Bryant, and His Friends W5 1886

Total Page:16

File Type:pdf, Size:1020Kb

Bryant, and His Friends W5 1886 1 » - >7 «v ^V £ip N y m V0^ £^ \ ^ •3 OQ ! 1 fi^ ffii> C/3 <^1 < ^>N. ^ y <s ' H S vo t * ^s> ^ <« 'S (T .k P^ h a^ U >vV O > / . ^. ^ C. g sens Q Pm 1 :z; OS i < 1 *4 1 Digitized by tlie Internet Arcliive in 2007 witli funding from IVIicrosoft Corporation littp://www.archive.org/details/bryantliisfriendsOOwilsuoft ^"f^iyMBmi i.Scns- Hm'^'^ TOPtI 3, TOWARD ScH'JLBERT.N.T. BRYANT,^^'H1S FRIENDS: SOME REMINISCENCES OF THE KNICKERBOCKER WRITERS. Me thinketh it accordautit to resoun To telle yow al the cotidicioun Of eche of hem so as it semede me. And whiche they weren, and of what degre; And eek in what arraie that they were inne. — Geoffrey Chaucer. By JAMES GRANT WILSON, AUTHOR OF "POETS AND POETRY OF SCOTLAND"; "LIFE AND LETTERS OF FITZ-GREENE HALLECK," ETC. NEIV-YORK: FORDS, HOIVARD, & HULBERT. 1886. Copyright, 1885, by Fords, Howard, & Huldert. P5 When a man sits down to write a history, though it be but the history of Jack Hickathrift or Tom Thumb, he knows no more than his heel what lets and confounded hindrances he is to meet with in his way. — Laurence Sterne. That which a man saith well is not to be re- jected because he hath some errors. No man, no hook, is void of imperfections. And therefore, reprehend who will in God's name, that is, with sweetness and without reproach. — John Cowell. /79y^ PREFACE, The present volume might perhaps properly be called " Some Literary Recollections," for it has been the writer's peculiar privilege to have enjoyed more or less intimacy with all the " Old Guard " of Ameri- can authors mentioned in the following pages, ex- cepting only Joseph Rodman Drake, and with most of those introduced in the concluding chapter on " Knick- erbocker Literature." All but one of these have joined Cooper and Irving and Bryant, having deserted the ranks of those De Quincey described as " the not inconsiderable class of men who have not the advan- tage of being dead." There is a natural tendency among biographers to contract what Lord Macaulay sneeringly designates "the disease of admiration." This the author has endeavored to avoid in the brief notices of Bryant and his brilliant Knickerbocker contemporaries. Madame de Stael used to say that the highest hap- piness she had experienced was derived from her con- versations and correspondence with great and gifted 4 PREFACE. men. The writer is fully disposed to share this be- lief, and he deems it among the happiest circum- stances of his life, that he has had the good fortune to enjoy the friendship of so many literary men, " On Fame's eternall bead-roll worthie to be fyled." If he has in any instance appeared to give too much prominence to himself, some apology may possibly be found in the fact that, relating occurrences or conver- sations in which he bore a part, it was unavoidable, and scarcely less so in making use of the epistles of his gifted correspondents. Should the well-read meet with many familiar facts in " Bryant and His Friends," still, in the words of the old scholar, " the unlearned will thank me for informing, and the learned will for- give me for reminding them" of interesting matters they may have met with before. To the brief biography of William Cullen Bryant, originally prepared for the Memorial Edition of his popular " Library of Poetry and Song," a chapter has been added, and also an unpublished poem ; while to the monograph on Drake an interesting anonymous communication has been appended since its first ap- pearance in Harper's Magazine. The papers on Paulding and Dana, originally contributed to Scribner's Monthfy,ha.ve. been greatly extended by extracts culled from a goodly sheaf of letters, addressed among others to the author, by those literary pioneers. PREFACE. 