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Alter Ego #78 Trial Cover
TwoMorrows Publishing. Celebrating The Art & History Of Comics. SAVE 1 NOW ALL WHE5% O N YO BOOKS, MAGS RDE U & DVD s ARE ONL R 15% OFF INE! COVER PRICE EVERY DAY AT www.twomorrows.com! PLUS: New Lower Shipping Rates . s r Online! e n w o e Two Ways To Order: v i t c e • Save us processing costs by ordering ONLINE p s e r at www.twomorrows.com and you get r i e 15% OFF* the cover prices listed here, plus h t 1 exact weight-based postage (the more you 1 0 2 order, the more you save on shipping— © especially overseas customers)! & M T OR: s r e t • Order by MAIL, PHONE, FAX, or E-MAIL c a r at the full prices listed here, and add $1 per a h c l magazine or DVD and $2 per book in the US l A for Media Mail shipping. OUTSIDE THE US , PLEASE CALL, E-MAIL, OR ORDER ONLINE TO CALCULATE YOUR EXACT POSTAGE! *15% Discount does not apply to Mail Orders, Subscriptions, Bundles, Limited Editions, Digital Editions, or items purchased at conventions. We reserve the right to cancel this offer at any time—but we haven’t yet, and it’s been offered, like, forever... AL SEE PAGE 2 DIGITIITONS ED E FOR DETAILS AVAILABL 2011-2012 Catalog To get periodic e-mail updates of what’s new from TwoMorrows Publishing, sign up for our mailing list! ORDER AT: www.twomorrows.com http://groups.yahoo.com/group/twomorrows TwoMorrows Publishing • 10407 Bedfordtown Drive • Raleigh, NC 27614 • 919-449-0344 • FAX: 919-449-0327 • e-mail: [email protected] TwoMorrows Publishing is a division of TwoMorrows, Inc. -
PDF Download Chris Ware : Conversations Ebook, Epub
CHRIS WARE : CONVERSATIONS PDF, EPUB, EBOOK Jean Braithwaite | 296 pages | 30 Aug 2017 | University Press of Mississippi | 9781496809308 | English | Jackson, United States Chris Ware : Conversations PDF Book Rodrigo Valenzuela Tuesday, Sept. Artwork Courtesy: Chris Ware. I was still in art school when I started [ Jimmy Corrigan ], and I thought this story would only last maybe about three months or so, just a few episodes. He has also designed covers and posters for non-ragtime performers such as Andrew Bird's Bowl of Fire and 5ive Style. Post was not sent - check your email addresses! Here is the fall schedule:. Speakers include:. Terrance Hayes p. Eye Magazine. More info on fierce pussy can be found on: fiercepussy. Fred Seibert Thursday, Nov. Boris Groys Thursday, Sept. The sequel, Marco Goes to School was released in By its very design—the book weighs almost nine pounds, is a foot and a half tall and over a foot wide, and contains some very small print that requires one to really look at what one is reading—Ware makes clear that Monograph is not casual reading. The album includes wild and reckless moments resembling demonic deliverances, poignant songwriting, and even tender ballads, seemingly abandoning genre altogether. Ware has spoken about finding inspiration in the work of artist Joseph Cornell [6] and cites Richard McGuire 's strip Here as a major influence on his use of non-linear narratives. The end product of this process will be several novels. Although his precise, geometrical layouts may appear to some to be computer-generated, Ware works almost exclusively with manual drawing tools such as paper and ink, rulers and T-squares. -
Why Wonder Woman Matters
Why Wonder Woman Matters When I was a kid, being a hero seemed like the easiest thing in the world to be- A Blue Beetle quote from the DC Comics publication The OMAC Project. Introduction The superhero is one of modern American culture’s most popular and pervasive myths. Though the primary medium, the comic book, is often derided as juvenile or material fit for illiterates the superhero narrative maintains a persistent presence in popular culture through films, television, posters and other mediums. There is a great power in the myth of the superhero. The question “Why does Wonder Woman matter?” could be answered simply. Wonder Woman matters because she is a member of this pantheon of modern American gods. Wonder Woman, along with her cohorts Batman and Superman represent societal ideals and provide colorful reminders of how powerful these ideals can be.1 This answer is compelling, but it ignores Wonder Woman’s often turbulent publication history. In contrast