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Complicated Views: Mainstream Cinema's Representation of Non
University of Southampton Research Repository Copyright © and Moral Rights for this thesis and, where applicable, any accompanying data are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis and the accompanying data cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content of the thesis and accompanying research data (where applicable) must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holder/s. When referring to this thesis and any accompanying data, full bibliographic details must be given, e.g. Thesis: Author (Year of Submission) "Full thesis title", University of Southampton, name of the University Faculty or School or Department, PhD Thesis, pagination. Data: Author (Year) Title. URI [dataset] University of Southampton Faculty of Arts and Humanities Film Studies Complicated Views: Mainstream Cinema’s Representation of Non-Cinematic Audio/Visual Technologies after Television. DOI: by Eliot W. Blades Thesis for the degree of Doctor of Philosophy May 2020 University of Southampton Abstract Faculty of Arts and Humanities Department of Film Studies Thesis for the degree of Doctor of Philosophy Complicated Views: Mainstream Cinema’s Representation of Non-Cinematic Audio/Visual Technologies after Television. by Eliot W. Blades This thesis examines a number of mainstream fiction feature films which incorporate imagery from non-cinematic moving image technologies. The period examined ranges from the era of the widespread success of television (i.e. -
A Portrait of Fandom Women in The
DAUGHTERS OF THE DIGITAL: A PORTRAIT OF FANDOM WOMEN IN THE CONTEMPORARY INTERNET AGE ____________________________________ A Thesis Presented to The Honors TutoriAl College Ohio University _______________________________________ In PArtiAl Fulfillment of the Requirements for Graduation from the Honors TutoriAl College with the degree of Bachelor of Science in Journalism ______________________________________ by DelAney P. Murray April 2020 Murray 1 This thesis has been approved by The Honors TutoriAl College and the Department of Journalism __________________________ Dr. Eve Ng, AssociAte Professor, MediA Arts & Studies and Women’s, Gender, and Sexuality Studies Thesis Adviser ___________________________ Dr. Bernhard Debatin Director of Studies, Journalism ___________________________ Dr. Donal Skinner DeAn, Honors TutoriAl College ___________________________ Murray 2 Abstract MediA fandom — defined here by the curation of fiction, art, “zines” (independently printed mAgazines) and other forms of mediA creAted by fans of various pop culture franchises — is a rich subculture mAinly led by women and other mArginalized groups that has attracted mAinstreAm mediA attention in the past decAde. However, journalistic coverage of mediA fandom cAn be misinformed and include condescending framing. In order to remedy negatively biAsed framing seen in journalistic reporting on fandom, I wrote my own long form feAture showing the modern stAte of FAndom based on the generation of lAte millenniAl women who engaged in fandom between the eArly age of the Internet and today. This piece is mAinly focused on the modern experiences of women in fandom spaces and how they balAnce a lifelong connection to fandom, professional and personal connections, and ongoing issues they experience within fandom. My study is also contextualized by my studies in the contemporary history of mediA fan culture in the Internet age, beginning in the 1990’s And to the present day. -
Orienting Fandom: the Discursive Production of Sports and Speculative Media Fandom in the Internet Era
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Illinois Digital Environment for Access to Learning and Scholarship Repository ORIENTING FANDOM: THE DISCURSIVE PRODUCTION OF SPORTS AND SPECULATIVE MEDIA FANDOM IN THE INTERNET ERA BY MEL STANFILL DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Communications with minors in Gender and Women’s Studies and Queer Studies in the Graduate College of the University of Illinois at Urbana-Champaign, 2015 Urbana, Illinois Doctoral Committee: Professor CL Cole, Co-Chair Associate Professor Siobhan Somerville, Co-Chair Professor Cameron McCarthy Assistant Professor Anita Chan ABSTRACT This project inquires into the constitution and consequences of the changing relationship between media industry and audiences after the Internet. Because fans have traditionally been associated with an especially participatory relationship to the object of fandom, the shift to a norm of media interactivity would seem to position the fan as the new ideal consumer; thus, I examine the extent to which fans are actually rendered ideal and in what ways in order to assess emerging norms of media reception in the Internet era. Drawing on a large archive consisting of websites for sports and speculative media companies; interviews with industry workers who produce content for fans; and film, television, web series, and news representations from 1994-2009 in a form of qualitative big data research—drawing broadly on large bodies of data but with attention to depth and texture—I look critically at how two media industries, speculative media and sports, have understood and constructed a normative idea of audiencing. -
