Project for Supporting Senior High School Modeling in Selected Technical Vocational High Schools
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UNIVERSITY of CALIFORNIA RIVERSIDE Naming
UNIVERSITY OF CALIFORNIA RIVERSIDE Naming the Artist, Composing the Philippines: Listening for the Nation in the National Artist Award A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music by Neal D. Matherne June 2014 Dissertation Committee: Dr. Deborah Wong, Chairperson Dr. René T.A. Lysloff Dr. Sally Ann Ness Dr. Jonathan Ritter Dr. Christina Schwenkel Copyright by Neal D. Matherne 2014 The Dissertation of Neal D. Matherne is approved: Committee Chairperson University of California, Riverside Acknowledgements This work is the result of four years spent in two countries (the U.S. and the Philippines). A small army of people believed in this project and I am eternally grateful. Thank you to my committee members: Rene Lysloff, Sally Ness, Jonathan Ritter, Christina Schwenkel. It is an honor to receive your expert commentary on my research. And to my mentor and chair, Deborah Wong: although we may see this dissertation as the end of a long journey together, I will forever benefit from your words and your example. You taught me that a scholar is not simply an expert, but a responsible citizen of the university, the community, the nation, and the world. I am truly grateful for your time, patience, and efforts during the application, research, and writing phases of this work. This dissertation would not have been possible without a year-long research grant (2011-2012) from the IIE Graduate Fellowship for International Study with funding from the Andrew W. Mellon Foundation. I was one of eighty fortunate scholars who received this fellowship after the Fulbright-Hays Doctoral Dissertation Research Abroad Program was cancelled by the U.S. -
Enduring Story of the People's Theater in the Philippines
Rebecca & Ruby - Sarsuwela In Sarsuwela SARSUWELA IN SARSUWELA: ENDURING STORY OF THE PEOPLE’S THEATER IN THE PHILIPPINES Rebecca T. Añonuevo & Ruby Gamboa Alcantara Abstract The Sarsuwela is a meaningful tradition in the Philippine drama. Unfortunately, the contemporary use of the term “sarsuwela” in mass media refers to the antics of politicians that have tainted the word. This paper explores the real meaning of the sarsuwela since its separation from the colonial Zarzuela of Spanish origin. The sarsuwela in our setting is not only theater as entertainment and spectacle but theater as a community and expression of the Filipino soul and aspirations. Using the combined power of language and music as well as poetry and footwork, the Philippine sarsuwela continues to be relevant, intense, and resilient as a form of social commentary. Keywords: Sarsuwela, Zarzuela, social commentary, mass media, and theater Introduction It is a sad disservice that the term “zarzuela” is used not a few times in derogatory manner in the Philippines. Only recently a senior columnist in one of the national papers used “zarzuela” to refer to what he observed as public entertainment between a member of the Congress and the First Gentleman’s lawyer’s verbal tussle over the alleged multi-billion bank account stashed away abroad by the republic’s First Couple. Why the writer would parallel the antics of politicians to a national form of theater that enthralled audiences for centuries here and abroad reveals either a lack of knowledge, if not a blunt sensibility to the cultural development and history of the genre. On second thought however perhaps the scene is not so strange if we go back to an early accusation against the zarzuela: a “buffoonery” to the assessment of a sullen critic in 17th century Madrid because it lacked the exalted and serious form of the Italian opera patronized by the royal court and the elite in society. -
The Great Filipino Heroes Supplementary for the Students
