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The 'White Savior'
Post-Racial Hollywood? The ‘White Savior’ Concept in Selected 21st-Century U.S. Movies Diplomarbeit zur Erlangung des akademischen Grades einer Magistra der Philosophie an der Karl-Franzens-Universität Graz vorgelegt von Jennifer WICHMANN am Institut für Amerikanistik Begutachter: Univ.-Prof. Dr. Stefan L. Brandt Graz, 2018 EIDESSTATTLICHE ERKLÄRUNG Ich erkläre an Eides statt, dass ich die vorliegende Arbeit selbstständig verfasst, andere als die angegebenen Quellen/Hilfsmittel nicht benutzt und die den benutzten Quellen wörtlich und inhaltlich entnommenen Stellen als solche kenntlich gemacht habe. STATUTORY DECLARATION I declare that I have authored this thesis independently, that I have not used other than the declared sources / resources and that I have explicitly marked all material which has been quoted either literally or by content from the used sources. ii Table of Contents 1. Introduction ............................................................................................. 1 2. Exploring the Concepts of Race, Ethnicity, and Racism .................... 5 2.1. What is Race? – Race as a Social Construct ................................................................ 5 2.2. Race vs. Ethnicity – Two Concepts of Constituting Identity ....................................... 8 2.3. What is Racism? – The Color-Blind Approach to Understanding Race Relations in the 21st Century ............................................................................................................ 9 2.3.1. What are Stereotypes? – The Practice -
Spoilt Rotten: the Toxic Cult of Sentimentality Online
2Vw1H [FREE] Spoilt Rotten: The Toxic Cult of Sentimentality Online [2Vw1H.ebook] Spoilt Rotten: The Toxic Cult of Sentimentality Pdf Free Theodore Dalrymple audiobook | *ebooks | Download PDF | ePub | DOC Download Now Free Download Here Download eBook #123625 in eBooks 2012-10-01 2012-10-01File Name: B00A3Q9BGU | File size: 36.Mb Theodore Dalrymple : Spoilt Rotten: The Toxic Cult of Sentimentality before purchasing it in order to gage whether or not it would be worth my time, and all praised Spoilt Rotten: The Toxic Cult of Sentimentality: 2 of 2 people found the following review helpful. Marvelous! Just like everything else he's ever writtenBy Bernard ChapinReading Dr. Dalrymple is more than just reading an essayist, but rather, one has the experience of hearing speak a fellow who--in my opinion--is the wisest man in any room. I first started reading Dr. Daniels/Dalrymple in 2000 through the New Criterion and he soon became one of my favorite authors. Whether he's addressing art, medicine or even the pitfalls of the Beat Generation, the eminent doctor crafts a narrative unlike any other. I always experience hearing his words as if they came from an ancient ancestor who has seen all and come back to speak of it. No praise for Dr. Dalrymple is too great in my view. May he live forever! In this book, Spoilt Rotten, he takes on the toxic cult of sentimentality. He does so through the use of six lengthy chapters and a full introduction. The best of these, and the most necessary, is Chapter 5 "The Cult of the Victim," which is so instructive that I will be making a couple of videos on it for my channel. -
A Powerful and Uncompromising Film That Strikes at The
POVERTYCURE, ACTON MEDIA, AND COLDWATER MEDIA PRESENT “A powerful and uncompromising flm that strikes at the core of the traditional understanding of development and international assistance.” - Andres Jimenez, Waging Non-Violence [Costa Rica] DIRECTED AND PRODUCED BY MICHAEL MATHESON MILLER DOCUMENTARY, 91 MIN. (55 MIN. VERSION AVAILABLE) DISTRIBUTED BY RO*CO FILMS INTERNATIONAL TUGG, INC. BRAINSTORM MEDIA WWW.POVERTYINC.ORG #POVERTYINC [email protected] Logline The West has positioned itself as the protagonist of development, giving rise to a vast multi- billion dollar poverty industry of for-proft aid contractors and massive NGOs — the business of doing good has never been better. Yet