MAD SCIENCE! Ab Science Inc
MAD SCIENCE! aB Science Inc. PROGRAM GUIDEBOOK “Leaders in Industry” WARNING! MAY CONTAIN: Vv Highly Evil Violations of Volatile Sentient :D Space-Time Materials Robots Laws FOOT table of contents 3 Letters from the Co-Chairs 4 Guests of Honor 10 Events 15 Video Programming 18 Panels & Workshops 28 Artists’ Alley 32 Dealers Room 34 Room Directory 35 Maps 41 Where to Eat 48 Tipping Guide 49 Getting Around 50 Rules 55 Volunteering 58 Staff 61 Sponsors 62 Fun & Games 64 Autographs APRIL 2-4, 2O1O 1 IN MEMORY OF TODD MACDONALD “We will miss and love you always, Todd. Thank you so much for being a friend, a staffer, and for the support you’ve always offered, selflessly and without hesitation.” —Andrea Finnin LETTERS FROM THE CO-CHAIRS Anime Boston has given me unique growth Hello everyone, welcome to Anime Boston! opportunities, and I have become closer to people I already knew outside of the convention. I hope you all had a good year, though I know most of us had a pretty bad year, what with the economy, increasing healthcare This strengthening of bonds brought me back each year, but 2010 costs and natural disasters (donate to Haiti!). At Anime Boston, is different. In the summer of 2009, Anime Boston lost a dear I hope we can provide you with at least a little enjoyment. friend and veteran staffer when Todd MacDonald passed away. We’ve been working long and hard to get composer Nobuo When Todd joined staff in 2002, it was only because I begged. Uematsu, most famous for scoring most of the music for the Few on staff imagined that our three-day convention was going Final Fantasy games as well as other Square Enix games such to be such an amazing success. -
Smart Cinema As Trans-Generic Mode: a Study of Industrial Transgression and Assimilation 1990-2005
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by DCU Online Research Access Service Smart cinema as trans-generic mode: a study of industrial transgression and assimilation 1990-2005 Laura Canning B.A., M.A. (Hons) This thesis is submitted to Dublin City University for the award of Ph.D in the Faculty of Humanities and Social Sciences. November 2013 School of Communications Supervisor: Dr. Pat Brereton 1 I hereby certify that that this material, which I now submit for assessment on the programme of study leading to the award of Ph.D is entirely my own work, and that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge breach any law of copyright, and has not been taken from the work of others save and to the extent that such work has been cited and acknowledged within the text of my work. Signed:_________________________________ (Candidate) ID No.: 58118276 Date: ________________ 2 Table of Contents Chapter One: Introduction p.6 Chapter Two: Literature Review p.27 Chapter Three: The industrial history of Smart cinema p.53 Chapter Four: Smart cinema, the auteur as commodity, and cult film p.82 Chapter Five: The Smart film, prestige, and ‘indie’ culture p.105 Chapter Six: Smart cinema and industrial categorisations p.137 Chapter Seven: ‘Double Coding’ and the Smart canon p.159 Chapter Eight: Smart inside and outside the system – two case studies p.210 Chapter Nine: Conclusions p.236 References and Bibliography p.259 3 Abstract Following from Sconce’s “Irony, nihilism, and the new American ‘smart’ film”, describing an American school of filmmaking that “survives (and at times thrives) at the symbolic and material intersection of ‘Hollywood’, the ‘indie’ scene and the vestiges of what cinephiles used to call ‘art films’” (Sconce, 2002, 351), I seek to link industrial and textual studies in order to explore Smart cinema as a transgeneric mode. -
Views with Girls, and a Research Blog That Explains My Project to My Research Subjects in Understandable Language
DISTINCTLY DIGITAL: Subjectivity and Recognition in Teenage Girls’ Online Self-Presentations DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Adriane Brown Graduate Program in Women's Studies The Ohio State University 2011 Dissertation Committee: Mary Thomas, Advisor; Jill Bystydzienski; Linda Mizejewski; Julia Watso Copyright by Adriane Brown 2011 Abstract This dissertation examines the ways that teenage girls’ online interactions reflect their psychic and social struggles to negotiate contradictory and constricting discourses regarding contemporary American girlhood. Literature on girls’ online interactions has tended to fall into one of two categories. In the first, scholars sound alarms about the ubiquity of risk in digital spaces (for instance, on websites that supposedly promote eating disorders). In the second, scholars celebrate the ways that teenagers engage in social activism online. In contrast, I argue that emergent media scholarship often fails to question the messages of autonomous selfhood that characterize girls’ digital personas. I utilize feminist and psychoanalytic theories of subjectivity to suggest that girls’ voices and agencies are always embedded in normative ideals of gender, race, sexuality, and class. I examine a variety of digital spaces that cover a diverse range of contemporary American girlhoods, including queer girls’ MySpace pages, pro-bulimia message boards, and fan sites for young musicians such as Taylor Swift. I utilize a three-pronged methodology: analysis of the textual and visual elements of websites, instant messenger interviews with girls, and a research blog that explains my project to my research subjects in understandable language. -
