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Giorno&Notte
lunedì 2017 9 ottobre 23 Giorno&Notte Da Non Perdere Appuntamenti IL MARGUTTA GALLERIA SPADA VILLA MASSIMO JUNK FOOD JACQUE DUMONT JACOBI- EISENSTAEDT Dodici artisti contro La Natività Fotografia 4 Dorothy Bhawl, Marco L’opera del pittore La sede dell’Accademia Colletti, Ezia Mitolo, Mo- (1704-1781), soprannomi- Tedesca mette in mo- by Dick, Antonella Pa- nato “le Romain” per la stra i ritratti e immagini gnotta, Pier The Rain, sua formazione giovani- iconiche, tra Berlino e Mauro Sgarbi, Elio Varu- le a Roma, viene mo- New York, dei due gran- na, Corrado Veneziano, , strata grazie ad un di fotografi tedeschi Sara Baxter, Giovanni Crovetto e Roma- accordo con il Musée Condé di Lotte Jacobi e Alfred Eisenstaedt, a cura Anastacia Claudio Tolcachir na Zambon: colletiva contro il cibo-spaz- Chantilly e apre una nuova iniziati- della storica della fotografia Ute Eskild- PARCO DELLA MUSICA TEATRO ARGENTINA zatura. Fino al 5/15, 0632650577. va del ciclo Ospiti della Spada. Fi- sen. Fino al 24/11, villamassimo.de. La leggenda del pop dalla Torna anche in questa Via Margutta 118 no al 9/01, info 066874896 L.go di Villa Massimo 1-2 voce unica (‘I’m Outta stagione, dopo il succes- P.za Capodiferro 13 Love’ e ‘Left Outside so riscosso con Emilia, la Alone) tornerà in Europa dimensione familiare e la L’evento nel 2018 per il suo Evo- scrittura intimistica del lution tour. Saranno 4 regista e drammaturgo le tappe italiane: il 7/05 argentino, in scena con Il a Roma. Caso della famiglia Cole- V.le P. -
Procol Harum Live in Italia Per Tre Imperdibili Concerti in Occasione Dei 50 Anni Di Carriera
MERCOLEDì 4 OTTOBRE 2017 I Procol Harum, una delle band leggendarie del panorama internazionale, celebrano 50 anni di carriera e arrivano in Italia tra pochissimi giorni. Sarà questa un'occasione speciale e imperdibile per vedere il gruppo Procol Harum live in Italia per tre finalmente sul palco, dato che si esibiscono dal vivo in pochi selezionati imperdibili concerti in occasione concerti e l'ultima volta nel nostro paese risale al 2010. La band dei 50 anni di carriera: il 6 ottobre britannica sarà a Milano il 6 ottobre (Teatro Dal Verme), a Pordenone il 7 a Milano, il 7 a Pordenone e il 9 a (Palasport) e a Roma il 9 (Auditorium Parco della Musica). Roma I Procol Harum si formano nel 1967 dal sodalizio tra Gary Brooker, pianista dei Paramounts, e dell'amico Keith Reid(spesso definito il Mogol della musica leggera inglese). Nasceva uno dei più grandi gruppi rock di tutti i tempi, uno dei primissimi gruppi progressive inglesi, che, nell'anno del debutto, sbancava letteralmente il mercato discografico internazionale con A whiter shade of pale, uno dei singoli più venduti al ANTONIO GALLUZZO mondo (ben 10 milioni di copie) ed una delle canzoni più riconoscibili e suonate di sempre. In Italia rimase per mesi in testa alla hit parade, e da molti è conosciuta nella versione italiana. I Procol Harum hanno regalato [email protected] al pubblico una decina di album con brani celebri, tra i quali SPETTACOLINEWS.IT ricordiamo Homburg, Conquistador, Pandora's Box, As strong as Samson, A Salty Dog (divenuta sigla di un programma televisivo), e tutti quelli di un album tanto bello quanto sottovalutato degli anni '70 come Grand Hotel. -
June 2009 Did Really Well with the Mananan Song, Gaining at the VERY LATEST a 3Rd Prize in the Folk Song (9 and Under 14)
