Biographical Compendium
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Compassion and Courage
Compassion and courage Australian doctors and dentists in the Great War Medical History Museum, University of Melbourne War has long brought about great change and discovery in medicine and dentistry, due mainly to necessity and the urgency and severity of the injuries, disease and other hardships confronting patients and practitioners. Much of this innovation has taken place in the field, in makeshift hospitals, under conditions of poor Compassion hygiene and with inadequate equipment and supplies. During World War I, servicemen lived in appalling conditions in the trenches and were and subjected to the effects of horrific new weapons courage such as mustard gas. Doctors and dentists fought a courageous battle against the havoc caused by AUSTRALIAN DOCTORS AND DENTISTS war wounds, poor sanitation and disease. IN THE REAT AR Compassion and courage: Australian doctors G W and dentists in the Great War explores the physical injury, disease, chemical warfare and psychological trauma of World War I, the personnel involved and the resulting medical and dental breakthroughs. The book and exhibition draw upon the museums, archives and library of the University of Melbourne, as well as public and private collections in Australia and internationally, Edited by and bring together the research of historians, doctors, dentists, curators and other experts. Jacqueline Healy Front cover (left to right): Lafayette-Sarony, Sir James Barrett, 1919; cat. 247: Yvonne Rosetti, Captain Arthur Poole Lawrence, 1919; cat. 43: [Algernon] Darge, Dr Gordon Clunes McKay Mathison, 1914. Medical History Museum Back cover: cat. 19: Memorial plaque for Captain Melville Rule Hughes, 1922. University of Melbourne Inside front cover: cat. -
'In a Country Churchyard'
IN A COUNTRY CHURCHYARD - CHRISTCHURCH, MAGOURNEY. Near the village of Coachford is the Church of Ireland graveyard of Christchurch. It is a smallish, rectangular area behind the now deconsecrated church, and on first glance is of no more, or less interest than the vast majority of such resting places to be found throughout the country. But a closer inspection reveals a different picture, for among the 37 memorial stones dating from 1904 to 1995 can be found an extraordinary collection of memorials to officers of the British forces of World War One, together with some very interesting reminders of the old Protestant people of the parish, now gone to their rest. So, let's take a peek, in no particular order. The HAYES cross and grave. Rev Richard Thomas Hayes, M.A., was Rector of the parish for 31 years, and it was he who oversaw the laying out of the new graveyard. His own son Henry, a lieutenant in the Navy, who had joined the Navy as a midshipman in 1895 was fated to become the first to be buried in the new cemetery. Also in the grave is another son, Rev. Richard Babington Hayes, who was curate in Myross, and like his brother died at an early age. Their father, Rev. Richard Thomas is also here buried, and the Cork Examiner carries an interesting account of his funeral, attended by all classes and creeds in the parish, in 1911. The LEADER/JELLETT monument commemorates Frank Leader (F H M Leader) of Classas and his family. Among them are his son William (F W M) Leader, lately of the Connaught Rangers (The Devil's Own), who was killed in action 26th August 1914. -
Artistic Identity in the Published Writings of Margaret Thomas (C1840-1929)
University of Wollongong Research Online University of Wollongong Thesis Collection 1954-2016 University of Wollongong Thesis Collections 1993 Artistic identity in the published writings of Margaret Thomas (c1840-1929) Lynn Patricia Brunet University of Wollongong Follow this and additional works at: https://ro.uow.edu.au/theses University of Wollongong Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorise you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: This work is copyright. Apart from any use permitted under the Copyright Act 1968, no part of this work may be reproduced by any process, nor may any other exclusive right be exercised, without the permission of the author. Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. A court may impose penalties and award damages in relation to offences and infringements relating to copyright material. Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. Unless otherwise indicated, the views expressed in this thesis are those of the author and do not necessarily represent the views of the University of Wollongong. Recommended Citation Brunet, Lynn Patricia, Artistic identity in the published writings of Margaret Thomas (c1840-1929), Master of Creative Arts (Hons.) thesis, School of Creative Arts, University of Wollongong, 1993. -
Pathology in Germany
