DOCSLIB.ORG

WE've GOT IT! and Overdubs at Is Chairman of the Board, Lorraine Staff," Lee Continues

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
WE've GOT IT! and Overdubs at Is Chairman of the Board, Lorraine Staff, 54 Sound Business N.Y. Blank Tapes COMPASS POINT POPULAR Studio Expanding Aphex Aural Exciter NEW YORK -Blank Tapes, Inc. Recording Studio In Studios is expanding its Nassau multi -track facilities in Manhattan. Improved, Exec Claims Studio C, now under construction, By JIM McCULLAUGH is scheduled to be completed by the Like Luxury House first week LOS ANGELES -Aphex has The device has been improved, in November. Equipment By SARA LANE will include the MCI -JH 114 24- improved its Aphex Aural Exci- according to Caesar, due to new track recorder and MCI -JH 542 ter, a professional audio process- electronics which increase even NASSAU, Bahamas -It looks dios anywhere in the world for its mixing console with full MCI auto- ing instrument that reportedly order harmonics and almost to- more like a tropical island home state -of-the -art equipment. mation. The studio will also have adds brightness, presence and tally eliminate odd order har- than it does a recording studio. In November, ground will be bro- two MCI -JH 110 2 -track mastering fullness to live and recorded monics. It stands sparkling white in the ken for additional space, doubling machines, EMT echo chamber, 24 sound, reports Marvin Caesar, Bahamas sun, surrounded with lush, the size the In addition, the device also of existing studio at channels of Dolby a Aphex Systems president. green foliage. Inside, it is bright, and Super Red now has greater head room about $600,000. monitor system. Aphex, which began oper- and white and airy with potted greenery also offers greater dynamic range Some of the industry's top name ations approximately two years giving it an outdoor feel. groups have in terms of amplitude. discovered this island ago (Billboard, Sept. 3, 1977), Yet, Compass Point Studios, hideaway, only minutes from bus- has also increased availability of Rates are still the same for the opened 10 months ago at an approx- tling downtown Nassau, capital of Normandy Sound the Aphex units, which resemble Aphex units, indicates Caesar, imate cost of $750,000, can rival stu- the Bahamas archipelago. a flat stereo amp in size and ap- with the device obtainable only WARREN, R.I. - Normandy pearance, to 350 units from an for lease, rental or on a project Sound has updated its facilities with initial 50. basis. The costs are $30 a minute 24 -track here. Aphex processing is being for finished product while tour- Equipment now includes an MCI used on approximately 15% of ing with an Aphex unit runs $100 JH -114 24 -track recorder, Scully the albums that reach Billboard's a day. 280B mixdown recorder, A.P.S.I. record charts now, claims Caesar. custom 26 x 24 console with full Aphex is an acronym for Aural Aphex has also increased its parametric equalization, Altec mon- Perception Heterodyne Exciter worldwide base with 20 offices itors and dbx noise reduction. and is the invention of Swedish around the world and the U.S. The facility, designed by Daniel engineer Curt Knoppel, still a where licensees service those Zellman Consultants, New York, principal in the company. The areas with Aphex. Among loca- features a 1,000 square foot studio device, according to the firm, im- tions with offices are Japan, Aus- with a 250 square foot geodesic iso- proves recordings and live sound tralia and South America in ad- lation booth. by addressing psychoacoustic dition to Europe and the U.S. The new complex also houses a circuitry- including the ear and Aphex has also expanded complete professional audio sales allied nerve systems -in the brain by department and Normandy's becoming the exclusive market - offices of the listener through its elec- STUDIO PARADISE -Looking more like a tropical island retreat than a record- for their affiliated management and tronics. (Continued on page 88) ing facility, Compass Point, located on the island of Nassau in the Bahamas, record companies. offers a state -of- the -art, 24 -track recording studio. What attracts recording artists to ner Circle, a Jamaican reggae group. Compass Point? In addition to the is mixing its LP. When they are fin- RUSK MUSIC Studio best