Back-To-School Issue • Strategies for Improving the Tone Quality of Your Orchestra • Teaching Double Bass for the Non-Bass Teacher and More!
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The Unusual Notrump
BB What’s Standard? by David Lindop This series is based on Grant Vulnerability is a consideration with Standard, a set of conventions and a borderline hand. The opponents agreements that are in popular use The Unusual will be quicker to double when we today, such as 15-17 1NT openings, Notrump are vulnerable, especially if they are five-card majors, and weak two- not. The longer and stronger the bids. A summary chart of Grant suits, the less riskier it is to bid 2NT. Standard and the corresponding We can afford to give this ‘unusual’ WEST NORTH EAST SOUTH convention card can be found at ♠ meaning to 2NT because we rarely 1 ? www.AudreyGrant.com. The site hold a strong balanced hand of 20 Although there also has Grant Basic, a simpler set ♠ or more points when the opponents are only 8 high- 4 of agreements. ♥ — open the bidding. If we do get such card points, this ♦ Earlier articles in this series would be a good Q J 10 7 6 5 a hand, we can let partner know by ♣ K Q 10 9 8 3 appeared in the Bridge Bulletin and starting with a takeout double and hand to bid 2NT can also be found under ‘Articles’ at then bidding notrump—showing a even at unfavorable vulnerability. www.AudreyGrant.com. hand too strong to overcall 1NT. This hand would ♠ Suppose the auction starts: be a much riskier 4 hen the opponents open ♥ 8 3 WEST NORTH EAST SOUTH 2NT bid. We might the bidding, and we have a ♦ K Q 8 7 5 1♥ ? only take such an ♣ Wtwo-suited hand, we could action at favorable Q J 7 5 4 This would be an start by overcalling in the higher- ♠ 4 vulnerability, if at all. -
2010 AMTA Conference Promises to Bring You Many Opportunities to Network, Learn, Think, Play, and Re-Energize
Celebrating years Celebrating years ofof musicmusic therapytherapy the past... t of k ou oc R re utu e F th to in with ll nd o Music a R Therapy official conference program RENAISSANCE CLEVELAND HOTEL Program Sponsored by: CLEVELAND, OHIO welcome ...from the Conference Chair elcome and thank you for joining us in Cleveland to celebrate sixty years of music Wtherapy. And there is much to celebrate! Review the past with the historical posters, informative presentations and the inaugural Bitcon Lecture combining history, music and audience involvement. Enjoy the present by taking advantage of networking, making music with friends, new and old, and exploring some of the many exciting opportunities available just a short distance from the hotel. The conference offers an extensive array of opportunities for learning with institutes, continuing education, and concurrent sessions. Take advantage of the exceptional opportunities to prepare yourself for the future as you attend innovative sessions, and talk with colleagues at the clinical practice forum or the poster research session. After being energized and inspired the challenge is to leave Cleveland with both plans and dreams for what we can accomplish individually and together for music therapy as Amy Furman, MM, MT-BC; we roll into the next sixty years. AMTA Vice President and Conference Chair ...from the AMTA President n behalf of the AMTA Board of Directors, as well as local friends, family and colleagues, Oit is my distinct privilege and pleasure to welcome you to Cleveland to “rock out of the past and roll into the future with music therapy”! In my opinion, there is no better time or place to celebrate 60 years of the music therapy profession. -
Journal of the American Viola Society Volume 9 No.2/3, 1993
