Eddie Ombagi
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The-People-Daily-Friday-5.10
Friday, October 5, 2018 / PEOPLE DAILY Friday, October 5, 2018 / PEOPLE DAILY www.peopledaily.co.ke // www.epaper.peopledaily.co.ke 12 .HQ\D·V PG2 NewsBeat PG15 Business Hub )5((1HZVSDSHU TSC, Knut Tea revenue up, average fallout over farmers pay teachers' goes down contracts Commission adamant that performance contracting 'here to stay', as People Daily union threatens NO.06664 Friday, October 5, 2018 wildcat strike DNA nails 'Jowie' to Monica 1)0504".6&-,"3*6,* murder Samples collected from deceased's body and blood stains in TV journalist Maribe's house match 99 per cent with those extracted from prime suspect - page 5 Living proudly as an intersex... Darlan Rukih, a charismatic, confident and jovial 'Apostle', is renowned gospel artiste who has defied the stigma of being born with both male and female genitalia to earn rare acceptance in conservative rural Migori - Pg 6 2 NEWS BEAT Friday, October 5, 2018 / PEOPLE DAILY News World Business Feature Legislator Dutch Lower unga Keeping decries ‘thwart prices, cartels from increasing Russian President affordable POINTERS rape cases cyber attack’ tells millers housing P8Gatundu North P14Military intelligence P16 Uhuru also warns P21 Measures aimed MP says families allegedly targeted NCPB against paying at deterring crooks are compromised the Organisation for unscrupulous traders from derailing the to weaken cases in the Prevention of to the disadvantage State affordable court Chemical Weapons of maize farmers housing agenda $UUHVWLOOLFLW EUHZVHOOHUV VD\WUDGHUV 3HUIRUPDQFHFRQWUDFWV E\&OHPHQW.DPDX #3HRSOH'DLO\.H Bar owners in Kikuyu, Kiambu county, have urged the National and County governments to take action against traders selling sec- KHUHWRVWD\LQVLVWV76& ond generation liquor. -
Faculty of Applied Economics
Faculty of Applied Economics EXTENDED CINEMA IN KENYA AND TANZANIA. TECHNOLOGICAL INNOVATION AND RELATED TRENDS IN LOCAL AUDIOVISUAL STORYTELLING. Ann Overbergh, Antwerpen, November 2014 Proefschrift voorgedragen tot het behalen van de graad van doctor in de Toegepaste Economische Wetenschappen aan de Universiteit Antwerpen te verdedigen door Ann Overbergh Promotoren: Prof. Dr. Arjen van Witteloostuijn Prof. Dr. Annick Schramme DOCTORAL JURY Prof. Dr. Arjen van Witteloostuijn (supervisor) University of Antwerp, Tilburg University – Tilburg School of Economics and Management Prof. Dr. Annick Schramme (supervisor) University of Antwerp, Antwerp Management School Prof. Dr. Luuk Van Waes (chair) University of Antwerp Prof. Dr. Philippe Meers University of Antwerp Dr. Lizelle Bisschoff University of Glasgow Dr. Alessandro Jedlowski University of Liège ACKNOWLEDGEMENTS ASANTENI! I would not have been able to start or finish this project without the help of a large number of people. First and foremost, infinite gratitude to three of the most generous people I know: Dirk De Wit, Sam Eggermont, and Pieter Leenknegt. For hospitality, encouragement, friendship and laughs. Many thanks to my supervisors, Prof. Arjen van Witteloostuijn and Prof. Annick Schramme, for four years of moral support, reading, and discussion, on a topic which I know was not part of your day-to- day interests. Annick was the first to think of me as a PhD candidate, and to give me the call that kick- started everything. Arjen followed up by arranging a meeting and convincing me to take the leap. The four years that followed seemed like an unlikely endeavor, but together we made it work. Many thanks also to my doctoral committee and jury members, for attentive reading and constructive feedback: Prof. -
Kenyan Hip-Hop Artists' Theories of Multilingualism, Identity And
“HATUCHEKI NA WATU”: KENYAN HIP-HOP ARTISTS’ THEORIES OF MULTILINGUALISM, IDENTITY AND DECOLONIALITY By Esther Milu A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of Rhetoric and Writing - Doctor of Philosophy 2016 ABSTRACT “HATUCHEKI NA WATU”: KENYAN HIP-HOP ARTISTS’ THEORIES OF MULTILINGUALISM, IDENTITY AND DECOLONIALITY By Esther Milu This is a qualitative research study that constellates several theoretical and methodological approaches to understand why and how three Kenyan Hip-hop artists, Jua Cali, Nazizi Hirji and Abbas Kubbaff, engage in translingual communicative practices. A variety of data types including in-depth phenomenologial interviews, lyrical content and multimodal compositions were evaluated to understand how and why the artists used particular linguistic and semiotic resources in composing their texts and in their everyday communication. A translingual analytical framework was applied to examine these resources across various modalities of communication: verbal, written, audio, visual, performative and embodied. Findings from the study indicate that the artists translingual practices are aimed at : 1) constructing various ethnicities and indentities based on their everyday language use and not on dominant language ideologies or theories of race and ethnicity in the country; 2) engaging in language activism work by raising critical language awareness within dominant institutions, and by actively participating in the preservation of youth languages and cultures; 3) theozing and practicing diverse options for cultural and linguistic decolonization. The study concludes by proposing a translingual pedagogy that challenges students to demonstrate critical awareness of the “linguistic culture” surrounding the languages, codes and symbolic practices they use in their translingual composing. -
