Elizabeth Sibley
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Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994. -
The Portia Project: the Heiress of Belmont on Stage and Screen
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School 2011 The Portia Project: The Heiress of Belmont on Stage and Screen Ann Mccauley Basso University of South Florida, [email protected] Follow this and additional works at: https://scholarcommons.usf.edu/etd Part of the American Studies Commons, and the Theatre History Commons Scholar Commons Citation Basso, Ann Mccauley, "The Portia Project: The Heiress of Belmont on Stage and Screen" (2011). Graduate Theses and Dissertations. https://scholarcommons.usf.edu/etd/3000 This Dissertation is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. The Portia Project: The Heiress of Belmont on Stage and Screen by Ann McCauley Basso A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of English College of Arts and Sciences University of South Florida Major Professor: Sara Munson Deats, Ph.D. David Bevington, Ph.D. Denis Calandra, Ph.D. Robert Logan, Ph.D. Date of Approval March 4, 2011 Keywords: Merchant of Venice, Shakespeare, Performance, Theater History, Seana McKenna, Kelsey Brookfield, Marni Penning, Lily Rabe Copyright © 2011, Ann McCauley Basso Dedication To Giulio and Valentina, the two brightest stars in my universe. Acknowledgements I am profoundly grateful to Sara Deats, the most insightful, helpful, and utterly delightful director any dissertation writer could ever hope for. You have been my professor, my mentor, my supporter, and my friend, and you have enriched my life in countless ways. -
By Sophokles in a New Translation by Anne Carson Barbican and Les Théâtres De La Ville De Luxembourg Directed by Ivo Van Hove
#BAMNextWave #Antigone Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board Adam E. Max, Vice Chairman of the Board Katy Clark, President Joseph V. Melillo, Executive Producer Antigone BAM Harvey Theater Sep 24—26, 29, 30, Oct 1 & 2 at 7:30pm Sep 26 & Oct 3 at 2pm; Sep 27 at 3pm Running time: one hour and 40 minutes, no intermission By Sophokles In a new translation by Anne Carson Barbican and Les Théâtres de la Ville de Luxembourg Directed by Ivo van Hove Set design and lighting by Jan Versweyveld Costume design by An d’Huys Video design by Tal Yarden Dramaturgy by Peter van Kraaij Composition and sound design by Daniel Freitag Season Sponsor: Produced in association with Toneelgroep Amsterdam BAM proudly dedicates this engagement to the memory of the late Rina Anoussi—the Travel Agent to the Stars. Rina was a beloved friend and Co-produced by Edinburgh International Festival, loyal supporter of BAM for over three decades. Théâtre de la Ville—Paris and Ruhrfestspiele Recklinghausen Major support for theater at BAM provided by: The Francena T. Harrison Foundation Trust Donald R. Mullen Jr. World premiere—Luxembourg, Feb 25, 2015 The Morris and Alma Schapiro Fund The SHS Foundation The Shubert Foundation, Inc. Antigone CAST Antigone Juliette Binoche Guard/Chorus Obi Abili Ismene/Chorus Kirsty Bushell Haimon/Chorus Samuel Edward-Cook Teiresias/Chorus Finbar Lynch Kreon Patrick O’Kane Eurydike/Chorus Kathryn Pogson Body of Polyneikes/Boy Nathaniel Jackson CREATIVE TEAM Director Ivo van Hove Set and lighting Jan Versweyveld Dramaturg Peter van Kraaij Video Tal Yarden Composition and sound Daniel Freitag Costumes An d’Huys Assistant director Jeff James Second assistant director Thierry Mousset Assistant set designers Ramon Huijbrechts, James Turner Assistant lighting designer Richard Beaton Casting director Joyce Nettles Voice Patsy Rodenburg Photography assistant Sjoerd Knibbelaar The actors are appearing with the permission of Actors’ Equity Association. -
Shakespeare on Film and Television in the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress
SHAKESPEARE ON FILM AND TELEVISION IN THE MOTION PICTURE, BROADCASTING AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by Zoran Sinobad January 2012 Introduction This is an annotated guide to moving image materials related to the life and works of William Shakespeare in the collections of the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. While the guide encompasses a wide variety of items spanning the history of film, TV and video, it does not attempt to list every reference to Shakespeare or every quote from his plays and sonnets which have over the years appeared in hundreds (if not thousands) of motion pictures and TV shows. For titles with only a marginal connection to the Bard or one of his works, the decision what to include and what to leave out was often difficult, even when based on their inclusion or omission from other reference works on the subject (see below). For example, listing every film about ill-fated lovers separated by feuding families or other outside forces, a narrative which can arguably always be traced back to Romeo and Juliet, would be a massive undertaking on its own and as such is outside of the present guide's scope and purpose. Consequently, if looking for a cinematic spin-off, derivative, plot borrowing or a simple citation, and not finding it in the guide, users are advised to contact the Moving Image Reference staff for additional information. How to Use this Guide Entries are grouped by titles of plays and listed chronologically within the group by release/broadcast date. -
Thomas Middleton in Performance 1960-2013: a History of Reception Kate Lechler