electronic equipment, a grow- ished Alex will be mixing Eddie SOUND ing corps of experienced producers/ Quansah. We have also tentatively GRINDER engineers including Alex Sadkin scheduled the Rolling Stones." STUDIOS and Jack Huber (both former Cri- Track The recording studio itself is 25 teria employes), Karl Peterson and feet x 35 feet with an oversize control IhN LOS ANGELES -Bruce Botnick is producing Island Records' Chris Blackwell, the room and a 16 -foot pane of glass be- Eddie Money at Larrabee. Sam Brown also pro- location of the studio is ideal, say its tween the studio and the control ducing Al Wilson there for mixes, Simon Soussan owners. It overlooks some of the producing Arpegio, and Fred Mullen producing room. The front section of the studio most beautiful waters in the world is all l:f: Randy Edelman. wood, giving it a bright sound, li and has a problem -free atmosphere while the is Sergio Mendes beginning a new LP project at rear area open for a conducive to creative work, they deader sound. Kendun for his Serrich Productions, Geoff Gil- add. lette and Tery Tlvl More engineering. Also at Currently Emerson, Lake and "Usually," Lee explains, "a studio Kendun: Kent Duncan disk mastering the up- has either a dead or live sound, The Palmer are back working on an al- but The difference coming Alice Cooper LP with producer David we have a combination of both or a bum, the Average White Band re- recording Foster; A &M's Magnet in for vocal overdubs with dead sound can be isolated from turns in December for the third time, the is clear. Stephen Gallas at the board with Joe Laux; and live or vice versa depending the studio Thin Lizzy recorded here, as on Jesse Colin Young and Bruce Walford in to work did client's needs." (213) 462 -6477 16/24 track on Young's Elektra LP with Kendun's John Bob Marley, Robert Palmer (Island 1556 No. La Brea Ave. Golden. Records) Talking Heads, and Althea When the second studio is com- Hollywood, CA 90028 7460 Melrose Avenue pleted, Evelyn "Champagne" King into KSR Studios and Donna (Virgin Records); Third Compass Point will have two Los Angeles, Ca 90046 (213) 655 -2996 fully to do overdubs for a Don Kirshner "Rock Con- World returns in January and Feb- equipped 24 -track studios and cert." ruary; Jerry Wexler's bringing in such facilities as a large client lounge with Dr. Musix expanding here with a second 24- Dire Straits; and Brian Eno pro- a small bar, video games, pin- track studio due to be operational by February. duced "Devo" in the new studio. ball machines and a private lounge A third one is scheduled for June.... Joe Lange President of Compass Point is is- for clients to set up an office with and Robby Adcock co- producing Midnight lander Al Collio, a well -known Nas- phones and a secretary. Rhythm for Atlantic at Golden Age Recorders. sauvian entertainer; Chris Blackwell "We have a large Bahamian ... The Eagles doing vocals WE'VE GOT IT! and overdubs at is chairman of the board, Lorraine staff," Lee continues. "All of our as- Britannia Studios with producer Bill Szymczyk Frazier acts as studio manager for sistant engineers are Bahamian That's right! WE FINALLY GOT IT! In fact... for a new Elektra album. Assisting is studio staff administration and Richard Lee trainees. They're doing extremely we're the first studio in the United States to receive producer Richard Vandagriff.... John Farrar (another former Criterian) is techni- well for people who've had no expe- producing Olivia Newton -John at Group QUAD- EIGHTS NEW IV, Da- cal studio manager. rience with this type of work." vid Holman engineering, assisted by Betsy Compass Point is CORONADO: 40 INPUT, 24 MIXING BUSS Banghart. * * * equipped with There are three assistant engi- CONSOLE WITH COMPUMIX III AUTOMATION the MCI fully automated JLT 500 neers, a maintenance engineer plus a Karl Richardson doing some work on the up- series console with 36 inputs; Dolby full -time cook who prepares coffee, And ... if that isn't enough ... we thought we would coming Bee Gees RSO album at New York's and dbx noise reduction units; an tea and lunch for groups in session. Soundmixers, Dennis Hetzendorfer and Vern add a few more things like . MCI multi -track with 24 and 16- When groups come from the U.S. Carlson assisting behind the board. Also at MCI tape machines MXR phaser