Aliéksey Vianna with the Artaria String Quartet GFA Winner Florian

Total Page:16

File Type:pdf, Size:1020Kb

Aliéksey Vianna with the Artaria String Quartet GFA Winner Florian A Publication of the Minnesota Guitar Society • P.O. Box 14986 • Minneapolis, MN 55414 JANUARY / FEBRUARY 2011 VOL. 27 NO. 1 Aliéksey Vianna with the Artaria String Quartet Saturday, January 22nd, 8 pm ur first Sundin Hall con- tet. Don’t miss this truly once-in-a-lifetime event on Saturday, cert of 2011, and the half- January 22nd at 8 pm. way mark of our 2010–11 Aliéksey Vianna is an exceptional guitarist, accomplished in Oseries at Sundin, promises to both the classical and jazz genres, who constantly crosses stylistic be a rare and wonderful occa- borders. Born in Belo Horizonte, Brazil, and a graduate of the San sion—a collaboration between Francisco Conservatory of Music, he has performed at prestigious Brazilian multi-genre virtuoso music venues throughout Europe, Africa, the Middle East, and guitarist Aliéksey Vianna, and the internationally acclaimed, St. the Americas and has performed as a soloist with orchestras and Paul-based Artaria String Quartet. The program will include solo chamber groups in Brazil, the US, and Europe. He has played pieces by Vianna, but the feature will be arrangements of works with many world-renowned musicians, including Peter Erskine, by Ralph Towner and Sérgio Assad for guitar and string quar- continued on page 2 GFA Winner Florian Larousse from France! Saturday, February 19th, 8 pm n February we will continue the “French” theme of our current concert tour of the United States, which includes a performance at season. Following the wonderful return of Roland Dyens to Carnegie’s Weill Recital Hall in New York, as well as concerts in our series in September, our November concert presented the Brazil, Canada, China, and Mexico. His concerts for us are part of IParis Duo, which consists of two of his prize-winning former stu- that prize-winning tour. dents, Judicaël Perroy and Jérémy Jouve. Now, a former student of Florian Larousse Bio Perroy as well as Dyens, Florian Larousse, is the The French virtuoso Florian Larousse, latest artist in our tradition of featuring winners at the age of 22, has already wowed audi- of the prestigious Guitar Foundation of America ences on multiple continents. By win- Solo Artist Competition. On Friday February ning numerous prizes in the some of the 18th, Larousse will play a concert at Weber Hall most significant international competi- on the campus of the University of Minnesota- tions as well as audience choice awards Duluth. The following night, Saturday and recording contracts, Larousse has February 19th, he will repeat that program at emerged as new star in the world of clas- Sundin Music Hall on the campus of Hamline sical guitar. University. His win at the 2009 GFA Solo Artist Competition resulted in his current 9-month continued on page 3 Also In This Issue: Local Artists Series concerts by Greg Herriges and by Joseph Spoeltra and Alyssa Anderson; Fifth Annual Youth Guitarathon information and registration; Special Feature on the MGS; News and Notes. Sundin Hall Concert Series Minnesota Aliéksey Vianna, continued from p. 1 have received critical acclaim in Europe and throughout the US. Formed in Boston Guitar Society Paul McCandless, Toninho Horta, Tracy in 1986, the Quartet was mentored by the Silverman, and Pierre Boulez. He was cho- renowned Budapest, La Salle, Kolisch, Board of Directors sen to perform Boulez’s landmark work Juilliard, and Cleveland quartets. They “Le Marteau sans Maitre,” conducted by were featured on an ABC-TV World News the composer at Carnegie Hall. He has pre- Tonight broadcast, have given numerous OFFICERS: miered pieces by Egberto Gismonti, Edino live performances on WGBH Boston and PRESIDENT Krieger, David Burge, and Sérgio Assad. Minnesota Public Radio, and have per- Joe Haus Assad recognized Vianna’s talent and formed at celebrated venues across the US. offered to produce a CD of his own solo gui- They have been featured at the Banff Centre VICE-PRESIDENT tar works, released on the GSP label in 2005. in Canada, Festival de L’Epau in France, Joanne Backer Vianna first took up the guitar spontane- and the Tanglewood Music Center. They ously at the age of eight. At age 12, he began are recipients of the McKnight Fellowship ARTISTIC DIRECTOR formal musical studies, in classical guitar, for Performing Musicians. The Quartet Joe Hagedorn composition, arranging, and orchestra- served as Ensemble-in Residence and TREASURER tion. His many teachers included Rogerio Artist/ Teachers at the world-renowned Bianchi and David Tanenbaum. He has Tanglewood Institute and were awarded Gigi Voegeli performed in masterclasses of Sérgio and two “Millennium Grants” for outreach MANAGING DIRECTOR Odair Assad, Manuel activities from the Barrueco, Roland National Endowment Paul Hintz Dyens, Abel Carlevaro, for the Arts (NEA) and SECRETARY Oscar Ghiglia, Nigel Chamber Music America North, Paul