INTERNATIONAL PATHOLOGY (ISSN 0020-8205) Vol 56 No 1 2016 published quarterly by the International Academy of Pathology. Circulation 23,000 worldwide. IAP WEBSITE Pathology in Germany http://www.iaphomepage.org PRESIDENT ologne is the host city of the International Con- These mutated genes are called ‘driver mutations.’ Eduardo Santini-Araurjo, Cgress of the IAP Sept 26-30, 2016. The motto The team is trying to see whether the various varie- Chair Professor, Department of Pathology, for the Congress is ‘Predictive Pathology - Guiding ties of lung tumour that can be identified in H&E School of Medicine, and Monitoring Therapy’ sections, have specific patterns of ‘driver mutations.’ University of Buenos Aires, Argentina The Institute for Pathology in Cologne epitomises Pharmaceutical companies are keen to find such E mail: [email protected] this motto. The current Head of the Institute is Pro- ‘driver mutations’ so that they can try to manufac- SECRETARY fessor Reinhard Buttner. His Institute is responsible ture specific chemotherapeutic agents with which to Ray McMahon for a busy routine Anatomical Pathology Service treat the tumours. This is aiming to produce ‘per- Consultant Pathologist, Manchester Royal Infirmary sonalised’ therapy for patients with these tumours. Manchester Medical School with about 40,000 surgical specimens and 20,000 Manchester, UK consultations each year, and a post mortem service Commercially these tests would cost about $7,000 email:[email protected] that has 150 postmortems annually. (As is happening but because the Pharmaceutical companies are fund- www.iapcentral.org elsewhere in the world this number is falling rapidly.) ing the research, the tests are presently free to patients. -
Thesis Title
Creating a Scene: The Role of Artists’ Groups in the Development of Brisbane’s Art World 1940-1970 Judith Rhylle Hamilton Bachelor of Arts (Hons) University of Queensland Bachelor of Education (Arts and Crafts) Melbourne State College A thesis submitted for the degree of Doctor of Philosophy at The University of Queensland in 2014 School of English, Media Studies and Art History ii Abstract This study offers an analysis of Brisbane‘s art world through the lens of artists‘ groups operating in the city between 1940 and 1970. It argues that in the absence of more extensive or well-developed art institutions, artists‘ groups played a crucial role in the growth of Brisbane‘s art world. Rather than focusing on an examination of ideas about art or assuming the inherently ‗philistine‘ and ‗provincial‘ nature of Brisbane‘s art world, the thesis examines the nature of the city‘s main art institutions, including facilities for art education, the art market, conservation and collection of art, and writing about art. Compared to the larger Australian cities, these dimensions of the art world remained relatively underdeveloped in Brisbane, and it is in this context that groups such as the Royal Queensland Art Society, the Half Dozen Group of Artists, the Younger Artists‘ Group, Miya Studios, St Mary‘s Studio, and the Contemporary Art Society Queensland Branch provided critical forms of institutional support for artists. Brisbane‘s art world began to take shape in 1887 when the Queensland Art Society was founded, and in 1940, as the Royal Queensland Art Society, it was still providing guidance for a small art world struggling to define itself within the wider network of Australian art. -
3 Researchers and Coranderrk
3 Researchers and Coranderrk Coranderrk was an important focus of research for anthropologists, archaeologists, naturalists, historians and others with an interest in Australian Aboriginal people. Lydon (2005: 170) describes researchers treating Coranderrk as ‘a kind of ethno- logical archive’. Cawte (1986: 36) has argued that there was a strand of colonial thought – which may be characterised as imperialist, self-congratulatory, and social Darwinist – that regarded Australia as an ‘evolutionary museum in which the primi- tive and civilised races could be studied side by side – at least while the remnants of the former survived’. This chapter considers contributions from six researchers – E.H. Giglioli, H.N. Moseley, C.J.D. Charnay, Rev. J. Mathew, L.W.G. Büchner, and Professor F.R. von Luschan – and a 1921 comment from a primary school teacher, named J.M. Provan, who was concerned about the impact the proposed closure of Coranderrk would have on the ability to conduct research into Aboriginal people. Ethel Shaw (1949: 29–30) has discussed the interaction of Aboriginal residents and researchers, explaining the need for a nuanced understanding of the research setting: The Aborigine does not tell everything; he has learnt to keep silent on some aspects of his life. There is not a tribe in Australia which does not know about the whites and their ideas on certain subjects. News passes quickly from one tribe to another, and they are quick to mislead the inquirer if it suits their purpose. Mr. Howitt, Mr. Matthews, and others, who made a study of the Aborigines, often visited Coranderrk, and were given much assistance by Mr. -
The Book of the Rotunda Hospital