5 For the use in this work of the fine steel portrait of James K. Paulding the writer desires on behalf of his publishers to return their thanks to his son and biog- rapher, William Irving Paulding; and also to Eger- ton L. Winthrop for the loan of his private plate of Fitz-Greene Halleck, engraved for his father, the late Benjamin R. Winthrop. On his own behalf the author wishes to express his grateful acknowledg- ments to Miss Henry for kindly placing at his disposal the series of letters addressed to her father, the Rev. Dr. C. S. Henry, by Richard H. Dana, between the years 1832 and 1878; and to add, in conclusion, that verj'^ many communications and poems contained in the following pages now appear in print for the first time. Of these may be especially mentioned the lines on " Abelard and Heloise," appearing in fac-simile of Drake's manuscript ; while the writing of the vener- able Dana is shown in his transcription of "The Little Beach Bird," copied for the author, as he says, " by a more willing than able old hand " in his ninetieth year. Lenox Hill, New York, September, 1885. DEDICATED TO Mrs. ROBERT L. STUART. BY HER FRIEND, THE AUTHOR. ; CONTENTS. PAGE WILLIAM CULLEN BRYANT (1794-1878) 11 JAMES K. PAULDING (1778-1860) 129 WASHINGTON IRVING (1783-1859) 157 RICHARD HENRY DANA (1787-1879), . 179 JAMES FENIMORE COOPER (1789-1851), . .230 FITZ-GREENE HALLECK (1790-1867) 245 JOSEPH RODMAN DRAKE (1795-1820) 280 NATHANIEL PARKER WILLIS (1806-1867) 3" EDGAR A. POE (1809-1849), 334 BAYARD TAYLOR (1825-1878) 347 KNICKERBOCKER LITERATURE 376 Samuel Woodworth (1785-1842), 377 ; Gulian C. Verpi-anck (1786-1870), 383 ; James A. Hillhouse (1789-1841), 387 ; John W. Francis (1789-1861), Howard Payne (1791- 388 ; John ; William P. 1852), 389 L. Stone (1792-1844), 393 ; Charles Clinch (1797-1880), 394 ; MacDonald Clark (1798-1842), 398 ; Robert C. Sands (1799-1832), 399; Caroline N. Kirkland (1801-1864), 401 ; James G. Brooks (1801-1841), 402 ; George P. Morris (1802-1864), 403 ; William Leggett (1802-1839), 406 ; John Inman (1805-1850), 408 ; Charles Fenno Hoffman (1806-1884), 409 ; Laughton Osborn (1808-1878), 413 ; Alfred B. Street (1811-1881), 414 ; Henry T. Tuckerman (1813-1871), 416; Evart a. Duyckinck (1816-1878), 417; William A. Jones (b. 1817), 419 ; Frederick S. Cozzbns (1818-1869), 421 Richard Grant White (1822-1885), 424. INDEX, 435t0 44J ILLUSTRATIONS. STEEL PORTRAITS: William Cullkn Bryant, Frontisfiece (Sarony, Phot. ; H. B. Hall & Sons, Eng.) Jambs K. Paulding, 129 (Eng. by F. Halpin, from a Drawing by Joseph Wood.) Fitz-Grehne Halleck, 245 (Thomas Hicks, Pinx. ; H. Wright Smith, Eng.) MANUSCRIPT FAC-SIMILES; William Cullen Bryant, Face 11 Washington Irving, 157 (From last page of " Bracebridge Hall;" signed "Geof- frey Crayon.") Richard Henry Dana, 179 ("The Little Beach-Bird." Copied December, 1876.) Joseph Rodman Drake, 280 ("Abdlard and Elolse ;" heretofore unpublished.) Nathaniel Parker Willis, 312 Edgar A. Poe, 334 Bayard Taylor, 347 John Howaru Payne, 390 George P. Morris, 404 Alfred B. Street, 4'6 — BRYANT AND HIS FRIENDS. WILLIAM CULLEN BRYANT. CHAPTER I. The gravity and stillness of your youth The world hath noted, and your name is great In mouths of wisest censure. William Shakespeare. O charming youth ! in the first op'ning page: So many graces in so greeen an age! John Dryden. He had the wisdom of age in his youth, and the fire of youth in his age. Mark Hopkins. Sir Walter Scott relates that, when some one was mentioned as a "fine old man" to Dean Swift, he exclaimed with violence that there was no such thing. " If the man you speak of had either a mind or a body