O’Dette, (CMA). Outstanding per- Alan Norton Hopkinson Smith, and formers in both concert Ralph Towner, among and educational outreach BOARD MEMBERS: others. Vianna has been settings, they have given Kristian Anderson awarded first prize in hundreds of programs Christopher Becknell 13 worldwide music competitions, in seven to thousands of students throughout the different countries, in both jazz and classi- US. Participants in the inaugural Rural Mark Bussey cal music. These awards have led to invita- Residency Grant from the NEA to live and James Flegel tions to perform and teach at several music work in rural Georgia, the Quartet also Steve Kakos festivals, and to record with such labels as partnered in a three-year CMA grant to Christopher Olson Radio MEC in Brazil, URTEXT in Mexico, enhance string education in Sioux City, and GSP in the USA. He has won other priz- Iowa. In the mid-1990s, Artaria held dual Todd Tipton es, including second place in the XVI GFA residencies at Boston College and Viterbo Brent Weaver International Competition in Montreal, in University. Now based in St. Paul, the nine other countries. Quartet presents a chamber music series TECHNOLOGY GURU For his Sundin Hall concert series per- in Sundin Hall at Hamline University. In Jim Campbell formance, Vianna will collaborate with the addition, they have established the Artaria locally based Artaria String Quartet to pre- Chamber Music School (a year-round quar- sent music from his most recent CD, which tet program), a summer camp, and retreats Newsletter features arrangements for guitar and string for adult amateurs. Rooted in the chamber EDITOR quartet of the works of Ralph Towner and music tradition, the Quartet also advo- Paul Hintz Sérgio Assad. cates for contemporary composers. With PRODUCTION The Artaria String Quartet (Ray Shows, the American Composers Forum, League violin; Nancy Oliveros, violin; Annalee ISCM, and through their own initiative, i draw the line, inc. Wolf, viola; Laura Sewell, cello) is named they have premiered a many new works David’s Print Shop after the family that published the pre- and have numerous dedications to their DISTRIBUTION mier issues of many Haydn, Mozart, and credit. They have recorded for the Centaur James Falbo Beethoven quartets. Their performances and Aequebis labels. Evan Everist Sundin Hall is on Hamline U. Campus at Chris Moody 1536 Hewitt Ave. in St. Paul. Ben Woolman Directions: from I-94, head north on Snelling Ave. in St. Paul, past University Ave. to Hewitt Ave. Turn right, Sundin Web Site Production Hall is on your left, a half-block east of Snelling. Free park- Amy Lytton ing is available one block past the hall, in lots off Hewitt <http://www.mnguitar.org> (on your right) or off Pascal (1 block north). 2 guitarist Sundin Hall Concert Series Florian Larousse, continued from p. 1 In support of the Guitar Foundation of America’s enduring commitment to furthering the profile of classical guitar, the GFA Larousse has earned prizes in a number of international compe- Tour allows presenters access to the guitar world’s brightest new titions in various countries including France, Germany, Hungary, stars. From major cities to small towns, community colleges to Portugal, Spain, and the United States. His performance at the large performance series, the touring artist is available to a large Jose Tomás Competition (Spain) earned him first prize and the array of presenters, aficionados, and players, as well as would-be Audience Choice Award in addition to resulting in a tour of Spain guitarists and music enthusiasts. A broad spectrum of communi- to 10 different cities as well as a recording contract. In 2009 he won ties is therefore able access these artists’ breathtaking talent. the Koblenz International guitar Competition “Hubert Kappel” Through the tour artist’s performances and masterclasses, the (Germany) and later that year won the coveted first prize of The tour is but one way Guitar Foundation of America International Artist Competition. in which the GFA To reserve tickets for any Born in 1988, French guitarist Florian Larousse began studying realizes its mission Sundin Hall concert, please call guitar at the age of 8 with Philippe Vanderstichele, later continu- statement by inspir- our phone line at 612-677-1151. ing his studies at the prestigious National Conservatory of Paris ing artistry, building with Pedro Ibanez. After four years, he graduated with highest community, and promoting the guitar internationally. With new honors in classical guitar. That same year, he began his studies tour expansion reaching into China (funded by Guitar Fund of with French virtuoso and Guitar Foundation of America laureate Chen Zhi-Piao Longhua), South America (Colombia and Brazil), as Judicaël Perroy and entered the Conservatoire Supérieur de Paris well as Canada, Mexico, and over half of the 50 United States, the where he also worked with critically acclaimed artist, teacher, and richness and reach of the Artist Tour is unprecedented. composer Roland Dyens.