with titles starring Batman or Superman, Wonder Woman comic books have often sold poorly. Further, Wonder Woman does not have quite the presence that Batman and Superman both share in popular culture.2 Any other character under similar circumstances—poor sales, lack of direction and near constant revisions—would have been killed off or quietly faded into the background. Yet, Wonder Woman continues to persist as an important figure both within her comic universe and in our popular consciousness. “Why does Wonder Woman matter?” To answer this question an understanding of the superhero and their primary medium, the comic book, is required, Wonder Woman is a comic book character, and her existence in the popular consciousness largely depends on how she is presented within the conventions of the comic book superhero narrative. -
Holtz: Belief Brings Success Vanier to Receive ND by ANALISE TAYLOR News Writer Humanitarian Award
------~--------.. Friday, AprilS, 1994 • Vol. XXVI No.ll9 THE INDEPENDENT NEWSPAPER SERVING NOTRE DAME AND SAINT MARY'S Holtz: belief brings success Vanier to receive ND By ANALISE TAYLOR News Writer humanitarian award Believing in yourself is a ma Special to The ObseiVer 1950. He studied philosophy jor key for success, according and theology in France for the to football coach Lou Holtz. Jean Vanier, founder of the next ten years, obtained a doc "You can't let anything in this international l'Arche communi toral degree in philosophy from world get you down," Holtz told ties for the mentally handi the Institut Catholique in Paris, an audience of faculty, stu capped, will 'receive the third ·and joined the faculty of St. dents, and parents. "You can't annual Notre Dame Award for Michael's University in Toronto. wallow in self-pity." international humanitarian ser In August 1964 he invited two Holtz emphasized seven vice in a ceremony at 7 p.m. mentally handicapped men to things that people can do to April 18 in Stepan Center. live with him in a small house help them attain goals. The award ceremony, to he had purchased in Trosly "Decide what you want to do, which the public Is welcome, Brueil, about 15 miles n_orth of put a time limit on it, determine will include an ecumenical Paris. Their home became the the people you're going to work prayer service featuring the first l'Arche community. with, determine the odds you're music of Notre Dame's Folk "Obviously Raphael and going to have to overcome, Choir; the presentation of the Phillipe (his housemates) need identify the skills and informa award by University President ed me," Vanier said later, "and tion needed to accomplish the Edward Malloy; and a lecture very quickly I saw that I needed goals, have a plan, and then by Vanier. -
Mason 2015 02Thesis.Pdf (1.969Mb)
‘Page 1, Panel 1…” Creating an Australian Comic Book Series Author Mason, Paul James Published 2015 Thesis Type Thesis (Professional Doctorate) School Queensland College of Art DOI https://doi.org/10.25904/1912/3741 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/367413 Griffith Research Online https://research-repository.griffith.edu.au ‘Page 1, Panel 1…” Creating an Australian Comic Book Series Paul James Mason s2585694 Bachelor of Arts/Fine Art Major Bachelor of Animation with First Class Honours Queensland College of Art Arts, Education and Law Group Griffith University Submitted in fulfillment for the requirements of the degree of Doctor of Visual Arts (DVA) June 2014 Abstract: What methods do writers and illustrators use to visually approach the comic book page in an American Superhero form that can be adapted to create a professional and engaging Australian hero comic? The purpose of this research is to adapt the approaches used by prominent and influential writers and artists in the American superhero/action comic-book field to create an engaging Australian hero comic book. Further, the aim of this thesis is to bridge the gap between the lack of academic writing on the professional practice of the Australian comic industry. In order to achieve this, I explored and learned the methods these prominent and professional US writers and artists use. Compared to the American industry, the creating of comic books in Australia has rarely been documented, particularly in a formal capacity or from a contemporary perspective. The process I used was to navigate through the research and studio practice from the perspective of a solo artist with an interest to learn, and to develop into an artist with a firmer understanding of not only the medium being engaged, but the context in which the medium is being created. -
