun on different Besides the fixed instruments at the Observatory others parts of the nebulous mass, or whether, in accordance are used on the mountain. Gases are collected from with the views of other astronomers, it is to be regarded cracks in the earth's crust, tubes being let down into as a cosmical force of repulsion, is a question left for them and the gas sucked up by a kind of bellows to be future discussion. examined at leisure. A portable spectroscope is also used I. Seneca informs us that Ephoras, a Greek writer of during eruptions, and there is a larger one by Hoffman in the fourth century B.c., had recorded the singular fact of the Observatory.
    [Show full text]
  • Appendix I Lunar and Martian Nomenclature
    APPENDIX I LUNAR AND MARTIAN NOMENCLATURE LUNAR AND MARTIAN NOMENCLATURE A large number of names of craters and other features on the Moon and Mars, were accepted by the IAU General Assemblies X (Moscow, 1958), XI (Berkeley, 1961), XII (Hamburg, 1964), XIV (Brighton, 1970), and XV (Sydney, 1973). The names were suggested by the appropriate IAU Commissions (16 and 17). In particular the Lunar names accepted at the XIVth and XVth General Assemblies were recommended by the 'Working Group on Lunar Nomenclature' under the Chairmanship of Dr D. H. Menzel. The Martian names were suggested by the 'Working Group on Martian Nomenclature' under the Chairmanship of Dr G. de Vaucouleurs. At the XVth General Assembly a new 'Working Group on Planetary System Nomenclature' was formed (Chairman: Dr P. M. Millman) comprising various Task Groups, one for each particular subject. For further references see: [AU Trans. X, 259-263, 1960; XIB, 236-238, 1962; Xlffi, 203-204, 1966; xnffi, 99-105, 1968; XIVB, 63, 129, 139, 1971; Space Sci. Rev. 12, 136-186, 1971. Because at the recent General Assemblies some small changes, or corrections, were made, the complete list of Lunar and Martian Topographic Features is published here. Table 1 Lunar Craters Abbe 58S,174E Balboa 19N,83W Abbot 6N,55E Baldet 54S, 151W Abel 34S,85E Balmer 20S,70E Abul Wafa 2N,ll7E Banachiewicz 5N,80E Adams 32S,69E Banting 26N,16E Aitken 17S,173E Barbier 248, 158E AI-Biruni 18N,93E Barnard 30S,86E Alden 24S, lllE Barringer 29S,151W Aldrin I.4N,22.1E Bartels 24N,90W Alekhin 68S,131W Becquerei
    [Show full text]
  • Ray Bradbury Theater
    The Ray Bradbury Theater Episode Guide Compiled by Loren Heisey ([email protected]) June 14, 1993 page 1 THE RAY BRADBURY THEATER EPISODE GUIDE Guide revision history Version 1.0: Original release (06/07/92) Version 1.1: Minor update (07/05/92) Added support for printing with the ms macros and with cawf. Version 2.0: Update (06/14/93) Added fifth production episodes. Changed order of HBO episodes. Miscellaneous other changes. This guide is for personal use only and may be distributed freely. No charge may be made for this document beyond the costs of printing and distribution. page 2 June 14, 1993 THE RAY BRADBURY THEATER EPISODE GUIDE Table of Contents I. HBO Produced Episodes 4 II. USA First Production 7 III. USA Second Production 11 IV. USA Third Production 17 V. USA Fourth Production 20 VI. USA Fifth Production 22 VII. Episode Title List 27 VIII. Alphabetical Episode Title List 29 IX. Principle Credits 31 X. Notes 36 June 14, 1993 page 3 THE RAY BRADBURY THEATER EPISODE GUIDE I. HBO produced episodes Introduction by Ray Bradbury "People ask where do you get your ideas. Well right here. All this is my Martian landscape. Somewhere in this room is an African veldt. Just beyond perhaps is a small Illinois town where I grew up. And I’m surrounded on every side by my magicians toyshop. I’ll never starve here. I just look around, find what I need, and begin. I’m Ray Bradbury, and this is" The Ray Bradbury Theater. "Well then, right now what shall it be.