Recommended publications
  • The Songs of Michael Head: the Georgian Settings (And Song Catalogue)
    Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1990 The onS gs of Michael Head: The Georgian Settings (And Song Catalogue). Loryn Elizabeth Frey Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Frey, Loryn Elizabeth, "The onS gs of Michael Head: The Georgian Settings (And Song Catalogue)." (1990). LSU Historical Dissertations and Theses. 4985. https://digitalcommons.lsu.edu/gradschool_disstheses/4985 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS The most advanced technology has been used to photograph and reproduce this manuscript from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps.
    [Show full text]
  • Sing Solo Pirate: Songs in the Key of Arrr! a Literature Guide for the Singer and Vocal Pedagogue
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Student Research, Creative Activity, and Performance - School of Music Music, School of 5-2013 Sing Solo Pirate: Songs in the Key of Arrr! A Literature Guide for the Singer and Vocal Pedagogue Michael S. Tully University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/musicstudent Part of the Music Pedagogy Commons, Music Performance Commons, and the Music Practice Commons Tully, Michael S., "Sing Solo Pirate: Songs in the Key of Arrr! A Literature Guide for the Singer and Vocal Pedagogue" (2013). Student Research, Creative Activity, and Performance - School of Music. 62. https://digitalcommons.unl.edu/musicstudent/62 This Article is brought to you for free and open access by the Music, School of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Student Research, Creative Activity, and Performance - School of Music by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. SING SOLO PIRATE: SONGS IN THE KEY OF ARRR! A LITERATURE GUIDE FOR THE SINGER AND VOCAL PEDAGOGUE by Michael S. Tully A DOCTORAL DOCUMENT Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor of Musical Arts Major: Music Under the Supervision of Professor William Shomos Lincoln, Nebraska May, 2013 SING SOLO PIRATE: SONGS IN THE KEY OF ARRR! A LITERATURE GUIDE FOR THE SINGER AND VOCAL PEDAGOGUE Michael S. Tully, D.M.A. University of Nebraska, 2013 Advisor: William Shomos Pirates have always been mysterious figures.
    [Show full text]
  • Iron Sharpens Iron: Duets for Two Women in the Teaching/Instruction of Undergraduate Women
    IRON SHARPENS IRON: DUETS FOR TWO WOMEN IN THE TEACHING/ INSTRUCTION OF UNDERGRADUATE WOMEN Laurissa Backlin, B.M., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS August 2013 APPROVED: Lynn Eustis, Major Professor Richard Sparks, Committee Member Stephen Morscheck, Committee Member Jeffrey Snider, Chair of the Division of Vocal Studies Benjamin Brand, Director of Graduate Studies James C. Scott, Dean of the College of Music Mark Wardell, Dean of the Toulouse Graduate School Backlin, Laurissa. Iron Sharpens Iron: Duets for Two Women in the Teaching/Instruction of Undergraduate Women. Doctor of Musical Arts (Performance), August 2013, 61 pp., 30 figures, bibliography, 77 titles. Duet literature remains largely untapped as a pedagogical tool in the undergraduate voice studio. This dissertation examines the ways in which eight duets for female voices, although not written primarily for pedagogical use, may be used to teach four main areas of voice technique: intonation, vocal agility, legato singing, and dramatic skills. Duets are chosen primarily from the standard repertoire and are in English, German, French, Italian and Latin. The compositional styles range from the Baroque period through the 20th century. Genres include art song, oratorio, and opera. Each chapter focuses on one of the four vocal skills listed above, and includes examinations of two duets whose vocal writing (rhythm, tessitura, intervals, tempi, and text) make them appropriate candidates for pedagogical use in the improvement of that specific skill. Both male and female teachers of singing may utilize this project as a practical resource and model in how to use other duets, including those for other voice types, for similar purposes in their teaching studio.