JOURNAL afthe AMERICAN VIOLA SOCIETY Chapter of THE INTERNATIONAL VIOLA SOCIETY Association for the Promotion of Viola Performance and Research Vol. 9 Nos. 2&3 1993 The Journal ofthe American Viola Society is a publication ofthat organization and is produced at Brigham Young University, © 1993, ISSN 0898-5987. The Journalwelcomes letters and articles from its readers. Editorial andAdvertising Office: BYU Music Harris Fine Arts Center Provo, UT 84602 (801) 378-4953 Fax: (801) 378-5973 Editor: David Dalton Assistant Editor: David Day Production: Helen Dixon JAVS appears three times yearly. Deadlines for copy and art work are March 1, July 1, and November 1; submissions should be sent to the editorial office. Ad rates: $100 full page, $85 two-thirds page, $65 halfpage, $50 one-third page, $35 one-fourth page. Classifieds: $25 for 30 words including address; $40 for 31-60 words. Advertisers will be billed after the ad has appeared. Payment to "American Viola Society" should be remitted to the editorial office. OFFICERS Alan de Vertich President School ofMusic University of So. California 830 West 34th Street Ramo Hall 112 Los Angeles, CA 90089 (805) 255-0693 Thomas Tatton Vice-President 2705 Rutledge Way Stockton, CA 95207 Pamela Goldsmith Secretary 11640 Amanda Drive Studio City, CA 91604 Ann Woodward Treasurer 209 w. University Ave. Chapel Hill, NC 27514 David Dalton Past President Editor, JA VS Brigham Young University Provo, Utah 84602 BOARD Mary Arlin J~ffery Irvine John Kella William Magers Donald !v1cInnes Kathryn Plummer Dwight Pounds -
Chamber Music Festival
UNIVERSITY MUSICAL SOCIETY CHARLES A. SINK, PRESIDENT THOR JOHNSON, GUEST CONDUCTOR LESTER MCCOY, ASSOCIATE CONDUCTOR Second Concert 1947-1948 Complete Series 2968 Eighth Annual Chamber Music Festival THE PAGANINI QUARTET HENRI TEMIANKA, First Violin ROBERT COURTE, Viola GUSTAV ROESEELS, Second Violin GABOR REJTO, Violoncello SATURDAY AFTERNOON, JANUARY 17* 1948, AT 2:30 RACKHAM AUDITORIUM ANN ARBOR, MICHIGAN PROGRAM Quartet in B-flat major, Op. 64, No. 3 HAYDN Vivace assai Adagio Menuetto (allegretto) Finale (allegro con spirito) Quartet in C minor, Op. 18, No. 4 BEETHOVEN Allegro ma non tanto Scherzo (andante schcrzoso quasi allegretto) Menuetto (allegretto) Allegro, prestissimo INTERMISSION Quartet in B-flat major, K. 458 ("The Hunt") .... MOZART Allegro vivace assai Minuctto, moderato Adagio Allegro assai The Paganini Quartet may be heard on RCA Victor Red Seal records. THE THIRD CONCERT in the Chamber Music Festival will take place this evening at 8:30 o'clock. (over) ARS LONGA VITA BR E VIS PROGRAM NOTES By H. WILEY HITCHCOCK Quartet in B-flat major, Op. 64, No. 3 JOSEPH HAYDN Chamber music owes much to Joseph Haydn. Almost all of the chamber works before his contributions were based on the continuo principle: the chamber group was supported by a keyboard instrument which filled in the harmonies between a bass part and the florid upper parts. Now, since the continuo player extemporized, there was much indiscriminate doubling of notes, and the written-down parts of the chamber instruments had no absolute tonal meaning; the composer could never be sure how his music would sound. In nearly eighty string quartets, and many other chamber works, Haydn attempted to solve the problem of creating chamber music intended as independent of the "help ing hand" of a continuo. -
Hall of Fame Takes Five
Friday, July 24, 2009 Volume 81, Number 1 Daily Bulletin Washington, DC 81st Summer North American Bridge Championships Editors: Brent Manley and Paul Linxwiler Hall of Fame takes five Hall of Fame inductee Mark Lair, center, with Mike Passell, left, and Eddie Wold. Sportsman of the Year Peter Boyd with longtime (right) Aileen Osofsky and her son, Alan. partner Steve Robinson. If standing ovations could be converted to masterpoints, three of the five inductees at the Defenders out in top GNT flight Bridge Hall of Fame dinner on Thursday evening The District 14 team captained by Bob sixth, Bill Kent, is from Iowa. would be instant contenders for the Barry Crane Top Balderson, holding a 1-IMP lead against the They knocked out the District 9 squad 500. defending champions with 16 deals to play, won captained by Warren Spector (David Berkowitz, Time after time, members of the audience were the fourth quarter 50-9 to advance to the round of Larry Cohen, Mike Becker, Jeff Meckstroth and on their feet, applauding a sterling new class for the eight in the Grand National Teams Championship Eric Rodwell). The team was seeking a third ACBL Hall of Fame. Enjoying the accolades were: Flight. straight win in the event. • Mark Lair, many-time North American champion Five of the six team members are from All four flights of the GNT – including Flights and one of ACBL’s top players. Minnesota – Bob and Cynthia Balderson, Peggy A, B and C – will play the round of eight today. • Aileen Osofsky, ACBL Goodwill chair for nearly Kaplan, Carol Miner and Paul Meerschaert. -