EMT 240 reverb track heads featuring the new Quior or Europe, Frazier and her staff se- Soundmixers, Bob James at work on dual proj- Dolby MXR flanger Quad eight RV -10 reverb circuitry; two MCI 110 A two tracks cure lodgings. Marshall time EXR exciter Quad eight digital reverb ects, his own Tappan Zee LP with Joe Jorgensen with 14 -inch reel; a BX 20 and two "We do this as part of the service modulator Urie comp /limit XT -24 interlocator engineering and the new Richard Tee album for Lexicon prime time Quad Eight comp Amber audio EMT 250s; an Aphex Aural Exciter of the studio," she says. "They tell us /limit Tappan Zee, 11m Bomba and Vern Carlson as- Evintide Harmonizer w /de -ess spectrum display (which can be rented); two Evantide what accommodations they need Delta DDL Digital metronome Nakamichi sisting. JIM McCULLAUGH MXR DDL Orban parametric EQ Goodmans DBLs; seven assorted limiters and and we find them.
Load more

Recommended publications
  • Scarlet and Cream to Erderiam Troops UNL's Scarlet and Cream Singers Will Spend Part of Their Summer Entertaining U.S
    18, 1934 Pano 10 Daily Nebraskan Wednesday, April Aits i !! II II ll Scarlet and Cream to erderiam troops UNL's Scarlet and Cream Singers will spend part of their summer entertaining U.S. troops "over there" or "up there " to be more accurate. Eight members of the 14 member troupe will per- form for military personnel stationed in St. Johns, : Newfoundland, Thulie, Greenland and Sondistrom, x Greenland. Barb Wright, director ofstudent programs for the university Alumni Association said the armed for- ces professional entertainment department, which is the would mem- organizing tour, allow only eight S e bers to visit. 1 v., X' J "We narrowed the group down solely on seniori- 4. r'l ty," she said. There are 14 in Scarlet and f normally singers L Cream, in addition to a four-piec- e band and three full-tim- e technicians. Since all the people making the trip are vocalists, the band will pre-tap- e some music to accompany the singing, she said. 1 The eight making the trip are Julie Beranek. a t - sophomore from Lincoln; Ellen Kollars, a sopho- more from Arlington; Julie Chadwick, a junior from Lincoln; Anna Baker, a junior from Lincoln; Mark Thornburg, a sophomore from Beatrice; Rod Weber, a freshman from Blair; John Kahle, a freshman from Kearney, and Rob Reeder, a sophomore from Lin- coln. Wright said this is the first time in the group's 1 history they have been asked to perform for the military. However, it is not the first time the troupe has performed overseas.
    [Show full text]
  • The Record Producer As Nexus: Creative Inspiration, Technology and the Recording Industry
    The Record Producer as Nexus: Creative Inspiration, Technology and the Recording Industry A submission presented in partial fulfilment of the requirements of the University of Glamorgan/Prifysgol Morgannwg for the degree of Doctor of Philosophy by Michael John Gilmour Howlett April 2009 ii I certify that the work presented in this dissertation is my own, and has not been presented, or is currently submitted, in candidature for any degree at any other University: _____________________________________________________________ Michael Howlett iii The Record Producer as Nexus: Creative Inspiration, Technology and the Recording Industry Abstract What is a record producer? There is a degree of mystery and uncertainty about just what goes on behind the studio door. Some producers are seen as Svengali- like figures manipulating artists into mass consumer product. Producers are sometimes seen as mere technicians whose job is simply to set up a few microphones and press the record button. Close examination of the recording process will show how far this is from a complete picture. Artists are special—they come with an inspiration, and a talent, but also with a variety of complications, and in many ways a recording studio can seem the least likely place for creative expression and for an affective performance to happen. The task of the record producer is to engage with these artists and their songs and turn these potentials into form through the technology of the recording studio. The purpose of the exercise is to disseminate this fixed form to an imagined audience—generally in the hope that this audience will prove to be real.