    [Show full text]
  • An African-American Art Song Anthology
    University of Kentucky UKnowledge Theses and Dissertations--Music Music 2018 EVALUATING APPROPRIATE REPERTOIRE FOR DEVELOPING SINGERS: AN AFRICAN- AMERICAN ART SONG ANTHOLOGY Nicole Michelle Sonbert University of Kentucky, [email protected] Author ORCID Identifier: https://orcid.org/0000-0003-2244-158X Digital Object Identifier: https://doi.org/10.13023/ETD.2018.002 Right click to open a feedback form in a new tab to let us know how this document benefits oy u. Recommended Citation Sonbert, Nicole Michelle, "EVALUATING APPROPRIATE REPERTOIRE FOR DEVELOPING SINGERS: AN AFRICAN- AMERICAN ART SONG ANTHOLOGY" (2018). Theses and Dissertations--Music. 104. https://uknowledge.uky.edu/music_etds/104 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third- party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The nivU ersity of Kentucky and its agents the irrevocable, non-exclusive, and royalty- free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known.
    [Show full text]
  • Voice Syllabus / 2012 Edition
    74058_MDP_SyllabusCovers_RELEASE2_Layout 1 13-02-06 11:14 AM Page 56 74058_MDP_SyllabusCovers_RELEASE2_LayoutVoice 1 13-02-06 11:14 AM Page 56 VoiceSYLLABUS EDITION SYLLABUS EDITION S35_Voice Syllabus_2016.indd 2 2016-10-17 4:12 PM Contents Message from the President . 5 Register for an Examination Examination Sessions and Registration Deadlines . 106 Getting Started Online Registration . 106 What’s New . 6 Examination Fees . 106 Contact Us . 6 Examination Centers . 106 Examination Scheduling . 106 About Us The Royal Conservatory . 7 Examination Regulations The Royal Conservatory Examinations and Examination Procedures . 107 The Achievement Program . 7 Credits and Refunds for Missed Examinations . 107 The College of Examiners . 7 Candidates with Special Needs . 108 Examinations Offered . 7 Examination Results . 108 Notable Alumni . 8 Tables of Marks . 109 Strengthening Canadian Society Since 1886 . 8 Supplemental Examinations . 110 Musicianship Examinations . 111 Quick Reference— Practical Examination Certifi cates . 111 Examination Requirements Second ARCT Diplomas . 111 School Credits . 111 Certifi cate Program Overview . 9 Medals . 111 Theory Examinations . 10 RESPs . 112 Co-requisites and Prerequisites . 11 Editions . 112 Examination Repertoire . 12 Substitutions . 113 Technical Requirements . 15 Abbreviations . 114 Ear Tests and Sight Singing . 15 Thematic Catalogs . 115 International Phonetic Alphabet (IPA) Symbols . 16 Resources Grade-by-Grade Requirements General Resources . 117 Preparatory . 17 General Reference Works . 118 Grade 1 . 18 Voice Resources . 118 Grade 2 . 21 Grade 3 . 24 Grade 4 . 28 Frequently Asked Questions Grade 5 . 32 Practical Examinations . 122 Grade 6 . 37 Theory Co-requisites . 123 Grade 7 . 42 Grade 8 . 49 Practical Examination Day Grade 9 . 58 Checklist for Candidates Grade 10 . 70 Before you Leave Home .
