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Dark Webs Goth Subcultures in Cyberspace
Dark Webs Goth Subcultures in Cyberspace Jason Whittaker University College Falmouth The rapport between Goth subcultures and new technologies has often been a subject of fascination for those who are both part of that subculture and external observers. William Gibson, who provided much of the impetus for such intersec- tions via his contributions to cyberpunk, made the connection between technol- ogy and Gothic rather embarrassingly explicit in his 1986 novel, Count Zero. Less mortifying was the crossover that occurred in the late eighties and nineties between Goth and Industrial music, particularly via bands such as Nine Inch Nails or Frontline Assembly, exploiting a hardcore techno sound combined with a strongly Goth-influenced aesthetic.1 This connection between the Gothic and technoculture has contributed to the survival of a social grouping that Nick Mercer, in 21st Century Goth (2002), refers to as the most vibrant community online, and is also the subject of several studies by Paul Hodkinson in particular. This paper is not especially concerned with the Gothic per se, whether it can tell us something about the intrinsic nature of the web or vice versa, but more with the practice of a youth subculture that does indeed appear to be flourishing in cyberspace, particularly the phe- nomenon of net.Goths that has emerged in recent years. Claims that sites and newsgroups form virtual communities are, of course, not specific to Goths. With the emergence of the Internet into popular consciousness in the early to mid- nineteen-nineties following the invention of the World Wide Web, commenta- tors such as Howard Rheingold in The Virtual Community (1995) made grand claims for the potential of online or virtual communities. -
Angus Mackay Diaries Volume XVIII (2002 - 2004)
Angus Mackay Diaries Volume XVIII (2002 - 2004) ANGUS MACKAY DIARY NO. 177 Friday February 1 2002 - May 10 2002. Friday February 1 2002 Saturday February 2 2002 To Chiswick this a.m. to shop for K and give him a choice. Got back at twelve, but no sign. Arrived at something after one, animated newsy talk, and an omelette with the blewits and chanterellesI got at the lovely greengrocers - £29.50 a kilo. About two four inch blews and four or five chant. about £3, not bad for such deliciousness. Now it’s Saturday night, and K’s gone, after two wonderful days.I have done nothing except stand up and sit down, and prepare four meals, and I’m exhausted. I fear K might have felt I was lazy or feeble. Well, he started out – ‘Can’t stop here talking, or the light will go’, on the buddleia, ‘which job do you want done first?’ He sawed it right down, and I do see that it’s partly destabilised some bricks. A great relief. I hope that silly fussy man won’t find something else to shout to me about. I was becoming quite reluctant to go into the garden. Horrible to cut anything down, but on balance welcomed it. Comically, the wind was the strongest I’ve heard since I’ve been here. Quite expected a letter of complaint from the next door just as we were cutting down the dangerous bush. They have a ‘patio’ (sic) garden and are clearly nervous of a jungle takeover, or indeed anything they can’t control. -
The Winners Tab
The Winners Tab 2013 BETTER NEWSPAPERS CONTEST AWARDS PRESENTATION: SATURDAY, MAY 3, 2014 CALIFORNIA NEWSPAPER PUBLISHERS ASSOCIATION INSIDE ESTABLISHED 1888 2 General Excellence 5 Awards by Newspaper 6 Awards by Category 10 Campus Awards normally loquacious violinist is prone to becoming overwhelmed with emotion The Most Interesting Man in the Phil when discussing the physical, psychologi- How Vijay Gupta, a 26-Year-Old Former Med Student, cal and spiritual struggles of his non-Dis- Found Himself and Brought Classical Music to Skid Row ney Hall audience. “I’m this privileged musician,” he said recently. “Who the hell am I to think that I By Donna Evans could help anybody?” On a sweltering day in late August, raucous applause. Chasing Zubin Mehta Los Angeles Philharmonic violinist Vijay Screams of “Encore!” are heard. One Gupta will be front and center this week Gupta steps in front of a crowd and bows man, sitting amidst plastic bags of his when the Phil kicks off the celebration of his head to polite applause. belongings, belts out a curious request for the 10th anniversary of Walt Disney Con- He glances at the audience and surveys Ice Cube. Gupta and his fellow musicians, cert Hall. Along with the 105 other mem- the cellist and violist to his left . He takes Jacob Braun and Ben Ullery, smile widely bers of the orchestra, he’ll spend much of a breath, lift s his 2003 Krutz violin and and bow. the next nine months in formal clothes tucks it under his chin. Once it’s settled, Skid Row may seem an unlikely place and playing in front of affl uent crowds. -
{TEXTBOOK} Anansi Boys Ebook Free Download
