National Gallery of Ireland Annual Report 2013
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Wales-Ireland Travelogue 2009
WALES AND IRELAND TRIP MAY 12 TO JUNE 4, 2009 What a coincidence! Meaningless, to be sure - but a coincidence, nonetheless. Our trip to the British Isles in 2009 began and ended one day earlier than our trip to Scotland, May 14 to June 5, 2001. (One can only hope that September of this year doesn't hold the same sort of unpleasant surprise that was visited upon us eight years ago.) OK, so I made a "small" error - we are departing two days earlier, not one. And, OK, so it wasn't much of a coincidence, was it? I mean, a real coincidence - one of excruciating consequence - occurred at the Polo Grounds in NYC on October 3, 1951 when Ralph Branca of the Blessed Brooklyn Dodgers was called in to pitch in the 9th inning and, by coincidence, Bobby Thomson of the Bestial New York Giants happened to come to bat, and, by coincidence, Mr. Branca happened to throw a pitch that the aforementioned Mr. Thomson happened to swing at, and, by coincidence, made contact with said pitch and drove it a miserable 309 feet into the first row of the left- field seats of the absurdly apportioned Polo Grounds, thus ending the Dodgers' season and causing a certain 12-year-old, watching on TV, in Brooklyn to burst into tears. Now that was a coincidence! But I digress. Tuesday, May 12 to Wednesday, May 13 Rather than leaving our car at the Seattle Airport Parking Garage (cost for three-plus weeks $468) or at an airport hotel (about $335) we decide to try the new Gig Harbor Taxi (at $95 each way, including tip). -
Exhibition Making – Library Collections Schedule
IMA FORUMS: EXHIBITION MAKING – LIBRARY COLLECTIONS National Library of Ireland. 7 December 2016 #irishmuseums SCHEDULE 09:30 – 09:45 Registration – National Library of Ireland Seminar Room 09:45 – 10:00 Welcome: Dr Sandra Collins, Director, National Library of Ireland 10:00 – 10:45 Dr Jill Unkel, Curator of Western Collections, Chester Beatty Library Round peg in a square hole, or fitting a collection into an exhibition Dr Orla Fitzpatrick, National Museum of Ireland Off the Shelf: maximising the potential of library collections within the museum 10:45 – 11:15 Tea / Coffee Break 11:15 – 12:30 Andrew Moore, Library Assistant, National Gallery of Ireland Rare auction catalogues in the National Gallery of Ireland Mark Reynolds, Archivist GAA Museum The GAA Museum’s library and archive collections. Jennifer Greiner Risking the Work of Angels: the loan and exhibition of iconic manuscripts 12:30 – 13:30 Lunch (at own leisure) 13:30 – 14:45 Evelyn Flanagan, Special Collections Librarian, University College Dublin (UCD) Creating Exhibitions in Special Collections UCD Library Brian Crowley, Curator, The Pearse Museum 'Knowing I loved my books': Exhibiting Shakespeare at the Pearse Museum Nicola Ralston, Assistant Keeper, Education and Outreach Department, National Library of Ireland Evolving through Evaluation: Learning lessons at the National Library of Ireland 14:45 – 15:00 Open session and Final Comments IMA FORUMS: EXHIBITION MAKING – LIBRARY COLLECTIONS National Library of Ireland. 7 December 2016 SPEAKER BIOGRAPHIES AND PRESENTATION ABSTRACTS Dr Orla Fitzpatrick, National Museum of Ireland Off the Shelf: maximising the potential of library collections within the museum This paper will explore the role of library collections within a large national cultural institution. -
NGI Annual Report 2009 Web NGI Annual Report2001