worth a farthing, they would have worn him out long ago." In refuta- tion of this theory, which it may be presumed has nothing to do with thews or stature, may be 12 BRYANT AND HIS FRIENDS. cited B6ranger and Brougham, Goethe and Guizot, Humboldt and Sir Henry Holland, Lyndhurst and Palmerston, Earl Russell and Field-Marshal Moltke, and among Americans, J. Q. Adams and Taney, Professors Henry and Hodge, Horace Binney and Richard Henry Dana, who passed ninety-one—the age at which Titian said that genius never grows old. But if we were asked for a bright and shining example of faculties, and faculties of a high order, re- maining unimpaired in mind and body till long past the grand climacteric, we might name Wil- liam Cullen Bryant, the beloved patriarch of American poetry, and " the most accomplished, the most distinguished, and the most universally honored citizen of the United States," who, having lived under twenty Presidential adminis- trations of our country, down to that of Garfield and Arthur, until the last week of May, 1878, completed his fourscore years and three, cheerful and full of conversation, and continued to the end to heartily enjoy what Dr. Johnson happily calls " the sunshine of life." No name in our contemporaneous literature, either in England or America, is crowned with more successful honours than that of William Cullen Bryant. Born among the granite hills of Massachusetts, at a period when our colonial literature, like our people, was but recently under the dominion of Great Britain, he lived to 3 WILLIAM CULLEM BRYANT. 1 see that literature expand from its infancy and take a proud place in the republic of letters, and he survived to see the Republic itself, after triumphantly crushing a giant rebellion, spring up to a giant power. Surrounded by such his- toric and heroic associations, men like Bryant^ who survive, embody in their lives the annals of a people, and represent in their individuality the history of a nation. Pursuing beyond the age of fourscore an ener- getic literary career, the poet was also an active co-labourer in all worthy movements to promote the advancement of the arts and literature.
Recommended publications
  • American Pioneer Prose Writers
    American Pioneer Prose Writers By Hamilton Wright Mabie JONATHAN EDWARDS Jonathan Edwards was one of the most impressive figures of his time. He was a deep thinker, a strong writer, a powerful theologian, and a constructive philosopher. He was born on October 5, 1703, at East (now South) Windsor, Connecticut. His father, Timothy Edwards, was a minister of East Windsor, and also a tutor. Jonathan, the only son, was the fifth of eleven children. Even as a boy he was thoughtful and serious minded. It is recorded that he never played the games, or got mixed up in the mischief that the usual boy indulges in. When he was only ten years old he wrote a tract on the soul. Two years later he wrote a really remarkable essay on the “Flying Spider.” He entered Yale and graduated at the head of his class as valedictorian. The next two years he spent in New Haven studying theology. In February, 1727, he was ordained minister at Northampton, Massachusetts. In the same year he married Sarah Pierrepont, who was an admirable wife and became the mother of his twelve children. In 1733 a great revival in religion began in Northampton. So intense did this become in that winter that the business of the town was threatened. In six months nearly 300 were admitted to the church. Of course Edwards was a leading spirit in this revival. The orthodox leaders of the church had no sympathy with it. At last a crisis came in Edwards’ relations with his congregation, which finally ended in his being driven from the church.