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2014 Thomas Middleton in Performance 1960-2013: A History of Reception Kate Lechler Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES THOMAS MIDDLETON IN PERFORMANCE 1960-2013: A HISTORY OF RECEPTION By KATE LECHLER A Dissertation submitted to the Department of English in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Spring Semester, 2014 Kate Lechler defended this dissertation on March 28, 2014. The members of the supervisory committee were: Celia R. Daileader Professor Directing Dissertation Mary Karen Dahl University Representative Gary Taylor Committee Member Bruce Boehrer Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the dissertation has been approved in accordance with university requirements. ii For my parents, Jon and Ruth Lechler iii ACKNOWLEDGMENTS This project was completed with funding from several institutions. I am grateful to the IHR Junior Mellon committee for granting me a summer fellowship that enabled me to begin my London research in the summer of 2012. With the help of dissertation research funds from both the English Department and the Graduate School at Florida State University, I was able to complete research in New York City and Staunton, VA. Finally, due to a generous assistantship (jointly held through the FSU English department and International Programs), I was able to complete the larger part of my London research during the fall of 2013. -
2015 Next Wave Festival SEP 2015
2015 Next Wave Festival SEP 2015 Shinique Smith, Abiding Light, 2015 Published by: Season Sponsor: #BAMNextWave #Antigone Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board Adam E. Max, Vice Chairman of the Board Katy Clark, President Joseph V. Melillo, Executive Producer Antigone BAM Harvey Theater Sep 24—26, 29, 30, Oct 1 & 2 at 7:30pm Sep 26 & Oct 3 at 2pm; Sep 27 at 3pm Running time: one hour and 40 minutes, no intermission By Sophokles In a new translation by Anne Carson Barbican and Les Théâtres de la Ville de Luxembourg Directed by Ivo van Hove Set design and lighting by Jan Versweyveld Costume design by An d’Huys Video design by Tal Yarden Dramaturgy by Peter van Kraaij Composition and sound design by Daniel Freitag Season Sponsor: Produced in association with Toneelgroep Amsterdam BAM proudly dedicates this engagement to the memory of the late Rina Anoussi—the Travel Agent to the Stars. Rina was a beloved friend and Co-produced by Edinburgh International Festival, loyal supporter of BAM for over three decades. Théâtre de la Ville—Paris and Ruhrfestspiele Recklinghausen Major support for theater at BAM provided by: The Francena T. Harrison Foundation Trust Donald R. Mullen Jr. World premiere—Luxembourg, Feb 25, 2015 The Morris and Alma Schapiro Fund The SHS Foundation The Shubert Foundation, Inc. Antigone CAST Antigone Juliette Binoche Guard/Chorus Obi Abili Ismene/Chorus Kirsty Bushell Haimon/Chorus Samuel Edward-Cook Teiresias/Chorus Finbar Lynch Kreon Patrick O’Kane -
Joint Stock Theatre Group Archives D-035
http://oac.cdlib.org/findaid/ark:/13030/kt3h4nc658 No online items Inventory of the Joint Stock Theatre Group Archives D-035 University of California, Davis Library, Dept. of Special Collections 2004 1st Floor, Shields Library, University of California 100 North West Quad Davis, CA 95616-5292 [email protected] URL: https://www.library.ucdavis.edu/archives-and-special-collections Inventory of the Joint Stock D-035 1 Theatre Group Archives D-035 Language of Material: English Contributing Institution: University of California, Davis Library, Dept. of Special Collections Title: Joint Stock Theatre Group Archives Creator: Joint Stock Theatre Group Identifier/Call Number: D-035 Physical Description: 26.6 linear feet Date (inclusive): 1973-1991 Abstract: A British experimental theatre group founded in 1974 by Max Stafford-Clark, David Hare, and David Aukin, the Joint Stock Theatre Group was dedicated to developing new writing for the theatre. Workshops set up by William Gaskill and Max Stafford-Clark resulted in a unique working method which placed actors and director in collaboration with the playwright. The Archives contain business correspondence, financial records, legal documents, photographs, production files, promotional materials, and scripts (published and original prompt copies) of several plays. Researchers should contact Archives and Special Collections to request collections, as many are stored offsite. History A British experimental theatre group founded in 1974 by Max Stafford-Clark, David Hare, and David Aukin, the Joint Stock Theatre Group was dedicated to developing new writing for the theatre. Workshops set up by William Gaskill and Max Stafford-Clark resulted in a unique working method which placed actors and director in collaboration with the playwright. -
Teaching Shakespeare 20
ISSUE 20 SPRING 2021 POLICY • PEDAGOGY • PRACTICE Issue 20 – Spring 2021 ISSN 2049-3568 (Print) • ISSN 2049-3576 (Online) READ SHAKESPEARE FROM A CARIBBEAN VIEWPOINT WITH WHITNEY P. EATON LISTEN UP FOR THE WOMEN AND SHAKESPEARE PODCAST WITH APURVA KOTHARI EMBRACE YOUR STUDENTS’ DYSLEXIA WITH PETRONILLA WHITFIELD GET INSPIRED BY YU UMEMIYA, AMJAD ALSHALAN AND HAYAT BEDAIWI, AND MICHAEL COLLINS Find this magazine and more at the BSA Education Network’s web page www.britishshakespeare.ws/education/ INCLUDING CALIBAN INCLUDING CALIBAN: INCLUSIVE our students mentally check out at the very mention of TEACHING, SHAKESPEARE AND THE Shakespeare’s name. Initially, in my research, I’d narrowed it COMMONWEALTH all down to a single major factor. The consensus, I believed at the time, was clear: language. Both linguistically and HITNEY P. EATON is an MPhil/PhD socially speaking, Jamaica is split into 3 categories: English Candidate in the Department of Literatures speakers (English is our official language), Jamaican Creole in English at the University of the West speakers, and code-switchers – meaning those who are WIndies, Mona Campus. Her research is focused on textual fluent in both and switch effortlessly between the two in analysis regarding representations of self, value and conversation. This division of language is parallel to the class society within the canon. She is also committed to action divisions of the island, as well as the greater Commonwealth research geared towards developing methods for the Caribbean – Standard English is generally spoken in the popular teaching and understanding of Shakespeare upper class, the local dialect is predominantly spoken by the among Commonwealth Caribbean students.