Handbook and Guide to Learning 2016-2017 Catalog Table of Contents
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CHECKLIST for the MINOR in NEW MEDIA and DIGITAL DESIGN 6 TOTAL COURSES
CHECKLIST for THE MINOR IN NEW MEDIA AND DIGITAL DESIGN 6 TOTAL COURSES CORE COURSES (MUST TAKE BOTH COURSES): _____ NMDD 1001: EXPLORATIONS IN DIGITAL DESIGN ______CISC 2500: INFORMATION AND DATA MANAGEMENT COURSEWORK: MUST TAKE 4 COURSES (THESE MAY BE IN A SINGLE CONCENTRATION, OR IN ANY COMBINATION FROM ACROSS CONCENTRATIONS) THE FOLLOWING COURSES COUNT IN ALL CONCENTRATIONS: ______CISC 2530: Computer GraphiCs ______CMBU 4471: The Business of New Media ______DTEM 3476: SoCial Media ______DTEM 2421: Digital ProduCtion for New Media ______NMDD 3880: Designing Smart Cities (ServiCe Learning Course) ______VART 2003: GraphiC Design and Digital Tools ______VART 2400: Fundamentals of Web Design A. New Media and Information ______DTEM 1401: IntroduCtion to Digital TeChnology and Emerging Media ______CISC 2350: Information and Web Programming ______CISC 2530: Digital Video and Multimedia ______CISC 2850: Computer and Data Analysis or INSY 4431: Web AnalytiCs ______CISC 3850: Information Retrieval Systems ______CISC 4001: Computers and Robots in Film (ICC) ______DTEM 1402: Digital Cultures ______DTEM 2417: Data Visualization ______DTEM: 3463: CiviC Media ______DTEM 2427: Digital Audio ProduCtion ______FITV 2621: Digital Video Design ______COMC 3340: Freedom of Expression ______COMC 3380 International CommuniCation (Globalism) ______COMC 3374: Media EffeCts ______COMC3350 or BLBU 4451: New Media and CommuniCation Law ______DTEM 2775: Writing for Online Media ______INSY 4431: Web AnalytiCs or CISC 2850: Computer and Data Analysis ______INSY 3442: -
K E I T H a L a N G O S S E L
K E I T H A L A N G O S S E L I N 4131 Trailcrest Drive, Moorpark, CA 93021 (818) 371-9024 or [email protected] P R O F E S S I O N A L T E A C H I N G E X P E R I E N C E INSTITUTIONS: MOUNT SAINT MARY’S UNIVERSITY, LOS ANGELES (05/2001 to Present)– Los Angeles, California – TENURED CALIFORNIA STATE UNIVERSITY NORTHRIDGE (01/2005 to Present) – Northridge, California; ADJUNCT UNIVERSITY OF CALIFORNIA, LOS ANGELES (01/2006 to Present) – Los Angeles, California; ADJUNCT CALIFORNIA LUTHERAN UNIVERSITY (05/2016 to Present) - Thousand Oaks, California; ADJUNCT WOODBURY UNIVERSITY (09/1999 to 08/2006) – Burbank, California; ADJUNCT LOYOLA MARYMOUNT UNIVERSITY (01/2003 to 05/2003) – Los Angeles, California PART-TIME MARYMOUNT COLLEGE/WEBSTER UNIVERSITY (05/1998 to 05/2002) – Palos Verdes/Irvine, California; ADJUNCT L.A. SOUTHWEST COLLEGE (09/1997 to 12/1997) – Los Angeles, California, ADJUNCT INSTRUCTIONAL PROGRAMS: TRADITIONAL (MSMU, CSUN & CLU) WEEKEND (WOODBURY, MSMU & MARYMOUNT) EXTENSION (UCLA & LMU) PACE (CSUN) EVENING (CSUN & WOODBURY) GRADUATE LEVEL (MSMU) GRADUATE (MBA) COURSES: Foundations of Marketing E-Business for Business Managers Branding, Strategic Positioning and Customers Capstone Project Faculty Advisor UNDER-GRADUATE COURSES: MARKETING: Principles of Marketing Marketing Research (Offline and Online) Consumer Behavior Principles of Advertising International Marketing Sales Management 1 New Media Marketing Media Planning & Evaluation Marketing the Small Business E-Marketing (One-Unit) The Art of Public Relations (One-Unit) -
Name Admission, Articulation, And/Or Transfer Page
List of Private Universities in California Name Admission, Articulation, and/or Transfer Page Alliant International http://www.alliant.edu/ University http://www.alliant.edu/search- results.php?cx=011030758005603953435%3Ayapfhnvwulw&cof=FORID%3A9&ie=U TF-8&q=articulation&submit=go American Jewish http://www.aju.edu/default.aspx University Antioch University http://www.antiochsb.edu/ http://www.antiochsb.edu/admissions/ Antioch University Los http://www.antiochla.edu/ Angeles http://www.antiochla.edu/academics/ba-liberal-studies/program-extras/academic- partnerships/transfer-articulation-agreements/ Art Center College of