Contemporary Poetry Reading List
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April 2005 Updrafts
Chaparral from the California Federation of Chaparral Poets, Inc. serving Californiaupdr poets for over 60 yearsaftsVolume 66, No. 3 • April, 2005 President Ted Kooser is Pulitzer Prize Winner James Shuman, PSJ 2005 has been a busy year for Poet Laureate Ted Kooser. On April 7, the Pulitzer commit- First Vice President tee announced that his Delights & Shadows had won the Pulitzer Prize for poetry. And, Jeremy Shuman, PSJ later in the week, he accepted appointment to serve a second term as Poet Laureate. Second Vice President While many previous Poets Laureate have also Katharine Wilson, RF Winners of the Pulitzer Prize receive a $10,000 award. Third Vice President been winners of the Pulitzer, not since 1947 has the Pegasus Buchanan, Tw prize been won by the sitting laureate. In that year, A professor of English at the University of Ne- braska-Lincoln, Kooser’s award-winning book, De- Fourth Vice President Robert Lowell won— and at the time the position Eric Donald, Or was known as the Consultant in Poetry to the Li- lights & Shadows, was published by Copper Canyon Press in 2004. Treasurer brary of Congress. It was not until 1986 that the po- Ursula Gibson, Tw sition became known as the Poet Laureate Consult- “I’m thrilled by this,” Kooser said shortly after Recording Secretary ant in Poetry to the Library of Congress. the announcement. “ It’s something every poet dreams Lee Collins, Tw The 89th annual prizes in Journalism, Letters, of. There are so many gifted poets in this country, Corresponding Secretary Drama and Music were announced by Columbia Uni- and so many marvelous collections published each Dorothy Marshall, Tw versity. -
Letters Mingle Soules
Syracuse Scholar (1979-1991) Volume 8 Issue 1 Syracuse Scholar Spring 1987 Article 2 5-15-1987 Letters Mingle Soules Ben Howard Follow this and additional works at: https://surface.syr.edu/suscholar Recommended Citation Howard, Ben (1987) "Letters Mingle Soules," Syracuse Scholar (1979-1991): Vol. 8 : Iss. 1 , Article 2. Available at: https://surface.syr.edu/suscholar/vol8/iss1/2 This Article is brought to you for free and open access by SURFACE. It has been accepted for inclusion in Syracuse Scholar (1979-1991) by an authorized editor of SURFACE. For more information, please contact [email protected]. Howard: Letters Mingle Soules Letters Mingle Soules Si1; mure than kisses) letters mingle Soules; Fm; thus friends absent speake. -Donne, "To Sir Henry Wotton" BEN HOWARD EW LITERARY FORMS are more inviting than the familiar IF letter. And few can claim a more enduring appeal than that imi tation of personal correspondence, the letter in verse. Over the centu ries, whether its author has been Horace or Ovid, Dryden or Pope, Auden or Richard Howard, the verse letter has offered a rare mixture of dignity and familiarity, uniting graceful talk with intimate revela tion. The arresting immediacy of the classic verse epistles-Pope's to Arbuthnot, Jonson's to Sackville, Donne's to Watton-derives in part from their authors' distinctive voices. But it is also a quality intrinsic to the genre. More than other modes, the verse letter can readily com bine the polished phrase and the improvised excursus, the studied speech and the wayward meditation. The richness of the epistolary tradition has not been lost on con temporary poets. -
She Whose Eyes Are Open Forever”: Does Protest Poetry Matter?
