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Comic Strips and the American Family, 1930-1960 Dahnya Nicole Hernandez Pitzer College
Claremont Colleges Scholarship @ Claremont Pitzer Senior Theses Pitzer Student Scholarship 2014 Funny Pages: Comic Strips and the American Family, 1930-1960 Dahnya Nicole Hernandez Pitzer College Recommended Citation Hernandez, Dahnya Nicole, "Funny Pages: Comic Strips and the American Family, 1930-1960" (2014). Pitzer Senior Theses. Paper 60. http://scholarship.claremont.edu/pitzer_theses/60 This Open Access Senior Thesis is brought to you for free and open access by the Pitzer Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Pitzer Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. FUNNY PAGES COMIC STRIPS AND THE AMERICAN FAMILY, 1930-1960 BY DAHNYA HERNANDEZ-ROACH SUBMITTED TO PITZER COLLEGE IN PARTIAL FULFILLMENT OF THE BACHELOR OF ARTS DEGREE FIRST READER: PROFESSOR BILL ANTHES SECOND READER: PROFESSOR MATTHEW DELMONT APRIL 25, 2014 0 Table of Contents Acknowledgements...........................................................................................................................................2 Introduction.........................................................................................................................................................3 Chapter One: Blondie.....................................................................................................................................18 Chapter Two: Little Orphan Annie............................................................................................................35 -
Trib061047p1002.Pdf
~ICACO DAILY TRIBUNEI' . how to organize Bn.tn~est~uctible'IBUSINESS GIVES CENTENNIAL EDmON TRIBUNE AD MEN jBdmlratlOn and affectlon for CoL 2 *** Tuesday, JuaelO, 1947 IIIN IS:W S S U H M A • 1l unconquerable organization. M:cCormic:k,who has guided To ". ••••• 11:•• 1CIAfIOGK." _ Concerning these and other trib- GIVE PLAQUE TO TRIBUNEto its period of sreatest colonel has got." It brought down T.aMy •••••• 10. 1947 utes, the colonel said that he could CAN BE MAILED TO ALL achievements. the house. only pray that he would be able to R0 S E S SCROLL COL McCORMICKI "Practically all of Ull began our A true repres ntatlve of Amerl- accept them with Christian humil- • association with THE 1fRIBUNEsince can thought W8I the picture drawn LOCAL I DOMESTIO ity and that he would be able to , PARTS OF U S FOR IOe A copper plaque bearing the sig·,Col. McCormick took Its helm in of THE TRIBUNEby Gen. Wood, a Tribune Stages Great Centennial House votes to double state school live up to them. I· • natures of 441 membe~s of the Chi'11911,,,the message continued. "Be- paper which fought the New Deal Show Tonight. ••••.• I·ald sranta. Pace I Speaks for Departed IN TESTIMONIALI Chicago readers of THE TRIBUNIcago. Tribune advertising depart- cause of the friendly relations from its start against an intrenched CitYs Leaders Tender Birthday Clalms accused pastor wanted a Cc?l.McCormick recalled that he may order copies of today's Cen- rgett Rw:s presented ye~terday. to Iwhich have at al~ times existed be- bur 0 era c y, and never pulled a DInner to THETRmt1NE. -
Dick Tracy.” MAX ALLAN COLLINS —Scoop the DICK COMPLETE DICK ® TRACY TRACY
$39.99 “The period covered in this volume is arguably one of the strongest in the Gould/Tracy canon, (Different in Canada) and undeniably the cartoonist’s best work since 1952's Crewy Lou continuity. “One of the best things to happen to the Brutality by both the good and bad guys is as strong and disturbing as ever…” comic market in the last few years was IDW’s decision to publish The Complete from the Introduction by Chester Gould’s Dick Tracy.” MAX ALLAN COLLINS —Scoop THE DICK COMPLETE DICK ® TRACY TRACY NEARLY 550 SEQUENTIAL COMICS OCTOBER 1954 In Volume Sixteen—reprinting strips from October 25, 1954 THROUGH through May 13, 1956—Chester Gould presents an amazing MAY 1956 Chester Gould (1900–1985) was born in Pawnee, Oklahoma. number of memorable characters: grotesques such as the He attended Oklahoma A&M (now Oklahoma State murderous Rughead and a 467-lb. killer named Oodles, University) before transferring to Northwestern University in health faddist George Ozone and his wild boys named Neki Chicago, from which he was graduated in 1923. He produced and Hokey, the despicable "Nothing" Yonson, and the amoral the minor comic strips Fillum Fables and The Radio Catts teenager Joe Period. He then introduces nightclub photog- before striking it big with Dick Tracy in 1931. Originally titled Plainclothes Tracy, the rechristened strip became one of turned policewoman Lizz, at a time when women on the the most successful and lauded comic strips of all time, as well force were still a rarity. Plus for the first time Gould brings as a media and merchandising sensation. -