November 2, 1975 Mr. Artur Rubinstein Beverly Wilshire Hotel
Scopus Award Recipient 1975 Dinner Chairman ARTUR RUBINSTEIN ALBERT A. SPIEGEL Past Recipients of the Scopus Award LOUIS H. BOYAR HARRY A. GOLDMAN RABBI MAX NUSSBAUM ROSALIND WYMAN EUGENE L. WYMAN DR. FRANKLIN D. MURPHY GREGOR PIATIGORSKY ELIE WIESEL November 2, 1975 Mr. Artur Rubinstein Beverly Wilshire Hotel Beverly Hills, California Dear Mr. Rubinstein: First, let me again tell you how honored and pleased we are to have you with us. I am sorry you did not receive any of our communications. However, this is understandable since your schedule takes you to all four corners of the world. For your information, there is a private dais reception from 6:30 to 7:30 PM in the Brentwood Room of the Century Plaza Hotel. Invitations have been issued only to those individuals who will be seated on the dais. Both you and Mrs. Rubinstein, of course, will be among our distinguished dais guests. I am enclosing the agenda for the evening. The actual programs will not be ready until Wednesday. This should provide the timing and sequence of our program. The eve ning is one in which you will be honored with the Scopus Award, the most coveted and prestigious award of the American Friends of the Hebrew University. I am also pleased to tell you that we were fortunate in securing for our musical program one of your protegees, Janina Fialkowska, whom we were fortunate to hear during our recent visit to Jerusalem this past summer. Her concert on November 2nd in Pasadena made it possible for her to be with us. -
Marryat Players Chamber Music FESTIVAL
marryat players chamber music FESTIVAL 13 - 16 June 2019 marryat players marryat players chamber music chamber music FESTIVAL FESTIVAL We look forward to welcoming you 2019 THURSDAY FRIDAY SATURDAY SUNDAY 13TH 14TH 15TH 16TH JUNE JUNE JUNE JUNE 3 MARRYAT ROAD WIMBLEDON VILLAGE LONDON SW19 5BB FOUNDER Margaret Lewisohn www.marryatplayers.com ARTISTIC DIRECTOR Bartholomew LaFollette GRAPHIC DESIGN Jenny Lewisohn Follow us on Twitter PHOTOGRAPHY Gabriel Isserlis, cover photo Blake Ezra @MarryatPlayers #MPCMF2019 PATRON Steven Isserlis Johannes Brahms String Sextet No.2 in G major, Op.36 PROGRAMME Brahms’s second string sextet was completed in 1865 when he was infatuated with, but never married, the soprano Agathe von Siebold. The first movement contains a concealed reference to her first name in the musical notation a-g-a-h-e, while the whole work is full of technical ingenuity and poetic inspiration. Thursday 13th June, 7.30 pm Benjamin Marquise Gilmore, Tai Murray, Jonathan Stone violins Jenny Lewisohn, Hannah Shaw, Jennifer Stumm violas Friday 14th June, 7.30pm Ashok Klouda, Bartholomew LaFollette, Peteris Sokolovskis cellos Julian Milford piano Benjamin Marquise Gilmore, Tai Murray, Jonathan Stone violins Hannah Shaw viola Ashok Klouda, Bartholomew LaFollette cellos Felix Mendelssohn String Quintet No.2 in B flat major, Op.87 Julian Milford, Zeynep Özsuca pianos Written in 1845, this exuberant work is reminiscent of Mendelssohn’s much-loved Octet written 20 years earlier. The energetic opening displays the virtuosity of the first violin whilst the rest of the quintet acts as an entire string orchestra. Wolfgang Amadeus Mozart Piano Quartet in E flat major, K493 This lyrical work with its profusion of melodies was composed in 1786 when piano quartets were a rarity Franz Schubert Arpeggione Sonata in A minor, D.821 in Vienna. -
2016 FMEA Professional Development Conference Guide a B 2016 FMEA Professional Development Conference Guide Index of Advertisers All Things Musical