    [Show full text]
  • The Purloined Life of Edgar Allan Poe by Jeffrey Steinberg Edgar Allan Poe
    Click here for Full Issue of Fidelio Volume 15, Number 1-2, Spring-Summer 2006 EDGAR ALLAN POE and the Spirit of the American Republic The Purloined Life Of Edgar Allan Poe by Jeffrey Steinberg Edgar Allan Poe great deal of what people think they know about dark side, and the dark side is that most really creative Edgar Allan Poe, is wrong. Furthermore, there geniuses are insane, and usually something bad comes of Ais not that much known about him—other than them, because the very thing that gives them the talent to that people have read at least one of his short stories, or be creative is what ultimately destroys them. poems; and it’s common even today, that in English liter- And this lie is the flip-side of the argument that most ature classes in high school—maybe upper levels of ele- people don’t have the “innate talent” to be able to think; mentary school—you’re told about Poe. And if you ever most people are supposed to accept the fact that their lives got to the point of being told something about Poe as an are going to be routine, drab, and ultimately insignificant actual personality, you have probably heard some sum- in the long wave of things; and when there are people mary distillation of the slanders about him: He died as a who are creative, we always think of their creativity as drunk; he was crazy; he was one of these people who occurring in an attic or a basement, or in long walks demonstrate that genius and creativity always have a alone in the woods; that creativity is not a social process, but something that happens in the minds of these ran- __________ domly born madmen or madwomen.
    [Show full text]
  • Boston College Magazine
    ALSO: RETIREMENT CRUNCH / WILLING SPIRIT LLEGE magazine t \\v i alt Grace Notes EXPERIENCING JOHN MAHONEY & 3 PROLOGUE Prospectors What would become Somerville, Jersey is to the New York City region, watched the bright swirl of dancers. It Massachusetts, was first settled so, did we discover, was our new home- is no coincidence that when Charles- by "Charles Sprague and his bretheren town to the Boston area: the morning town allowed itself to be annexed by [sic] Richard and William," late of Sa- DJ's surefire giggle starter; an easy mark Boston, Somerville stayed a stubbornly lem. They arrived in 1628, when for a lazy columnist on a slow news day. independent municipality. "Somerville" was a thickly wooded sec- We came not knowing any of this, A year after we landed, we bought a tion of Charlestown ripe for land pros- but we learned fast from the raised double-decker in whose backyard a pre- pectors like the Sprague boys. Just sh< >rt eyebrows and concerned looks we saw vious owner had planted another of three centuries later, cover subject on the faces of new acquaintances the double-decker. We stayed there 1 John Mahoney's family also came a- moment they learned where we had years. They were good years for us, and prospecting, part of the flood of refu- for Somerville. A new reform regime gees from Boston'steemingstreetswho Ifother towns were belles of had taken over City I lall. It was led by sought healthful air and lebensraum Mayor Gene Brune—a balding, middle- the bally Somerville was within streetcar commute of Boston's aged business manager, quiet as Calvin someone's stogie-chewing jobs.