http://www.artcenter.edu/accd/index.jsp Design http://www.artcenter.edu/accd/admissions.jsp Azusa Pacific University http://www.apu.edu/ http://www.apu.edu/admissions/undergraduate/requirements/transfer/ Biola University http://www.biola.edu/ www.biola.edu/registrar/transfer/undergraduate Brandman University http://www.brandman.edu/ http://www.brandman.edu/articulation-agreements California Baptist http://www.calbaptist.edu/ University http://www.calbaptist.edu/future-students/why-cbu/future- undergraduate/parents-faqs/ California College of the http://calarts.edu/ Arts http://calarts.edu/admissions http://calarts.edu/student-services/transfer-students California Institute of http://www.ciis.edu/ Integral Studies http://www.ciis.edu/Academics.html California Institute of http://www.caltech.edu/ Technology http://www.caltech.edu/content/apply California Institute of the http://calarts.edu/ Arts California Lutheran http://www.callutheran.edu/ -
Los Angeles Event Center
OV,\l'l.\l&Hf YI' t ITV ,iAN'YINot: C ITY OF LOS ANGELES ~1, .. '-• ...~ '-~~•111... u, ' "'""'" • 1: ) .w..111 :A,:tM:l<:t.c:A 11'1.1~ CAu-'<>MMA :O •Jto\"' .....:a n • '-l4JV•" "'Mli",O\ ... JJ> t••~••'~'' ,V,.. ►flt..AC• """"\M~,'- ' ,.,, Cff\l!'l'OUC:"~ t c;r;y " ,.. ..... N( ,"!0... Wli~ 1J•f.Jltt, : ,, Wl,,l~Yi(,11t!lt,V_. ... 1,t.... M \\I r :/11 11,-'( ,' __ I-':"... ~ 1«Jl't,. "'- l lltt• 111(..,_,.,,. vo1, , .......... IVN ;; ,, ,.. t ... n.~ v.. ~t"r. 01.:::oc,icao ):f-hL~ 1,1UC J 1ifN,,r.J.,MH u,,;.,.-..•~!J '., \(N ~~ ,:.......~hi ... ·~, 1fl,,\f\- 1.#ttl!H~ WJ~lltl l,Wtl .,.,. ::•"'"'"'"' 1.-.i... _ .-j,ui._ , -.....,. ~., ...,, ........,~ .. f\,11:t:,.•~ oJ • )it:11,.1.)« H~ Antooo R Volara,g0$,i! Mayor Ci1y ot l.os ~oles City Han, Room 300 Los Angele~. CA 90012 Attcnti<>n: Ms. Gaye Willams c.. ar M;rJ<)( Vllar'"9Q'x!' MAYOR'S EXECUTIVE DIRECTIVE NO. 22 DOWNTOWN EVENT carre:R PLANNING Th-e Executive Oirective V'3S issued dJe :O 3le- ~ifalnce of tt.~ Cofl\-ention and Event Center Project Jo, Los An9e.'es. The goal ls to n-.a,omiza the con,.-t>Jtion ol lh9 Fannor's F,eld pn,j~ lo U-.e economic ~rowth. CMC ife and tvabiliy ol Downtown Los Angel9s- The Execurvo Dtrw.-ve ~ up the coordrnle<I actions ol Uie Depar.menl$ of City f'lanning, Tr~ooo. f'\Jbic Works, Conventior. Cen,e, arid CulllJ'at Affo>h. The Cty Oepar.me.'l1S -ed together 10 M!Ue that thoughtful design, axh~eclure, :iro ptaruw,g aro efll)loyed in Ole review ol tile project. -
Individual Artist Fellowships C.O.L.A
INDIVIDUAL ARTIST FELLOWSHIPS C.O.L.A. 2013 C.O.L.A. 2013 INDIVIDUAL ARTIST FELLOWSHIPS Department of Cultural Affairs City of Los Angeles This catalog accompanies an exhibition and performance series sponsored by the City of Los CITY OF Angeles Department of Cultural Affairs featuring LOS ANGELES its C.O.L.A. 2013 Individual Artist Fellowship recipients in the visual and performing arts. 2013 INDIVIDUAL Exhibition: May 19 to July 7, 2013 ARTIST Los Angeles Municipal Art Gallery FELLOWSHIPS Barnsdall Park Opening Reception: May 19, 2013, 2 to 5 p.m. Performances: June 28, 2013 Grand Performances 2 Antonio R. Villaraigosa LOS ANGELES CITY COUNCIL CULTURAL AFFAIRS COMMISSION Department of Cultural Affairs DEPARTMENT OF CULTURAL AffaiRS Mayor City of Los Angeles City of Los Angeles City of Los Angeles Ed P. Reyes, District 1 York Chang Paul Krekorian, District 2 President Olga Garay-English Aileen Adams Dennis P. Zine, District 3 The Department of Cultural Affairs (DCA) generates and supports high-quality Executive Director Deputy Mayor Tom LaBonge, District 4 Josephine Ramirez arts and cultural experiences for Los Angeles’s 4 million residents and 40 million Strategic Partnerships Paul Koretz, District 5 Vice President Senior Staff Tony Cardenas, District 6 annual overnight and day visitors. DCA advances the social and economic impact of the arts and ensures access to diverse and enriching cultural activities through Richard Alarcon, District 7 Maria Bell Matthew Rudnick Bernard C. Parks, District 8 Annie Chu grant making, marketing, public art, community arts programming, arts education, Assistant General Manager Jan Perry, District 9 Charmaine Jefferson and building partnerships with artists and arts and cultural organizations in Herb J. -