    [Show full text]
  • View Profile
    The Bahamas Vegetation: The soil is thin, and generally infertile, but cultivation has produced exotic flowers (as well as subtropical fruit and vegetables) on the more developed islands. Some islands have large areas of pine forests. Forest covers 51 per cent of the land area and there was no significant loss of forest cover during 1990–2011. Wildlife: Animal life is restricted to small species, such as agouti, frogs, iguanas and bats. The Inagua National Park on Great Inagua Island is the home of more than 50,000 flamingos, the largest flock in the world and The Bahamas’ national bird. Main towns: Nassau (capital, pop. 241,200 in 2010) on New Providence; Freeport (44,300), West End (13,100) and High Rock (3,900) on Grand Bahama; Cooper’s Town (9,300) and Marsh Harbour (5,800) on Abaco; Freetown (4,300) and Spanish Wells (1,800) on Eleuthera; Andros Town (2,300) on Andros; and Clarence Town (1,700) on Long Island. Transport: The total road system extends to some 2,700 km, about 60 per cent of it paved. There are almost 1,000 km of roads on New Providence (some of which are privately owned), 209 km of roads on KEY FACTS city of Freeport. The other islands are known Eleuthera, 156 km on Grand Bahama, and collectively as the Family Islands or Out Joined Commonwealth: 1973 more than 885 km on the Out Islands. Islands. The islands lie on a submarine shelf Population: 377,000 (2013) which rises steeply from deep waters in the Main ports are Nassau (New Providence), Freeport (Grand Bahama) and Matthew Town GDP p.c.
    [Show full text]
  • Sly & Robbie Language Barrier Mp3, Flac
    Sly & Robbie Language Barrier mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Hip hop / Reggae / Funk / Soul Album: Language Barrier Country: Germany Released: 1985 Style: Dub MP3 version RAR size: 1790 mb FLAC version RAR size: 1260 mb WMA version RAR size: 1862 mb Rating: 4.9 Votes: 707 Other Formats: AIFF WMA VQF DMF TTA VOX MP1 Tracklist Hide Credits Make 'Em Move A1 7:58 Written-By – B. Aasim*, B. Worrell*, B. Laswell*, R. Shakespeare*, S. Dunbar* No Name On The Bullet A2 6:03 Written-By – R. Shakespeare*, S. Dunbar* Miles (Black Satin) A3 7:20 Written-By – B. Laswell*, M. Davis*, R. Shakespeare*, S. Dunbar* Bass And Trouble B1 6:06 Written-By – B. Laswell*, M. Dibango*, R. Shakespeare*, S. Dunbar* Language Barrier B2 6:51 Written-By – B. Reynolds*, M. Chung*, R. Shakespeare*, S. Dunbar*, W. Badarou* Get To This, Get To That B3 5:17 Written-By – B. Fowler*, B. Worrell*, R. Shakespeare*, S. Dunbar* Companies, etc. Recorded At – RPM Studios Recorded At – Compass Point Studios Recorded At – Dynamic Sounds Studios Recorded At – Channel One Recording Studio Mastered At – Masterdisk Mixed At – Power Station Phonographic Copyright (p) – Island Records Ltd. Record Company – Ariola Eurodisc GmbH Distributed By – Ariola Group Of Companies Printed By – TOPAC Pressed By – Sonopress Credits Art Direction – Tony Wright Engineer – Robert Musso, Solgie*, Steven Stanley Management [Administration] – Roger Trilling Mastered By – Howie Weinberg Mixed By – Jason Corsaro Performer – Afrika Bambaataa, Barry Reynolds, Bernard Fowler, Bernie