Hip-Hop in Africa Ohio University Research in International Studies
HIP-HOPIN AFRICA prophets of the city and dustyfoot philosophers Msia Kibona CLARK Foreword by QUENTIN WILLIAMS Afterword by AKOSUA ADOMAKO AMPOFO Hip-Hop in Africa Ohio University Research in International Studies This series of publications on Africa, Latin America, Southeast Asia, and Global and Comparative Studies is designed to present significant research, translation, and opinion to area specialists and to a wide community of persons interested in world affairs. The series is distributed worldwide. For more information, con- sult the Ohio University Press website, ohioswallow.com. Books in the Ohio University Research in International Studies series are pub- lished by Ohio University Press in association with the Center for International Studies. The views expressed in individual volumes are those of the authors and should not be considered to represent the policies or beliefs of the Center for International Studies, Ohio University Press, or Ohio University. Executive Editor: Gillian Berchowitz Hip-Hop in Africa P ROPHETS of THE CITY AND DUSTYfooT PHILOSOPHERS Msia Kibona Clark Foreword by Quentin Williams Afterword by Akosua Adomako Ampofo Ohio University Research in International Studies Global and Comparative Studies Series No. 18 Athens, Ohio Ohio University Press, Athens, Ohio 45701 ohioswallow.com © 2018 by Ohio University Press All rights reserved To obtain permission to quote, reprint, or otherwise reproduce or distribute material from Ohio University Press publications, please contact our rights and permissions department at (740) 593-1154 or (740) 593-4536 (fax). Printed in the United States of America The books in the Ohio University Research in International Studies Series are printed on acid-free paper ƒ ™ 28 27 26 25 24 23 22 21 20 19 18 5 4 3 2 1 Cover: Kanyi Mavi at her home in Gugulethu Township, Cape Town, in 2016. -
Embodied Performances in Nairobi Underground Hip Hop
Imperfect Resistance: Embodied Performances in Nairobi Underground Hip Hop DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By RaShelle Ranae Peck, M.A. Graduate Program in Comparative Studies The Ohio State University 2014 Dissertation Committee: Barry Shank, Advisor Nina Berman Maurice Stevens Copyright by RaShelle Ranae Peck 2014 Abstract My dissertation project, Imperfect Resistance: Embodied Performances in Nairobi Underground Hip Hop, explores how hip hop practitioners in Kenya enact agentive subjectivity through the creative maneuverability of bodily performances. Non- commercial rappers operate from a post-Mau Mau underground cultural aesthetic of resistance, which harnesses the long trajectories of narrativized political struggles and underground hip hop culture to challenge categories of difference and circumvent disciplinary regimes that encode bodies. Underground performances materialize out of long trajectories of the performative practices of Congolese dance, US rap, dancehall, and Kenyan Benga, which include the knotty transnational history of the black body as propertied and commodified. Hip hop gestures and stances contest an environment where state repression, a restrictive music industry, and the struggle for economic security all work to create constraining conditions for many practitioners. These embodied enactments are heavily masculinized, and male and female artists use this embodied knowledge to both celebrate and challenge hip hop’s gendered spaces. Artists develop creative gestures and movements that are in conversation with both larger historic, cultural, and economic realities, as well as their racial, national, and gender subjectivities. Rappers create music videos, which espouse their subjectivities as artists and allow them to participate in a global rap culture. -
The Highest Grossing Movie Actor of All Time Samuel L. Jackson Set to Host the "BET AWARDS 12"
The Highest Grossing Movie Actor Of All Time Samuel L. Jackson Set To Host The "BET AWARDS 12" Kanye West Leads the Pack with 7 Nominations, Beyonce Close Behind with 6 Nominations and Jay-Z Rounds Things Out with 5 Nominations Maze featuring Frankie Beverly To Be Honored with the 'Cadillac Lifetime Achievement Award' Chris Brown and Nicki Minaj Confirmed As the First Performers For This Year's Award Show LIVE from the Historic Shrine Auditorium in Los Angeles on Sunday, July 1, 2012 at 8:00 pm* on BET NEW YORK, May 22, 2012 /PRNewswire/ -- This year the BET AWARDS 12 (#BETAWARDS) will be 'Too Big To Miss.' Earlier today at a press conference held in BET's New York studios, it was announced that actor Samuel L. Jackson, declared the highest grossing movie actor of all time according to the Guinness Book of World Records, will be this year's BET AWARDS host. In addition, the members of Maze featuring Frankie Beverly were announced to be the prestigious recipients of the 'Cadillac Lifetime Achievement Award;' and Chris Brown and Nicki Minaj were revealed as the first confirmed performers. (Photo: http://photos.prnewswire.com/prnh/20120522/NE12049 ) (Logo: http://photos.prnewswire.com/prnh/20070716/BETNETWORKSLOGO ) Respectfully labeled as one of the hardest working actors in Hollywood, Samuel L. Jackson is an undisputed star as demonstrated in the fact that his films have grossed the most money in box office sales than any other actor in the history of filmmaking. Currently, the Oscar-nominated actor is on screen in "The Avengers," which is part of his 9-picture deal with Marvel Studios.