Science Fiction Booklist
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ENGL 279 Course Title: Science Fiction and Dystopic Literature Units
Course name: ENGL 279 Course title: Science Fiction and Dystopic Literature Units: 3 Course Description: This course is designed to increase students’ knowledge of the literary genre known as Science Fiction. Emphasis will be on the study of literature--novels and short fiction--that depicts our future world, visionary scientific endeavor, and conflicts between humans, aliens, and sentient technology. Students will study the history, exciting contemporary trends, and the relevant contemporary issues in Science Fiction, including dystopia vs. utopia, artificial intelligence, current theory concerning technology, cloning and physical science, human psychology in a futuristic environment, and the rise of Cyberpunk and new Alternate Reality literature within the genre. Prerequisites: Completion of ENGL 101 Course Objectives: l. Analyze the role of literature as a means of reflecting and shaping thought and behavior. 2. Recognize and employ literary terminology and the language of literary criticism. 3. Identify, interpret, and compare and contrast specific leitmotifs and character types of the Science Fiction genre. 4. Practice critical reading and writing skills. 5. Conduct research and synthesize material from outside the given text in developing a written or oral project. 6. Recognize the attributes that make literary works universal and timeless, as well as unique to certain genres. 7. Demonstrate the ability to discuss literature using relevant support from the text. 8. Evaluate a literary work objectively, being able to understand and analyze critical responses to the works read. Course Content: I. In discussing the roots of many essential elements of Science Fiction, the instructor will guide students in: A. Distinguishing the important archetypes of Science Fiction. -
Hugo Award -- Britannica Online Encyclopedia
10/10/2017 Hugo Award -- Britannica Online Encyclopedia Hugo Award Hugo Award, any of several annual awards presented by the World Science Fiction Society (WSFS). The awards are granted for notable achievement in science �ction or science fantasy. Established in 1953, the Hugo Awards were named in honour of Hugo Gernsback, founder of Amazing Stories, the �rst magazine exclusively for science �ction. Hugo Award. This particular award was given at MidAmeriCon II, in Kansas City, Missouri, on August … Michi Trota Pin, in the form of the rocket on the Hugo Award, that is given to the finalists. Michi Trota Hugo Awards https://www.britannica.com/print/article/1055018 1/10 10/10/2017 Hugo Award -- Britannica Online Encyclopedia year category* title author 1946 novel The Mule Isaac Asimov (awarded in 1996) novella "Animal Farm" George Orwell novelette "First Contact" Murray Leinster short story "Uncommon Sense" Hal Clement 1951 novel Farmer in the Sky Robert A. Heinlein (awarded in 2001) novella "The Man Who Sold the Moon" Robert A. Heinlein novelette "The Little Black Bag" C.M. Kornbluth short story "To Serve Man" Damon Knight 1953 novel The Demolished Man Alfred Bester 1954 novel Fahrenheit 451 Ray Bradbury (awarded in 2004) novella "A Case of Conscience" James Blish novelette "Earthman, Come Home" James Blish short story "The Nine Billion Names of God" Arthur C. Clarke 1955 novel They’d Rather Be Right Mark Clifton and Frank Riley novelette "The Darfsteller" Walter M. Miller, Jr. short story "Allamagoosa" Eric Frank Russell 1956 novel Double Star Robert A. Heinlein novelette "Exploration Team" Murray Leinster short story "The Star" Arthur C. -
Cecilia Mancuso [email protected] Office: One Bow Street #340 Office Hours: TBD and by Appointment – Please Visit Cecimancuso.Youcanbook.Me