    [Show full text]
  • Maryland Historical Magazine, 1941, Volume 36, Issue No. 1
    ma SC 5Z2I~]~J41 MARYLAND HISTORICAL MAGAZINE PUBLISHED UNDER THE AUTHORITY OF THE MARYLAND HISTORICAL SOCIETY VOLUME XXXVI BALTIMORE 1941 CONTENTS OF VOLUME XXXVI PAGE THE SUSQUEHANNOCK FORT ON PISCATAWAY CREEK. By Alice L. L. Ferguson, 1 ELIZA GODBFROY: DESTINY'S FOOTBALL. By William D. Hoyt, Jr., ... 10 BLUE AND GRAY: I. A BALTIMORE VOLUNTEER OF 1864. By William H. fames, 22 II. THE CONFEDERATE RAID ON CUMBERLAND, 1865. By Basil William Spalding, 33 THE " NARRATIVE " OF COLONEL JAMES RIGBIE. By Henry Chandlee Vorman, . 39 A WEDDING OF 1841, 50 THE LIFE OF RICHARD MALCOLM JOHNSTON IN MARYLAND, 1867-1898. By Prawds Taylor Long, concluded, 54 LETTERS OF CHARLES CARROLL, BARRISTER, continued, 70, 336 BOOK REVIEWS, 74, 223, 345, 440 NOTES AND QUERIES, 88, 231, 354, 451 PROCEEDINGS OF THE SOCIETY, 90, 237, 455 LIST OF MEMBERS, 101 THE REVOLUTIONARY IMPULSE IN MARYLAND. By Charles A. Barker, . 125 WILLIAM GODDARD'S VICTORY FOR THE FREEDOM OF THE PRESS. By W. Bird Terwilliger, 139 CONTROL OF THE BALTIMORE PRESS DURING THE CIVIL WAR. By Sidney T. Matthews, 150 SHIP-BUILDING ON THE CHESAPEAKE: RECOLLECTIONS OF ROBERT DAWSON LAMBDIN, 171 READING INTERESTS OF THE PROFESSIONAL CLASSES IN COLONIAL MARYLAND, 1700-1776. By Joseph Towne Wheeler, 184, 281 THE HAYNIE LETTERS 202 BALTIMORE COUNTY LAND RECORDS OF 1687. By Louis Dow Scisco, . 215 A LETTER FROM THE SPRINGS, 220 POLITICS IN MARYLAND DURING THE CIVIL WAR. By Charles Branch Clark, . 239 THE ORIGIN OF THE RING TOURNAMENT IN THE UNITED STATES. By G. Harrison Orians, 263 RECOLLECTIONS OF BROOKLANDWOOD TOURNAMENTS. By D. Sterett Gittings, 278 THE WARDEN PAPERS.
    [Show full text]
  • THE Chap-Book SEMI-MONTHLY
    DELOS AVERY 425 SURF ST. CHICAGO iiiii'iCJS HSSTQR5CAL SUkVcV THE Chap- Book A MISCELLANY of Curious and Interesting Songs, Ballads, Tales, Histories, &c. ; adorned with a variety of pictures and very delightful to read ; newly composed by MANY CELEBRATED WRITERS; To which are annexM a LARGE COLLECTION of Notices of BOOKS. VOLUME L From May i^ib to November 1st A.D. MDCCCXC IV CHICAGO Printed for Stone &' Kimball o^ the Caxton Building where Shopkeepers^ Hawkersy and others are supplied DELOS AVERY 42S SURF ST. CHICAGO CKAB 1 INDEX TO VOLUME I POETRY ALDRICH, THOMAS BAILEY page ORIGINALITY 247 PESSIMISTIC POETS I03 BROWN, ALICE TRILBY 91 CARMAN, BLISS NANCIBEL 103 THE PRAYER IN THE ROSE GARDEN 34 CRAM, RALPH ADAMS THE RIDE OF THE CLANS I39 GOETZ, P. B. QUATRAINS 344 HALL, GERTRUDE MOONLIGHT, TRANSLATED FROM PAUL VERLAINE 7 VERSES 184 HENDERSON, W. J. ASPIRATION 335 HOVEY, RICHARD HUNTING SONG 253 THE SHADOWS KIMBALL, HANNAH PARKER PURITY 223 MOODY, WILLIAM VAUGHN A BALLADE OF DEATH-BEDS 5I MORRIS, HARRISON S. PARABLE 166 00 MOULTON, LOUISE CHANDLER page IN HELEN'S LOOK I96 WHO KNOWS? 27 MUNN, GEORGE FREDERICK THE ENCHANTED CITY 1 27 PARKER, GILBERT THERE IS AN ORCHARD 331 PEABODY, JOSEPHINE PRESTON THE WOMAN OF THREE SORROWS I34 ROBERTS, CHARLES G. D. THE UNSLEEPING 3 SCOLLARD, CLINTON THE WALK 183 SHARP, WILLIAM TO EDMUND CLARENCE STEDMAN 212 TAYLOR, J. RUSSELL THE NIGHT RAIN I27 VERLAINE, PAUL EPIGRAMMES 211 MOONLIGHT, TRANSLATED BY GERTRUDE HALL 7I YELLOW BOOK-MAKER, THE 4I PROSE ANNOUNCEMENTS I9, 43, 73, 96, I18, I47, I75, 204, 242, 266, 357 B.
