de Lacey, Alex. 2020. ‘Wot do u call it? Doof doof’: Articulations of glocality in Australian grime music. Global Hip Hop Studies, 1(1), pp. 115-141. ISSN 2632-6825 [Article] https://research.gold.ac.uk/id/eprint/29864/ The version presented here may differ from the published, performed or presented work. Please go to the persistent GRO record above for more information. If you believe that any material held in the repository infringes copyright law, please contact the Repository Team at Goldsmiths, University of London via the following email address:
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[email protected] Articles. Received 29/10/19. Accepted 25/11/19. Alex de Lacey. Goldsmiths, University of London. https://orcid.org/0000-0002-4538-4138 Alex de Lacey is an Associate Lecturer at Goldsmiths, specialising in popular music. He teaches Popular Music within the department and his PhD thesis – entitled Level Up: Live Performance and Collective Creativity in Grime Music – was supported by the AHRC’s Consortium for the Humanities and Arts in the South East (CHASE). It was supervised by Professor Tom Perchard and Professor Keith Negus, and was successfully examined in November 2019 by Professor J. Griffith Rollefson and Professor Julian Henriques. In addition to his academic research, Alex writes for publications including Songlines, Red Bull and Complex, and he is an active participant in the London grime scene as a DJ and broadcaster.
[email protected] Goldsmiths, University of London, New Cross, London, SE14 6NW, United Kingdom ‘Wot Do U Call It? Doof Doof’ ‘Wot Do U Call It? Doof Doof’: Articulations of glocality in Australian grime music Alex de Lacey Keywords: Grime Music, Mediation, Australia, Media Ecologies, Glocality, Transnational Flow, Hip-Hop, Youth Studies, Performance Practice Abstract: Grime music emerged at the turn of the millennium in the United Kingdom.