Configurar Gnu/Linux Para Producción Musical
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Proceedings 2005
LAC2005 Proceedings 3rd International Linux Audio Conference April 21 – 24, 2005 ZKM | Zentrum fur¨ Kunst und Medientechnologie Karlsruhe, Germany Published by ZKM | Zentrum fur¨ Kunst und Medientechnologie Karlsruhe, Germany April, 2005 All copyright remains with the authors www.zkm.de/lac/2005 Content Preface ............................................ ............................5 Staff ............................................... ............................6 Thursday, April 21, 2005 – Lecture Hall 11:45 AM Peter Brinkmann MidiKinesis – MIDI controllers for (almost) any purpose . ....................9 01:30 PM Victor Lazzarini Extensions to the Csound Language: from User-Defined to Plugin Opcodes and Beyond ............................. .....................13 02:15 PM Albert Gr¨af Q: A Functional Programming Language for Multimedia Applications .........21 03:00 PM St´ephane Letz, Dominique Fober and Yann Orlarey jackdmp: Jack server for multi-processor machines . ......................29 03:45 PM John ffitch On The Design of Csound5 ............................... .....................37 04:30 PM Pau Arum´ıand Xavier Amatriain CLAM, an Object Oriented Framework for Audio and Music . .............43 Friday, April 22, 2005 – Lecture Hall 11:00 AM Ivica Ico Bukvic “Made in Linux” – The Next Step .......................... ..................51 11:45 AM Christoph Eckert Linux Audio Usability Issues .......................... ........................57 01:30 PM Marije Baalman Updates of the WONDER software interface for using Wave Field Synthesis . 69 02:15 PM Georg B¨onn Development of a Composer’s Sketchbook ................. ....................73 Saturday, April 23, 2005 – Lecture Hall 11:00 AM J¨urgen Reuter SoundPaint – Painting Music ........................... ......................79 11:45 AM Michael Sch¨uepp, Rene Widtmann, Rolf “Day” Koch and Klaus Buchheim System design for audio record and playback with a computer using FireWire . 87 01:30 PM John ffitch and Tom Natt Recording all Output from a Student Radio Station . -
Linux Audio Conference 2019
Proceedings of the Linux Audio Conference 2019 March 23rd – 26th, 2019 Center for Computer Research in Music and Acoustics (CCRMA) Stanford University, USA “In Ping(uins) e trust! Published by CCRMA, Stanford University, California, US March 2019 All copyrights remain with the authors http://lac.linuxaudio.org/2019 ISBN 978-0-359-46387-9 Credits Layout: Frank Neumann and Romain Michon Typesetting: LATEX and pdfLaTeX Logo Design: The Linuxaudio.org logo and its variations copyright Thorsten Wilms c 2006, imported into "LAC 2014" logo by Robin Gareus Thanks to: Martin Monperrus for his webpage "Creating proceedings from PDF files" ii Partners and Sponsors Linuxaudio.org iii iv Foreword Welcome everyone to LAC 2019 at CCRMA! For the second time in its seventeen year history, the Linux Audio Conference (LAC) is hosted in the United Stated of America by the Center for Computer Research in Mu- sic and Acoustics (CCRMA) at Stanford University. With its informal workshop-like at- mosphere, LAC is a blend of scientific and technical papers, tutorials, sound installations, and concerts centered on the free GNU/Linux operating system and open-source free soft- ware for audio, multimedia, and musical applications. LAC is a unique platform during which members of this community gather to exchange ideas, draft new projects, and see old friends. In these times of increasing political tensions and of rising extremism throughout the world, we believe that emphasizing and promoting the universality of this type of event is of the utmost importance. The Linux audio community exists worldwide; we believe it should remain a priority to diversify LAC’s geographical location from year to year for the benefit of those who can’t afford to travel to the other side of the world. -
Elaboration of the Module: Definition of the Programme - October 2009
RESEARCH REPORT - OCTOBER 2009 Elaboration of the Module: Definition of the Programme Prof. Eduardo Miranda and Dr. Anna Troisi University of Plymouth Prepared for discussion at EMOTION Third Transnational Project Meeting 24-25 November, Rome Elaboration of the Module: Definition of the Programme - October 2009 Table of Contents 1. Introduction....................................................................................................................................2 2. Chronological Pathway..................................................................................................................4 Curriculum Characteristics..............................................................................................................4 Ongoing self-evaluation...................................................................................................................5 School subjects................................................................................................................................6 Extra-school subjects.......................................................................................................................6 3. School Topics: Motivations..........................................................................................................10 Mathematics and Physics...............................................................................................................10 Geography......................................................................................................................................11 -