.'<••'',- '.' '': ,( I' /' 'v%. THE 8G»K ':my\- iOSPITAL KlRtPATRICK JELLETT THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA LOS ANGELES THE BOOK OF THE ROTUNDA HOSPITAL BARTHOLOMEW MOSSE (fROM THE PORTRAIT IN THE BOARD ROOM OF THE HOSPITAL). THE BOOK OP THE ROTUNDA HOSPITAL AN ILLUSTRATED HISTORY OF THE DUBLIN LYING-IN HOSPITAL FROM ITS FOUNDATION IN 1745 TO THE PRESENT TIME T. PERCY C. [KIRKPATRICK, M.D., M.R.LA. FELLOW AND REGIS TEAE OP THE EOYAL COLLEGE OP PHYSICIANS OF IRELAND EDITED BY HENRY JELLETT, M.D., F.R.C.P.L MASTER OF THE HOSPITAL XonDon ADLARD & SON, BARTHOLOMEW PRESS BARTHOLOMEW" CLOSE, E.G. 1913 PRINTED BY ADLAKD AND SON LONDON AND DOEKINO tl/st:.T)iV. 1^/5 MISERIS • SOLAMEN • INSTITUIT M • DCC • L • VII Great hearted Founder, to whose prescient care we owe a debt that never can be paid, Accept the duteous thanks that love inspires, accept the tribute of a nation's praise. You worked to save the sick, to soothe the pain of those who heavy laden called for help, But, e'er the work was finished, passed away, leaving the future in Another's hands. Your statue stands within our ancient halls, your portrait looks upon our daily work. Poor dead and useless things, where every stone brings back again your living memory. What need have we of bronze or sculptor's skill to call back those who leave such work as you Whose sacrifice lives on—an endless spring of healing water on a thirsty earth ? J. PEEFACE rilHB Dublin Lying-in Hospital stands pre-eminent among similar "*- institutions of Great Britain and Ireland, whether one regards it from the point of view of its age, or the mag-nitude of the work it has done and is still doing. -
European Influences in the Fine Arts: Melbourne 1940-1960
INTERSECTING CULTURES European Influences in the Fine Arts: Melbourne 1940-1960 Sheridan Palmer Bull Submitted in total fulfilment of the requirements of the degree ofDoctor ofPhilosophy December 2004 School of Art History, Cinema, Classics and Archaeology and The Australian Centre The University ofMelbourne Produced on acid-free paper. Abstract The development of modern European scholarship and art, more marked.in Austria and Germany, had produced by the early part of the twentieth century challenging innovations in art and the principles of art historical scholarship. Art history, in its quest to explicate the connections between art and mind, time and place, became a discipline that combined or connected various fields of enquiry to other historical moments. Hitler's accession to power in 1933 resulted in a major diaspora of Europeans, mostly German Jews, and one of the most critical dispersions of intellectuals ever recorded. Their relocation to many western countries, including Australia, resulted in major intellectual and cultural developments within those societies. By investigating selected case studies, this research illuminates the important contributions made by these individuals to the academic and cultural studies in Melbourne. Dr Ursula Hoff, a German art scholar, exiled from Hamburg, arrived in Melbourne via London in December 1939. After a brief period as a secretary at the Women's College at the University of Melbourne, she became the first qualified art historian to work within an Australian state gallery as well as one of the foundation lecturers at the School of Fine Arts at the University of Melbourne. While her legacy at the National Gallery of Victoria rests mostly on an internationally recognised Department of Prints and Drawings, her concern and dedication extended to the Gallery as a whole. -
Tom Roberts's Masterpiece Emerges for Public Sale
Melbourne | +61 (0)3 9508 9900 | Thomas Austin | [email protected] TOM ROBERTS’S MASTERPIECE EMERGES FOR PUBLIC SALE FOR THE FIRST TIME SINCE THE 9 BY 5 IMPRESSION EXHIBITION IN 1889 She-Oak in Sun-Light Makes Auction Debut After Over a Century in the Sir Walter Baldwin Spencer Collection An Enduring Symbol of Roberts’s Vision to Create a Distinct & ‘National’ Visual Vocabulary for Australian Landscape Painting TOM ROBERTS 1856-1931 She-Oak and Sun-Light (1889) oil on wood, 30.5 x 30 cm Estimate $220,000–280,000 MELBOURNE, 30 October 2019 – On 20 November 2019, Tom Roberts’s celebrated Impressionist masterpiece, She-Oak and Sun-Light (1889), will go under the hammer at Sotheby’s Australia’s auction of Important Australian Art. The work was first seen by the public during the iconic The 9 by 5 Impression Exhibition in Melbourne in 1889 before being acquired by one of Australia’s first great art patrons Sir Walter Baldwin Spencer (1860-1929). The panel has been cherished by Spencer’s descendants since that time and will make its auction debut at Sotheby’s Australia this November. Sotheby’s Australia is a trade mark used under licence from Sotheby's. Second East Auction Holdings Pty Ltd is independent of the Sotheby's Group. The Sotheby's Group is not responsible for the acts or omissions of Second East Auction Holdings Pty Ltd Melbourne | +61 (0)3 9508 9900 | Thomas Austin | [email protected] THE MOST CELEBRATED WORK FROM AUSTRALIA’S FIRST IMPRESSIONIST EXHIBITION Over the past century, beginning with Frank Gibson, R.H. -
Clarke, Postcolonialism, Mental Illness and Prisons