ANANSI BOYS PDF, EPUB, EBOOK Neil Gaiman | 416 pages | 11 Jul 2011 | HarperCollins Publishers Inc | 9780060515195 | English | New York, NY, United States Anansi Boys (American Gods, #2) by Neil Gaiman Gaiman turned his attention to African mythology and the figure of Anansi the spider god. Having already made a scene-stealing appearance in the award-winning American Gods , the irresistible Mr Nancy makes a triumphant return in this witty romp of a novel — perfect for fans of Douglas Adams and Terry Pratchett. Now you merely have to do something just as beautiful and just as ground-breaking. Inside, fully illustrated, original black-and-white chapter headings tell their own folktale — all of which are especially fitting for a book about the power and vitality of stories. Spider was the cool one; he was the other one. Bereavement is a time of upheaval and for Fat Charlie Nancy the changes are practically seismic. Not only does he discover that his embarrassing old dad was actually Anansi the African trickster god, his life is about to be invaded and turned upside down by Spider, the magical twin brother he never knew he had. As well as helping to inspire the book, Lenny Henry provided advice and insight on Caribbean syntax and dialogue, helping to ensure that the voices of the characters sounded authentic. His work demonstrates exactly how wild and varied the field can be, from uprooting fairy tales in Stardust to exposing the fantastical underbelly of London in Neverwhere. Neil Gaiman is a critically acclaimed writer of short fiction, novels, comic books, graphic novels, audio theatre and films. -
Reflections on Ageing: the Role of Relationships in Later Life
Reflections on ageing The role of relationships in later life Edited by Chris Sherwood and Jessica Faulkner Foreword Ruth Sutherland, Relate Chief Executive About Relate’s campaign on relationships in later life n the autumn of 2013, Relate, the UK’s leading relationship support In 2013, Relate launched a campaign to raise organisation, celebrated its 75th anniversary. As the charity grows older and awareness of the importance of relationships Iwe reflect on 75 years of experience, the anniversary led us to thinking about in later life. This has included: our own ageing society, and how relationships fare as we grow older. This prompted us to launch a campaign to raise awareness of the importance of • polling 1,000 over 50s to find out about relationships in later life. Our aims were to encourage debate in society, within concerns and priorities as we get older the voluntary sector and in government, so that we would all become more • a partnership with Gransnet, including aware of the issues we face as we grow older, and the role that relationships can web chats with Relate counsellors play in that process. • publishing Who will love me when I’m 64? Our society is rapidly ageing. By 2025, half of the UK adult population will be – Relate and NPC’s report into the role of over 50. This represents a seismic shift in the demographics of our society and relationships in later life. will impact on every sphere of our lives. As we mentioned in our report Who will love me when I’m 64?, this doesn’t necessarily have to be the doom-laden This collection of essays marks the next phase future so often painted by the media. -
7-26-18 2019 Frederick Speaker Series Lineup
Media Contact: Barbara Hiller Manager of Marketing, Weinberg Center for the Arts 301-600-2868 | [email protected] FOR IMMEDIATE RELEASE 2019 Frederick Speaker Series Lineup Announced FREDERICK, MD, July 26, 2018 — Entering its seventh year, the Frederick Speaker Series has developed a reputation for bringing world-class speakers to the Frederick community. The 2019 lineup includes; Pulitzer Prize winning journalist, Ronan Farrow, actress and LGBT advocate, Laverne Cox, actor and literacy advocate, Levar Burton and international bestselling author, Neil Gaiman. All series events are held at the Weinberg Center for the Arts. Tickets for all four speakers will go on sale to Weinberg Center members on Thursday, August 9 at 10:00 AM and to the general public on Thursday, August 16 at 10:00 AM. Tickets may be purchased online at weinbergcenter.org, by calling the Weinberg Center Box Office at 301-600-2828, or in person at 20 W. Patrick Street in Frederick, Maryland. For more information about becoming a Weinberg Center member and gaining early access to tickets, please visit weinbergcenter.org/support#membership. A separately-ticketed meet-and-greet reception will take place immediately following each presentation. These exclusive events provide a chance for fans to meet the speakers, take pictures, and obtain autographs. All proceeds from the meet-and-greet receptions will benefit children’s programs at Frederick County Public Libraries. Ronan Farrow | Thursday, February 28, 2019 at 7:30 PM Born in 1987 to actress Mia Farrow and filmmaker Woody Allen, Ronan Farrow achieved early notoriety as a child prodigy, skipping grades and starting college at age 11. -
The Evolution of Lisp