The Linux Audio Proof of Concept - Project
The Linux Audio Proof Of Concept - Project Hartmut NOACK www.linuxuse.de/snd Max-Steinke-Strasse 23 13086 Berlin, BRD, [email protected] Abstract of complexity but with few exeptions1 there is At the LAC 2006 and 2007 I introduced the Linux little documentation about how the music was Audio Workstation (LAW) - a preconfigured Linux- made. What hardware was used? What ver- PC for productive audio use. In october 2007 I have sions of wich applications? Hardware-samplers started a project to prove the ability of this system or Specimen? Guitars from the recording-out to work in the real world of music-production. The of a multi-FX box or recorded via DI-box and goal of this project called LAPOC (Linux-Audio- manipulated with software? And last but not Proof-Of-Concept) is to produce at least 30 min- least: recorded with Ardour on Linux and utes of music in different styles that meets the qual- mixed/mastered on a Mac with scores of VST- ity standards for airplay and CD-releases for in- plugins? The LAPOC is out to help this. We dependent record companies. Whithout expensive outboard-hardware and with free software under have scheduled recordings with 3 very different linux only. Bands and 3 solo-artists. The recordings have begun in November 2007 and will end in Febru- Keywords ary 2008. Furthermore there will be sessions to produce and compose music completely in the usability, testing, music-production, documentation box using samplers, synths and sequencers. The results will be released under a creative com- 1 Introduction mons license and will be available for download Much has been said about Linux audio soft- as well as projectfiles, samples, the documenta- ware, about what it can do, about new concepts tion and patches for synths. -
Linux Audio Goes Mobile
Transmission ± Linux Audio goes mobile Daniel James Free Ekanayaka 64 Studio Ltd. 64 Studio Ltd. P.O. Box 37, Freshwater, P.O. Box 37, Freshwater, Isle of Wight, PO40 9ZR, Great Britain Isle of Wight, PO40 9ZR, Great Britain [email protected] [email protected] Abstract 2 Prototype hardware Transmission is a custom GNU/Linux distribution Stewart©s conceptual starting point was Sony©s designed for real-time audio production on mobile PlayStation Portable games console. He reasoned computing platforms, including Intel ©Ultra Mobile that a device like this, much smaller than a laptop PC© devices. It was developed on behalf of Trinity but with a fast CPU, could feature pro audio Audio Group by 64 Studio Ltd. and was released software and have an audio interface with quality to the public in the summer of 2008. to match. Since the PSP is not officially open to independent development, Stewart assembled a Keywords prototype using a small VIA x86 system board and distribution, mobile, real-time a six-and-a-half-inch TFT display. 1 Introduction Stewart had heard that GNU/Linux was efficient enough to use on low-power embedded devices, Ronald Stewart is a record producer, originally and had multimedia applications available. A from Seattle, USA but now based in Los Angeles. number of manufacturers in the pro audio sector He was one of the first users of the Digidesign had recently launched embedded products based ProTools system, the de facto standard in around the Linux kernel, taking advantage of proprietary DAWs since the early 90©s. Back then, reduced R&D costs and shorter time-to-market, Stewart was producing remixes for the likes of due to the number of high-quality Free Software cash-burning Discordianist pop duo The KLF. -
Linux Audio Conference 2012
Proceedings of the Linux Audio Conference 2012 April 12th - 15th, 2012 Center for Computer Research in Music and Acoustics (CCRMA), Stanford University, California 10111 11010 00110 101 111 11 0010111001001 01 01 100 100 00 1 01 01100101011 01 0 01 1 010 100 10 11 1 10 10 0111010 11 1 0 1 0 1 1110 001 01 10 1 0 10 01 10 10 1 1 0 0 1 0 1 00011001010 01 00 0 0 0 0 1 10 01 11 01 1 0 1 1 1 0 0 11 udio c 10 0 0 0 0 1 1 0 1 01 ux a onf 0 1 1 0 1 0 0 1 0 0 lin er 10 1 0 1 1 1 0 1 0 1 1000110 e 0 1 1 1 0 1 1 1 0 01 11 n 1 0 1 0 0 1 0 1 1 1 10 00 ce 1 0 0 0 1 0 1 1 10 c 1 1 0 1 0 1 0 0 1 01 en 0 2 0 0 1 0 1 0 1 1 0 11 te 1 0 0 0 1 0 1 r 0 0 0 0 1 0 0 1 1 1 1 1 010101 f 0 1 1 0 0 0 0 1 0 11 10 o 1 1 1 0 1 1 0 1 0 1 1 0 r 1 2 1 0 1 1 1 0 1 1 0 1 0 1 1 0 0 1 1 01011 0 c 0 0 0 0 0 0 0 01 0 o 0 0 0 0 1 1 0 1 1 0 1 01 1 0 1 1 1 1 1 0 1 1 0 m 0 1 0 1 0 0 1 1 0 10001 0 1 1 1 1 0 1 1 0 1 0 1 1 1 0 0 0 0 0 1 0 1 p 0 0 0 0 0 1 0 1 0 0 0 1 1 0 1 1 1 1 1 0 1 0 1 0 u 0 0 1 10010 1 1 0 1 1 1 0 0 0 1 1 0 1 0 0 1 0 1 1 0 1 t 0 0 0 1 0 0 1 0 0 1 1 1 0 0 1 1 1 0 1 1 0 e 1 1 0 1 1 0 0 1 1 1 0 0 0 1 0 0 1 1 1 0 0 1 1 1 0 1 0 1 0 1 1 r 1 1 0 0 1 1 1 0 0 1 1 1 0 0 1 0 0 0 0 1 0 0 1 1 01 0 0 1 0 1 1 0 r 1 1 1 0 0 1 1 0 0 0 1 1 1 1 0 1 0 0 0 1 0 1 0 0 1 0 e 0 0 0 1 1 1 1 1 0 1 1 1 0 0 0 0 1 1 1 1 0 0 1 1 1 0 1 0 0 1 s 0 0 1 1 1 0 1 1 1 1 0 1 0 1 1 1 0 0 1 1 1 0 1 1 1 0 1 1 e 0 1 1 0 1 1 1 0 0 0 0 1 1 1 0 1 0 1 1 0 1 1 1 1 0 1 1 0 0 0 0 a 1 0 1 0 1 0 0 0 1 0 0 0 1 1 1 1 1 1 0 0 1 1 0 1 0 1 1 1 0 r 1 1 1 1 1 0 1 1 1 0 0 1 0 1 1 1 1 1 0 0 0 0 1 0 1 0 0 c 0 1 0 1 1 0 0 1