commentary by JAMES GLEASON BISHOP “she whose eyes are open forever”: Does Protest Poetry Matter? ne warm June morning in 1985, I maneuvered my rusty yellow Escort over shin-deep ruts in my trailer park to pick up Adam, a young enlisted aircraft mechanic. Adam had one toddler and one newborn to Osupport. My two children were one and two years old. To save money, we carpooled 11 miles to Griffiss Air Force Base in Rome, New York. We were on a flight path for B-52s hangared at Griffiss, though none were flying that morning. On the long entryway to the security gate, Adam and I passed a group of people protesting nuclear weapons on base. They had drawn chalk figures of humans in our lane along the base access road. Adam and I ran over the drawings without comment. A man. A pregnant woman. Two children—clearly a girl and boy. As I drove toward the security gate, a protestor with long sandy hair waved a sign at us. She was standing in the center of the road, between lanes. Another 15 protestors lined both sides of the roads, but she was alone in the middle, waving her tall, heavy cardboard sign with block hand lettering: WE DON’T WANT YOUR NUKES! A year earlier, I’d graduated from college and joined the Air Force. With my professors’ Sixties zeitgeist lingering in my mind, I smiled and waved, gave her the thumbs up. Adam looked away, mumbled, “Don’t do that.” After the gate guard checked our IDs, Adam told me why he disliked the protestors. -
"I Am Not Certain I Will / Keep This Word" Victoria Parker Rhode Island College, Vparker [email protected]
Rhode Island College Digital Commons @ RIC Honors Projects Overview Honors Projects 2016 "I Am Not Certain I Will / Keep This Word" Victoria Parker Rhode Island College, [email protected] Follow this and additional works at: https://digitalcommons.ric.edu/honors_projects Part of the Other Feminist, Gender, and Sexuality Studies Commons, Poetry Commons, and the Women's Studies Commons Recommended Citation Parker, Victoria, ""I Am Not Certain I Will / Keep This Word"" (2016). Honors Projects Overview. 121. https://digitalcommons.ric.edu/honors_projects/121 This Honors is brought to you for free and open access by the Honors Projects at Digital Commons @ RIC. It has been accepted for inclusion in Honors Projects Overview by an authorized administrator of Digital Commons @ RIC. For more information, please contact [email protected]. “I AM NOT CERTAIN I WILL / KEEP THIS WORD”: LOUISE GLÜCK’S REVISIONIST MYTHMAKING By Victoria Parker An Honors Project Submitted in Partial Fulfillment of the Requirements for Honors In The Department of English Faculty of Arts and Sciences Rhode Island College 2016 Parker 2 “I AM NOT CERTAIN I WILL / KEEP THIS WORD”: LOUISE GLÜCK’S REVISIONIST MYTHMAKING An Undergraduate Honors Project Presented By Victoria Parker To Department of English Approved: ___________________________________ _______________ Project Advisor Date ___________________________________ _______________ Honors Committee Chair Date ___________________________________ _______________ Department Chair Date Parker 3 TABLE OF CONTENTS -
Poetry Magazine
Poetry Magazine 2008- January Articles Made to Measure, The Red Sea Devotion: The Garment District Nocturnal, Divine Rights Devotion: The Burnt-Over District Stephen Edgar Bruce Smith callas lover, cruel, cruel summer The History of Mothers of Sons D.A. Powell Lisa Furmanski Man of War, Argonaut's Vow Pink Ocean Carol Frost Stuart Dybek The Solipsist The Taste of Silence Troy Jollimore Adam Kirsch Citation Responsibilities Joshua Mehigan Joanie V. Mackowski Repetition,The Late Worm, Clamor and Quiet Cut Out For It Ange Mlinko Kay Ryan Closing the Circle Getting Where We're Going Jhumpa Lahiri John Brehm A Night in Brooklyn The Dead Remember Brooklyn The Rain-Streaked Avenues of Central Queens D. Nurkse Moose Dreams, Dogwood William Johnson Biographer Samuel Menashe La Porte Rachel Webster There's Nothing More Wendy Videlock Poetry Magazine 2008- Feb. Articles Midsummer, Dawn Leaving Prague: A Notebook Louise Glück Alexei Tsvetkov bon bon il est un pays, Mort de A.D. Four Takes à elle l’acte calme, Ascension D. H. Tracy La Mouche, Arènes de Lutèce Samuel Beckett Letter to the Editor James Matthew Wilson Fowling Piece Heidy Steidlmayer Letter to the Editor Sean Lysaght An Old Woman’s Painting Letter to the Editor Jim Carmin Lynn Emanuel Letter to the Editor Michael Hudson Full Fathom Jorie Graham Letter to the Editor Robert Longoni J. Learns the Difference Between Letter to the Editor Adam Zagajewski Poverty and Having No Money Jeffrey Schultz Stemming from Stevens Lisa Williams Ladybirds Larissa Szporluk Rose Thorns Molly McQuade Kertész: Latrine,Ross: Children of the Ghetto,Ross: Yellow Star Doisneau: Underground Press Sudek: Tree Petersen: Kleichen and a Man Kolár: Housing Estate George Szirtes Sincerity and Its Discontents in American Poetry Now Peter Campion Poetry Magazine 2008- March Articles Nights on Planet Earth Campbell McGrath Letter to the Editor William Watt Containment, The Catch Letter to the Editor Michael A.E. -