G AILEARAÍ N ÁISIÚNTA NA HÉ IREANN N ATIONAL G ALLERY of I RELAND T UARASCÁIL B HLIANTÚIL 2009 A NNUAL R EPORT 2009 GAILEARAÍ NÁISIÚNTA NA HÉIREANN Is trí Acht Parlaiminte i 1854 a bunaíodh Gailearaí Náisiúnta na hÉireann, agus osclaíodh don phobal é i 1864. Tá breis agus 13,000 mír ann: breis agus 2,500 olaph- ictiúr, agus 10,000 píosa oibre i meáin éagsúla, lena n-áirítear uiscedhathanna, líníochtaí, priontaí agus dealbhóireacht. Is ón gceathrú céad déag go dtí an la inniu a thagann na píosaí oibre, agus tríd is tríd léirítear iontu forbairt na mórscoileanna péin- téireachta san Eoraip: Briotanach, Dúitseach, Pléimeannach, Francach, Gearmánach, Iodálach, Spáinneach agus an Ísiltír, comhlánaithe ag bailiúchán cuimsitheach d’Ealaín ó Éirinn. Ráiteas Misin Tá sé mar chuspóir ag Gailearaí Náisiúnta na hÉireann an bailúchán náisiúnta a thais- peáint, a chaomhnú, a bhainistiú, a léirmhíniú agus a fhorbairt; chun taitneamh agus tuiscint ar na hamharcealaíona a fheabhsú, agus chun saol cultúrtha, ealaíonta agus intleachtúil na nglúinte reatha agus na nglúinte sa todhchaí a fheabhsú freisin. NATIONAL GALLERY OF IRELAND The National Gallery of Ireland was founded by an Act of Parliament in 1854 and opened to the public in 1864. It houses some 13,000 items: over 2,500 oil paintings, and 10,000 works in different media including watercolours, drawings, prints and sculpture. The works range in date from the fourteenth century to the present day and broadly represent the development of the major European schools of painting: British, Dutch, Flemish, French, German, Italian, Spanish and Netherlands, complemented by a comprehensive collection of Irish art. -
Copyrighted Material
18_121726-bindex.qxp 4/17/09 2:59 PM Page 486 Index See also Accommodations and Restaurant indexes, below. GENERAL INDEX Ardnagashel Estate, 171 Bank of Ireland The Ards Peninsula, 420 Dublin, 48–49 Abbey (Dublin), 74 Arigna Mining Experience, Galway, 271 Abbeyfield Equestrian and 305–306 Bantry, 227–229 Outdoor Activity Centre Armagh City, 391–394 Bantry House and Garden, 229 (Kildare), 106 Armagh Observatory, 394 Barna Golf Club, 272 Accommodations. See also Armagh Planetarium, 394 Barracka Books & CAZ Worker’s Accommodations Index Armagh’s Public Library, 391 Co-op (Cork City), 209–210 saving money on, 472–476 Ar mBréacha-The House of Beach Bar (Aughris), 333 Achill Archaeological Field Storytelling (Wexford), Beaghmore Stone Circles, 446 School, 323 128–129 The Beara Peninsula, 230–231 Achill Island, 320, 321–323 The arts, 8–9 Beara Way, 230 Adare, 255–256 Ashdoonan Falls, 351 Beech Hedge Maze, 94 Adrigole Arts, 231 Ashford Castle (Cong), 312–313 Belfast, 359–395 Aer Lingus, 15 Ashford House, 97 accommodations, 362–368 Agadhoe, 185 A Store is Born (Dublin), 72 active pursuits, 384 Aillwee Cave, 248 Athlone, 293–299 brief description of, 4 Aircoach, 16 Athlone Castle, 296 gay and lesbian scene, 390 Airfield Trust (Dublin), 62 Athy, 102–104 getting around, 362 Air travel, 461–468 Athy Heritage Centre, 104 history of, 360–361 Albert Memorial Clock Tower Atlantic Coast Holiday Homes layout of, 361 (Belfast), 377 (Westport), 314 nightlife, 386–390 Allihies, 230 Aughnanure Castle (near the other side of, 381–384 All That Glitters (Thomastown), -
Anya Gallaccio
ANYA GALLACCIO Born Paisley, Scotland 1963 Lives London, United Kingdom EDUCATION 1985 Kingston Polytechnic, London, United Kingdom 1988 Goldsmiths' College, University of London, London, United Kingdom SOLO EXHIBITIONS 2019 NOW, The Scottish National Gallery of Modern Art, Edinburgh, Scotland Stroke, Blum and Poe, Los Angeles, CA 2018 dreamed about the flowers that hide from the light, Lindisfarne Castle, Northumberland, United Kingdom All the rest is silence, John Hansard Gallery, Southampton, United Kingdom 2017 Beautiful Minds, Thomas Dane Gallery, London, United Kingdom 2015 Silas Marder Gallery, Bridgehampton, NY Lehmann Maupin, New York, NY Museum of Contemporary Art San Diego, San Diego, CA 2014 Aldeburgh Music, Snape Maltings, Saxmundham, Suffolk, United Kingdom Blum and Poe, Los Angeles, CA 2013 ArtPace, San Antonio, TX 2011 Thomas Dane Gallery, London, United Kingdom Annet Gelink, Amsterdam, The Netherlands 2010 Unknown Exhibition, The Eastshire Museums in Scotland, Kilmarnock, United Kingdom Annet Gelink Gallery, Amsterdam, The Netherlands 2009 So Blue Coat, Liverpool, United Kingdom 2008 Camden Art Centre, London, United Kingdom 2007 Three Sheets to the wind, Thomas Dane Gallery, London, United Kingdom 2006 Galeria Leme, São Paulo, Brazil One art, Sculpture Center, New York, NY 2005 The Look of Things, Palazzo delle Papesse, Siena, Italy Blum and Poe, Los Angeles, CA Silver Seed, Mount Stuart Trust, Isle of Bute, Scotland 2004 Love is Only a Feeling, Lehmann Maupin, New York, NY 2003 Love is only a feeling, Turner Prize Exhibition, -