Downloading Through Unauthorized Channels with Stealing Items from a Store
VHS 2.0: AMATEUR ARCHIVING ON THE INTERNET AND THE NOSTALGIC RECLAMATION OF RETRO MEDIA by Dax Sorrenti A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in The Faculty of Graduate Studies (Film Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) April 2012 © Dax Sorrenti, 2012 Abstract The archiving of retro media on the internet has become one of the more prolific examples of amateur archiving in recent years. Using various case studies, I argue for a new understanding of how this orphaned and obsolete media preserves important nostalgic and cultural histories. Not only this, but the preservation of niche film and television programming deserves recognition for the intricate and complex work of amateur archivists, in the aims of validating their work and viewing the sharing of this material as more than simple file sharing. Often providing the only means by which to access material, these archival sites preserve history through its media output, and I provide a glimpse into the motivations and machinations of their inner workings. In need of protection from legal prosecution, and lacking a clear understanding of their place amongst contemporary media in the mainstream, I argue for a nostalgic reclamation of this material, that can co-exist alongside other media with little to no harm. ii Preface The original research for this study, including all correspondence with individuals and the study of website communities, has been approved by the UBC Behavioural Research Ethics Board, certificate H11-02519. iii Table of Contents Abstract.............................................................................................................................. ii Preface............................................................................................................................... iii Table of Contents ............................................................................................................ -
Library of Congress Celebrates Carl Sagan in Gala Event DAVID MORRISON
[ NEWS AND COMMENT Library of Congress Celebrates Carl Sagan in Gala Event DAVID MORRISON Carl Sagan died eighteen years ago, and Academy of Sciences, to three former he is still greatly missed. We scientists, PhD students of Carl’s (Chris Chyba, educators, and skeptics sometimes ask Steven Soter, and me). Although their ourselves how Carl would respond to brief talks were not coordinated, sev- today’s world, especially the apparent eral speakers commented on Carl’s de- increase in irrationality in public dis- votion to encouraging young scientists. course. Some of these questions were Both Neil deGrasse Tyson (Director raised by the speakers at a special event of the Hayden Planetarium) and Jon- honoring Sagan held at the Library athan Lunine (Carl’s successor as the of Congress in Washington, D.C., David Duncan Professor of Astronomy November 12, 2013, attended by 800 at Cornell University) brought with invitees. them their original letters they received Carl Sagan was the best-known sci- from Carl when they were in high entist of his time and a master teacher David Morrison school. These letters provided friendly, A young Carl Sagan (c.1969) and popularizer of science. Through straightforward encouragement for his elegant writing and speaking and these two young students, whom Carl Americans still deny the reality of bio- his mastery of the then-new medium had never met, to pursue careers in sci- logical and cosmological evolution and of television, he became the world’s ence. Carl even hosted a visit to Cornell of global warming. There has always guide to the first great era of plane- by Tyson, who decided, however, to been public misunderstanding of sci- tary exploration. -
From Textual Poachers to Textual Gifters: Exploring Fan Community and Celebrity in the Field of Fan Cultural Production
From Textual Poachers to Textual Gifters: Exploring Fan Community and Celebrity in the Field of Fan Cultural Production by Bertha Catherine LP Chin School of Journalism, Media & Cultural Studies Cardiff University 15 November 2010 UMI Number: U584515 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U584515 Published by ProQuest LLC 2013. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 SUMMARY Early fan studies positioned fans as ‘textual poachers’ (Jenkins, 1992), suggesting that fans poach characters and materials from texts as an act of resistance towards commercial culture to form their own readings through fan cultural production such as fan fiction. As such, fans are often presented as a unified, communal group interacting within the context of fan communities that are considered alternative social communities with ‘no established hierarchy’ (Bacon-Smith, 1992, p. 41). However, Milly Williamson argued that fans do not all operate from a position of cultural marginality. Fans not only go on to collaborate with the media producers they allegedly poach from, they also “engage in elitist distinctions between themselves and other...fans” (Williamson, 2005, p. -