Lerud Dissertation May 2017
ANTAGONISTIC COOPERATION: PROSE IN AMERICAN POETRY by ELIZABETH J. LERUD A DISSERTATION Presented to the Department of English and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy June 2017 DISSERTATION APPROVAL PAGE Student: Elizabeth J. LeRud Title: Antagonistic Cooperation: Prose in American Poetry This dissertation has been accepted and approved in partial fulfillment of the requirements for the Doctor of Philosophy degree in the English Department by: Karen J. Ford Chair Forest Pyle Core Member William Rossi Core Member Geri Doran Institutional Representative and Scott L. Pratt Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded June 2017. ii © 2017 Elizabeth J. LeRud iii DISSERTATION ABSTRACT Elizabeth J. LeRud Doctor of Philosophy Department of English June 2017 Title: Antagonistic Cooperation: Prose in American Poetry Poets and critics have long agreed that any perceived differences between poetry and prose are not essential to those modes: both are comprised of words, both may be arranged typographically in various ways—in lines, in paragraphs of sentences, or otherwise—and both draw freely from the complete range of literary styles and tools, like rhythm, sound patterning, focalization, figures, imagery, narration, or address. Yet still, in modern American literature, poetry and prose remain entrenched as a binary, one just as likely to be invoked as fact by writers and scholars as by casual readers. I argue that this binary is not only prevalent but also productive for modern notions of poetry, the root of many formal innovations of the past two centuries, like the prose poem and free verse. -
B E N N I N G T O N W R I T I N G S E M I N A
MFAW PUBLIC SCHEDULE June 15–24, 2017 NOTE: Schedule subject to change All faculty, guest, and graduate lectures and readings will be held in Tishman Lecture Hall, unless otherwise indicated. All evening Faculty and Guest Readings will be held in the Deane Carriage Barn. Thursday, June 15 7:00 Faculty & Guest Readings: Kaitlyn Greenidge and Amy Hempel Friday, June 16 Graduate Readings 4:00 Alexander Benaim 4:20 Andrea Caswell 4:40 Michael Connor 7:00 Faculty & Guest Readings: Benjamin Anastas and Mark Wunderlich 8:00 Historical Presentation: Lynne Sharon Schwartz: “Historic Recordings of Great 20th Century American Authors Reading their Work.” Deane Carriage Barn Saturday, June 17 Graduate Lectures 8:20 Ashley Olsen: “50 Shades of Consent: Sexual Desire and Sexual Violence in Contemporary Short Stories.” This lecture will examine tests from contemporary female authors including Mary Gaitskill, Margaret Atwood, and Roxane Gay. 9:00 Katie Pryor: “Persona & Violence in Ai’s Cruelty & Iliana Rocha’s Karankawa.” Both of these poets use persona poems to explore violence. What is powerful about this poetic device? How does the persona poem involve the reader and interrogate our notions of self? We’ll explore the connections and differences between these poets and their first books. 9:40 Karen Rile: “The Bad Writing Competition: Introducing Narrative Distance to Undergraduates.” A technique-centered workshop that offers coordinated readings and prompts can help beginning writers focus on discrete, achievable goals. But demonstrating smooth narrative distance shifts presents a practical challenge in an undergraduate workshop setting. The Bad Writing Competition, or mastery through parody, is a deft solution—with some unexpected ancillary benefits. -
“Dark Matters,” by Mark Scroggins, from Parnassus