the results have been mixed and leaders in the developing world are calling for change. From TOMs Shoes to international adoptions, from solar panels to U.S. agricultural subsidies, POVERTY, INC. challenges each of us to ask the tough question: Could I be part of the problem? Synopsis “I see multiple colonial governors,” says Ghanaian software entrepreneur Herman Chinery- Hesse of the international development establishment in Africa. “We are held captive by the donor community.” The West has positioned itself as the protagonist of development, giving rise to a vast multi- billion dollar poverty industry — the business of doing good has never been better. Yet the results have been mixed, in some cases even catastrophic, and leaders in the developing world are growing increasingly vocal in calling for change. Drawing from over 200 interviews flmed in 20 countries, Poverty, Inc. unearths an uncomfortable side of charity we can no longer ignore. From TOMs Shoes to international adoptions, from solar panels to U.S. -
The Human and the Animal in the Works of Zora Neale Hurston, Mark
SHARED SPACES: THE HUMAN AND THE ANIMAL IN THE WORKS OF ZORA NEALE HURSTON, MARK TWAIN, AND JACK LONDON Pamela Evans Harper, B.A. Thesis Prepared for the Degree of MASTER OF ARTS UNIVERSITY OF NORTH TEXAS August 2008 APPROVED: Jacqueline Foertsch, Major Professor Stephanie Hawkins, Committee Member Ian Finseth, Committee Member Robert Upchurch, Director of Graduate Studies in English David Holdeman, Chair of the Department of English Sandra L. Terrell, Dean of the Robert B. Toulouse School of Graduate Studies Harper, Pamela Evans. Shared Spaces: The Human and the Animal in the Works of Zora Neale Hurston, Mark Twain, and Jack London. Master of Arts (English), August 2008, 92 pp., works cited, 47 titles. Living in tune with nature means respecting the natural environment and realizing its power and the ways it manifests in daily life. This essay focuses on the ways in which respect for nature is expressed through animal imagery in Zora Neale Hurston’s Their Eyes Were Watching God, Mark Twain’s “The Stolen White Elephant,” Roughing It, and Pudd’nhead Wilson, and Jack London’s The Call of the Wild. Each author encouraged readers to seek the benefits of nature in order to become better human beings, forge stronger communities, and develop a more unified nation and world. By learning from the positive example of the animals, we learn how to share our world with them and with each other. Copyright 2008 by Pamela Evans Harper ii TABLE OF CONTENTS Page Chapters I. INTRODUCTION ...................................................................................................1 II. “MULES AND OTHER BRUTES HAD OCCUPIED THEIR SKINS”: THE INGRAINED ANIMAL IN ZORA NEALE HURSTON’S THEIR EYES WERE WATCHING GOD ..................................................................................................7 Animal Imagery in Language Janie’s Work as Family, Self, and Community The Wisdom of Animal Instinct Chapter Notes III. -
Humour and Irony in Dutch Post-War Fiction Film FRAMING FILM
HUMOUR AND IRONY IN DUTCH POST-WAR FICTION FILM FRAMING FILM FRAMING FILM is a book series dedicated to theoretical and analytical studies in restoration, collection, archival, and exhibition practices in line with the existing archive of EYE Filmmuseum. With this series, Amsterdam University Press and EYE aim to support the academic research community, as well as practitioners in archive and restoration. SERIES EDITORS Giovanna Fossati, EYE Filmmuseum & University of Amsterdam, the Netherlands Leo van Hee, EYE Filmmuseum Frank Kessler, Utrecht University, the Netherlands Patricia Pisters, University of Amsterdam, the Netherlands Dan Streible, New York University, United States Nanna Verhoeff, Utrecht University, the Netherlands EDITORIAL BOARD Richard Abel, University of Michigan, United States Jane Gaines, Columbia University, United States Tom Gunning, University of Chicago, United States Vinzenz Hediger, Goethe University Frankfurt, Germany