IIAULLAULL MANNINAGHMANNINAGH JJIUIU KMANX MUSIC TODAY une j2009 mean souree king chiaullee supporting men in kilts! Stars of the Manx music world, King Chiaullee, have been chosen to support masters of bagrock, The Red Hot Chilli Pipers, as part of this year’s TT music line-up at the Villa Marina Gardens. On Sunday 7th June, the lads take to the stage for a what promises to be a true spectacle! Tickets only £10 online at: www.villagaiety.com www.kciom.com www.redhotchillipipers.co.uk strengyn supporting ‘the gathering’ JonnoPromotions in association with Manx Radio presents... The Gathering - Legends of Folk Rock 27th June, Gaiety Theatre, 7.30pm featuring The Gathering, Derrin Nauendorf, Strengyn. A Who’s Who of folk-rock musicians ... Clive Bunker (Jethro Tull, Pentangle), Jerry Donahue (Fairport Convention, Fotheringay), Ray Jackson (Lindisfarne), Matt Pegg (Procol Harum & Jethro Tull, son of Dave Pegg) & Doug Morter (The Albion Band, Magna Carta) with very special guest Kristina Donahue (who sang with Robert Plant at Cropredy Festival 2008). With support from awesome Australian singer songwriter Derrin Nauendorf and local support from guitar & mandolin duo Strengyn (Paul Rogers & Matt Kelly). Tickets £22.00 & £18.00 concs from the Welcome Centre, www.villagaiety.com and the hotline 694555 www.myspace.com/thegatheringonline www.myspace.com/derrinnauendorf ~ SESSIONS ~ THURS 9pm Singing session at The Brit, Ramsey FRI 8pm Tynwald Inn, St. Johns FRI 9pm Irish at The Mitre, Ramsey Last FRI of month 9pm, Kiaull as Gaelg, Albert, Port St Mary SAT 10pm Manx at The White House, Peel SUN 4pm Irish at the Traf, Douglas Cruinnaght Aeg Manx bands at Ramsey Rocks competitions The Ballaghs will again The Isle of Man Dept of Education and Manx storm the main stage at National Heritage are looking forward to Ramsey Rocks on Friday 2009’s Cruinnaght Aeg youth music, dance and 10 July. -
Off the Beaten Track
Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center). All recordings received are included in “Publication Noted” (which follows “Off the Beaten Track”). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention “Off The Beaten Track.” Sincere thanks to this issue’s panel of musical experts: Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Angela Page, Mike Regenstreif, Seth Rogovoy, Ken Roseman, Peter Spencer, Michael Tearson, Theodoros Toskos, Rich Warren, Matt Watroba, Rob Weir and Sule Greg Wilson. that led to a career traveling across coun- the two keyboard instruments. How I try as “The Singing Troubadour.” He per- would have loved to hear some of the more formed in a variety of settings with a rep- unusual groupings of instruments as pic- ertoire that ranged from opera to traditional tured in the notes. The sound of saxo- songs. He also began an investigation of phones, trumpets, violins and cellos must the music of various utopian societies in have been glorious! The singing is strong America. and sincere with nary a hint of sophistica- With his investigation of the music of tion, as of course it should be, as the Shak- VARIOUS the Shakers he found a sect which both ers were hardly ostentatious. -
Varsity Jazz
Varsity Jazz Jazz at Reading University 1951 - 1984 By Trevor Bannister 1 VARSITY JAZZ Jazz at Reading University 1951 represented an important year for Reading University and for Reading’s local jazz scene. The appearance of Humphrey Lyttelton’s Band at the University Rag Ball, held at the Town Hall on 28th February, marked the first time a true product of the Revivalist jazz movement had played in the town. That it should be the Lyttelton band, Britain’s pre-eminent group of the time, led by the ex-Etonian and Grenadier Guardsman, Humphrey Lyttelton, made the event doubly important. Barely three days later, on 3rd March, the University Rag Committee presented a second event at the Town Hall. The Jazz Jamboree featured the Magnolia Jazz Band led by another trumpeter fast making a name for himself, the colourful Mick Mulligan. It would be the first of his many visits to Reading. Denny Dyson provided the vocals and the Yew Tree Jazz Band were on hand for interval support. There is no further mention of jazz activity at the university in the pages of the Reading