Cecilia Mancuso [email protected] Office: One Bow Street #340 Office Hours: TBD and by appointment – please visit cecimancuso.youcanbook.me Contemporary Science Fiction and Critical Theory [COURSE DESCRIPTION] Science fiction (sf) has often been defined as a “literature of ideas” – everything from a vector for hard scientific knowledge to a soft-science thought experiment. But which “ideas” is sf particularly good at communicating, and why those ideas? In this course, students will familiarize themselves with a number of theoretical and literary-critical approaches to the study of literature through the lens of contemporary science fiction and its principal genres (dystopia, cyberpunk, space opera, afrofuturism, and hard sf). This course also takes a multimedia approach to sf as a genre, including novels, short stories, TV, and video games as primary texts. Students will leave the tutorial with a 20-25 page research-based junior essay which engages substantively with literary theory and a working methodology for how to approach producing extended-length scholarly papers. [REQUIRED COURSE TEXTS] • N.K. Jemisin, The Fifth Season (ISBN9780316229296) • Cixin Liu, The Three-Body Problem (ISBN 9780765382030) • Annalee Newitz, Autonomous (ISBN 978065392077) • Ann Leckie, Ancillary Justice (ISBN 9780316246620) [COURSE MATERIALS ENCOURAGED BUT NOT REQUIRED] • Supergiant Games, Transistor (available for iOS, PC, and Mac) • A Netflix subscription (or access to one) PDFs of all other course readings will be made available either as paper copies or through the course site. [GRADING] • Participation and weekly assignments: 10% • First paper, 5-7 pages, due Feb 8 by 5pm: 15% • Proposal & annotated bibliography, 2 pages and 8-10 sources, due March 1 by 5pm: 15% • Rough draft, 15-20 pages, due April 11 by 5pm: 20% • Final draft, 20-25 pages, due May 2 by 5pm: 40% [SOME EXPECTATIONS] 1. -
Cordelias Honor Pdf, Epub, Ebook
CORDELIAS HONOR PDF, EPUB, EBOOK Lois McMaster Bujold | 608 pages | 07 Sep 1999 | Baen Books | 9780671578282 | English | Riverdale, United States Cordelias Honor PDF Book She hooked the pole over a half-melted cabinet and dragged it into the open. Honor sets the stage by introducing the reader to Aral and Cordelia. Just arrived. Sick of combat and betrayal, she was ready to settle down to a quiet life, interrupted only by the occasion ceremonial appearances required of the Lady Vorkosigan. Powell's Books. The best part of the book, for me, was the epilogue that featured none of the main characters and focused on the cost of war in a harsher degree than the rest of the book. I'm not sure why there are so many proliferating the pages of fiction. Cordelia is witty, snarky, and tough, with an innate sense of right and wrong and true grace under fire. But the crimes they hope to prevent in that future are imaginary. You either end up with the same old romance story just set in outer space, or a science fiction story with really bad romantic scenes. After an annoyingly manipulative scene involving her son's shoe, the princess is killed in crossfire, thus becoming a symbol of the capital-t Theme: patriarchal society harms women irreparably. While on survey, her crew is attacked by a band of Barrayans, led by none other than Aral Vorkosigan, aka The Butcher of Komarr. Sick of combat and betrayal, she was ready to settle down to a quiet life, interrupted only by the occasional ceremonial appearances required of the Lady Vorkosigan. -
THE SURVIVAL and MUTATION of Utoi
PHOENIX RENEWED: THE SURVIVAL AND MUTATION OF UTOi’IAN THOUGHT IN NORTH AMERICAN SCIENCE FICTION, 1965—1982 A DISSERTATION SUBMITTED TO THE FACULTY OF ATLANTA UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR TEE DEGREE OF DOCTOR OF PHILOSOPHY BY HODA MOUKHTAR ZAKI DEPARTMENT OF POLITICAL SCIENCE ATLANTA, GEORGIA DECEMBER 1984 ABS TRACT POLITICAL SCIENCE ZAKI, H01P4 MOURHIAR B.A. , American University in Cairo, 1971 N.A., Atlanta University, Atlanta, Georgia, 1974 Phoenix Renewed: The Survival and_Mutation_of Utopian Thought in ~urth American Science Fiction, 1965—1982 Adviser: Dr. Alex Hillingham The&is d~tei Decenber, 1984 This dissertation is concerned with the status of utoni en in rwdcra timas. As such it is concerned with a historic problem ir pci tial :hearv, i.e., how to visualize a perfect human community. Since the turn of the 20th century, we have seen a decline in utopian ~i tera.ture. A variety of commentators, including