Martin Koerber, Deutsche Kinemathek, Germany Ann-Sophie Lehmann, University of Groningen, the Netherlands Charles Musser, Yale University, United States Julia Noordegraaf, University of Amsterdam, the Netherlands William Uricchio, Massachusetts Institute of Technology, United States Linda Williams, University of California at Berkeley, United States PETER VERSTRATEN HUMOUR AND IRONY IN DUTCH POST-WAR FICTION FILM AMSTERDAM UNIVERSITY PRESS This publication is made possible by grants from the Nederlands Filmfonds and the Netherlands Society of Cinematographers. Published by EYE Filmmuseum / Amsterdam University Press Cover illustration: Borgman © Drafthouse Films. Design: Brandon Schaefer. Cover design and lay-out: Magenta Ontwerpers, Bussum Amsterdam University Press English-language titles are distributed in the US and Canada by the University of Chicago Press. isbn 978 90 8964 943 0 e-isbn 978 90 4852 837 0 doi 10.5117/9789089649430 nur 670 Creative Commons License CC BY NC ND (http://creativecommons.org/licenses/by-nc-nd/3.0) P. -
Poverty in the 'Age of Affluence': a Governmental Approach
Poverty in the ‘age of affluence’: A governmental approach Angelique Bletsas Thesis submitted for the Doctor of Philosophy Discipline of Politics School of History and Politics University of Adelaide February, 2010 Table of Contents Abstract i Declaration ii Acknowledgements iii Introduction Poverty in the ‘age of affluence’: a governmental approach 1 Chapter 1 Conceptualising poverty: on theory and methodology 13 Post-structuralism: a mode of inquiry 15 Knowledge and truth 21 ‘Essential’ truths of human being? 26 Governmentality Studies: an analytics 28 On the liberal mode of government: Conceptualising ‘the social’, freedom and poverty 36 Conclusion 42 Chapter 2 Crisis and consensus: recent shifts in welfare policy 43 Welfare as government: the view from governmentality studies 45 Australian welfare policy from the nineteenth century to the 1980s: an overview 50 Neo-liberal governmentality and the rise of ‘welfare dependency’ discourse 56 Welfare dependency: a governmental problematic 61 From welfare dependency to mutual obligation: welfare reform in 65 the 1990s Mutual obligation: reflecting on the state of welfare today 70 Conclusion 72 Chapter 3 A decade of debate: poverty analysis in the wake of welfare reform 74 The ‘poverty wars’: an overview 76 The ‘empirical’ argument in the context of poverty research in Australia 78 The Smith Family Report and the resultant poverty wars 86 Subjective values or contested concept? Negotiating the poverty 92 wars Poverty in ‘crisis’: the poverty wars and affluence governmentality 97 Conclusion -
Humour and Irony in Dutch Post-War Fiction Film Framing Film
HUMOUR AND IRONY IN DUTCH POST-WAR FICTION FILM FRAMING FILM FRAMING FILM is a book series dedicated to theoretical and analytical studies in restoration, collection, archival, and exhibition practices in line with the existing archive of EYE Filmmuseum. With this series, Amsterdam University Press and EYE aim to support the academic research community, as well as practitioners in archive and restoration. SERIES EDITORS Giovanna Fossati, EYE Filmmuseum & University of Amsterdam, the Netherlands Leo van Hee, EYE Filmmuseum Frank Kessler, Utrecht University, the Netherlands Patricia Pisters, University of Amsterdam, the Netherlands Dan Streible, New York University, United States Nanna Verhoeff, Utrecht University, the Netherlands EDITORIAL BOARD Richard Abel, University of Michigan, United States Jane Gaines, Columbia University, United States Tom Gunning, University of Chicago, United States Vinzenz Hediger, Goethe University Frankfurt, Germany Martin Koerber, Deutsche Kinemathek, Germany Ann-Sophie Lehmann, University of Groningen, the Netherlands Charles Musser, Yale University, United States Julia Noordegraaf, University of Amsterdam, the Netherlands William Uricchio, Massachusetts Institute of Technology, United States Linda Williams, University of California at Berkeley, United States PETER VERSTRATEN HUMOUR AND