    [Show full text]
  • Adéla Jonášová
    Wikipedista:Alfi51 Žiji v Českém Těšíně. Aleš Havlíček Jsem důchodce a rád si hraji s počítačem. Články mnou založené Alannah Currie Aldeburgh Angie Dickinson Alexandre Francois Debain Alex Sadkin Andělín Grobelný Adéla Jonášová Anita Carter Axel Stordahl The Beatmen Beatles For Sale Bedřich Havlíček Berthold Bartosch Biela voda (přítok Teplice) Billy Vera Bob Chester Bobbi Kristina Brown Bobby Vee Bobby Vinton Carlene Carter Carl Perkins Chuck Jackson Dana Vrchovská Eydie Gormé Emil Vašek Festival Kino na hranici Flora Murrayová Frankie Avalon Frank P. Banta French press Aleš v roce 2008 George Dunning George Botsford Gene Greene Hal Základní informace David Hans Mrogala Harmonium Harry James Helen Carter Help! (album) Howard Deutch Ida Münzbergová Narození 21. dubna 1951 Ina Ray Hutton Ipeľská pahorkatina Ivana Ostrava, Česko Wojtylová Izabela Trojanowska Jakub Mátl James Scott Žánry pop, blues (hudebník) Jan Hasník Javorianska hornatina Jerzy Povolání hudební skladatel, počítačový Kronhold Jimmy Durante John Keeble José Feliciano Joseph Lamb Judy Clay June Hutton Jungle fanatik a wikipedista Funk Kateřina Kornová Koruna (hudba) Kunešovská Nástroje kytara hornatina Ladislav Báča Largo (Florida) LaVerne Sophia Aktivní roky dosud Andrews Les Brown (hudebník) Let It Be (album) Louis Manžel(ka) Dagmar Krzyžánková Prima Louisa Garrett Andersonová Madelyn Deutch Maggi Hambling Martha a Tena Maxene Angelyn Andrews Děti Aleš, Martin Mezinárodní divadelní festival Na hranici Millicent Garrett Rodiče Bedřich Havlíček, Fawcett Mira Kubasińska Mud
    [Show full text]
  • THE GARY MOORE DISCOGRAPHY (The GM Bible)
    THE GARY MOORE DISCOGRAPHY (The GM Bible) THE COMPLETE RECORDING SESSIONS 1969 - 1994 Compiled by DDGMS 1995 1 IDEX ABOUT GARY MOORE’s CAREER Page 4 ABOUT THE BOOK Page 8 THE GARY MOORE BAND INDEX Page 10 GARY MOORE IN THE CHARTS Page 20 THE COMPLETE RECORDING SESSIONS - THE BEGINNING Page 23 1969 Page 27 1970 Page 29 1971 Page 33 1973 Page 35 1974 Page 37 1975 Page 41 1976 Page 43 1977 Page 45 1978 Page 49 1979 Page 60 1980 Page 70 1981 Page 74 1982 Page 79 1983 Page 85 1984 Page 97 1985 Page 107 1986 Page 118 1987 Page 125 1988 Page 138 1989 Page 141 1990 Page 152 1991 Page 168 1992 Page 172 1993 Page 182 1994 Page 185 1995 Page 189 THE RECORDS Page 192 1969 Page 193 1970 Page 194 1971 Page 196 1973 Page 197 1974 Page 198 1975 Page 199 1976 Page 200 1977 Page 201 1978 Page 202 1979 Page 205 1980 Page 209 1981 Page 211 1982 Page 214 1983 Page 216 1984 Page 221 1985 Page 226 2 1986 Page 231 1987 Page 234 1988 Page 242 1989 Page 245 1990 Page 250 1991 Page 257 1992 Page 261 1993 Page 272 1994 Page 278 1995 Page 284 INDEX OF SONGS Page 287 INDEX OF TOUR DATES Page 336 INDEX OF MUSICIANS Page 357 INDEX TO DISCOGRAPHY – Record “types” in alfabethically order Page 370 3 ABOUT GARY MOORE’s CAREER Full name: Robert William Gary Moore. Born: April 4, 1952 in Belfast, Northern Ireland and sadly died Feb.