The Tyran n y of the Lea ther Bo ok: Post colonialism, M ental Illness a nd Prisons in Australia Joan E Clarke, PhD Introduction: Shaping Relationships by Space and Symbol This essay explores how colonial legacies continue to affect people with severe mental illness in Australia, sometimes positively but mostly adversely. The exploration begins over two centuries ago when colonial white settlers brought with them an intention to own land. Along with this intention they brought their knowledge of how to manage large spaces by the use of European mapping, naming of places, British law, architecture and institutions. This paper follows the trail of how settlers shaped Australian landscapes with their laws that in turn helped to determine a hierarchy of colonial social relationships. Sherene Razack in her work on space, race and the law, argues that land, when it is set aside for specific purposes by statutes or government acts, is a statement about race and culture. Law plays a direct role in producing space by stipulating land use and purpose.1 For people with a mental illness in Australia an abiding fact is governments’ regulation of their personhood stretching back to colonial times. Laws were statements about their sanity. Asylums were statements about their place. In the State of Victoria, for example, before Federation in 1901, until now, there have been over 60 Lunacy Acts, Lunacy Statutes, Mental Hygiene Acts, and Mental Health Acts beginning with the Colony of New South Wales Lunacy Act of 1928. A new Victorian Mental Health Act will come into existence in 2013. -
2018 Annual Report 0 | P a G E
GTAC in focus 2018 Annual Report 0 | P a g e GTAC in focus Our Mission CONTENTS To excite Victorian students and teachers in GTAC in focus STEM by providing equitable access to leading About GTAC 2 life science expertise, practices and Year at a glance 3 technologies Directors message 4 Our specialty 5 Our Vision GTAC scientist mentors 6 Victorian students inspired by STEM through Expanding our specialist capability innovation in Life Science education Launching a new focus area: 8 Digital technologies A new School-Industry Our Values 9 partnership with CSL Limited Innovative thinking Victorian students performing 10 High expectations of selves and real research others Collaborations with STEM Critical reflection and continuous research and education 11 improvement institutions GTAC Advisory Board 12 Inclusive and encouraging learning environments Equitable access to GTAC programs Positive communication, collaboration Student and teacher 14 and consideration of ideas participation Residential Indigenous Science Sharing our joy and wonder of the life 15 sciences Experience A remarkable virtual learning 16 environment Strategic priorities Innovations in Professional 17 Learning Inspire students and teachers in STEM through exposure to contemporary Providing quality programs life sciences What students tell us about 20 Sustain an environment that supports their GTAC experience Teacher evaluation of student innovation in life science education in 21 programs STEM Enable increased reach and impact on Centre operations student outcomes in STEM, with a Centre organisation 24 particular focus on equity for Operating statement 25 disadvantaged students We acknowledge the traditional owners and custodians of the land on which our Centre is located, the Wurundjeri people of the Kulin nation, and pay our respects to their elders past and present. -
Vagrancy and the Victorians : the Social Construction of the Vagrant In
VAGRANCY AND THE VICTORIANS: THE SOCIAL CONSTRUCTION OF THE VAGRANT IN MELBOURNE, 1880-1907 SUSANNE ELIZABETH DAVIES RID THESiS, HISTORY DEPARTMENT, UNIVERSITY OF MELBOURNE, 1990 (This thesis does not exceed 100,000 words,) In Memory of my Father CONTENTS Page List of Figures 4 List of Illustrations 6 List of Abbreviations 9 Acknowledgements 10 Abstract 12 Introduction 15 Chapter One: A World of Difference 42 Chapter Two: The Evolution of the Vagrancy Laws 115 Chapter Three: Policing the Victorian Vagrancy Law 145 Chapter Four: Trial and Error 216 Chapter Five: Punishing and Reforming 274 Chapter Six: A System in Crisis $43 Chapter Seven: New Solutions for an Old Problem 397 Conclusion 450 Appendix One: Statistical Method 455 Appendix Two: Statistics relating to the Arrest and Imprisonment of Vagrants in Victoria, 1888-1907. 461 Appendix Three: Statistics relating to Vagrancy Cases heard by the Melbourne Court of Petty Sessions, 1 May 1888 - 30 April 1901. 468 Bibliography 478 4 FIGURES Page Figure 3.1: Vagrancy Arrests in Victoria, 1880-1907 161 Figure 3.2: Most Common Types of Arrests in Victoria, 1880-1905 162 Figure 3.3: Vagrancy Arrests as a Percentage of Total Arrests in Victoria, 1880-1907 163 Figure 3.4: '1 in 10' Sample - Vagrancy Cases heard by the MCPS, 1888-1901 167 Figure 3.5: '1 In 10' Sample - NVLMS/ILMS Cases as a Percentage of Total Vagrancy Cases, MCPS, 1888-1901 170 Figure 3.6: '1 in 10' Sample - Sex of Defendants in Vagrancy Cases, MCPS, 1888-1901 173 Figure 3.7: '1 in 10' Sample - Sex of Defendants in NVLMS/ILMS