Editorial Remarks How Much to Buy in the Way of Supplies
September 1999 A monthly publication of the Fandom Association of Central Texas, Inc. We’d appreciate it if you RSVP, so we’ll know Editorial Remarks how much to buy in the way of supplies. You can e- Come to ArmadilloCon! ‘Nuff said! mail me ([email protected]) or phone --- A. T. Campbell, III Adventures in Crime and Space at 4SF-BOOK (473- 2665). Labor Day Party! Thanks! You're invited to a "Who Can Afford to Go to --- Debbie Hodgkinson Australia Cook-Out and Potato Salad Bake-Off" party, which will be held on Labor Day. The party is FACToids & Friends sponsored by FACT. This column is for news about FACT members, The party will be held at 1204 Nueces (the former their friends, Texas writers, and important events in the FACT office, and current residence of Willie Siros) on SF&F community. If you have any such news, please Monday, September 6. It will start at 12 noon and run contact the F.A.C.T. Sheet Editor at the address on as long as people want to stay. page 7. We'll be cooking food outside on the grill. FACT will provide soft drinks, paper plates, utensils, napkins, Award News and some meat (Okay, actually burgers and hot dogs, so Results of the Mythopoeic Awards for 1999 were more like meat by-products.) Condiments and side announced at Mythcon XXX/Bree Moot 4 in dishes are potluck, as are any more exotic grilling items Milwaukee, Wisconsin on August 1. Winners included like chicken breasts, bratwurst or portobello Stardust by Neil Gaiman and Charles Vess (Fantasy mushrooms. -
The Third Side of the Coin: Constructing Superhero Comics Culture As Religious Myth Aaron Ricker, Mcgill University, Canada
The Third Side of the Coin: Constructing Superhero Comics Culture as Religious Myth Aaron Ricker, McGill University, Canada he claim that superhero comics culture is a modern religious and/ Tor mythopoeic expression has been repeated so often by academic observers of pop culture over the years, it has assumed the dimensions of a modern myth in its own right. It has provided the driving thesis behind a chorus of academic works that has mushroomed steadily over the decades,1 and inspired a considerable trend in teaching about religion in North American universities.2 Critically evaluating this claim that superhero comics culture is in effect a modern religious or mythopoeic expression can, though, feel at times like reading comics produced by M.C. Escher, since superhero comics “mythology” so often includes elaborate homage to (and exuberant plagiarism of) real-world religions and myths, including the religions and myths held sacred by the heroes themselves.3 To complete 1 From Umberto Eco’s “The Myth of Superman,” trans. Natalie Chilton, Diacritics 2, no. 1 (Spring, 1972): 14–22 to Andrew R. Bahlmann’s The Mythology of the Superhero (Jefferson, NC: McFarland, 2016), such scholarly studies have grown steadily in terms of both quantity and sophistication. See Sections 1 and 2 below for representative works. 2 See, e.g., Jeffrey M. Brackett, “Religious Studies 201: Religion and Popular Culture” (Class Syllabus, 2014; Ball State University, Muncie, Indiana); Ellen Kellman, “NEJS 176b: Jewish Graphic Novels” (Class Syllabus, 2015; Brandeis University, Waltham, Massachusetts); Ken Koltun-Fromm and Yvonne Chireau, “Relg 144: Reading Comics and Religion,” (Class Syllabus, 2016; Haverford University, Haverford, Pennsylvania); Salvatore Pane, “FYS 110 01: Superheroes or Supergods?” (Class Syllabus, 2013; University of Indiana, Bloomington, Indiana); Kevin Wanner, “REL 3111: Superhero Comic Book Religion” (Class Syllabus, 2015; University of Western Michigan, Kalamazoo, Michigan). -
Abstract the History of Book Jacket Design & Its Cultural