The Dublin Gate Theatre Archive, 1928 - 1979
Charles Deering McCormick Library of Special Collections Northwestern University Libraries Dublin Gate Theatre Archive The Dublin Gate Theatre Archive, 1928 - 1979 History: The Dublin Gate Theatre was founded by Hilton Edwards (1903-1982) and Micheál MacLiammóir (1899-1978), two Englishmen who had met touring in Ireland with Anew McMaster's acting company. Edwards was a singer and established Shakespearian actor, and MacLiammóir, actually born Alfred Michael Willmore, had been a noted child actor, then a graphic artist, student of Gaelic, and enthusiast of Celtic culture. Taking their company’s name from Peter Godfrey’s Gate Theatre Studio in London, the young actors' goal was to produce and re-interpret world drama in Dublin, classic and contemporary, providing a new kind of theatre in addition to the established Abbey and its purely Irish plays. Beginning in 1928 in the Peacock Theatre for two seasons, and then in the theatre of the eighteenth century Rotunda Buildings, the two founders, with Edwards as actor, producer and lighting expert, and MacLiammóir as star, costume and scenery designer, along with their supporting board of directors, gave Dublin, and other cities when touring, a long and eclectic list of plays. The Dublin Gate Theatre produced, with their imaginative and innovative style, over 400 different works from Sophocles, Shakespeare, Congreve, Chekhov, Ibsen, O’Neill, Wilde, Shaw, Yeats and many others. They also introduced plays from younger Irish playwrights such as Denis Johnston, Mary Manning, Maura Laverty, Brian Friel, Fr. Desmond Forristal and Micheál MacLiammóir himself. Until his death early in 1978, the year of the Gate’s 50th Anniversary, MacLiammóir wrote, as well as acted and designed for the Gate, plays, revues and three one-man shows, and translated and adapted those of other authors. -
Ireland P a R T O N E
DRAFT M a r c h 2 0 1 4 REMARKABLE P L A C E S I N IRELAND P A R T O N E Must-see sites you may recognize... paired with lesser-known destinations you will want to visit by COREY TARATUTA host of the Irish Fireside Podcast Thanks for downloading! I hope you enjoy PART ONE of this digital journey around Ireland. Each page begins with one of the Emerald Isle’s most popular destinations which is then followed by several of my favorite, often-missed sites around the country. May it inspire your travels. Links to additional information are scattered throughout this book, look for BOLD text. www.IrishFireside.com Find out more about the © copyright Corey Taratuta 2014 photographers featured in this book on the photo credit page. You are welcome to share and give away this e-book. However, it may not be altered in any way. A very special thanks to all the friends, photographers, and members of the Irish Fireside community who helped make this e-book possible. All the information in this book is based on my personal experience or recommendations from people I trust. Through the years, some destinations in this book may have provided media discounts; however, this was not a factor in selecting content. Every effort has been made to provide accurate information; if you find details in need of updating, please email [email protected]. Places featured in PART ONE MAMORE GAP DUNLUCE GIANTS CAUSEWAY CASTLE INISHOWEN PENINSULA THE HOLESTONE DOWNPATRICK HEAD PARKES CASTLE CÉIDE FIELDS KILNASAGGART INSCRIBED STONE ACHILL ISLAND RATHCROGHAN SEVEN -
VN Volume 9 (Entire Issue)