Dark Matters Rae Armantrout, Next Life. Wesleyan University Press 2007. 8 8pp. $13.95 (paper) Rae Armantrout, Versed. Wesleyan University Press 2009. 121pp. $22.95 Rae Armantrout, Collected Prose. Singing Horse Press 2007. 171pp. $17.00 (paper) Peter Gizzi, Some Values ofLandscape and Weather. Wesleyan University Press 2003. 112 pp. $14.95 (paper) Peter Gizzi, The Outernationale.Wesleyan University Press 2008. 111 pp. $13.95 (paper) O n the back cover of Some Values of Landscape and Weather, we're told that Peter Gizzi is "on the quixotic mission of recovering the lyric." While I had no idea we'd lost it, I sup- pose the blurbist has a point. Gizzi, who during the late 1980s and early 1990s co-edited the excellent and eclectic journal 0-bi14, writes within an avant-garde tradition that sometimes views melopceia with suspicion, or else discounts it entirely. What place song in the ranks of savage, analytic parataxis? I'm happy to report that whether or not the lyric actually needed "recovering," Some Values presents a range of wonderfully musical moments, as in the title poem to the book's "History of Lyric" section, a pre-Raphaelite idyll in a world of electronic static: I lost you to the inky noise just offscreen that calls us and partly we got stuck there waving, walking into the Percy grass. Dark Matters - 367 A sinking pictorial velvet spray imagining vermilion dusk. You lost me to your petticoat shimmering armor saying it is better here on my own amazon. Why can't we or is it won't you leave your solo ingle beside the page. -
Oxford Brookes Poetry Centre Collection
LIBRARY Oxford Brookes Poetry Centre Collection This collection was set up in collaboration with the Oxford Brookes Poetry Centre to promote contemporary poetry from the UK, Ireland, United States and beyond. It comprises books that have been shortlisted for 6 poetry prizes from the UK, Ireland, USA and beyond. The books are housed in the Headington Library (Level 4, Zone D) and they can all be borrowed. Find out more about the collection and the Oxford Brookes Poetry Centre on our web pages TS Eliot Prize for Poetry The TS Eliot Prize for Poetry is presented annually by The Poetry Book Society. The Collection covers the books shortlisted for the prize since 2012. TS Eliot Prize shortlist 2018 Winner: Hannah Sullivan, Three poems Phoebe Power, Shrines of Upper Austria Tracy K. Smith, Wade in the water + Ailbhe Darcy – Insistence Terrance Hayes – American Sonnets for My Past and Future Assassins Zaffar Kunial – Us Nick Laird – Feel Free Fiona Moore – The Distal Point Sean O'Brien – Europa Richard Scott – Soho TS Eliot Prize shortlist 2017 Winner: Ocean Vuong, Night sky with exit wounds Tara Bergin, The tragic death of Eleanor Marx Caroline Bird, In these days of prohibition Douglas Dunn, The noise of a fly Leontia Flynn, The radio Roddy Lumsden, So glad I'm me Robert Minhinnick, Diary of the last man Michael Symmons Roberts, Mancunia Jacqueline Saphra, All my mad mothers James Sheard, The abandoned settlements TS Eliot Prize shortlist 2016 Winner: Jacob Polley, Jackself Rachael Boast, Void Studies Vahni Capildeo, Measures of Expatriation Ian Duhig, The Blind Roadmaker J O Morgan, Interference Pattern WWW.BROOKES.AC.UK/LIBRARY Bernard O’Donoghue, The Seasons of Cullen Church Alice Oswald, Falling Awake Denise Riley, Say Something Back Ruby Robinson, Every Little Sound Katharine Towers, The Remedies TS Eliot Prize shortlist 2015 Winner: Sarah Howe, Loop of Jade Mark Doty, Deep Lane Tracey Herd, Not in this World Selima Hill, Jutland Tim Liardet, The World before Snow Les A. -
Sharon Olds : the Poetry Foundation 12/5/12 11:55 AM
Sharon Olds : The Poetry Foundation 12/5/12 11:55 AM Home > Poems & Poets > Sharon Olds Sharon Olds b. 1942 Sharon Olds is one of contemporary poetry’s leading voices. Winner of several prestigious awards, including the National Book Critics Circle Award, Olds is known for writing intensely personal, emotionally scathing poetry which graphically depicts family life as well as global political events. “Sharon Olds is David Bartolomi enormously self-aware,” wrote David Leavitt in the Voice Literary Supplement. “Her poetry is remarkable for its candor, its eroticism, and its power to move.” Olds’s candor has led to both high praise and condemnation. Her work is often built out of intimate details concerning her children, her fraught relationship with her parents and, most controversially, her sex life. Critic Helen Vendler publically disparaged Olds’s work as self-indulgent, sensationalist and even pornographic. However, Olds has just as many supporters who praise her poetry for its sensitive portrayal of emotional states, as well as its bold depiction of “unpoetic” life events. Discussing Olds in Poetry, Lisel Mueller noted: “By far the greater number of her poems are believable and touching, and their intensity does not interfere with craftsmanship. Listening to Olds, we hear a proud, urgent, human voice.” And the poet Billy Collins has called her “a poet of sex and the psyche,” adding that “Sharon Olds is infamous for her subject matter alone…but her closer readers know her as a poet of constant linguistic surprise.” Olds’s poetry is known for its accessible and direct free verse style. -