ABSTRACT THE HISTORY OF BOOK JACKET DESIGN & ITS CULTURAL SIGNIFICANCE Lindsay B. Larimore Director: Virginia Green Book jacket designs act as historical snapsHots of the visual culture prevalent during their creation through the use of typography, shapes, style of imagery and overall mood. Illustration also played a significant role in development of the book jacket as an art and advertising medium, although illustration now struggles to maintain its prior prestige in the digitally dominant 21st century. By studying these historical examples and examining the development of the medium, I created three book jacket designs as a practical demonstration. APPROVED BY DIRECTOR OF HONORS THESIS: Professor Virginia Green, Department of Art APPROVED BY HONORS PROGRAM: . Dr. Andrew Wisely, Director DATE: THE HISTORY OF BOOK JACKET DESIGN & ITS CULTURAL SIGNIFICANCE A Thesis Submitted to the Faculty of Baylor University In Partial Fulfillment of the Requirements for the Honors Program By Lindsay B. Larimore Waco, Texas May 2015 TABLE OF CONTENTS Acknowledgements . iii Chapter One: The History of Book Jacket Design & Its Cultural Significance . 1 Chapter Two: The Impact of Illustration . 23 Chapter Three: Practical Application: Reflection on Three Book Jacket Design 32 Endnotes . 46 Bibliography . 51 ACKNOWLEDGEMENTS I would like to thank Professor Virginia Green for the numerous hours she spent meeting with me and advising me through this long research and writing process. Also I would like to express my appreciation for my other thesis readers, Professor Terry Roller and Sha Towers for spending the time to help me further develop my thesis. Finally, I would like to thank my parents, Mark and Marla Larimore, for providing me with the opportunity to study at Baylor and allowing me to haul numerous books and art supplies on family vacations as I worked on my thesis. -
A Guide to Banned, Challenged, and Controversial Comics and Graphic
READ BANNED COMIC A Guide to Banned, Challenged and Controversial Comics and Graphic Novels Comic Book Legal Defense Fund Director’s Note is a non-profit organization dedi- cated to the protection of the First Happy Banned Books Week! Amendment rights of the comics art form and its community of Every year, CBLDF joins a chorus of readers, advo- retailers, creators, publishers, cates, and organizations to mark the annual cele- librarians, educators, and readers. CBLDF provides legal bration of the freedom to read! We hope you’ll join referrals, representation, advice, us in the celebration by reading banned comics! assistance, and education in furtherance of these goals. In the pages ahead, you’ll see a sampling of the many, many titles singled out for censorship in STAFF American libraries and schools. Censorship has Charles Brownstein, Executive Director Alex Cox, Deputy Director broad targets, from books that capture the unique Georgia Nelson, Development Manager challenges of younger readers, such as Drama by Patricia Mastricolo, Editorial Coordinator Raina Telgemeier and This One Summer by Mariko Robert Corn-Revere, Legal Counsel and Jillian Tamaki, to the frank discussion of adult BOARD OF DIRECTORS ADVISORY BOARD identity found in Fun Home by Alison Bechdel Christina Merkler, President Neil Gaiman & and Maus by Art Spiegelman. The moral, vision- Chris Powell, Vice President Denis Kitchen, Co-Chairs Ted Adams, Treasurer Susan Alston ary realities of authors like Brian K. Vaughan, Neil Dale Cendali, Secretary Greg Goldstein Gaiman, and Alan Moore have all been targeted. Jeff Abraham Matt Groening Jennifer L. Holm Chip Kidd Even the humor and adventure of Dragon Ball and Reginald Hudlin Jim Lee Bone have come under fire. -
Media & the Africa Promise
Media & The Africa Promise Pan Africa Media Conference 2010 IMAGE & CULTURE > PARTICIPATION & INTERACTION > GOVERNANCE & DEMOCRACY > CHANGE & CRISIS > FREEDOM & RESPONSIBILITY > First published in Kenya in 2011 By Nation Media Group Acknowledgements 18-20 Kimathi Street P.O. Box 49010, Nairobi-00100 In compiling this book, I called upon the resources and talents of a number Nairobi, Kenya of close ertake this project, and his entire board directors for supporting it. I www.nationmedia.com wish to thank also Joan Pereruan, the Nation’s picture editor, for getting all the photographs together, and corporate a!airs manager David Maingi, for All rights reserved. coordinating the book’s production and printing. I must also acknowledge the No part of this book may be