Standard until 1956, when the clarinettist Sid Phillips led his acclaimed touring and broadcasting band on stage at the Town Hall for the Rag Ball on 25th February, supported by Len Lacy and His Sweet Band. Considering the intense animosity between the respective followers of traditional and modern jazz, which sometimes reached venomous extremes, the Rag Committee took a brave decision in 1958 to book exponents of the opposing schools. The Rag Ball at the Olympia Ballroom on 20th February, saw Ken Colyer’s Jazz Band, which followed the zealous path of its leader in keeping rigidly to the disciplines of New Orleans jazz, sharing the stage with the much cooler and sophisticated sounds of a quartet led by Tommy Whittle, a tenor saxophonist noted for his work with the Ted Heath Orchestra. -
Patent Application Publication (10) Pub. No.: US 2017/0110097 A1 Sperr (43) Pub
US 201701 10097A1 (19) United States (12) Patent Application Publication (10) Pub. No.: US 2017/0110097 A1 Sperr (43) Pub. Date: Apr. 20, 2017 (54) GUITAR CONVERSION SYSTEMAND (57) ABSTRACT METHOD Aguitar conversion system for the assembly of a guitar in an easy quick manner, from conventional guitar designs to (71) Applicant: Eric Sperr, South Plainfield, NJ (US) hybrid guitars. The guitar conversion system includes at least one main body portion and at least one side body (72) Inventor: Eric Sperr, South Plainfield, NJ (US) portion. Preferably a pair of side body portions is provided. The main body portion includes a headstock, machine heads (or pegheads, or tuners), a neck, and pickups in communi (21) Appl. No.: 13/844,781 cation with electronic controls located on the side body portion. The main body portion includes left and right edge walls having attachment means for releasably attaching at (22) Filed: Mar. 15, 2013 least one other main body portion or at least one side body portion to the main body. The side body portion includes at least one electrical control integrated therein for electronic Publication Classification communication with the main body portion. The side body portion comprising a top side wall and at least one side (51) Int. Cl. attachment portion that is adapted to mate with the attach GIOD L/08 (2006.01) ment means of the main body portion. The guitar conversion GIOH 3/8 (2006.01) system provides the ability to interchange the body portion (52) U.S. Cl. and/or each of the side body portions to change any resultant CPC .............. -
Downbeat.Com April 2011 U.K. £3.50
£3.50 £3.50 U.K. PRIL 2011 DOWNBEAT.COM A D OW N B E AT MARSALIS FAMILY // WOMEN IN JAZZ // KURT ELLING // BENNY GREEN // BRASS SCHOOL APRIL 2011 APRIL 2011 VOLume 78 – NumbeR 4 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Associate Maureen Flaherty ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, -
Eastman Guitar Specifications
Series Name Parlor Orchestra Grand Auditorium Dreadnought Slope Shoulder Arch Top Originally designed to be played in small rooms, The Eastman Orchestra Model is most A popular guitar for vocal Acoustic Electric Flatpicking musicians, hard This guitar provides a Electric Description or “parlors”, the parlor guitar has a tight and popular size among fingerstyle guitarists. accompaniment, the Eastman Grand Versatile small-bodied, jumbo cutaway strummers and woodiness that's sweet A fine example of why Eastman focused sound. Eastman Parlor guitars are Large enough to be heard playing in a Auditorium models feature a very guiter perfect for fingerstyle, flatpicking, vocalist/guitarists often on the ears thanks to is a major force in the world of inspired by the great parlor guitars of the 30′s group. They are tight and focused, with balanced sound though the range. They and vocal backing. The solid Indian choose the Eastman the use of Adirondack archtop guitars. This beautiful and 40′s. Players