Mannhein: and Mumford, noted and decried this trend. It seemed ironic to those observers that utopia~s demise would occur when humanity was closest to realizing material abundance for all. My research evaluates this irony. The primary data of my work are drawn from the genre of science fiction. The new locus for utopian thought seems natural enough. Science fiction is a speculative activity and, in its emphasis on science and technology, concerns itself with an area of human activity that has been intimately connected with the idea of progress since the European Enlightenment. A number of scholars including Mumford, Sargent, Suvin, and Williams, have asserted that contemporary utopian thought could be found in science fiction. -
Why Read Science Fiction and How to Help Those Who Do Chat Transcript
Why Read Science Fiction and How to Help Those Who Do Chat Transcript 1:29 PM Welcome everyone! Thanks for joining early. We will get started at the top of the hour. 1:39 PM Hello everyone! 1:46 PM "Hello from Salt Lake City! We're reading Station Eleven for our United We Read book, and I'm loving it so far." 1:47 PM "I've heard it has Sci-Fi elements, but I haven't gotten that far yet." 1:47 PM That's great Tanya. Thanks for sharing. 1:48 PM "Hi, I'm Kirsten from Boston. A science fiction book that I've read and enjoyed recently was Space Opera by Catherynne Valente. I'm currently reading Becky Chambers' Record of a Spaceborn Few and am enjoying it!" 1:49 PM "Hello from Fresno County Public Library!. I don't read much scifi. In fact, I have a hard time differentiating it from fantasy. I'm looking forward to learning how to approach our scifi-reading patrons." 1:50 PM "Hello from FCDL in Lancaster, Ohio" 1:50 PM "Hi, I'm Denice from Louisiana. " 1:50 PM "Hi! I'm Heather from Eckhart Public Library. My reading is always varied, but my most recent sci-fi reads have been the Murderbot Diaries series by Martha Wells." 1:50 PM I am Jo at Dallas Public Library. I like some Science Fiction especially Fantasy other worlds. 1:51 PM I do fondly recall my 6th grade teacher reading THE WHITE MOUNTAINS to our class. Anyone read the Tripods series? 1:51 PM The Man in the High Castle 1:51 PM Is there aurdio right now? I'm testing my sound and don't hearg anythin 1:51 PM I love Ender's Game; I wish we had one of those Freeze weapons to zap at kids running in the library. -
Dinosaurs and B.-E
THE HISTORY OF SCIENCE FICTION: “Dinosaurs and B.-E. M.” Page One The Age of Enlightenment brought decisive steps toward modern science, giving birth to the Scientific Revolution. During the 19th Century, the practice of science became professionalized and institutionalized, which continues to today. So, upon this stage in the 19th Century strode the “Mother of Science Fiction,” Mary Shelley (1797- 1851), whose Frankenstein of 1818 electrified the world! The promotion of the 1931 film featured a supply of smelling salts in theatre lobbies for those who might swoon! The “Co-Father of Science Fiction” was H. G. Welles (1866-1946), whose War of the Worlds of 1898, as adapted on radio by Orson Wells on Halloween, 1938, sparked a mini-panic of alien invasion terror! His The Time Machine of 1895 and The Invisible Man of 1897 became best sellers. Hints of our future were depicted by aircraft, tanks, space and time travel, nuclear weapons, satellite television, and the World-Wide Web. Page Two The other “Co-Father of Science Fiction” was the commercially-successful French author Jules Verne (1828-1905). I remember watching, with wonder, the 1954 Disney film of Twenty Thousand Leagues Under The Sea, of 1870. And I remember riding on the ride in Disneyland in California in the 1950’s. The 1959 film of Journey To The Center Of The Earth, starring James Mason and an unknown Pat Boone, featured an epic battle of dinosaurs, joining Arthur Conan Doyle’s The Lost World, of 1912, and the 1993 film Jurassic Park with dinosaur themes in science fiction. -
Human Exploration and Settlement of the Solar System