Arts, Audio Video Technology, and Communications Graphic Design and Multimedia Arts
',*,7$/ &20081,&$7,216 ARTS, AUDIO VIDEO TECHNOLOGY, AND COMMUNICATIONS GRAPHIC DESIGN AND MULTIMEDIA ARTS Local Implementation Considerations: Students completing two or more courses for two or more credits within a program of study earn concentrator status for Perkins V federal accountability reporting. Proposed Indicator: Students finishing three or more courses for four or more credits with one course from level 3 or 4 within a program of study earn completer status for federal accountability reporting. Texas Education Agency® COURSES Principles of Arts,A/V Technology, and Communications Professional Communications LEVEL 1 Web Communications Digital Communications in the 21st Century NS IO AT IC N U Audio/Video Production/Lab M Digital Audio Technology M O LEVEL 2 C D N A DIGITAL Y Y G COMMUNICATIONS Audio Video Production II/Lab O L Digital Audio Technology II O N LEVEL 3 H C E T V / A , S T Practicum of Audio/Video Production R A Practicum of Digital Audio (TBD) Practicum of Entrepreneurship (TBD) LEVEL 4 MASTERhS/ MEDIAN ANNUAL % HIGH SCHOOL/ OCCUPATIONS CERTIFICATE/ ASSOCIATEhS BACHELORhS DOCTORAL WAGE OPENINGS GROWTH INDUSTRY LICENSE* DEGREE DEGREE PROFESSIONAL CERTIFICATION DEGREE Sound Engineering $39,562 79 27% Technicians Apple Final Cut Certified Video Recording Arts Communications Camera Operators, $50,024 129 9% Pro X Engineer Technology/Technician Technology/ Television, Video Technician and Motion Picture Audio and Video $40,581 757 Apple Logic Commercial Cinematography and Film/ 29% Equipment Pro X Audio Technician -
Best Streaming
FILM • SERIE TV • STREAMING • FUMETTI • COSPLAY • GAMES N. 9 - SETTEMBRE 2021 MENSILE BESTMOVIE.IT MULTIMEDIA EDITION SHANG-CHI E LA LEGGENDA VENEZIA 78 DA FREAKS OUT A DEI DIECI ANELLI ULTIMA NOTTE A SOHO LA NOSTRA GUIDA LA MARVEL GUARDA AL FESTIVAL A ORIENTE IN ALLEGATO SPACE JAM: BEST NEW LEGENDS STREAMING LEBRON JAMES CON BUGS BUNNY I 60 SHOW DA NEL SEQUEL DEL CULT NON PERDERE NEI ANNI ’90 PROSSIMI MESI UNA STORIA INEDITA DI ZEROCALCARE Timothée Chalamet protagonista del kolossal sci-fi di Denis Villeneuve. li abbiamo intervistati VOILADoppia.indd Tutte le pagine 23/07/21 09:12 VOILADoppia.indd Tutte le pagine 23/07/21 09:12 Sin título-4 1 26/7/21 14:42 EDITORIALE DI GIORGIO VIARO @gviaro www.facebook.com/ giorgio.viaro IL PRESENTE INVISIBILE AL CINEMA i incuriosisce il rapporto tra il cinema e i costumi M sociali in tempo di pandemia. Qualche settimana fa, al Festival di Cannes, ho visto 36 film e soltanto in due le mascherine e i dispenser di igienizzante facevano capolino. E non era solo l’immaginario a latitare ma il suo vocabolario: nessun dialogo, nessun confronto, nessun dibattito tra i personaggi. È esattamente un anno e mezzo che la crisi sanitaria è iniziata, una buona parte dei film che vediamo ai festival è stata girata in questo lasso di tempo, eppure… Il delegato generale di Cannes, Thierry Frémaux, il maggio scorso, presentando il Festival aveva detto: «In alcuni film spuntano le mascherine e un giorno rivedendoli ci chiederemo il perché». Davvero? Arriverà un Ezio Greggio porta la mascherina in una sequenza della commedia giorno in cui ci saremo dimenticati del Covid e delle regole Lockdown all’italiana. -
Using Video Game Design to Motivate Students