reproduced, stored in a retrieval system, or immeasurable input of the extremely talented Kelly Frankeny, the American transmitted in any form or by any means, without the prior permission in designer who first came to the Nation’s stable to help redesign NMG’s print writing of the publisher, nor be otherwise circulated in any form of binding or products. Without her deft touch, the book would have been just another run- cover other than that in which it is published and without a similar condition of-mill product. I must not forget the constant friendly needling of colleagues including this condition being imposed on the subsequent purchaser. Charles Onyango-Obbo, Joseph Odindo and Mwikali Muthiani, to expedite the book. To all who helped in one way or another, I owe you a debt of Editors: Wangethi Mwangi assisted by Wanjiru Waithaka gratitude. -
Banned Books Week Handbook 2017
DEFEND YOUR RIGHT TO READ! C B banned L D F books p r e week s e n t handbook s 2017 DIRECTOR’S NOTE The theme of Banned Books Week 2017 is “Our Right to Read.” But that right is increasingly at risk. Censorship is on the rise, and it is infringing on our right to read whatever we choose. The American Library Association reported a nearly 20% increase in challeng- es during 2016, and 2017 has also kept CBLDF busy, with challenges to comics COMIC BOOK LEGAL DEFENSE FUND such as Jillian and Mariko Tamaki’s This One Summer, Ariel Schrag’s Stuck in is a non-profit organization the Middle, and the popular manga Sword Art Online. We’re also facing a surge dedicated to the protection of in unconstitutional legislation that would stifle expression, prevent the free the First Amendment rights of the exchange of ideas, and blur the line between pedagogically sound instruction comics art form and its community and opinion in secondary education. of retailers, creators, publishers, li- brarians, educators, and readers. There’s still hope: comics continue to gain mainstream acceptance among lit- CBLDF provides legal referrals, erary circles, as evidenced by John Lewis, Andrew Aydin, and Nate Powell’s representation, advice, assistance, win of the National Book Award for March Book Three—the first such win for a and education in furtherance of these goals. graphic novel. And we’ve been successful defending many books in 2017. STAFF The CBLDF Banned Books Week Handbook provides all the tools you need to Charles Brownstein, Executive Director prepare your Banned Books Week celebration. -
Alternative Comics: an Emerging Literature
ALTERNATIVE COMICS Gilbert Hernandez, “Venus Tells It Like It Is!” Luba in America 167 (excerpt). © 2001 Gilbert Hernandez. Used with permission. ALTERNATIVE COMICS AN EMERGING LITERATURE Charles Hatfield UNIVERSITY PRESS OF MISSISSIPPI • JACKSON www.upress.state.ms.us The University Press of Mississippi is a member of the Association of American University Presses. Copyright © 2005 by University Press of Mississippi All rights reserved Manufactured in the United States of America First edition 2005 ϱ Library of Congress Cataloging-in-Publication Data Hatfield, Charles, 1965– Alternative comics : an emerging literature / Charles Hatfield. — 1st ed. p. cm. Includes bibliographical references and index. ISBN 1-57806-718-9 (cloth : alk. paper) — ISBN 1-57806-719-7 (pbk. : alk. paper) 1. Underground comic books, strips, etc.—United States—History and criticism. I. Title. PN6725.H39 2005 741.5'0973—dc22 2004025709 British Library Cataloging-in-Publication Data available CONTENTS Acknowledgments vii Introduction ix Alternative Comics as an Emerging Literature 1 Comix, Comic Shops, and the Rise of 3 Alternative Comics, Post 1968 2 An Art of Tensions 32 The Otherness of Comics Reading 3 A Broader Canvas: Gilbert Hernandez’s Heartbreak Soup 68 4 “I made that whole thing up!” 108 The Problem of Authenticity in Autobiographical Comics 5 Irony and Self-Reflexivity in Autobiographical Comics 128 Two Case Studies 6 Whither the Graphic Novel? 152 Notes 164 Works Cited 169 Index 177 This page intentionally left blank ACKNOWLEDGMENTS Who can do this sort of thing alone? Not I. Thanks are due to many. For permission to include passages from my article, “Heartbreak Soup: The Interdependence of Theme and Form” (Inks 4:2, May 1997), the Ohio State University Press.