CORE 103G SPRING 2020 THE PROCESS OF CHANGE IN SCIENCE: HUMAN EXPLORATION AND SETTLEMENT OF THE SOLAR SYSTEM *** Please make sure to see me ASAP if you were not present on the first day of class *** Prof. Vahé Peroomian Email address: [email protected] Phone: (213) 740-2386 Office hours: Mondays 12:00pm – 1:30pm, Tuesdays 2:00pm – 4:00pm, Wednesdays 12:00pm – 1:30pm, and by appointment Two centuries ago, it was “common wisdom” that aLL of the pLanets of the Solar System were inhabited and were each home to flourishing civilizations. Percival Lowell’s imagined observations of Martian canaLs in the waning years of the 19th Century further fueled this belief. Since 1965, when the Mariner 4 spacecraft found Mars to be a LifeLess, barren worLd, our imagination has taken a new turn – that of terraforming Mars and making it habitable for humans. More recentLy, both science and science fiction have considered the possibility of human settlement throughout the Solar System, not just on Mars but also in the seemingly inhospitable outer Solar System. In this course, we will consider the eventual human exploration and settLement of the Solar System not just from a scientific and technological standpoint, but also by examining the interdependencies of complex systems and the human and societal aspects of this endeavor. We wiLL first famiLiarize ourseLves with the Solar System, exploring not only the planets, but also the Asteroid BeLt and many of the Larger moons of Jupiter and Saturn. Each of these destinations wiLL offer unique chalLenges to human habitabiLity, some of which may not be immediately apparent. -
Catalogue 147: Science Fiction
And God said: DELETE lines One to Aleph. LOAD. RUN. And the Universe ceased to exist. Then he pondered for a few aeons, sighed, and added: ERASE. It never had existed. For David Catalogue 147: Science Fiction Bromer Booksellers 607 Boylston Street, at Copley Square Boston, MA 02116 P: 617-247-2818 F: 617-247-2975 E: [email protected] Visit our website at www.bromer.com n the Introduction to Catalogue 123, which contained the bulk of a In his fifty years as a bookman, David naturally recognized the signifi- science fiction collection he had assembled, David Bromer noted cance of the early rarities, the books that laid the groundwork for the that “science fiction is a robust genre of literature, not allowing authors of the modern era. He was pleased to discover, when cata- one to ever complete a collection.” The progressive nature of sci- loguing Cyrano de Bergerac’s The Comical History of the States and enceI and the social fabric that it impacts means that the genre itself Empires of the Worlds of the Moon and the Sun, that its author de- has to be fluid, never quite getting pinned down like a specimen under scribed a personal music player–anticipating in the year 1687 the cre- glass. ation of the Walkman and iPod three centuries later. In this regard, it is entirely fitting that David has been drawn to science Ultimately, science fiction primed the human imagination to accom- fiction as a reader, and as a collector. He is a scientist by training, hav- plish what is perhaps its greatest achievement: the exploration of ing earned a PhD in Metallurgy from MIT and worked in research fields space and the mission to the moon in 1969. -
Top Left-Hand Corner
The four novels Hyperion, The Fall of Hyperion, Endymion and The Rise of Endymion constitute the Hyperion Cantos by the American science fiction writer Dan Simmons. This galactic-empire, epic, science fiction narrative contains a plethora of literary references. The dominant part comes from the nineteenth-century Romantic poet John Keats. The inclusion of passages from his poetry and letters is pursued in my analysis. Employing Lubomír Doležel’s categorizations of intertextuality— “transposition,” “expansion,” and “displacement”—I seek to show how Keats’s writings and his persona constitute a privileged intertext in Simmons’s tetralogy and I show its function. Simmons constructs subsidiary plots, some of which are driven by Keats’s most well-known poetry. In consequence, some of the subplots can be regarded as rewrites of Keats’s works. Although quotations of poetry have a tendency to direct the reader’s