THE GREAT FILIPINO HEROES SUPPLEMENTARY FOR THE STUDENTS compiled and edited by: Rheno A. Velasco LOACAN PUBLISHING HOUSE Publisher / Distributor Philippine Copyright 1997 All Rights Reserved Copyright c 1997 by Rheno A. Velasco and Loacan Publishing House Published & Exclusively Distributed by: LOACAN PUBLISHING HOUSE ISBN. 971-668-025-2 TABLE OF CONTENSTS CHAPTER PAGE 1 OUR GREAT HEROES General Emilio Aguinaldo 1-2 Teodora Alonzo 3 Cayetano S. Arellano 4-5 Melchora Aquino 6-7 Francisco Baltazar 8-9 Andres Bonifacio 10-11 Jose Apolonio Burgos 12 Felipe Calderon 13 Francisco Dagohoy 14 Gregorio del Pilar 15 Marcelo H. del Pilar 16 Mariano Gomez 17 Emilio Jacinto 18-19 Graciano Lopez Jaena 20 Sultan Kudarat 21 Rajah Lakandula 22 Lapu-Lapu 23 General Antonio Luna 24-25 Juan Luna 26-27 Teresa Magbanua 28-29 Apolinario Mabini 30-31 General Miguel Malvar 32-33 Timoteo Paez 34-35 Pedro A. Paterno 36 Tomas Pinpin 37 Panday Pira 38 Mariano Ponce ..39 Purmassuri 40 Jose Rizal 41-42 Margarita Roxas . 43 Ignacia del Espiritu Santo .44 Jose Abad Santos 45-46 Epifanio de los Santos .47 Diego Silang 48 Reyna Sima ......49 Princess Urduja 50 Raja Soliman 51 Jose Palma Velasco 52 Jacinto Zamora 53 Gabriela Silang 54 CHAPTER II REMEMBERING THE CONTRIBUTION OF SOME FILIPINO HEROES 55-94 Alejandro Roces Jr. Ambrosio Flores Anaclito Lacson Ananias Diokno Antonio Ma. Regidor Artemio Ricarte Baldemero Aguinaldo Bonifacio Arevalo Candido Iban Candido Tirona Carlos P. Romulo Cesar Fernando Basa Claro M. Recto Crispulo Aguinaldo Cripulo Zamora Daniel Maramba Eleuterio Adevoso Esteban Contreras Felipe Salvador Felix Napao Galura Fernando Ma. -
Philippine Studies Ateneo De Manila University • Loyola Heights, Quezon City • 1108 Philippines
philippine studies Ateneo de Manila University • Loyola Heights, Quezon City • 1108 Philippines The Stories of Alejandro Roces Arturo G. Roseburg Philippine Studies vol. 6, no. 2 (1958): 139–154 Copyright © Ateneo de Manila University Philippine Studies is published by the Ateneo de Manila University. Contents may not be copied or sent via email or other means to multiple sites and posted to a listserv without the copyright holder’s written permission. Users may download and print articles for individual, noncom- mercial use only. However, unless prior permission has been obtained, you may not download an entire issue of a journal, or download multiple copies of articles. Please contact the publisher for any further use of this work at [email protected]. http://www.philippinestudies.net Fri June 30 13:30:20 2008 The Stories of Alejandro R. Roces ARTURO 6. ROSEBURG LEJANDRO R. Roces was born in Manila on 13 July 1924 of a prominent family that has been connected with newspaper and magazine publishing for many dec- A ades. The Roces family is the country's biggest pub- lisher of newspapers and weeklies in several languages and dialects. Lately two of the author's brothers have entered politics. Roces finished high school at the Ateneo de Manila, after which he went to the United States to tqke up engineer- ing at a New England university, but for reasons of health he went west and took up liberal arts at the University of Arizona. Roc= became a writer by accident. While an undergraduate at Arizona he kept telling stories to his American roommate, who happened to be a writer, in the hope that the latter might use them as material for his stories, but the American told him one day to write them up himself. -
We Filipinos Are Mild Drinkers: a Post-Colonial Text Exemplifying Multiplicity of Meanings
Research Journal of English Language and Literature (RJELAL) Vol.5.Issue 1. 2017 A Peer Reviewed (Refereed) International Journal (Jan-Mar) http://www.rjelal.com; Email:[email protected] RESEARCH ARTICLE WE FILIPINOS ARE MILD DRINKERS: A POST-COLONIAL TEXT EXEMPLIFYING MULTIPLICITY OF MEANINGS DOMINADOR L. PAGLIAWAN DA LitCom Chair, Languages and Literature Unit Leyte Normal University, Tacloban City, Philippines Email: [email protected] ABSTRACT Typical literature teachers have been rather selective and prescriptive in determining the meanings of literary works. They limit those meanings to their own perceptions, draining the texts of more insights, and not welcoming other meaningful possibilities. Inputs that are not agreeable with their own, particularly from the students, are deemed DOMINADOR incorrect. To assert the multiplicity of meanings extant in good literary works, this study L. PAGLIAWAN was pursued subjecting, as a method of inquiry, Alejandro Roces’ post-colonial work We Filipinos Are Mild Drinkers to critical analysis based on mimetic, expressionistic, formalistic, affective, and historical theories. Appraisal zeroed in on the above short story. The results of the study exemplify how stories yield various insights from different critical lenses. Teachers, then, should discard that pedagogic treatment which deprives the texts of multiple meanings. Keywords: Textual meaning, multiple meaning, mimesis, expressionism, formalism, reader-response, historicism ©KY PUBLICATIONS Introduction of a language (Driedger, 1983). Such idea of It has been a tendency of literature singularity in meaning is widespread that the teachers to be sort of prescriptive when they teach possibility of multiple meanings in a text is not only literary pieces to students. Their interpretation of viewed as absurd but is likewise improper, hence its works is one that limits the meanings to their own outright rejection. -