Kate Flint 1 How Do We See? Kate Flint, Provost Professor of Art History and English (University of Southern California, USA) How do we see? And how do we learn to see? These two questions, despite being highly similar, are far from identical. An increasing number of mid-Victorian commentators, who considered the act of looKing from the entwined perspectives of science and culture, investigated them. They explored and explained connections between the physiology and psychology of vision; the relationship between looking, attention, and ocular selection; and the variations in modes of seeing that come about through occupation, environment, and the spaces of sight. These, too, are the issues at the heart of the stimulating essays in this issue of Victorian Network. In 1871, the journalist Richard Hengist Horne brought out a strangely hybrid volume: The Poor Artist; or, Seven Eye-Sights and One Object. The narrative of a struggling painter, first published in 1850, was now prefaced by a ‘Preliminary Essay. On Varieties of Vision in Man.’ Horne acknowledges that the passages strung together into the essay ‘have been jotted down at various intervals, and in various parts of the globe’.1 Indeed, they constitute a collection of musings on the subject rather than a sustained argument, as though Horne’s own attention was incapable of resting steadily on a designated object. But he also recognizes that the variety of examples and exceptions he discusses precludes arriving at any firm generaliZations concerning the act of visualiZation – apart from the fact that we may extend the principle of variety in vision to the other senses. -
Norfolk TALES Don Jolly Uses Two Wooded Club Sites As Bases from Which to Uncover a Host of East Anglian Attractions
CLUB SITES THE SANDRINGHAM ESTATE & THE COVERT Norfolk TALES Don Jolly uses two wooded Club sites as bases from which to uncover a host of East Anglian attractions T FIRST glance, the Club’s two A shop reached along a tree-lined Snettisham, found on The Wash, is a quayside, the Custom House. Nearby If that sounds too energetic, you can There can’t be many caravan sites with Not to be missed: west Norfolk sites – The footpath offers basic foodstuffs, while must for all self-respecting birdwatchers. stands a statue of local lad Captain relax on ‘Sunny Hunny’s’ sandy beach a Second World War armoured vehicle at a mass take-off at Snettisham RSPB Sandringham Estate and The nearby West Newton’s village store sells One of the natural world’s spectacular George Vancouver, famous for exploring backed by red and white ‘layer cake’ cliffs, the entrance, but that’s what you’ll find A reserve Covert – appear very similar. Both lie meat from the royal estate. More down- sights is the mass take-off of thousands of North America’s Pacific coast. visit the Sea Life Sanctuary or take a boat at The Covert. ‘Little Audrey’, a within forest, but closer inspection reveals to-earth, the mobile Village Fryer calls on wading birds as the tide approaches. Miss A quarter of an hour away by car, Castle trip to view seal colonies. Beyond Cromwell tank, commemorates the five ❖ important differences. Monday, Wednesday and Friday evenings the moment and you could console yourself Rising has a superb Norman castle, while, Hunstanton, Norfolk’s north coast has months members of the 7th Armoured Most obviously, Sandringham is handy with fish and chips. -
De Búrca Rare Books
De Búrca Rare Books A selection of fine, rare and important books and manuscripts Catalogue 141 Spring 2020 DE BÚRCA RARE BOOKS Cloonagashel, 27 Priory Drive, Blackrock, County Dublin. 01 288 2159 01 288 6960 CATALOGUE 141 Spring 2020 PLEASE NOTE 1. Please order by item number: Pennant is the code word for this catalogue which means: “Please forward from Catalogue 141: item/s ...”. 2. Payment strictly on receipt of books. 3. You may return any item found unsatisfactory, within seven days. 4. All items are in good condition, octavo, and cloth bound, unless otherwise stated. 5. Prices are net and in Euro. Other currencies are accepted. 6. Postage, insurance and packaging are extra. 7. All enquiries/orders will be answered. 8. We are open to visitors, preferably by appointment. 9. Our hours of business are: Mon. to Fri. 9 a.m.-5.30 p.m., Sat. 10 a.m.- 1 p.m. 10. As we are Specialists in Fine Books, Manuscripts and Maps relating to Ireland, we are always interested in acquiring same, and pay the best prices. 