    [Show full text]
  • Record Executives Dream of Being: an Innovator, a Barrier Breaker and An
    Blackwell’s mother’s family had settled in Jamaica in the 1700s after the Inquisition chased them out of Portugal. In Jamaica they began selling rum, cattle and sugar. Those were good businesses then and remained so for the next two hundred years. Chris was bom in London in 1937 to an Irish aristocrat, Middleton Joseph Blackwell. When Chris was six months old, he was brought to his mother’s family’s mansion in Jamaica to be raised. He was brought home. At age ten, Chris left Jamaica to be edu­ cated in England, feat he was already too free-spirited to slide into the British class system. left Harrow in 1955 and returned to Jamaica, where he worked at odd jobs while falling more and more deeply in love with music. In 1959 he started Island Records, Which at first mostly supplied Ja­ maican records, including early efforts by the fledgling Wailers, to Britain. Always curious and still a very young man, Blackwell also took a job as a second assistant to the director of the first James Bond movie, Dr. No, filmed in Jamaica. Offered a permanent job in the production company, Blackwell asked a fortune-teller what to do. She told him his destiny lay with music. Blackwell passed on 007. In 1964 he produced Millie Small’s “My CHRIS BLACKWELL IS w hat Boy Lollipop,” which sold six million copies around the world. Chris Blackwell was on his way. That same year, he recorded the Spencer record executives dream of Davis Group with Stevie Winwood. “Keep On Running,” “Gimme Some Lovin’ ” and being: an innovator, a barrier “I’m a Man” gave Blackwell big hits, an influx of cash and the start of a long, fruitful rela­ breaker and an international tionship with Winwood.
    [Show full text]
  • Studio: an Introduction to the History and Culture of the Residential Recording Studio
    The “Resort” Studio: An Introduction to the History and Culture of the Residential Recording Studio by Gabrielle Kielich A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Music and Culture Carleton University Ottawa, ON © 2015 Gabrielle Kielich Abstract Residential recording studios began to emerge in the 1960s. They were located in remote areas, featured onsite living accommodations, state-of-the-art technology, and recreational amenities. The “resort” studio conceptualizes the function and use of these studios as alternative workspaces. In this thesis, three case studies illuminate their development, ownership, and operation, and their intersection of work and living spaces in isolation. Resort studios were marked by diversity, but featured consistent design and working conditions. By combining the workplace and living space in relaxed atmospheres, resort studios blurred the distinction between work and leisure. However, their isolation from distractions created a concentrated creative work environment. The resort studio highlights music production as a social process beyond an industrial context, and draws attention to the confusion around musicians’ work as play. This thesis situates the resort studio within the continuum of studio configurations to contribute to a more complete version of studio history. ii Acknowledgements The past four years at Carleton have been among my most rewarding. My decision to return to university and change the direction of my career has brought with it transitions, challenges, excitement, and the support of many people. I would first like to thank my supervisor, Paul Théberge, for providing so much guidance on this project, from its very early days to full realization.