The Inventory of the Harold Gray Collection #100
The Inventory of the Harold Gray Collection #100 Howard Gotlieb Archival Research Center Gray, Harold #100 Gifts of Mrs. Harold Gray and others, 1966-1992 Box 1 Folder 1 I. Correspondence. A. Reader mail. 1. Fan mail re: “Little Orphan Annie.” a. 1937. b. 1938. c. 1939. d. Undated (1930s). Folder 2 e. 1940-1943. Folder 3 f. 1944. Folder 4 g. 1945. Folder 5 h. 1946. Folder 6 i. 1947. Folder 7 j. 1948. Folder 8 k. 1949. 2 Box 1 cont’d. Folder 9 l. Undated (1940s). Folder 10 m. 1950. Folder 11 n. 1951. Folder 12 o. 1952. Folder 13 p. 1953-1955. Folder 14 q. 1957-1959. Folder 15 r. Undated (1950s). Folder 16 s. 1960. Folder 17 t. 1961. Folder 18 u. 1962. Folder 19 v. 1963. 3 Box 1 cont’d. Folder 20 w. 1964. Folder 21 x. 1965. Folder 22 y. 1966. Folder 23 z. 1967. Folder 24 aa. 1968. Folder 25 bb. Undated (1960s). Folder 26 2. Reader comments, criticisms and complaints. a. TLS re: depiction of social work in “Annie,” Mar. 3, 1937. Folder 27 b. Letters re: “Annie” character names, 1938-1966. Folder 28 c. Re: “Annie”’s dress and appearance, 1941-1952. Folder 29 d. Protests re: African-American character in “Annie,” 1942; includes: (i) “Maw Green” comic strip. 4 Box 1 cont’d. (ii) TL from HG to R. B. Chandler, publisher of the Mobile Press Register, explaining his choice to draw a black character, asking for understanding, and stating his personal stance on issue of the “color barrier,” Aug. -
Guide to the Mahan Collection of American Humor and Cartoon Art, 1838-2017
Guide to the Mahan collection of American humor and cartoon art, 1838-2017 Descriptive Summary Title : Mahan collection of American humor and cartoon art Creator: Mahan, Charles S. (1938 -) Dates : 1838-2005 ID Number : M49 Size: 72 Boxes Language(s): English Repository: Special Collections University of South Florida Libraries 4202 East Fowler Ave., LIB122 Tampa, Florida 33620 Phone: 813-974-2731 - Fax: 813-396-9006 Contact Special Collections Administrative Summary Provenance: Mahan, Charles S., 1938 - Acquisition Information: Donation. Access Conditions: None. The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/for more information. Preferred Citation: Mahan Collection of American Humor and Cartoon Art, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida. Biographical Note Charles S. Mahan, M.D., is Professor Emeritus, College of Public Health and the Lawton and Rhea Chiles Center for Healthy Mothers and Babies. Mahan received his MD from Northwestern University and worked for the University of Florida and the North Central Florida Maternal and Infant Care Program before joining the University of South Florida as Dean of the College of Public Health (1995-2002). University of South Florida Tampa Library. (2006). Special collections establishes the Dr. Charles Mahan Collection of American Humor and Cartoon Art. University of South Florida Library Links, 10(3), 2-3. Scope Note In addition to Disney animation catalogs, illustrations, lithographs, cels, posters, calendars, newspapers, LPs and sheet music, the Mahan Collection of American Humor and Cartoon Art includes numerous non-Disney and political illustrations that depict American humor and cartoon art. -
LOAC Essentials Volume 2: the Gumps - the Saga of Mary Gold Online
CoiaO (Download pdf ebook) LOAC Essentials Volume 2: The Gumps - The Saga of Mary Gold Online [CoiaO.ebook] LOAC Essentials Volume 2: The Gumps - The Saga of Mary Gold Pdf Free Sidney Smith audiobook | *ebooks | Download PDF | ePub | DOC Download Now Free Download Here Download eBook #1505531 in Books 2013-04-09 2013-04-09Original language:EnglishPDF # 1 11.60 x 1.20 x 4.40l, 1.30 #File Name: 1613775733336 pages | File size: 68.Mb Sidney Smith : LOAC Essentials Volume 2: The Gumps - The Saga of Mary Gold before purchasing it in order to gage whether or not it would be worth my time, and all praised LOAC Essentials Volume 2: The Gumps - The Saga of Mary Gold: 3 of 3 people found the following review helpful. A classic moment in comic stripsBy Robert FisherThe Gumps is not terribly well remembered today, but in the 1920's and 1930's, it was one of the most popular comic strips around. In those days, movies and radio were just starting to become major industries, television was still in the experimental stage and if there was anything like the Internet, it could only be found in science fiction stories, so it could be said The Gumps was one of the leading sources of entertainment, period. The Library of American Comics Essentials has recently published The Saga of Mary Gold, perhaps the most famous story in the strip's history. Those who follow comics history might recall that this is the first time a major character in a comic strip died and many people reacted as if a real person was lost. -