    [Show full text]
  • 19Th Century American Authors, Literature, Informational Texts, and Visual Representation
    19th Century American Authors, Literature, Informational Texts, and Visual Representation (Correlating to Cottonwood Middle School’s 8th Grade Language Arts textbook: The Elements of Literature) Lisa Ashley Cottonwood Middle School Cottonwood, AZ NEH Summer Institute 2009 Introduction and Rationale Having participated in this year’s Picturing Early America: People, Places, and Events 1770-1870, a four-week-long summer institute on interpreting and teaching early American art, my goal for the upcoming 2009-2010 school year is to incorporate visual references to EACH of my 8th grade Language Arts literature lessons. Being a Title One, low income school, our classroom materials are limited. We do have, however, classroom sets of the Holt textbook, Elements of Literature. The text contains fictional prose from the American authors Edgar Allen Poe, Mark Twain, and Nathanial Hawthorne. Additionally, the text also contains a nonfiction piece on Harriet Tubman and The Underground Railroad. Goals I have begun to build files with 19th century images of authors and illustrations of their works. These files will be available for any other teachers who would like to use them and who teach similar content in their English/Language Arts classrooms. This Power Point is just the beginning presentation of my files. National Endowment for the Humanities “Picturing America” Images Because our district was awarded a set of these images, I hope to enrich our current Language Arts curriculum by creating lessons connecting the images to as many reading and writing activities as possible. This endeavor to couple texts with images will be an ongoing, continuous process for me this year: I will need to find images of prints, paintings, and illustrations that are suitable and engaging for my students and pair them with activities that will extend and enrich our already existing texts.
    [Show full text]
  • Abraham Lincoln Accounts of the Assassination
    I! N1 ^C ^ w ^ 3> » 2 t* Digitized by the Internet Archive in 2013 http://archive.org/details/accountsofassasseszlinc Accounts of the Assassination of Abraham Lincoln Stories of eyewitnesses, first-hand or passed down Surnames beginning with s-z From the files of the Lincoln Financial Foundation Collection ll-zool , ' ozzii S^-^^Sj £«K>f^e.A)< Vol. IX.—No. 452.] NEW YOKE, SATURDAY, AUGUST 26, 1865. Entered according to Act ofX'ongress, in the Year 1865, by Harper <fc Brothers, in the Clerk's Office of the District Court for the Southern GEORGJ) N. SANDERS. George N. Sanders, the notorious rebel who across our northern border has been so long con- spiring against the Government, was born in Ken- tucky, which was also the native State of Jeep Davis. lie is between forty-five and fifty years of age, and has been for many years engaged in vis- ionary political schemes. Under Pierce and Bu- chanan he was happy enough to gain a brief offi- ei.il authority. The former appointed him Navy ^~~ ***" Agent at New York, and the latter Consul to Lon- don. In 1801 he returned to this country and em- ,/A- braced tin rebel cause. was engaged in several ^ He schemes for increasing the rebel navy, all of which failed. His supposed connection with the plot to murder President Lincoln, and with other infamous schemes against the peaceable citizens of the North, is too well known to require any comment. Within the last fortnight his name has again come promi- nently before the public. It has been reported that some dangerous fellows from the United States have been engaged in a plot for the abduction of the rebel agent.