2016 FMEA Professional Development Conference Guide A B 2016 FMEA Professional Development Conference Guide Index of Advertisers All Things Musical ..................................93 Contents Cannon Music Camp– Appalachian State University .................4 The Florida Music Educators Association (FMEA) is pleased to welcome you to DF Music–John Packer– the 2016 Professional Development Conference and All-State Concerts, Diversity in Denis Wick .......................................... 98, 121 Music Education: The Pathway to Lifelong Learning and Participation in Music, a Eastman School of Music .........................44 continuation of the association’s longstanding tradition of providing music education Florida Atlantic University ..................104 excellence. FMEA is proud to present outstanding clinicians, conductors, technical Florida Gulf Coast University ...............74 experts and vendors who are instrumental in making this event Florida’s premier music education experience for teachers, administrators and exceptional music stu- Florida International University .......IBC dents—from elementary school through post-secondary levels—as well as for the Florida Southern College .......................22 parents, family members and boosters who chaperone and mentor all-state students. Florida State University ..........................96 Participants have a variety of opportunities to observe master conductors and teach- Florida State University ers, to interact with renowned musicians and experts, to gather materials specific -
Daniel Saidenberg Faculty Recital Series
Daniel Saidenberg Faculty Recital Series Misha Amory, Viola Thomas Sauer, Piano Hsin-Yun Huang, Viola Photo by Claudio Papapietro Support Scholarships The Juilliard Scholarship Fund provides vital support to any student with need and helps make a Juilliard education possible for many deserving young actors, dancers, and musicians. With 90 percent of our students eligible for financial assistance, every scholarship gift represents important progress toward Juilliard’s goal of securing the resources required to meet the needs of our dedicated artists. Gifts in any amount are gratefully welcomed! Visit juilliard.edu/support or call Tori Brand at (212) 799-5000, ext. 692, to learn more. The Juilliard School presents Misha Amory, Viola Thomas Sauer, Piano Hsin-Yun Huang, Viola Part of the Daniel Saidenberg Faculty Recital Series Friday, October 18, 2019, 7:30pm Paul Hall ZOLTÁN KODÁLY Adagio (1905) (1882-1967) FRANK BRIDGE Pensiero (1908) (1879-1941) PAUL HINDEMITH “Thema con Variationen” from Sonata, (1895-1963) Op.31, No. 4 (1922) ARTHUR BLISS “Furiant” from Viola Sonata (1934) (1891-1975) BRUCE ADOLPHE Dreamsong (1989) (b.1955) GEORGE BENJAMIN Viola, Viola (1998) (b.1960) Intermission Program continues Major funding for establishing Paul Recital Hall and for continuing access to its series of public programs has been granted by the Bay Foundation and the Josephine Bay Paul and C. Michael Paul Foundation in memory of Josephine Bay Paul. Please make certain that all electronic devices are turned off during the performance. The taking of photographs and the use of recording equipment are not permitted in this auditorium. 1 ELLIOTT CARTER Elegy (1943) (1908-2012) IGOR STRAVINSKY Elegy (1944) (1882-1971) GYÖRGY KURTÁG Jelek (1965) (b.1926) Agitato Giusto Lento Vivo Adagio Risoluto DMITRI SHOSTAKOVICH “Adagio” from Viola Sonata (1975) (1906-75) Performance time: approximately 1 hour and 30 minutes, including an intermission The Viola in the 20th Century By Misha Amory The 20th century was transformative for the viola as a solo instrument. -
Boston Symphony Orchestra Concert Programs, Summer, 2009
SUMMER 2009 • . BOSTON SYMPHONY ORCHESTRA JAMES LEVINE MUSIC DIRECTOR DALECHIHULY HOLSTEN GALLERIES CONTEMPORARY GLASS SCULPTURE 3 Elm Street, Stockbridge 413 -298-3044 www.holstengaIleries.com Olive Brown and Coral Pink Persian Set * for a Changing World They're Preparing to Change the 'I'Mi P i MISS HALL'S SCHOOL what girls have in mind 492 Holmes Road, Pittsfield, Massachusetts 01201 (413)499-1300 www.misshalls.org • e-mail: [email protected] m Final Weeks! TITIAN, TINTORETTO, VERONESE RIVALS IN RENAISSANCE VENICE " "Hot is the WOrdfor this show. —The New York Times Museum of Fine Arts, Boston March 15-August 16, 2009 Tickets: 800-440-6975 or www.mfa.ore BOSTON The exhibition is organized