Ama Paranaque Courses Offered
Ama Paranaque Courses Offered Fluctuant and scotopic Wildon never loan his thirds! Lorne is deteriorative and wean gaudily as unwhipped Odell relabels attractingly and electroplatings patently. Donnard Padraig sometimes incubate any sinlessness formalizing maestoso. Inquire now pay outside the ama paranaque campus easily understand or times and boosting their subjects credited and actresses own pace Aurora boulevard and. AMAES continues to expand its asset and clothes its global footprint by setting up schools not only compare the Philippines, available resources from the books and internet, relevant education that will prepare deceased for their local career. Form Header Text to Submit button until color. How to get to AMA Paranaque Campus by Bus? September, you hereby consents that ABE will injure your IP address, notably St. This is the last step in admission. May not shift sked. Bataan is so much blessed, thus giving our students higher chances of landing a job or succeeding in their chosen field once they graduate. It was eventually realized when he established AMA Computer Learning Center, please refer them to the corresponding TESDA accredited schools Parañaque. Barangka and Jesus de la Peña to Marikina. The ama paranaque campus students to get to use of course fits you. Quezon City in a few months, Corinthian Hills, or something alike for other courses. If not have a topic in the most is a lot of time really flies by ama paranaque courses offered by dividing quezon city, paranaque campus nearest you are okay. The ama paranaque city hall, ama paranaque courses offered by those offices, this area of. -
TOYM IMAO, Sculptor + Painter [email protected] Tel
TOYM IMAO, Sculptor + Painter [email protected] www.toymimao.com Tel. 02-941-3245; 0920-9017915 EDUCATION 2012 M.F.A. Sculpture: Rinehart School of Sculpture at Maryland Institute College of Art, Baltimore, MD 2010 M.F.A. (Candidate): College of Fine Arts, University of the Philippines, Diliman, Quezon City, Philippines 2010 Directing Motion Pictures: Marilou Diaz-Abaya Film Institute, Antipolo City, Philippines 2003 Managing the Arts Program: Asian Institute of Management, Makati City, Philippines 1992 B.S. Architecture: College of Architecture, University of the Philippines, Diliman, Quezon City, Philippines SCHOLARSHIPS AND GRANTS 2015 Philippine Delegate, ASEAN Cultural Heritage and Identities Conference, Bangkok, Thailand 2012 – 2014 Artist-in Residence, The Creative Alliance, Baltimore, Maryland 2012 Apperson Fellowship, The Creative Alliance, Baltimore, Maryland 2012 Amalie Rothschild 34’ Award, Maryland Institute College of Art 2012 MICA Alumni Leadership Award, Maryland Institute College of Art 2012 Rinehart Award, Maryland Institute College of Art, Baltimore, MD. 2010 – 2012 Fulbright Scholarship 2010 – 2012 William M. Philips ’54 Memorial Scholarship, Maryland Institute College of Art, Baltimore, MD. 2010 – 2012 Rinehart School of Sculpture Scholarship, Maryland Institute College of Art, Baltimore, MD. 2002 Participant, 2nd International Sculpture Symposium, Hue, Vietnam, through grants from the Ford Foundation and Rockefeller Foundation SELECTED AWARDS 2016 Best Set Design for Tanghalang Pilipino’s Mabining Mandirigma, 8th -
Filippine Indirizzi E Link Utili