Hammer Langdon Cv18.Pdf
LANGDON HAMMER Department of English [email protected] Yale University jamesmerrillweb.com New Haven CT 06520-8302 yale.edu bio page USA EDUCATION Ph.D., English Language and Literature, Yale University B.A., English Major, summa cum laude, Yale University ACADEMIC APPOINTMENT Niel Gray, Jr., Professor of English and American Studies, Yale University Appointments in the English Department at Yale: Lecturer Convertible, 1987; Assistant Professor, 1989; Associate Professor with tenure, 1996; Professor, 2001; Department Chair, 2005-fall 2008, Acting Department Chair, fall 2011 and fall 2013, Department Chair, 2014-17 and 2017-19 PUBLICATIONS Books In progress: Elizabeth Bishop: Life & Works, A Critical Biography (under contract to Farrar Straus Giroux) The Oxford History of Poetry in English (Oxford UP), 18 volumes, Patrick Cheney general editor; LH coordinating editor for Volumes 10-12 on American Poetry, and editor for Volume 12 The Oxford History of American Poetry Since 1939 The Selected Letters of James Merrill, edited by LH, J. D. McClatchy, and Stephen Yenser (under contract to Alfred A. Knopf) Published: James Merrill: Poems, Everyman’s Library Pocket Poets, selected and edited with a foreword by LH (Penguin RandomHouse, 2017), 256 pp James Merrill: Life and Art (Alfred A. Knopf, 2015), 944 pp, 32 pp images, and jamesmerrillweb.com, a website companion with more images, bibliography, documents, linked reviews, and blog Winner, Lambda Literary Award for Gay Memoir/Biography, 2016. Finalist for the Poetry 2 Foundation’s Pegasus Award for Poetry Criticism, 2015. Named a Times Literary Supplement “Book of the Year, 2015” (two nominations, November 25). New York Times, “Top Books of 2015” (December 11). -
FIELD, Issue 93, Fall 2015
FIELD CONTEMPORARY POETRY AND POETICS NUMBER 93 FALL 2015 OBERLIN COLLEGE PRESS EDITORS David Young David Walker ASSOCIATE Pamela Alexander EDITORS Kazim Ali DeSales Harrison Shane McCrae EDITOR-AT- Martha Collins LARGE MANAGING Marco Wilkinson EDITOR EDITORIAL Paris Gravley ASSISTANT DESIGN Steve Farkas www.oberlin.edu/ocpress Published twice yearly by Oberlin College. Poems should be submitted through the online submissions manager on our website. Subscription orders should be sent to FIELD, Oberlin College Press, 50 N. Professor St., Oberlin, OH 44074. Checks payable to Oberlin College Press: $16.00 a year / $28.00 for two years / $40.00 for 3 years. Single issues $8.00 postpaid. Please add $4.00 per year for Canadian addresses and $9.00 for all other countries. Back issues $12.00 each. Contact us about availability. FIELD is also available for download from the Os&ls e-bookstore. See www.0s-ls.com/field. FIELD is indexed in Humanities International Complete. Copyright © 2015 by Oberlin College. ISSN: 0015-0657 CONTENTS 7 Russell Edson: A Symposium John Gallaher 11 So Are We to Laugh or What Dennis Schmitz 15 Edson's Animals Lee Upton 20 Counting Russell Edson Charles Simic 23 Easy as Pie B. K. Fischer 26 Some Strange Conjunction Jon Loomis 31 Consider the Ostrich * * Elizabeth Gold 35 A Child's Guide to the Icebergs 36 Dementia Cait Weiss 37 Calabasas 38 The Prophets Mark Irwin 39 Events miniaturized, but always present G. C. Waldrep 40 Lyme Vector (I) Cynthia Cruz 41 Guidebooks for the Dead (I) 42 Guidebooks for the Dead (II) Ales Steger 43 The Ancient Roman Walls translated by Brian Henry and Urska Charney Hailey Leithauser 44 Slow Danger 45 Midnight Catherine Bull 46 Muskoxen 47 Long Day Karl Krolow 48 A Sentence translated by Stuart Friebert 49 We're Living Faster Tam B lax ter 50 Stillness in the passenger seat after the impact 51 Having left by the back door 52 Back Mary Ann Samyn 53 Things Nozv Remind Us of Things Then 54 Understanding and Doing 55 Better Already (3) Beverley Bie Brahic 56 Black Box fames Hang 57 [First it didn't sound...] D.