    [Show full text]
  • Year Album Artist 2021 the Verve Years Abbey Lincoln Recording Arranger 2020 This Dream of You Diana Krall Group Member, Orchest
    Year Album Artist 2021 The Verve Years Abbey Lincoln Recording Arranger Group Member, Orchestral Arrangements, Piano, Recording 2020 This Dream of You Diana Krall Arranger 2020 Ode to the Road Dena DeRose Composer 2020 From This Place Pat Metheny Orchestral Arrangements The Legacy 1961- 2019 Glen Campbell Conductor 2017 2019 Pesci... Still Singing Joe Pesci Horn Arrangements 2019 For the Girls Kristin Chenoweth Arranger, Orchestral Agent, Piano Shirley Horn With 2018 Shirley Horn Piano Friends 2018 Love Michael Bublé Arranger, Horn Arrangements, String Arrangements 2018 Egypt Station Paul McCartney Arranger 2018 A Song for You Steve Tyrell Arranger 2018 5 Original Albums Charlie Haden Composer, Piano 2017 Turn Up the Quiet Diana Krall Conductor, Orchestral Arrangements, Orchestration 2017 In Full Swing Seth MacFarlane Keyboards Year Album Artist 2016 You Don't Know Me Neal McCoy Arranger, Piano 2016 The Gold Standards Deborah Silver Arranger, Piano 2016 The Art of Elegance Kristin Chenoweth Arranger, Conductor, Piano, String Arrangements 2016 Pure McCartney Paul McCartney Arranger, Conductor, Orchestral Arrangements Better than 2015 Sheila Jordan Featured Artist, Piano Anything: Live 2014 Life Journey Leon Russell String Arrangements I Remember You: 2014 With Love to Stan Diane Schuur Piano and Frank A Michael Feinstein 2014 Michael Feinstein Piano Christmas 2013 Passione Andrea Bocelli Arranger, Conductor, Orchestral Arrangements 2013 Love in Portofino Andrea Bocelli Orchestral Arrangements It's Magic: The 2013 Songs of Sammy Steve Tyrell Arranger, Piano Cahn Kisses on the 2012 Paul McCartney Conductor, Orchestration Bottom Year Album Artist 2012 I'll Take Romance Steve Tyrell Arranger, Conductor Dave 2012 At the Algonquin Frishberg / Jessica Composer Molaskey As Time Goes By/Stardust [The 2012 Great American Rod Stewart Conductor, String Arrangements Songbook, Vols.
    [Show full text]
  • Identifying Classical Vocal Collaborative Piano Practices In
    COLLABORATIVE CROSSOVER: IDENTIFYING CLASSICAL VOCAL COLLABORATIVE PIANO PRACTICES IN JAZZ VOCAL ACCOMPANYING David Jonathan Morgenroth Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS August 2015 APPROVED: John Murphy, Major Professor and Chair of the Division of Jazz Studies Steven Harlos, Committee Member John Dan Haerle, Committee Member Benjamin Brand, Director of Graduate Studies, College of Music James C. Scott, Dean of the College of Music Costas Tsatsoulis, Dean of the Toulouse Graduate School Morgenroth, David Jonathan. Collaborative Crossover: Identifying Classical Vocal Collaborative Piano Practices in Jazz Vocal Accompanying. Doctor of Musical Arts (Performance), August 2015, 160 pp., 8 tables, 18 figures, 27 examples, bibliography, 457 titles. Classical vocal collaborative piano and jazz vocal accompaniment are well-established fields with long-standing performance traditions. Classical collaborative performance practices have been researched and codified, but jazz accompanying practices largely remain in the domain of aural tradition. Both classical and jazz accompaniment share associated practices, such as rubato, transposition, and attention to lyric diction and inflection, but there is little previous investigation into the idea that classical collaborative practices might apply to jazz accompanying. This research examines jazz piano accompanying practices in sung verses of standard tunes to demonstrate how accomplished jazz pianists intuitively use many of the same techniques as classical collaborative pianists to create balance with singers. Through application of expressive microtiming analysis to graphical displays of transcribed recorded performances, a strong correlation is established between the classical and jazz vocal accompanying traditions. Linking classical practices to jazz potentially creates a foundation for jazz accompanying pedagogy.