and listeners alike are added volume. have volume sufficient for playing in a rosewood back and sides, an Alaskan Dreadnought guitars as spruce that's a popular guitar illustrates the harmonious surprised by the volume and tonally quality of group. Grand Auditoriums work well as Sitka spruce top, and an abalone rosette their “working” instrument. choice for flatpicking & relationship between premium Eastman Parlor guitars, despite their diminutive a hybrid guitar for fingerpicking and make these stunning instruments. Add in The tonal qualities make it a live vocal tonewoods and the time honored size. Most often used by fingerstyle and slide flatpicking. -
Blank1 Page Intentionally Left Blank EDITORIAL
Fellowship of European MAGAZINE Luthiers Published by the Fellowship of European Luthiers Magazine for luthiers, designers and lovers of stringed musical instruments Number 6 - 2014 / I blank1 Page intentionally left blank EDITORIAL Here we go again his adventure called SUSTAIN begins ades, and others just discovered this fascinat- its second year. Two things made it ing world. Many of you like working amidst T possible: the sawdust; others prefer the artistic side of 1) Our readers’ support. Your letters, com- lutherie. But all of you, dear lovers of all kinds ments, feedback and encouragement. of musical instruments, are the cause and the 2) Our authors’ contribution. Your articles are objective of this magazine. the heart and soul of the magazine. By shar- ing your experiences you have enriched us all. This past year we made new friends, we Some of you are professionals, some are am- learned things, and we welcomed a growing ateurs; some have been in the trade for dec- number of Fellows with the same interests. For all that, I thank you. And of course, here we go again, looking for- ward to another year talking about these won- derful chunks of wood we love to make music with. Leo Lospennato is luthier, author of books on lutherie and chief editor of SUSTAIN Magazine. He lives in Berlin, Germany. Visit www.lospennato.com 1 Imprint Letters Product news This issue’s cover Speed 2: The Making of a Winning Design By Leo Lospennato Research Laser Harps: Plucking Strings of Light By Cem Öcek Woodworking Measuring Moisture Content in Tonewood An interview with Flavia Santana Pohl Interview A Brief Guide to Copyright Law for Luthiers Advice from Dr. -
PROCOL HARUM 2014 BIOGRAPHY Procol Harum Are Still Going Strong
PROCOL HARUM 2014 BIOGRAPHY Procol Harum are still going strong. March 2014 sees a new double CD, Inside/Outside, celebrating over forty years of studio and live recordings. In addition the spring will see a new download-only release, Some Long Road, featuring tracks from the band’s 2012 US tour. Alongside this Procol continue to tour many parts of the world, and are considering options on three continents at the moment. You could not be blamed for thinking that, with the monumental success of Procol's first smash hit, the band just stopped there, like so many others. Even the recently-awarded accolade of ‘most- played single of the past seventy-five years’ has not quelled their need to go forward: hence 2014’s new live album. In the past couple of years they have released ten re-mastered CD albums, plus the 2CD anthology Secrets of the Hive (all generally available in Europe, and sourceable on import); their DVDs In Concert with the Danish National Concert Orchestra and Live at Union Chapel have been widely acclaimed. There’s also a special 4-disc CD/DVD box-set compendium – aptly entitled All this and More – featuring 68 of the band’s many unique compositions: this prompted Classic Rock magazine to observe, ‘it’s small wonder The Who’s Tommy and Queen’s Bohemian Rhapsody can be traced to Procol’s influence’. It could be termed a plethora of Procol. The quality of writing and performance has remained Procol Harum’s gold standard through the gradually-mutating line-ups: each participating musician has kept the ideas flowing and prevented Procol from resting on their laurels. -