    [Show full text]
  • Talking Heads from Wikipedia, the Free Encyclopedia
    Talking Heads From Wikipedia, the free encyclopedia Background information Origin New York City, New York, United States Genres New wave · post-punk · art pop · funk rock · worldbeat Years active 1975–1991 Labels Sire/Warner Bros., EMI Associated acts Tom Tom Club, The Modern Lovers, Brian Eno Past members David Byrne Chris Frantz Tina Weymouth Jerry Harrison Talking Heads were an American rock band formed in 1975 in New York City and active until 1991. The band comprised David Byrne (lead vocals, guitar), Chris Frantz (drums), Tina Weymouth (bass) and Jerry Harrison (keyboards, guitar). Other musicians also regularly made appearances in concert and on the group's albums. The new wave style of Talking Heads combined elements of punk, art rock, funk, avant-garde, dance, pop, and world music with the neurotic, whimsical stage persona of frontman and songwriter David Byrne. The band made use of various performance and multimedia projects throughout its career. Critic Stephen Thomas Erlewine described Talking Heads as being "one of the most critically acclaimed bands of the '80s, while managing to earn several pop hits." In 2002, the band was inducted into the Rock and Roll Hall of Fame. Four of the band's albums appeared on Rolling Stone's list of the 500 Greatest Albums of All Time and three of their songs ("Psycho Killer", "Life During Wartime", and "Once in a Lifetime") were included among The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. Talking Heads were also included at #64 on VH1's list of the "100 Greatest Artists of All Time", placed among Rolling Stone 's similar list as well.
    [Show full text]
  • Joe Cocker Sheffield Steel Mp3, Flac, Wma
    Joe Cocker Sheffield Steel mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Sheffield Steel Country: Europe Released: 1982 Style: Pop Rock MP3 version RAR size: 1849 mb FLAC version RAR size: 1705 mb WMA version RAR size: 1401 mb Rating: 4.2 Votes: 851 Other Formats: AC3 VQF MMF AHX AAC DTS MP1 Tracklist Hide Credits Look What You've Done A1 4:14 Written-By – Leo Nocentelli Shocked A2 3:13 Written-By – Gregg Sutton, Ira Ingber Sweet Little Woman A3 4:01 Guitar – Adrian BelewVocals – Jimmy Cliff, Robbie ShakespeareWritten-By – Andy Fraser Seven Days A4 5:23 Written-By – Bob Dylan Marie A5 2:34 Written-By – Randy Newman Ruby Lee B1 4:24 Written-By – Bill Withers, Melvin Dunlap Many Rivers To Cross B2 3:43 Written-By – Jimmy Cliff So Good, So Right B3 2:33 Vocals – Barry Reynolds, Robert PalmerWritten-By – Brenda Russell Talking Back To The Night B4 4:49 Written-By – Steve Winwood, Will Jennings Just Like Always B5 3:25 Written-By – Jimmy Webb Companies, etc. Record Company – Ariola Eurodisc S.A. Distributed By – Ariola Eurodisc S.A. Manufactured By – Sonic, S.A. Copyright (c) – Island Records Ltd. Phonographic Copyright (p) – Island Records Ltd. Printed By – Indugraf Madrid, S.A. Recorded At – Compass Point Studios Mastered At – Sterling Sound Credits Bass – Robbie Shakespeare Drums – Sly Dunbar Engineer – Alex Sadkin, Benji Armbrister* Guitar – Barry Reynolds, Mikey Chung Keyboards – Wally Badarou Mastered By – Ted Jensen Painting [Cover] – David Oxtoby Percussion – Sticky Thompson* Producer – Alex Sadkin, Chris Blackwell Producer [Production Associate] – Paul L. Wexler* Vocals – Joe Cocker Notes Depósito Legal: B.