    [Show full text]
  • Sommaire Catalogue Jazz / Blues Octobre 2011
    SOMMAIRE CATALOGUE JAZZ / BLUES OCTOBRE 2011 Page COMPACT DISCS Blues .................................................................................. 01 Multi Interprètes Blues ....................................................... 08 Jazz ................................................................................... 10 Multi Interprètes Jazz ......................................................... 105 SUPPORTS VINYLES Jazz .................................................................................... 112 DVD Jazz .................................................................................... 114 L'astérisque * indique les Disques, DVD, CD audio, à paraître à partir de la parution de ce bon de commande, sous réserve des autorisations légales et contractuelles. Certains produits existant dans ce listing peuvent être supprimés en cours d'année, quel qu'en soit le motif. Ces articles apparaîtront de ce fait comme "supprimés" sur nos documents de livraison. BLUES 1 B B KING B B KING (Suite) Live Sweet Little Angel – 1954-1957 Selected Singles 18/02/2008 CLASSICS JAZZ FRANCE / GEFFEN (SAGAJAZZ) (900)CD 18/08/2008 CLASSICS JAZZ FRANCE / SAGA (949)CD #:GACFBH=YYZZ\Y: #:GAAHFD=VUU]U[: Live At The BBC 19/05/2008 CLASSICS JAZZ FRANCE / EMARCY The birth of a king 10.CLASS.REP(SAGAJAZZ) (899)CD 23/08/2004 CLASSICS JAZZ FRANCE / SAGA (949)CD #:GAAHFD=U[XVY^: #:GACEJI=WU\]V^: One Kind Favor 25/08/2008 CLASSICS JAZZ FRANCE / GEFFEN Live At The Apollo(ORIGINALS (JAZZ)) (268)CD 28/04/2008 CLASSICS JAZZ FRANCE / GRP (899)CD #:GACFBH=]VWYVX:
    [Show full text]
  • Michael Tilson Thomas
    Composition for “Jazz” by Albert Gleizes - Solomon R. Guggenheim Museum Festival of American Music Friday, March 8, 2019 at 11 am Teddy Abrams, conductor Coffee Concert will include selections from the below Johannes Dickbauer Jazz Violin Concerto Michael Tilson Thomas Four Preludes on Playthings of the Wind Measha Brueggergosman, vocalist Maria Schneider Winter Morning Walks Measha Brueggergosman, vocalist Valerie Coleman The Painted Lady Measha Brueggergosman, vocalist Gabe Evens New Commission Tyshawn Sorey New Commission/collaboration with the University of Louisville School of Music Festival of American music We end our fourth year of The Composers the Festival of American Music with a concert devoted to the influence of jazz on Johannes Dickbauer classical and American music. According to the Smithson- Violinist Johannes Dickbauer is ian’s National Museum of renowned for his incredible versa- tility. Classically trained at the American History “Jazz de- Curtis Institute in Philadelphia, he veloped in the United States finds himself equally at home as a in the very early part of the soloist, chamber musician, jazzer, folk musician, composer or ar- 20th century. New Orleans, ranger. A top prize winner and near the mouth of the Mis- winner of the Public’s Prize at the 2007 Concours International de Vio- sissippi River, played a key lon Sion, Johannes has made appearances with several European orches- tras, including the Wiener Kammerphilharmonie, the Dohnanyi Budafolk role in this development. The Orchestra under Shlomo Mintz, and the Wiener Kammerorchester, un- city's population was more der the baton of the celebrated violinist Sir Yehudi Menuhin. diverse than anywhere else in With the new band Dickbauer Collective, formed in 2012 together with his the South, and people of Af- uncle Klaus Dickbauer and his brother Stephan Dickbauer, Johannes rican, French, Caribbean, recorded a new album.
    [Show full text]
  • Literature Born of the Texas Singer-Songwriter Movement of the Last Forty Years" (2016)
    University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses Spring 5-13-2016 The People's Poets: Literature Born of the Texas Singer- Songwriter Movement of the Last Forty Years Phyllis M. Dunham [email protected] Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Dunham, Phyllis M., "The People's Poets: Literature Born of the Texas Singer-Songwriter Movement of the Last Forty Years" (2016). University of New Orleans Theses and Dissertations. 2212. https://scholarworks.uno.edu/td/2212 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. The People’s Poets: Literature Born of the Texas Singer-Songwriter Tradition of the Last Forty Years A Thesis Submitted to the Graduate Faculty of The University of New Orleans in partial fulfillment of the requirements for the degree of Master of Fine Arts in Creative Writing by Phyllis Dunham B. A. Sul Ross State University, 2013 May 2016 Table of Contents List of Figures ...................................................................................................................