Dorothy Parker Loved the Funnies - Not Even Past
Dorothy Parker Loved the Funnies - Not Even Past BOOKS FILMS & MEDIA THE PUBLIC HISTORIAN BLOG TEXAS OUR/STORIES STUDENTS ABOUT 15 MINUTE HISTORY "The past is never dead. It's not even past." William Faulkner NOT EVEN PAST Tweet 2 Like THE PUBLIC HISTORIAN Dorothy Parker Loved the Funnies by David Ochsner Making History: Houston’s “Spirit of the Confederacy” May 06, 2020 Interminable…The last thing Dorothy Parker wanted in her funnies was some fine print. In Frank King’s Gasoline Alley strip from 1927, Walt gets full custody of the orphan Skeezix (via hoodedutilitarian.com) More from The Public Historian “It is amazing, it is even a little terrifying to see how the spirit of the comic strip has changed,” wrote Dorothy Parker in her Dec. 3, 1927 “Reading and Writing” column for The New Yorker. Time was, she BOOKS lamented, when the daily strips concerned themselves “with chubby children blowing their elders to hell with generous charges of dynamite,” and “each set of pictures ended gloriously, with a Bam and Pow, in the portrayal of the starlit delirium induced by a cracked skull.” America for Americans: A History of Xenophobia in the United States by Erika Lee (2019) April 20, 2020 More Books Dorothy Parker in the 1920s (via Wikipedia) Most of us know Parker as one of America’s great satirists and a founding member of the Algonquin DIGITAL HISTORY Round Table. She could also be a tough critic. No author was sacred in her book review column, which ran in The New Yorker from 1927 to 1931. -
Modern Charity: Morality, Politics, and Mid-Twentieth Century US Writing
University of Kentucky UKnowledge Theses and Dissertations--English English 2019 Modern Charity: Morality, Politics, and Mid-Twentieth Century US Writing Matt Bryant Cheney University of Kentucky, [email protected] Author ORCID Identifier: https://orcid.org/0000-0001-8237-6295 Digital Object Identifier: https://doi.org/10.13023/etd.2020.027 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Bryant Cheney, Matt, "Modern Charity: Morality, Politics, and Mid-Twentieth Century US Writing" (2019). Theses and Dissertations--English. 101. https://uknowledge.uky.edu/english_etds/101 This Doctoral Dissertation is brought to you for free and open access by the English at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--English by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Typical Girls: the Rhetoric of Womanhood in Comic Strips Susan E
Typical girls The Rhetoric of Womanhood in Comic Strips Susan E. Kirtley TYPICAL GIRLS STUDIES IN COMICS AND CARTOONS Jared Gardner and Charles Hatfield, Series Editors TYPICAL GIRLS The Rhetoric of Womanhood in Comic Strips SUSAN E. KIRTLEY THE OHIO STATE UNIVERSITY PRESS COLUMBUS COPYRIGHT © 2021 BY THE OHIO STATE UNIVERSITY. THIS EDITION LICENSED UNDER A CREATIVE COMMONS ATTRIBUTION- NONCOMMERCIAL-NODERIVS LICENSE. THE VARIOUS CHARACTERS, LOGOS, AND OTHER TRADEMARKS APPEARING IN THIS BOOK ARE THE PROPERTY OF THEIR RESPECTIVE OWNERS AND ARE PRESENTED HERE STRICTLY FOR SCHOLARLY ANALYSIS. NO INFRINGEMENT IS INTENDED OR SHOULD BE IMPLIED. Library of Congress Cataloging-in-Publication Data Names: Kirtley, Susan E., 1972– author. Title: Typical girls : the rhetoric of womanhood in comic strips / Susan E. Kirtley. Other titles: Studies in comics and cartoons. Description: Columbus : The Ohio State University Press, [2021] | Series: Studies in comics and cartoons | Includes bibliographical references and index. | Summary: “Drawing from the work of Lynn Johnston (For Better or For Worse), Cathy Guisewite (Cathy), Nicole Hollander (Sylvia), Lynda Barry (Ernie Pook’s Comeek), Barbara Brandon-Croft (Where I’m Coming From), Alison Bechdel (Dykes to Watch Out For), and Jan Eliot (Stone Soup), Typical Girls examines the development of womanhood and women’s rights in popular comic strips”—Provided by publisher. Identifiers: LCCN 2020052823 | ISBN 9780814214572 (cloth) | ISBN 0814214576 (cloth) | ISBN 9780814281222 (ebook) | ISBN 0814281222 (ebook) Subjects: LCSH: Comic strip characters—Women. | Women in literature. | Women’s rights in literature. | Comic books, strips, etc.—History and criticism. Classification: LCC PN6714 .K47 2021 | DDC 741.5/3522—dc23 LC record available at https://lccn.loc.gov/2020052823 COVER DESIGN BY ANGELA MOODY TEXT DESIGN BY JULIET WILLIAMS TYPE SET IN PALATINO For my favorite superhero team—Evelyn, Leone, and Tamasone Castigat ridendo mores. -
2019 Commemorative Booklet