11. We accept: Visa and Mastercard. There is an administration charge of 2.5% on all credit cards. 12. All books etc. remain our property until paid for. 13. Text and images copyright © De Burca Rare Books. 14. All correspondence to 27 Priory Drive, Blackrock, County Dublin. Telephone (01) 288 2159. International + 353 1 288 2159 (01) 288 6960. International + 353 1 288 6960 Fax (01) 283 4080. International + 353 1 283 4080 e-mail [email protected] web site www.deburcararebooks.com COVER ILLUSTRATIONS: Our front and rear cover is illustrated from the magnificent item 331, Pennant's The British Zoology. -
OPW Heritage Trade Catalogue 2021-2022 Dublin
heritage ireland Ireland’s National Heritage in the care of the 0ffice 2019 of public works Admission Charges Apply in 2022 Trade Catalogue 2021-2022 Dublin Ireland’s Ancient East Ireland’s Hidden Heartlands Wild Atlantic Way group trade information 1. groups and trade … explore more ¬ Specific language audio-visual films in some sites for pre-booked tours Bring your group to visit an historic place for a great day out. ¬ If you are a public group or in the travel trade and have ¬ Access to OPW Tour Operator Voucher Scheme (TOVS). customers for group travel, FIT or MICE our staff are Payment by monthly invoice. delighted to present memorable experiences at over 70 Email us at [email protected] historic attractions.* * Minimum numbers may vary at sites due to COVID–19 restrictions as at April 2021. ¬ Our guides excel in customer service and storytelling * Some sites may not be fully accessible or closed due to COVID–19 that enthrals and engrosses the visitor, while offering restrictions as at April 2021. a unique insight into the extraordinary legacy of Ireland’s iconic heritage. 3. plan your itinerary ¬ Join our mailing list for more information on heritageireland.ie ¬ For inspiration about passage tombs, historic castles, ¬ Contact each site directly for booking – details in Groups / Christian sites and historic houses and gardens throughout Trade Catalogue Ireland. * Due to COVID–19 restrictions some sites may not be open. ¬ From brunch to banquets – find out about catering facilities at sites, events and more … 2. group visit benefits ¬ Wild Atlantic Way ¬ Group Rate – up to 20% off normal adult admission rate. -
Page 1 of 3 Catherine Murphy, TD Dáil Éireann Kildare Street Dublin 2
Catherine Murphy, T.D. Dáil Éireann Kildare Street Dublin 2 - D02 A272 9th July 2020 Dear Deputy I am writing to you concerning the matter you raised in Parliamentary Question No. 935 on 3 June last to the Minister for Transport, Tourism and Sport, which has been referred to the National Transport Authority (NTA) for reply. Royal Canal Greenway The Royal Canal Greenway is a key element of the Dublin - Galway National Cycle Route, running through Dublin City, Fingal County and Kildare County Council areas. Within the Greater Dublin Area, the scheme is being developed by those local authorities in collaboration with, and funded by, the NTA. The alignment of the scheme parallels the Canal, swapping between the northern and southern sides so as to minimise impacts to the receiving environment. Construction of Phase 2 (between Sherriff Street Upper and North Strand Road - a distance of 0.72 km) began last year and is due for completion shortly. This section includes a new bridge, ramps, underpass and linear park. Phase 3 (between North Strand Road and Phibsborough Road) is currently at detailed design and will progress to construction in 2021. Phase 4 (between Ashtown and Cross Gunns Bridge) is also at detailed design and sections will progress to construction later this year. Consideration is being given to options for the development of the section between Castleknock and the border of Fingal / Kildare and the outcome of that work is expected to progress to planning later this year. Page 1 of 3 The remaining section, which extends from the Fingal / Kildare boundary to Maynooth has Part 8 planning approval.