Using Video Game Design to Motivate Students Michael A. Evans, Brett D. Jones, and Sehmuz Akalin Because video games are so popular with young people, (Reiber, 2005) can be particularly useful in fostering in- formal science learning. researchers have explored ways to use game play to en- To add to the knowledge base, we studied how stu- dents used level-based video game development in an gage students in school subjects (Peppler & Kafai, 2007; out-of-school time (OST) setting to learn science con- tent. Building on prior efforts (Evans & Biedler, 2012; Rockwell & Kee, 2011; Small, 2011). Motivating students Evans, Norton, Chang, Deater-Deckard, & Balci, 2013; Evans, Pruett, Chang, & Nino, 2014), we explored how in science is especially important because of declines the project incorporated the video game to support learn- ers’ science motivation. This work with a commercial both in the number of young people who choose science careers and in the number of adults who have a sufficient MICHAEL A. EVANS is an associate professor in the Department of Teacher Education and Learning Sciences at NC State University. He grasp of science to make thoughtful decisions (Bell, Lew- researches the effects of video games and other popular digital me- dia on youth learning and engagement, with a focus on academic enstein, Shouse, & Feder, 2009). relevance. BRETT D. JONES is a professor in the Educational Psychology pro- gram in the School of Education at Virginia Tech. He researches stu- To counter these trends, informal science educators have dent motivation and examines strategies teachers can use to design adopted video games and simulations as teaching tools instruction to support students’ motivation and learning. -
April Studied at Kansas City Art Institute As a Graphic Design Major
April Greiman April studied at Kansas City Art Institute as a graphic design major. At the Art Institute, April began to learn about and explore Modernism. Some of her professors at the Kansas City Art Institute had studied at the Basel School of Design in Switzerland. Enthused by her professors, April decided to attend the Basel School of Design to complete her graduate work. Postmodernism is a term that is open to inter- pretation. Some feel that postmodernism is a tweak on modernist ideals. Others feel that postmodernism is a rebellion or reaction to previous political ideas that were deemed to be corrupt. Post modernism related to graphic design is more open to view points. There is not one specific standard that applies to all postmodern art. The notion about this movement is that it is what you make it. As a graphic designer, April reacted to the changes around her, used the ideas from modernism while embracing new outlooks and new changes. Tak- ing advantage of both old and new tools, April created postmodern and transmedia works. Post Modernism occurred after the “New Wave”. It was This piece was not created by April Greiman, but was instead created to reflect Greiman’s popular in the late 1980’s, 1990’s and it even extends to work. It really has a double meaning, April being the month as well as her name. The work was created in 1998 for a lecture April was giving. This piece was sponsored by the Philadel- current art practices. phia chapter of the American Institute of Graphic Arts. -
California Independent and Private Colleges
California Independent and Private Colleges American Academy of Dramatic Arts, LA. www.aada.org Otis College of Art and Design, Los Angeles. www.otis.edu American Jewish University, Los Angeles. www.ajula.edu Pacific Union College, Angwin. www.puc.edu Antioch University, Los Angeles. www.antiochla.edu Patten University, Oakland. www.patten.edu Art Center College of Design, Pasadena. www.artcenter.edu Pepperdine University, Malibu. www.pepperdine.edu Azusa Pacific University, Azusa. www.apu.edu Pitzer College, Claremont. www.pitzer.edu Biola University, La Mirada. www.biola.edu Point Loma Nazarene University, San Diego. www.ptloma.edu California Baptist University, Riverside. www.calbaptist.edu Pomona College, Claremont. www.pomona.edu California College of the Arts, San Francisco. www.cca.edu Saint Mary's College of California, Moraga. www.stmarys-ca.edu California Institute of Technology, Pasadena. www.caltech.edu Samuel Merritt College, Oakland. www.samuelmerritt.edu California Institute of the Arts, Valencia. www.calarts.edu San Diego Christian College, El Cajon. www.sdcc.edu California Lutheran U., Thousand Oaks. www.callutheran.edu