89 th Annual Cha rlevo ix VeneJuly tia 20-27, n Fes tival2019 Edith Pair 2019 Featured Venetian Artist THE OFFICIAL PROGRAM of the CHARLEVOIX VENETIAN FESTIVAL Program sponsored by: Edith Pair, Festival Artist 2019 (Reprint of article appearing in 2008 Venetian Booklet) Edith Pair, better knownAr in the artist tis community t of as Vene tia n Bring onV Venetian! e n Late e July t i ahas nbeen Flnoteworthy a s h b in Charlevoix a c k lore for decades, as Ellair, grew up in Grosse Pointe, MI. At 8 years old she it ushers in the grand Charlevoix homecoming celebration simply known as “Venetian.” This was gifted her first oil painting set from her father and year the significance of late July is more pronounced than ever, as it too marks the return of together they painted her first still-life with an easel in our community to the beautiful jewel of our downtown: East Park. their dining room. After that, she was hooked and made art a full time commitment. The road back home to our newly refurbished East Park has seemed long and, often times, precarious. But we as a community have persevered through our temporary loss with Graduating in 1996 from the prestigious School of the grace, good humor and minimal hand wringing. Art Institute of Chicago with a major in fashion design, Edith then worked for various companies as an assis- The Venetian invitation to elevate our spirit of community now rings out louder and tant buyer until she moved back to Charlevoix to open clearer than ever. -
Complete Little Orphan Annie Volume 1 1St Edition Download Free
COMPLETE LITTLE ORPHAN ANNIE VOLUME 1 1ST EDITION Author: Harold Gray Number of Pages: --- Published Date: --- Publisher: --- Publication Country: --- Language: --- ISBN: 9781600101403 DOWNLOAD: COMPLETE LITTLE ORPHAN ANNIE VOLUME 1 1ST EDITION Complete Little Orphan Annie Volume 1 1st edition PDF Book Dec 13, Eric Orchard rated it really liked it Shelves: comics. He talks about the production process here. This really helps us understand the way comics can weave themselves into the everyday life of readers. I now see why this is considered a classic strip. Add to Cart. Is "Little Orphan Annie" the key to understanding Obama-phobia? There was some blend of wishful thinking and willful ignorance about this, at times -- along with a narrow present- mindedness that tended to ignore popular culture from earlier decades, or to look only at things that seemed "counter-hegemonic" in comforting ways. Within a few years of its launch, The Gumps became arguably the most popular comic strip in America. Q: We'll get to your dissertation's focus on the ideological dimension of character and plot in "Little Orphan Annie" in a moment. Erudite as all get out and working to reconcile Catholicism with modernity, these thinkers constantly emphasized that the great modernists Joyce, Eliot, Pound were deeply shaped by modern mass culture Joyce kept a copy of the comic strip "Gasoline Alley" on his mantelshelf and stuffed Finnegans Wake with countless allusions to comics. May 20, Q: How did the strip respond to the Sixties? Welcome back. When you buy a book, we donate a book. I really love that play and it still has a special place in my heart Just a moment while we sign you in to your Goodreads account. -
Ray Evans Papers Ms
Ray Evans papers Ms. Coll. 860 Finding aid prepared by Finding aid prepared by Juliette L. Appold; additions and editing by John F. Anderies. Last updated on June 23, 2020. University of Pennsylvania, Kislak Center for Special Collections, Rare Books and Manuscripts 2011 Ray Evans papers Table of Contents Summary Information....................................................................................................................................3 Biography/History..........................................................................................................................................4 Scope and Contents....................................................................................................................................... 5 Administrative Information........................................................................................................................... 6 Related Materials........................................................................................................................................... 7 Controlled Access Headings..........................................................................................................................7 Collection Inventory...................................................................................................................................... 9 Correspondence........................................................................................................................................9 Sheet music...........................................................................................................................................