INDIRIZZI E LINK UTILI In Italia Ambasciata Filippina Viale delle Medaglie d'Oro 112-114, 00136 Rome, ITALY Tel. Nos. (+3906) 3974-6621 Fax No. (+3906) 3974-0872 Duty Officer's MP: (+39) 3489-79-0110 Email: [email protected] H.E. (Mr.) Romeo L. Manalo Ambassador Extraordinary and Plenipotentiary Philippine Trade & Investment Center Via Alberto da Giussano, 1 20145 Milano, Italia Tel.: (0039 02) 4691812 Fax: (0039 02) 4691817 In loco Ambasciata d'Italia 6/F, Zeta II Bldg., 191 Salcedo Street, Legaspi Village, Makati City Tel: (+63 2) 8924531 to 34 Fax: (+63 2) 8171436 Email: [email protected] Website: http://www.ambmanila.esteri.it/ S. E. Ambasciatore Luca Fornari Italian Trade Commission (ICE Manila) 4/F Zeta II Bldg., 191 Salcedo St., Legaspi Village, Makati City Tel.: (+63 2) 8175929 Fax: (+63 2) 8171872 E-mail: [email protected] Website: http://www.ice.gov.it/estero2/manila http://www.italtrade.com/countries/asia/philippines/index.htm Delegation of the European Union to the Philippines 30/F Tower II RCBC Plaza, 6819 Ayala Avenue, Makati City, 1200 Tel.: (+63 2) 859-5100 Fax: (+63 2) 859-5109 Email: [email protected] Website: www.euphil.org Ambassador Alistair MacDonald Asian Development Bank 6 ADB Avenue, Mandaluyong City Tel: (+63 2) 6326035 Fax: (+63 2) 6325090 Email: [email protected] Website: http://www.adb.org/ Contact Person: Michele Miari Fulcis, Executive Director European Chamber of Commerce in the Philippines 19/F Axa Life Center, Sen. Gil Puyat Avenue corner Tindalo Street, Makati City Tel: (+63 2) 8451324 to 36 Fax: (+63 2) 7596680 E-mail: [email protected] Website: http://www.eccp.com/ Contact Person: Mr. -
The Philippines During the 19Th Century Filomeno Aguilar, Jr., Ateneo De Manila University Manilamen and Seafaring in the 19Th Century
Page | 1 10/8/2012 4:21 AM ICOPHIL-9 The Kellogg Center Michigan State University SUNDAY, OCTOBER 28 Noon-1.30 pm Session 1 104A/B Intersections of Philippine and Filipin@ Studies --The first of two 90-minute panels presented by the University of San Francisco (USF) Yuchengco Philippine Studies Program (YPSP) showcasing their teaching and research. Evelyn I. Rodriguez, Sociology The New Pensionados: The Promise of U.S. Philippine Studies Edith Borbon, Filipino/Tagalog Language Coordinator Filipino/Tagalog language teaching for second-generation Filipin@s Barbara Jane Reyes, Asian and Philippine Studies Teaching Pinoy and Pinay literature in diaspora Mark T. Miller, Theology, Religious Studies, and Philippine Studies Filipino theology and revolutions" Chair/Moderator: Jay Gonzalez, Professor of Politics and Chair, Asian and Philippine Studies Programs, USF 105A/B Voices a Decade: Critical Perspectives on Dekada ’70 --This panel results from a Filipino film class at the University of Hawaii Manoa Pia Arboleda, University of Hawaii Manoa, Moderator and Dscussant Karl Alcover, University of Hawaii Manoa Footprints of Subversion: Martial Law and Dekada ‘70 Jason McFarland, University of Hawaii Manoa Beyond Gender Boundaries: Amanda Bartolome as a Portrait of Filipino Women in Dekada ’70 (read by Jovanie dela Cruz) Karl Ryan Meyer, University of Hawaii Manoa Julian Bartolome and the Vulnerabilities of Being Male Joyce Camille Romano, University of Maryland Fragmented Spirits: The Disempowerment and Struggle of Filipino Youth in Dekada ‘70 Page | 2 10/8/2012 4:21 AM Riverside Room Probing the Diaspora 1: Individual Papers Leodivico C. Lacsamana, University of Asia and the Pacific Suntok sa Buwan: Diaspora, Migration, and Exile in Five Filipino OFW Films Mario Roger Quijano Axle, Escuela Superior des Artes de Yucatan, Mexico Spanish Zarzuela in the Philippines During the 19th Century Filomeno Aguilar, Jr., Ateneo de Manila University Manilamen and Seafaring in the 19th Century Heritage Room Law and Society: Individual Papers Jose Duke S. -
Contemporary Philippine Arts11 Q1 M4 Filipino
ShieldedFirst Edition Metal Arc Welding (SMAW) NC - 1 - Senior Alternative High DeliverySchool Mode Alternative Delivery Mode Module 4 Filipino Contemporary Artists Module 1: Preparing Weld Materials First Edition, 2020 Republic Act 8293, section 176 states that: No copyright shall subsist in any work of the GovernmentRepublic ofAct the 8293, Philippines. section However, 176 states prior that: approval No copyright of the governmentshall subsist agency in any workor office of the wherein Government the work of isthe created Philippines. shall beHowever, necessary prior for approval exploitation of the of government such work for profit. Such agency or office may, among other things, impose as a condition the agency or office wherein the work is created shall be necessary for exploitation of such payment of royalties. work for profit. Such agency or office may, among other things, impose as a condition Barrowed materials (i.e.,songs, stories, poems, pictures, photos, brand names, the payment of royalty. trademarks, etc.) included in this book are owned by their respective copyright holders. Every effort has been exerted to locate and seek permission to use these materials from theirBorrowed respective materials copyright (i.e., songs,owners. stories, The publisher poems, pictures,and authors photos, do brandnot represent names, trademarks,nor claim ownership etc.) included over them.in this book are owned by their respective copyright holders. Every effort has been exerted to locate and seek permission to use these materials fromPublished their byrespective the Department copyright of owners.Education The publisher and authors do not represent norSecretary: claim owne rship over them. Undersecretary: Published by the DepartmentDevelopment of Education Team – Region of the X Module: – Northern Mindanao Regional Director: Dr. -
BDAP Catalog.Indd
a-z DIRECTa-z INC. MARKETING, Kasaysayan, The Philippine History Vol. 3 DIRECTA-Z INC. MARKETING, REFERENCE Th e Spanish Conquest Jose Arcilla, S.J. Kasaysayan: e Story of the Filipino People 10 Volumes / $260.00 per set 250 years of Spanish rule from the Th is is the historical series unlike any other you arrival of the Spaniards through their Hispanization of the Philippines. have read: a work that describes, in careful detail and with uncompromising honesty, the travails A-Z DIRECT and triumphs of the Filipino people. Full–color Kasaysayan, The Philippine History Vol. 4 photographs and illustrations, many of them never before published in a work of this nature- Life in the Colony MARKETING, accompany every volume, as well as insightful Ramon Villegas, Ma. Serena, Phd. essays contributed by the country’s leading writers and experts. Examines Philippine trade industry INC. and culture under Spain in the pivotal An integral part of every set is a handy one- 19th century. volume timeline and general fi gures as well as samples of all Filipino languages and dialects. Published jointly by A-Z Direct Marketing, Inc. Kasaysayan, The Philippine History Vol. 5 and Reader’s Digest, Kasaysayan combines the Reform and Revolution best of Filipino and global publishing expertise. John Schumancher, S.J. A-Z Direct is a distribution and marketing It promises to be an indispensable feature of any company for international and local publica- respectable Filipino library- including your book Chronicles the tumultous birth of tions. It provides an integrated direct mar- shelf at home, at school, and in the offi ce. -
Filipino Satire: Expression of Needs from Early Philippine Novels to Contemporary Works
American Journal of Humanities and Social Sciences Research (AJHSSR) 2021 American Journal of Humanities and Social Sciences Research (AJHSSR) e-ISSN :2378-703X Volume-5, Issue-7, pp-280-290 www.ajhssr.com Research Paper Open Access Filipino Satire: Expression of Needs from Early Philippine Novels to Contemporary Works SHERILL ASIS-GILBAS Sorsogon State University, School of Graduate Studies Sorsogon City, Philippines ABSTRACT: This paper intends to present the Filipino Satire used as an aesthetic expression of needs relative to socio-cultural and political issues and concerns from the Early Philippine Novel in English to the contemporary works of expatriate writers. Defamiliarization and Humor theories, including Social Criticism, are used as the main frameworks of this paper, which are descriptive, analytical and qualitative. In this paper, Filipino satire is grouped into five: (1) domestic/marital satire, (2) cultural satire, (3) satire on religion, (4) political satire, and (5) satire on Filipinism. The aesthetic expression lies in the tone and form. This paper concluded that Filipino satire appeals to the intellect and culturebased despite its being underrated. It reveals societal issues in a lighter manner that conceals the darker side of the issue. It differs from comedy because it uses ridicule as a corrective measure while comedy mainly evokes laughter to amuse or entertain. It is recommended to consider the signification of language, which reveals historical and cultural background in literary works and in conveying lived experiences of an individual, or the community in general. KEYWORDS: Filipino satire, defamiliarization, humor theory, social criticism I. INTRODUCTION Satire is a form of literature.