Procol Harum – Novum
Procol Harum – Novum (56:04, CD, DoLP, Eagle/Universal, 2017) 50 Jahre Procol Harum – wenn das im Jahr 2017 kein Grund zum Feiern ist. Die Mannen um das einzig verbliebene Gründungsmitglied, Mastermind, Pianist und Sänger Gary Brooker, zelebrieren diese besondere Zahl auch mit Aktivität. So erscheint ihr zwölftes Studioalbum sowohl als CD als auch als DoLP und anschließend geht es auf Tournee. Im September kommen sie auch für neun Konzerte nach Deutschland. Vierzehn Jahre liegt ihre letzte Studioscheibe “The Wells On Fire“ schon zurück, sodass „Novum“ das Vermächtnis von Procol Harum werden könnte. Das wunderschöne Artwork entwarf Julia Brown aka Julia King, die mit dem Covermotiv Erinnerungen an das Jugendstil-Artwork des Debütalbums weckt. Procol Harums Zwölfte bietet elf neue Tracks – die Japanversion sogar zwei Bonustracks mit ‚Honour‘ und der Radioversion von ‚Sunday Morning‘ – bei einer Laufzeit von 56:04 Minuten. Kompositorisch werden einige Veränderungen geboten.Keith Reid, der Texter der Band seit den ersten Tagen, ist nicht mehr an Bord. Hierfür zeichnet sich nun, bis auf zwei Songs, Pete Brown aus, der schon für Cream, Jack Bruce oder Colosseum textete, der aber auch gerne als Sänger auf der Bühne steht, sich als Autor für Filme betätigt und selber Inhaber einer Filmproduktionsfirma ist. Während Gary Brooker bisher alles Musikalische, neben einigen Songs mit Matthew Fisher und Robin Trower, selbst komponierte, hat er nun die kompositorische Verantwortung – bis auf den Gesangs-Piano-Schlusstrack ‚Somewhen‘ – auf mehrere Schultern verteilt. Trotzdem bleibt die verträumt-melancholische Stimmung ein wesentlicher Bestandteil der Procol-Harum-Musik, wobei die Inspirationen aus der Klassik weiterhin gekonnt mit bluesig- rockiger Kompositionsgüte verbunden wird. -
John Etheridge Is Not Just Another Great Guitarist, He Is a Master of the Instrument and He Knows How to Use It to Best Effect in an Enormous Range of Settings
JOHN ETHERIDGE TO PLAY SOLO GIG AT THE TOLMEN CENTRE SUNDAY NOVEMBER 17TH 7.30pm Tickets £10/£9 concessions Tel 01326 341353 or email [email protected] Cafe meals available but pre-booking essential John Etheridge hardly needs introducing to anyone with a nodding acquaintance with contemporary jazz guitar, but his range and experience extends far beyond jazz. He grew to prominence back in the 70s with rock-jazz fusion group Soft Machine (with whom he still tours); he spent six years on the road with gypsy jazz virtuoso Stephane Grapelli; he plays regularly with jazz violinist Chris Garrick as a duo and in the quartet Sweet Chorus; and he has worked and toured extensively with the foremost classical guitarist of our era, John Williams; he tours too with the Frank Zappa tribute band the Zappatistas. Other collaborators have included Richard Thompson, Nigel Kennedy and many more. John will be playing in our downstairs space, where a relaxed arrangement of tables and chairs and a bar open throughout will create just the atmosphere to enjoy this most engaging and generous of musicians. Those who have never seen John perform will be amazed by his virtuosity and passion, while those who have seen him only in combination with other musicians can look forward to something quite different and very special. Bill Starling, friend and writer, has this to say: “John Etheridge is not just another great guitarist, he is a master of the instrument and he knows how to use it to best effect in an enormous range of settings. He is fast, a great chord man, inventive but subtle, as good with a pick as finger style, as at home on acoustic as on electric guitar.