    [Show full text]
  • Who's Who in Pop Record Production
    WHO'S WHO IN POP RECORD PRODUCTION The following is a list of producers who had at least one single and/or album in the Top Pop 100 charts last year (1986). The producer's name is followed by the (S) song title(s) and/or (LP) album title(s) in quotes, with the artist's name in all capitol letters, followed by a slash and the name(s) of any co- producer(s). Colonel Abrams (S)-(LP)-"Colonel Abrams"-COLONEL ABRAMS-/ /Richard The Bunnymen (S)-(LP)-"Songs To Learn And Sing"-ECHO & THE James Burgess/Rick Dees BUNNYMEN-/Ian Broudie/Bill Drummond/Hugh Jones William Ackerman (S)-(LP)-"Winter's Solstice"-VARIOUS-/Dawn Atkinson Richard James (S)-"Can't Wait Another Minute"-FIVE Alabama (S)-(LP)-"Christmas"-ALABAMA-/Harold Shedd Burgess STAR-/(LP)-"Colonel Abrams"-COLONEL ABRAMS-/Colonel "Alabama Greatest Hits"-ALABAMA-/Harold Shedd Abrams/ /Rick Dees "The Touch"-ALABAMA-/Harold Shedd T-Bone Burnett (S)-(LP)-"King Of America"-ELVIS COSTELLO & THE Teneen Ali (S)-"For Tonight"-NANCY MARTINEZ-/Sergio Munzibal(LP)- ATTRACTIONS-/Declan Patrick A. MacManus Dave Allen (S)-"In Between Days"-THE CURE-/Robert Smith(LP)- Joe Busby (S)-(LP)-"Al I In Love"-NEW EDITION-/Bill Dern Tom Allom (S)-"This Could Be The Night"-LOVERBOY-/Paul Dean Jonathan Cain (S)-"Working Class Man"-JIMMY BARNES-/UP)- "Lead A Double Life"-LOVERBOY-/Paul Richard Calandra (S)-(LP)-"Breakout"-SPYRO GYRA-/Jay Becknestein Dean(LP)-"Turbo"-JUDAS PRIEST-/ The Call (S)-(LP)-"Reconciled"-THE CALL-/Michael Been Pete Anderson (S)-(LP)-"Guitars, Cadillacs, Etc., Etc."-DWIGHT Reggie Calloway (S)-"Headlines"-MIDNIGHT
    [Show full text]
  • Joe Cocker Sheffield Steel Mp3, Flac, Wma
    Joe Cocker Sheffield Steel mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Blues Album: Sheffield Steel Country: Italy Style: Blues Rock MP3 version RAR size: 1672 mb FLAC version RAR size: 1213 mb WMA version RAR size: 1557 mb Rating: 4.9 Votes: 441 Other Formats: AHX AIFF MPC AC3 DTS WAV VOX Tracklist Hide Credits Look What You've Done A1 4:14 Written-By – Leo Nocentelli Shocked A2 3:13 Written-By – Gregg Sutton, Ira Ingber Sweet Little Woman A3 4:01 Guitar – Adrian BelewVocals – Jimmy Cliff, Robbie ShakespeareWritten-By – Andy Fraser Seven Days A4 5:23 Written-By – Bob Dylan Marie A5 2:34 Written-By – Randy Newman Ruby Lee B1 4:24 Written-By – Bill Withers, Melvin Dunlap Many Rivers To Cross B2 3:43 Written-By – Jimmy Cliff So Good So Right B3 2:33 Vocals – Barry Reynolds, Robert PalmerWritten-By – Brenda Russell Talking Back To The Night B4 4:49 Written-By – Steve Winwood, Will Jennings Just Like Always B5 3:25 Written-By – Jimmy Webb Companies, etc. Recorded At – Compass Point Studios Mastered At – Sterling Sound Credits Artwork [Cover Painting] – David Oxtoby Bass – Robbie Shakespeare Drums – Sly Dunbar Engineer – Alex Sadkin, Benji Armbrister* Guitar – Barry Reynolds, Mikey Chung Keyboards – Wally Badarou Mastered By – Ted Jensen Percussion – Sticky Thompson* Producer – Alex Sadkin, Chris Blackwell Producer [Production Associate] – Paul L. Wexler* Vocals – Joe Cocker Notes Recorded at Compass Point Studio, Nassau, Bahamas Mastered at Sterling Sound Studios, New York City Other versions Category Artist Title (Format) Label
    [Show full text]