attention away from the main plot, slowing down the narrative, such passages in the narratives evoke Keats’s philosophy of empathy, beauty and love, which is fundamental for his humanism. For Keats, the poet is a humanist, giving solace to mankind through his poetry. I argue that the complex intertextual relationships with regards to Keats’s poetry and biography show the way Simmons expresses humanism as a belief in man’s dignity and worth, and uses it as the basis for his epic narrative. Keywords: Dan Simmons; The Hyperion Cantos; John Keats’s poetry and letters; intertextuality; empathy; beauty; love; humanism. Gräslund 2 The American author Dan Simmons is a prolific writer who has published in different genres. -
Mirrorshade Women: Feminism and Cyberpunk
Mirrorshade Women: Feminism and Cyberpunk at the Turn of the Twenty-first Century Carlen Lavigne McGill University, Montréal Department of Art History and Communication Studies February 2008 A thesis submitted to McGill University in partial fulfilment of the requirements of the degree of Doctor of Philosophy in Communication Studies © Carlen Lavigne 2008 2 Abstract This study analyzes works of cyberpunk literature written between 1981 and 2005, and positions women’s cyberpunk as part of a larger cultural discussion of feminist issues. It traces the origins of the genre, reviews critical reactions, and subsequently outlines the ways in which women’s cyberpunk altered genre conventions in order to advance specifically feminist points of view. Novels are examined within their historical contexts; their content is compared to broader trends and controversies within contemporary feminism, and their themes are revealed to be visible reflections of feminist discourse at the end of the twentieth century. The study will ultimately make a case for the treatment of feminist cyberpunk as a unique vehicle for the examination of contemporary women’s issues, and for the analysis of feminist science fiction as a complex source of political ideas. Cette étude fait l’analyse d’ouvrages de littérature cyberpunk écrits entre 1981 et 2005, et situe la littérature féminine cyberpunk dans le contexte d’une discussion culturelle plus vaste des questions féministes. Elle établit les origines du genre, analyse les réactions culturelles et, par la suite, donne un aperçu des différentes manières dont la littérature féminine cyberpunk a transformé les usages du genre afin de promouvoir en particulier le point de vue féministe. -
Catalogue XV 116 Rare Works of Speculative Fiction
Catalogue XV 116 Rare Works Of Speculative Fiction About Catalogue XV Welcome to our 15th catalogue. It seems to be turning into an annual thing, given it was a year since our last catalogue. Well, we have 116 works of speculative fiction. Some real rarities in here, and some books that we’ve had before. There’s no real theme, beyond speculative fiction, so expect a wide range from early taproot texts to modern science fiction. Enjoy. About Us We are sellers of rare books specialising in speculative fiction. Our company was established in 2010 and we are based in Yorkshire in the UK. We are members of ILAB, the A.B.A. and the P.B.F.A. To Order You can order via telephone at +44(0) 7557 652 609, online at www.hyraxia.com, email us or click the links. All orders are shipped for free worldwide. Tracking will be provided for the more expensive items. You can return the books within 30 days of receipt for whatever reason as long as they’re in the same condition as upon receipt. Payment is required in advance except where a previous relationship has been established. Colleagues – the usual arrangement applies. Please bear in mind that by the time you’ve read this some of the books may have sold. All images belong to Hyraxia Books. You can use them, just ask us and we’ll give you a hi-res copy. Please mention this catalogue when ordering. • Toft Cottage, 1 Beverley Road, Hutton Cranswick, UK • +44 (0) 7557 652 609 • • [email protected] • www.hyraxia.com • Aldiss, Brian - The Helliconia Trilogy [comprising] Spring, Summer and Winter [7966] London, Jonathan Cape, 1982-1985.