San Francisco Conservatory of Music, SF. www.sfcm.edu Chapman University, Orange. www.chapman.edu Santa Clara University, Santa Clara. www.scu.edu Claremont McKenna, Claremont. www.claremontmckenna.edu Scripps College, Claremont. www.scrippscol.edu Concordia University, Irvine. www.cui.edu Simpson University, Redding. www.simpsonuniversity.edu Dominican University, San Rafael. www.dominican.edu Soka University, Aliso Viejo. www.soka.edu Fresno Pacific University, Fresno. www.fresno.edu Southern Calif. Univ. of Health Sciences, Whittier. www.scuhs.edu Golden Gate University, San Francisco. www.ggu.edu Stanford University, Stanford. -
Revisiting the So-Called “Legibility Wars” of the '80S and '
58 PRINT 70.3 FALL 2016 PRINTMAG.COM 59 HAT DID YOU DO during the Legibility Wars?” asked one of my more inquisitive design history students. “Well, it wasn’t actually a war,” I said, recalling the period during the mid-’80s through the mid- to late-’90s when there were stark divisions “Wbetween new and old design generations—the young anti- Modernists, and the established followers of Modernism. “It was rather a skirmish between a bunch of young designers, like your age now, who were called New Wave, Postmodern, Swiss Punk, whatever, and believed it necessary to reject the status quo for something freer and more contemporary. Doing that meant criticizing old-guard designers, who believed design should be simple—clean on tight grids and Helveticized.” “Do you mean bland?” he quizzed further. “Maybe some of it was bland!” I conceded. “But it was more like a new generation was feeling its oats and it was inevitable.” New technology was making unprecedented options possible. Aesthetic standards were changing because young designers wanted to try everything, while the older, especially the devout Modern ones, believed everything had already been tried. “I read that Massimo Vignelli called a lot of the new digital and retro stuff ‘garbage,’” he said. “What did you say or do about it back then?” “I was more or less on the Modernist side and wrote about it in a 1993 Eye magazine essay called ‘Cult of the Ugly.’” I wasn’t against illegibility per se, just the stuff that seemed to be done badly. I justified biased distinctions not between beauty and ugly, but between good ugly and bad ugly, or what was done with an experimental rationale and with merely style and fashion as the motive. -
Audience Feedback As an Influence on Graphic Design Problem Solving
Rochester Institute of Technology RIT Scholar Works Theses 2011 Audience feedback as an influence on graphic design problem solving Christopher Petrides Follow this and additional works at: https://scholarworks.rit.edu/theses Recommended Citation Petrides, Christopher, "Audience feedback as an influence on graphic design problem solving" (2011). Thesis. Rochester Institute of Technology. Accessed from This Thesis is brought to you for free and open access by RIT Scholar Works. It has been accepted for inclusion in Theses by an authorized administrator of RIT Scholar Works. For more information, please contact [email protected]. Audience Feedback as an Influence on Graphic Design Problem Solving Christopher Petrides Graphic Design MFA Program School of Design College of Imaging Arts and Sciences Rochester Institute of Technology Rochester, New York Fall 2011 1 Abstract User-generated feedback is arguably the most efficient tool to evaluate a specific product or service. Even though it is widely used to evaluate and subsequently improve video game design, it is not commonly used for graphic design applications. The aim of this thesis is to demonstrate how user-generated feedback can be utilized to improve existing graphic design applications. Specifically, three types of feedback collection vehicles were selected for use in graphic design: personal observation, evaluation polls, and existing video game design feedback. In order to demonstrate the advantage of using user- generated feedback, information collected through the feedback collection