1 The Evolution of Lisp Guy L. Steele Jr. Richard P. Gabriel Thinking Machines Corporation Lucid, Inc. 245 First Street 707 Laurel Street Cambridge, Massachusetts 02142 Menlo Park, California 94025 Phone: (617) 234-2860 Phone: (415) 329-8400 FAX: (617) 243-4444 FAX: (415) 329-8480 E-mail: [email protected] E-mail: [email protected] Abstract Lisp is the world’s greatest programming language—or so its proponents think. The structure of Lisp makes it easy to extend the language or even to implement entirely new dialects without starting from scratch. Overall, the evolution of Lisp has been guided more by institutional rivalry, one-upsmanship, and the glee born of technical cleverness that is characteristic of the “hacker culture” than by sober assessments of technical requirements. Nevertheless this process has eventually produced both an industrial- strength programming language, messy but powerful, and a technically pure dialect, small but powerful, that is suitable for use by programming-language theoreticians. We pick up where McCarthy’s paper in the first HOPL conference left off. We trace the development chronologically from the era of the PDP-6, through the heyday of Interlisp and MacLisp, past the ascension and decline of special purpose Lisp machines, to the present era of standardization activities. We then examine the technical evolution of a few representative language features, including both some notable successes and some notable failures, that illuminate design issues that distinguish Lisp from other programming languages. We also discuss the use of Lisp as a laboratory for designing other programming languages. We conclude with some reflections on the forces that have driven the evolution of Lisp. -
The Image of Contemporary Society in Neil Gaiman's Neverwhere
Pobrane z czasopisma New Horizons in English Studies http://newhorizons.umcs.pl Data: 08/10/2021 04:42:57 New Horizons in English Studies 1/2016 LITERATURE • Julia Kula Maria Curie-SkłodowSka univerSity (uMCS) in LubLin [email protected] The Image of Contemporary Society in Neil Gaiman’s Neverwhere Abstract. Neil Gaiman’s urban fantasy novel Neverwhere revolves around some problematic aspects prevalent in the contemporary world, such as an iniquitous discrepancy between social classes or a problematic attitude to history. The artistic universes created by Gaiman are instrumental in con- veying a complex condition of postmodern society. Although one of the represented worlds, London Above, is realistic and the other, London Below, is fantastic, both are suggestive of the contemporary social situation, citizens’ shared values and aspirations. Only when considered together can they reveal a comprehensive image of what the community accepts and what it rejects as no longer consistent with commonly held beliefs. UMCS The disparities in the representations of London Above and London Below refer to the division into the present and the past. The realistically portrayed metropolis is the embodiment of contemporary times. The fantastic London Below epitomises all that is ignored or rejected by London Above. The present study is going to discuss the main ideas encoded in the semiotic spaces created by Neil Gaiman, on the basis of postmodern theories. I am going to focus on how the characteristic features of postmodern fiction, such as the use of fantasy and the application of the ontological dominant, by highlighting the boundaries between London Above and London Below affect the general purport of the work. -
Introduction
INTRODUCTION Sports have drawn people together to cheer for their heroes for as long as there has been a record of human activity. Sports have been seen to rival religion in the power to unify diverse populations, and in some cases have sparked positive social movements that carry over to the worlds of business and government. Sports are timeless, yet with each generation, new technology and social dynamics have changed and intensified how we experience sports. In the past fifty years, we have seen many radical changes — broadcast television and cable, credit cards, salary caps, player unions, integration, globalization of the fanbase, shared revenue agreements, and $100 million player contracts. The changes on the horizon will likely be even more disruptive. For this project, we assembled a brain trust of futurists and experts to gaze into the next 25 years. Some of the underlying trends are undeniable. Medical advances are allowing us to alter the bodies of athletes. The computing power of smartphones doubles every 18 months. The appetite for sports is nearly insatiable — fans expect all-access passes into the clubhouse and into the boardroom. Change is coming fast. But how these trends intersect, and what our industry will look like as a result, is far from obvious. Discussing the future of our industry can be anxiety-provoking, simply because so much seems uncertain. No one wants to bet on the wrong trend. This project serves to remind us that the future is inherently fun — fun to debate, to contemplate, and to imagine. Some of these futurists’ predictions will come true, and more of them likely won’t. -
The Sisters of Mercy Discography