Harry Potter
Tuesday, May 14, 2013 The Tech 9 FANDOM It’s difficult to separate the concept of nerdiness from MIT. The Coop sells stickers that say Nerd Pride, our mascot is the beaver (nature’s engineer), and Conan O’Brien pokes fun at MIT’s nerdiness on his Twitter. But is the Institute truly a nerdy place? The Tech surveyed the undergraduate population of MIT to settle this question. 1402 students — 31 percent of the under- graduate body — responded. 76 percent of students surveyed 76% of students identified their high school stereo- identified as a nerd type as “nerd,” but are they really? 47 percent of MIT has seen every 10% as preps episode of Star Wars. Only 8 percent watch anime, and 12 percent read 8% as jocks comic books/manga, but the entire school (like much of the world) seems to adore Harry Potter. To limit the breadth of our special, we kept the scope of our survey to media related fandoms like books, television, movies, and video games. We excluded sports and music since both categories are enormous and could merit their own surveys. We were interested in examining whether or not the ste- reotype of MIT as a nerd haven is true to life. In the following pages, you’ll find data from our survey, a spotlight of fandom- based groups at MIT, and an interview with a Comparative Me- dia Studies lecturer about fandoms. Featured are members of our community who shed their Brass Rats to don costumes and become someone else — to cosplay. We spoke with a variety of students about their favorite things, and polled the average American using Mechanical Turk to reveal what their percep- tions of MIT are for comparison. -
Georgia Bigfoot Hoax Draws Global Attention
NEWS AND COMMENT Georgia Bigfoot Hoax Draws Global Attention BENJAMIN RADFORD In early August, Matthew Whitton and Rick Dyer claimed to have found in the northern woods of Georgia something never known to exist: a dead Bigfoot. They claimed to have a body, photos of the body in a freezer, and DNA evidence, which they would reveal at an August 15 press conference in Palo Alto, California. I heard of the claims a week earlier, and since it seemed a likely fraud, I assumed the issue would die away qui- etly. Instead, as August 15 approached I was shocked by the level of media interest in the story. People around the globe were following the saga of the Georgia Bigfoot, from the Discovery Channel to the Kansas City Star to the Times of London. Posts on the monster-hunt- ing Web site Cryptomundo.com gloated that Bigfoot skeptics were about to eat a lot of crow. I was asked by ABC News to look into the case and reported back with a laundry list of red flags—aspects that suggested that the chances of the new discovery being a breakthrough instead of a hoax were vanishingly small. They included: A short video clip shown on YouTube featured Whitton and Dyer being inter- A photo of the “Bigfoot body” supposedly found by Matthew Whitton and Rick Dyer in northern viewed by a taxonomist named Dr. Paul Georgia. The story made international news before being exposed as a hoax in late August 2008. (Photo credit: /AFP/Getty Images/Newscom from www.searchingforbigfoot.com) Van Buren. -
Visible Identities: Race, Gender, and the Self
Visible Identities: Race, Gender, and the Self Linda Martín Alcoff OXFORD UNIVERSITY PRESS VISIBLE IDENTITIES Studies in Feminist Philosophy Chesire Calhoun, Series Editor Advisory Board Harry Brod, Temple University Claudia Card, University of Wisconsin Lorraine Code, York University, Toronto Kimberle Crenshaw, Columbia Law School/UCLA School of Law Jan Flax, Howard University Ann Garry, California State University, Los Angeles Sally Haslanger, Massachusetts Institute of Technology Hilde Hein, College of the Holy Cross Alison Jagger, University of Colorado, Boulder Helen Longino, University of Minnesota Maria Lugones, SUNY Binghamton Uma Narayan, Vassar College James Sterba, University of Notre Dame Rosemarie Tong, University of North Carolina, Charlotte Nancy Tuana, Penn State University Karen Warren, Macalester College Iris Marion Young, University of Chicago Published in the series: Abortion and Social Responsibility: Depolarizing the Debate Lauri Shrage Gender in the Mirror: Confounding Imagery Diana Tietjens Meyers Autonomy, Gender, Politics Marilyn Friedman Setting the Moral Compass: Essays by Women Philosophers Edited by Chesire Calhoun Burdened Virtues: Virtue Ethics for Liberatory Struggles Lisa Tessman On Female Body Experience: ‘‘Throwing Like a Girl’’ and Other Essays Iris Marion Young Visible Identities: Race, Gender, and the Self Linda Martı´n Alcoff Women and Citizenship Marilyn Friedman VISIBLE IDENTITIES Race, Gender, and the Self Linda Martı´n Alcoff 1 2006 1 Oxford University Press, Inc., publishes works that further Oxford University’s objective of excellence in research, scholarship, and education. Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Copyright Ó 2006 by Linda Martı´n Alcoff Published by Oxford University Press, Inc.