    [Show full text]
  • Title Format Released (Jerry Bergonzi/Bobby Watson/Victor Lewis) Together Again for the First Time CD 1997 ???? ????? CD 1990 4
    Title Format Released (Jerry Bergonzi/Bobby Watson/Victor Lewis) Together Again For The First Time CD 1997 ???? ????? CD 1990 4 Giants Of Swing 4 Giants Of Swing CD 1977 Abate, Greg It'S Christmastime CD 1995 Monsters In The Night CD 2005 Evolution CD 2002 Straight Ahead CD 2006 Bop City: Live At Birdland CD 2006 Abate, Greg Quintet Horace Is Here CD 2004 Bop Lives CD 1996 Adams, George & Don Pullen Don't Lose Control CD 1979 Adams, Greg Midnight Morning CD 2002 Adams, Pepper 10 to 4 at the 5-Spot CD 1958 Adderley, Cannonball The Poll Winners: Volume 4 CD 1960 The Cannonball Adderley Quintet In San Francisco [Live] [Bonus Track] CD 1959 Adderley, Cannonball With Bill Evans Know What I Mean? CD 1961 Adderley, Nat Work Song CD 1990 Ade & His African Beats, King Sunny Juju Music CD 1982 Aggregation, The Groove’s Mood CD 2008 Akiyoshi, Toshiko Desert Lady/Fantasy CD 1993 Live at Maybeck Recital Hall: Volume 36 CD 1994 Finesse CD 1978 Alaadeen and the deans of swing Aladeen And The Deans Of Swing Plays Blues For RC And Josephine, Too CD 1995 Alaadeen, Ahmad New Africa Suite CD 2005 Time Through The Ages CD 1987 Page 1 of 79 Title Format Released Albany, Joe The Right Combination CD 1957 Alden, Howard & Jack Lesberg No Amps Allowed CD 1988 Alexander, Eric Solid CD 1998 Alexander, Monty Goin' Yard CD 2001 Jamboree CD 1998 Ray Brown Trio - Ray Brown Monty Alexander Russell Malone (Disc 2-2) CD 2002 Reunion in Europe CD 1984 Ray Brown Monty Alexander Russell Malone (Disc 1) CD 2002 My America CD 2002 Monty Meets Sly And Robbie CD 2000 Stir It
    [Show full text]
  • The Voice of Children in Art Song: a Study of Six Cycles Involving a Child’S Perspective
    The Voice of Children in Art Song: A Study of Six Cycles Involving a Child’s Perspective A document submitted to the Graduate Thesis and Research Committee of the University of Cincinnati in partial fulfillment of the degree requirements for the degree of DOCTOR OF MUSICAL ARTS in VOICE in the Performance Studies Division of the College-Conservatory of Music by Rachelle M. Woolston BA, Brigham Young University, 2002 MM, University of Cincinnati, 2004 Committee Chair: Dr. Stephanie Schlagel, PhD Abstract This document explores the often overlooked and undervalued song cycle repertory containing children’s themes. This genre includes music written and performed by adults that offers elements of a child’s world within the poetry. Various modes of communication are possible in songs with children’s themes, depending on whether the poet is an adult or child, whether the poet acts as an adult or child, and whether the intended audience consists of adults or children. The document compares six song cycles using each of these modes of communication. Poems written by children are set in A Garland for Marjory Fleming by Richard Rodney Bennett and Sieben Lieder von Elisabeth Kulmann, Op. 104 by Robert Schumann, while adult poets act as children in Theodore Chanler’s The Children and Leonard Bernstein’s I Hate Music! A Cycle of Five Kid Songs for Soprano, and children are the poetic audience in La courte paille by Francis Poulenc and A Charm of Lullabies by Benjamin Britten. This document uses these three modes of communication as an analytical lens through which to view the poetic and musical techniques used in creating a child’s world in song.
    [Show full text]