    [Show full text]
  • The Influence of American Literature Upon Modern Musical Composition
    THE INFLUENCE OF AMERICAN LITERATURE UPON MODERN MUSICAL COMPOSITION BY FAY WOOD SWARTZ THESIS FOR THE DEGREE OF BACHELOR OF MUSIC IN MUSIC COLLEGE OF MUSIC UNIVERSITY OF ILLINOIS 1917 UNIVERSITY OF ILLINOIS June 1, 19(D7 THIS IS TO CERTIFY THAT THE THESIS PREPARED UNDER MY SUPERVISION BY _MISS FAY FOOr SWARTZ ENTITLED THE- .IK-FL-IJE.N.CE QF-AMERICl-I^. LI.TER1TIJE.E UP.OS :.1CDERK MUSICAL C,CMPCSITICN._.._.___ IS APPROVED BY ME AS FULFILLING THIS PART OF THE REQUIREMENTS FOR THE DEGREE OF. DACKELOR OF I^SIC Approved: INTRODUCTION Of all the arts, there are surely no two more closely re- late! and inter-dependent than literature and music. To becoir.e only partially acquainted with Milton, Browning or Goethe and to note their allusions to music is to realize that they were deeply in- terested in that art. On the other hand, we co-uld hardly have been blessed with great oratorios, masses, operas, cantatas, and songs but for the literary texts upon which they are based. It is certain- ly true that the musician am the literate have always gone hand in hana. As a result, composers have, from the beginning used texts rrom German, English, Italian, French and other literatures as the basis of their inspiration for many fine operas, oratorios, masses, and orchestral works. It m.ay seerr to sere as though American liter- ature has had little influence upon musical composition, that texts from that source have not been found sufficiently worthy for adap- tation to musical settings.
    [Show full text]
  • Walt Whitman Bicentennialyears 2019 Events Listings Walt
    200 WALT WHITMAN BICENTENNIALYEARS 2019 EVENTS LISTINGS WALT We are delighted to present these exciting and diverse ways you can celebrate Whitman’s birthday throughout 2019. For updates and late editions, please see the Whitman 2019 Consortium calendar: WWW.WALTWHITMANINITIATIVE.ORG/WHITMAN-2019-CONSORTIUM CINEMA ARTS CENTRE IN COLLABORATION NEW YORK WITH THE WALT WHITMAN BIRTHPLACE WHERE: Cinema Arts Centre 423 Park Ave Huntington, ACADEMY OF AMERICAN POETS NY 11743 (631) 423-7610 DATE: Sunday, March 24, 2019, 11 am WHERE: The Great Hall at Cooper Union CONTACT: Harriet E. Spitzer [email protected] DATE: May 2, 2019, 7 pm - 8:30 pm CONTACT: [email protected] The Cinema Arts Centre presents “Beautiful Dreamers,” a highly regarded fi lm about Whitman. Following the fi lm The Academy of American Poets, Poetry Society of America, screening, there will be a short discussion led by Cynthia and Poets House will co present a reading of Walt Whitman’s Shor, Exec Dir of the Whitman Birthplace, and brunch work by today’s most celebrated poets. The reading will be reception. Free held at Cooper Union’s Great Hall, where Whitman himself witnessed Abraham Lincoln deliver the Cooper Union Address in 1860. COMPAGNIA DE’ COLOMBARI WHERE: Five locations BROOKLYN HISTORICAL SOCIETY DATE: May 18-June 1, 2019 WEB: www.colombari.org WHERE: 128 Pierrepont Street, Brooklyn, New York 11201 DATE: Tuesday, June 11, 6:30 pm Compagnia de’ Colombari presents its music-theater piece CONTACT: brooklynhistory.org, 718-222-4111, More Or Less I Am free of charge to audiences throughout [email protected] the fi ve boroughs: MAY 18: 2:30 pm Brooklyn Public Library As he was turning forty, Whitman privately wrote a series Grand Army Plaza of poems entitled Live Oak, With Moss, portraying his most MAY 26: 7:00 pm Ft Greene Park, Brooklyn ardent explorations of same-sex love.
    [Show full text]
  • A History of US Literary Culture in the Long Nineteenth Century
    Literature in the Making OXFORD STUDIES IN AMERICAN LITERARY HISTORY Gordon Hutner, Series Editor Family Money Jeffory A. Clymer America’s England Christopher Hanlon Writing the Rebellion Philip Gould Antipodean America Paul Giles Living Oil Stephanie LeMenager Making Noise, Making News Mary Chapman Territories of Empire Andy Doolen Propaganda 1776 Russ Castronovo Playing in the White Stephanie Li Literature in the Making Nancy Glazener Surveyors of Customs Joel Pfister The Moral Economies of American Authorship Susan M. Ryan After Critique Mitchum Huehls Literature in the Making a history of u.s. literary culture in the long nineteenth century Nancy Glazener 1 1 Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide. Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries. Published in the United States of America by Oxford University Press 198 Madison Avenue, New York, NY 10016 © Oxford University Press 2016 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, by license, or under terms agreed with the appropriate reproduction rights organization.