    [Show full text]
  • RESEARCHES on CRUSTACEA Special Number 3
    OKm iS 7 '"ic^mi n^^ ,',',. y^ ,^^o1»8 RESEARCHES ON CRUSTACEA Special Number 3 The Carcinological Society of Japan 1990 FRONTISPIECE The battle of the Heike and the Genji at Dannoura in 1185. Colored print by Kuniyoshi. RESEARCHES ON CRUSTACEA, SPECIAL NUMBER 3 Crabs of the Subfamily Dorippinae MacLeay, 1838, from the Indo-West Pacific Region (Crustacea: Decapoda: Dorippidae) L. B. Holthuis and Raymond B. Manning The Carcinological Society of Japan Tokyo June 1990 Copyright 1990 by The Carcinological Society of Japan Odawara Carcinological Museum Azabu-Juban 3-11-12, Minatoku, Tokyo 106 Japan Printed by Shimoda Printing, Inc. Matsubase, Shimomashiki-gun Kumamoto 869-05 Japan Issued 30 June 1990 Copies available from the Carcinological Society of Japan Contents Page Introduction 1 Methods 3 Acknowledgments 4 Systematic Account 5 Family Dorippidae MacLeay, 1838 5 Subfamily Dorippinae MacLeay, 1838 5 Key to Indo-West Pacific Genera of Dorippinae 5 Key to Genera of Dorippinae, Based on Male First Pleopods 6 Genus Dorippe Weber, 1795 7 Key to Species of Dorippe 9 Dorippe frascone (Herbst, 1785) 10 Dorippe irrorata Manning and Holthuis, 1986 15 Dorippe quadridens (Fabricius, 1793) 18 Dorippe sinica Chen, 1980 36 Dorippe tenuipes Chen, 1980 43 Genus Dorippoides Serene and Romimohtarto, 1969 47 Key to Species of Dorippoides 49 Dorippoides facchino (Herbst, 1785) 49 Dorippoides nudipes Manning and Holthuis, 1986 66 Heikea, new genus 71 Key to Species of Heikea 72 Heikea arachnoides (Manning and Holthuis, 1986), new combination 72 Heikea japonica
    [Show full text]
  • Would You Visit the PAST If You Could?
    Video link at Comparing A Sound of Thunder thinkcentral.com Texts Short Story by Ray Bradbury From Here to There: The Physics of Time Travel Magazine Article by Brad Stone The Time Machine Movie Poster Would you visit the PAST if you could? Virginia Standards of Learning Imagine that you could board a time machine and travel into the 9.3f Extend general and specialized past. In “A Sound of Thunder,” the main character does just that. vocabulary through speaking, His journey, however, has unexpected consequences. reading, and writing. 9.4e Explain the relationship between and among elements of literature: characters, plot, setting, tone, point of view, and What’s the Connection? theme. 9.4m Use reading strategies You’ve probably already encountered time machines in books, to monitor comprehension throughout the reading process. comics, TV shows, movies, and other media. As you read the selections that follow, you will again ponder the phenomenon of time travel—as both a compelling premise for science fiction stories and a real scientific possibility. 36 VA_L09PE-u01s1-brAsth.indd 36 3/22/11 4:18:42 PM Meet the Author text analysis: foreshadowing Foreshadowing is a writer’s use of clues to hint at events that will Ray Bradbury happen later in a story. By using this technique Bradbury creates born 1920 suspense, the feeling of tension or excitement that readers Social Critic for the Future experience when they want to know what will happen next. A major writer in the genres of science Foreshadowing often occurs when a character makes an unusual fiction and fantasy, Ray Bradbury explores the statement or issues a strong warning, as in this example: future, outer space—and the human heart.
    [Show full text]
  • A Sound of Thunder by Ray Bradbury
    A Sound of Thunder by Ray Bradbury Imagine being able to travel back in time. Many writers have explored this idea in science fiction stories and movies. You are about to read one of the most popular_and thought-provoking_stories about time travel ever written. LITERARY FOCUS: STYLE AND MOOD A writer’s diction, or word choice, greatly defines a work’s style. Style is also determined by sentence length and complexity. A story that is written in brief simple sentences, for example, is different in style from a story written in long complex sentences. See below: Style: Simple Style: More Complex The sun rose. The air was warm, “It was Miss Murdstone who was my coffee was hot. Nothing arrived, and a gloomy-looking lady stirred. Nothing breathed except she was: dark, like her brother, for the lizard. That lizard could whom she greatly resembled in outstare a rock. face and voice . .” (from David Copperfield, by Charles Dickens) The use (or non-use) of imagery and figurative language also has an effect on style. In the story you’re about to read, Ray Bradbury uses vivid imagery and figurative language to create a style that is as lush as its prehistoric set- ting. Mood, like style, is also created by diction, sentence length, imagery, and figurative language. A story’s mood, or atmosphere, can be described using adjectives like scary, calm, and mysterious. • As you read “A Sound of Thunder,” notice how Bradbury's choice of words, imagery, and figurative language creates a unique style. Literary Skills • As Bradbury describes the ancient jungle, think about the words you’d Understand elements of use to describe the story’s mood.
    [Show full text]