IRONY IN DUTCH POST-WAR FICTION FILM AMSTERDAM UNIVERSITY PRESS This publication is made possible by grants from the Nederlands Filmfonds and the Netherlands Society of Cinematographers. Published by EYE Filmmuseum / Amsterdam University Press Cover illustration: Borgman © Drafthouse Films. Design: Brandon Schaefer. Cover design and lay-out: Magenta Ontwerpers, Bussum Amsterdam University Press English-language titles are distributed in the US and Canada by the University of Chicago Press. isbn 978 90 8964 943 0 e-isbn 978 90 4852 837 0 doi 10.5117/9789089649430 nur 670 Creative Commons License CC BY NC ND (http://creativecommons.org/licenses/by-nc-nd/3.0) P. -
Permorphativity
Permorphativity Senior Seminar Anthology Fall 2012 Essays from the seminar “Fakes, Cons and Double-Talkers: Performativity and Literary Deception” Dr. Maria Doyle Department of English & Philosophy Printed on campus by UWG Publications and Printing. Table of Contents: Introduction I. Permorphing the Past The Cost of Performance: Oskar Schindler’s “Role”in the Holocaust Jack Perry....................................................................................pg 3 A Universal Language: The Importance of Narration in Martin Amis’ Time’s Arrow Jordan Hall................................................................................pg 15 The Bastards of History: The Eminence of Culture and Social Ethics in Quentin Tarantino’s Inglorious Basterds Lauren Williams........................................................................pg 26 Performing Re-Masculinization through Costuming in Rock of Ages Ashley Carroll-McCarley..........................................................pg 39 II. Permorphativity of the Moment How Wharton’s Introduction Frames Ethan Frome’s Unreliable Narrator Casey Smith..............................................................................pg 51 New Beginnings: Staged Admiration in The Edge Clence Patterson........................................................................pg 63 From Submission to Affection: The Performativity of Marriage in Their Eyes were Watching God Tamara Beckham.......................................................................pg 78 Table of Contents III. The Permorphed Future -
Spoilt Rotten: the Toxic Cult of Sentimentality by Theodore Dalrymple
Spoilt Rotten: The Toxic Cult of Sentimentality by Theodore Dalrymple Ebook Spoilt Rotten: The Toxic Cult of Sentimentality currently available for review only, if you need complete ebook Spoilt Rotten: The Toxic Cult of Sentimentality please fill out registration form to access in our databases Download here >> Paperback:::: 256 pages+++Publisher:::: Gibson Square Books (May 1, 2011)+++Language:::: English+++ISBN-10:::: 1906142254+++ISBN- 13:::: 978-1906142254+++Product Dimensions::::7.7 x 5.1 x 0.8 inches++++++ ISBN10 1906142254 ISBN13 978-1906142 Download here >> Description: In Spoilt Rotten, social commentator Theodore Dalrymple (Our Culture or What is Left of It, 2009) grinds his axe at our sentimentality-centric culture where feelings have become the yardstick of everything we do: safe driving, education, taking of responsibility (none), sentimentality (everywhere). In this forensic polemic of maudlin popular culture from X-factor to Super Nannies, Dalrymple wields his scalpel at all our modern sacred cows. Children will be speechless, for once, parents will hang their heads in shame! At the root of so many of the absurd stories we see in the news is sentimentality. Author Theodore Dalrymple notes that dictionaries define sentimentalism as an excess of emotion that is false, mawkish, and over-valued by comparison with reason, and he also asserts that sentimentality requires the attachment to a distorted set of beliefs about reality, and also the fiction of innocence and perfection, either actual or potential.In Spoilt Rotten, Dalrymple limns the consequences of sentimentality in the present-day West. The author traces the cult of the victim responsible for so much of sentimentality back to the Romantic era.