    [Show full text]
  • Thomas S. Noble: "Made for a Painter" [Part I] James D
    The Kentucky Review Volume 6 | Number 1 Article 4 Winter 1986 Thomas S. Noble: "Made for a Painter" [Part I] James D. Birchfield University of Kentucky, [email protected] Follow this and additional works at: https://uknowledge.uky.edu/kentucky-review Part of the Art and Design Commons Right click to open a feedback form in a new tab to let us know how this document benefits you. Recommended Citation Birchfield, James D. (1986) "Thomas S. Noble: "Made for a Painter" [Part I]," The Kentucky Review: Vol. 6 : No. 1 , Article 4. Available at: https://uknowledge.uky.edu/kentucky-review/vol6/iss1/4 This Article is brought to you for free and open access by the University of Kentucky Libraries at UKnowledge. It has been accepted for inclusion in The Kentucky Review by an authorized editor of UKnowledge. For more information, please contact [email protected]. Thomas S. Noble: "Made for a Painter" James D. Birchfield e Part I* Among Kentucky's native artists few, if indeed any, may boast achievements equal to those of Thomas Satterwhite Noble. In 1868, at the age of thirty-three, Noble had completed extensive European study, chiefly at Paris, and had established a studio in New York City.1 Here he was an Associate of the National Academy of Design. His work had been included in the exhibitions of the academy and shown, as well, in Boston, in Chicago, in St. Louis, and in the rotunda of the Capitol at Washington. When, at the beginning of 1869, he became first principal of the McMicken School of Design, later under his direction to become the Art Academy of Cincinnati, Noble was destined to extend his influence as the teacher of Paul Sawyier (1865-1917), Kentucky's famous watercolorist; of Gutzon Borglum (1871-1941), sculptor of Mt.
    [Show full text]
  • Bayard Taylor and His Transatlantic Representations of Germany: a Nineteenth- Century American Encounter John Kemp
    University of New Mexico UNM Digital Repository History ETDs Electronic Theses and Dissertations 7-12-2014 Bayard Taylor and his Transatlantic Representations of Germany: A Nineteenth- Century American Encounter John Kemp Follow this and additional works at: https://digitalrepository.unm.edu/hist_etds Recommended Citation Kemp, John. "Bayard Taylor and his Transatlantic Representations of Germany: A Nineteenth-Century American Encounter." (2014). https://digitalrepository.unm.edu/hist_etds/38 This Dissertation is brought to you for free and open access by the Electronic Theses and Dissertations at UNM Digital Repository. It has been accepted for inclusion in History ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. John Stephan Kemp Candidate History Department This dissertation is approved, and it is acceptable in quality and form for publication: Approved by the Dissertation Committee: Dr. Melissa Bokovoy , Chairperson Dr. Eliza Ferguson Dr. Margaret Connell-Szasz Dr. Peter White I BAYARD TAYLOR AND HIS TRANSATLANTIC REPRESENTATIONS OF GERMANY: A NINETEENTH-CENTURY AMERICAN ENCOUNTER BY JOHN STEPHAN KEMP B.A., History, University of New Mexico, 1987 M.A., Western World to 1500, University of New Mexico, 1992 DISSERTATION Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy History The University of New Mexico Albuquerque, New Mexico May, 2014 II DEDICATION In memory of Chuck Preston, my UNM English 102 instructor, who passed away in 1985 - his confidence in my ability kept me in college when I considered dropping out To My parents, John and Hilde Kemp, without whose unwavering support and encouragement I would have faltered long ago To My daughters, Josefa, Amy, and Emily, who are the lights of my life.
    [Show full text]