The Sisters of Mercy discography The Sisters of Mercy - 1992 - Some Girls Wander by Mistake. 01 - Alice.mp3. 6.56 MB. The Sisters of Mercy - 1993 - Slight case of overbombing Greatest Hits. 01 - Under The Gun.mp3. 8.2 MB. Also you can download The Sisters of Mercy - Discography (1980- 1993) here: The Sisters of Mercy, Discography, Gothic Rock, Post Punk. Comments (1) Print. The Sisters Of Mercy. Profile: Band formed in Leeds, UK, 1980, by singer Andrew Eldritch and guitarist Gary Marx. Morrison subsequently became a member of the Sisters of Mercy for the release of "Floodland", though Eldritch later claimed she didn't contribute to the album. Eldritch assembled a new group to record their third and, so far, final album "Vision Thing" ⓠrecruiting first Andreas Bruhn, and then Tony James (formerly of Sigue Sigue Sputnik) and Tim Bricheno (All About Eve). Torrent Downloads » Rock » The Sisters of Mercy Discography. (Rock. The Sisters of Mercy Discography. (Rate this torrent + | -. The Sisters of Mercy Discography (. Download FREE And Anonymously. Torrent info. Name:The Sisters of Mercy Discography. (Total Size: 1.49 GB. Magnet: Magnet Link. 01 - The Sisters Of Mercy - Anaconda (Early Studio Version).mp3. 2.81 MB. 02 - The Sisters Of Mercy - Phantom (Long Version).mp3. 9.61 MB. 03 - The Sisters Of Mercy - Phantom (Short Version).mp3. 2.71 MB. 04 - The Sisters Of Mercy - Afterhours (Short Version).mp3. 5.20 MB. 05 - The Sisters Of Mercy - Black Planet (Instrumental).mp3. 3.20 MB. 06 - The Sisters Of Mercy - Train (Short Version).mp3. -
Participant Bios
Sustainable Infrastructures for Life Science Communication – A Workshop Participants Day 1: December 9, 2013 Session 1: Background and Vision Kenneth S. Ramos† (session moderator) is Distinguished University Scholar and Professor of Biochemistry and Molecular Biology and Director of the Center for Environmental Genomics and Integrative Biology. He is a leading expert in the study of gene-environment interactions and personalized medicine. His research program integrates diverse approaches ranging from molecular genetics to population-based public health studies. Ongoing preclinical work in his laboratory focuses on the study of repetitive genetic elements in the mammalian genome and their role in genome plasticity and disease. Current clinical studies focus on the characterization of diagnostic and prognostic biomarkers for chronic disease and cancer to advance personalized and preventive medicine. In addition to his research, Ken has long standing interests in community outreach and engagement in the environmental health sciences. He completed a B.S. in Pharmaceutical Sciences and Chemistry (Magna Cum Laude) at the University of Puerto Rico, a PhD in Biochemical Pharmacology at the University of Texas at Austin, an M.D. degree with postgraduate training in Internal Medicine at the University of Louisville Health Sciences Center and Affiliated Hospitals. May Berenbaum† has been on the faculty of the Department of Entomology at the University of Illinois at Urbana-Champaign since 1980; served as head of the department since 1992; and has held the Swanlund Chair of Entomology since 1996. Her research focuses on insect chemical ecology and practical application of ecological principles toward sustainable management practices. In addition to her research, May is devoted to public engagement in science; she has authored numerous magazine articles, as well as six books, about insects for the general public and has founded several outreach and citizen-science activities, including the UIUC Insect Fear Film Festival, Beespotter, and the UI Pollinatarium. -
A Journal of the Radical Gothic
issue #1 gracelessa journal of the radical gothic And the ground we walk is sacred And every object lives And every word we speak Will punish or forgive And the light inside your body Will shine through history Set fire to every prison Set every dead man free “The Sound Of Freedom” Swans cover photograph by Holger Karas GRACELESS Issue one, published in February 2011 Contributors and Editors: Libby Bulloff (www.exoskeletoncabaret. com), Kathleen Chausse, Jenly, Enola Dismay, Johann Elser, Holger Karas (www. seventh-sin.de), Margaret Killjoy (www. birdsbeforethestorm.net). Graceless can be contacted at: www.graceless.info [email protected] This work is licensed under the Creative Commons Attribution-NonCommercial- ShareAlike 3.0 Unported License. To view a copy of this license, visit http:// creativecommons.org/licenses/by-nc-sa/3.0/ or send a letter to: Creative Commons 171 Second Street, Suite 300 San Francisco, California, 94105 USA What this license means is that you are free (and encouraged) to take any content from Graceless and re-use it in part or whole, or make your own work that incorporates ours, as long as you: attribute the creator of the work, share the work with the same license, and are using the product non-commercially. Note that there is a photograph that is marked as copyright to its creator, which was used with permission and may not be included in derivative works. We have chosen a Creative Commons licensing because we believe in free cultural exchange but intend to limit the power of capitalism to co-opt our work for its twisted ends.