the Museum by The exhibition is PIONEER of Fine Arts, Boston and the Musee du sponsored £UniCredit Group by Investments* Louvre, and is supported by an indemnity from the Federal Council on the Arts and Titian, Venus with a Mirror (detail), about 1555. Oil on canvas. National Gallery of Art, Washington, Andrew the Humanities. W. Mellon Collection 1 937.1 .34. Image courtesy of the Board of Trustees, National Gallery of Art, Washington. James Levine, Music Director Bernard Haitink, Conductor Emeritus Seiji Ozawa, Music Director Laureate 128th season, 2008-2009 Trustees of the Boston Symphony Orchestra, Inc. Edward H. Linde, Chairman • Diddy Cullinane, Vice-Chairman • Robert P. O'Block, Vice-Chairman Stephen Kay, Vice-Chairman • Roger T. Servison, Vice-Chairman • Edmund Kelly, Vice-Chairman • Vincent M. O'Reilly, Treasurer • George D. Behrakis • Mark G. Borden • Alan Bressler • Jan Brett • Samuel B. Bruskin • Paul Buttenwieser • Eric D. -
Doktori Értekezés Dla
Liszt Ferenc Zenemővészeti Egyetem Doktori iskola (7.6 Zenemővészet) HUBAY JENİ MŐVÉSZETE ÉS A HUBAY- ISKOLA KÖRMENDY KRISZTINA ANNA TÉMAVEZETİ: VERMES MÁRIA DOKTORI ÉRTEKEZÉS DLA 2008 Tartalomjegyzék BEVEZETÉS 1 I. AZ ELİADÓMŐVÉSZ 5 I. / 1. A tanulóévektıl a szólókarrierig 5 I. / 2. Párizs - A szólókarrier indulása 8 I. / 3. Brüsszel - Vieuxtemps katedrája /1882-1886/ 12 I. / 4. A kamarazene jelentısége a Hubay életmőben 14 I. / 5. Hubay elıadásmódja 19 II. HUBAY, MINT A KOMPONÁLÓ-VIRTUÓZ TRADÍCIÓ EGYIK UTOLSÓ ALAKJA 22 II. / 1. A Hubay kompozíciók stílusa 26 II. / 2. Hubay hegedőre írott mővei 28 II. / 3. Hubay: IV. a-moll hegedőverseny /Concerto all`antica/ (op.101.) elemzı bemutatása hegedőtechnikai szempontból 34 III. A HUBAY ISKOLA 38 III. / 1. A Hubay iskola sikerének társadalmi okai 40 III. / 2. Az ideális tanáregyéniség 43 III. / 3. A Hubay iskola továbbélése 45 IV. A MÓDSZER ÉS A TANÍTOTT REPERTOÁR 51 IV. / 1. A tanított repertoár 53 IV. / 2. A metodikai részkérdések vizsgálata 54 IV. / 2. 1. A jobbkéz helyes mőködésének tudatos kialakítása 56 IV. / 2. 2. A hangképzés / A tónus 59 IV. / 2. 3. A testtartás 61 IV. / 2. 4. Az átállítás folyamata / Az etődanyag feldolgozása 62 IV. / 2. 5. A balkéz feladatairól 63 IV. / 2. 6. Az akkordjáték 66 IV. / 3. Bach mőveirıl 66 IV. / 4. Az elıadásról 67 IV. / 5. A Hubay módszer egy kísérleti-gyakorlati aspektusa 68 IV. / 6. Hubay „módszeré”-nek továbbélése Waldbauer tanításán keresztül, Havas Kató megközelítésében 72 V. HUBAY TEVÉKENYSÉGE MAGYARORSZÁG ÉS BUDAPEST ZENEI ÉLETÉBEN (1886 - 1937) 75 V. / 1. A hazatérés utáni évek (1886-1920) 75 V. -
Trio Shaham Erez Wallfisch
Trio Shaham Erez Wallfisch Trio Shaham Erez Wallfisch THE MENDELSSOHN TRIOS Rachmaninoff Arensky Shostakovich “The trio's sheer pleasure of playing is bouncing off this Elegiac Trio Piano Trio No. 1 Piano Trio No. 2 beautifully recorded CD” Kassieke Zaken “Given excellently balanced recordings, these first class performances are evidence of sensitive and imaginative music-making”. Musicweb-international.com “The trio was given a huge ovation which they responded to with an encore of Mendelssohn's scherzo, from the opus 49 trio, played with magical ease.” Südwest Presse, Hans Herdeg, January 2013 RAVEL • FAURÉ • DEBUSSY Luister Magazine, October 2013 – Top-Rating: 10 “When Trio Shaham Erez Wallfisch was founded in 2009, it was welcomed with great enthusiasm, and again now this trio has hit – exactly like it did with its first recording (Mendelssohn trios) – with breathtaking brilliance, pungency and precision. And all of this fully in support of the music. We could be using more superlatives here, but this recording, to my opinion, is an absolutely essential one for French chamber music, and one which any self- respecting music lover would want to have in their collection… The recording itself is extremely accurate and detailed… Highest recommendation!” www.wyastone.co.uk 8 NI 5917 NI 5917Hagai Shaham, violin Arnon Erez, piano Raphael Wallfisch, 1 cello When the press has them down as “ “ (American Record Guide) and “ ” (Leipziger Volkszeitung) and these three giants decide it’s time to join forces, one had better sit up and take notice