[email protected] Radio

Total Page:16

File Type:pdf, Size:1020Kb

Larry@Fromthefuture.Org Radio With a worn but graceful voice, Christopher Denny sings as though he's lived through more than the average 23 year old. His distinctive and strong voice sets him apart from most singer songwriters. NPR Music / Second Stage Christopher Denny has a voice you haven't heard before. He could be the most moving artist to arrive this year. Amazing. Studio City Sun Christopher Denny is a real deal chicken-fried Southern gothic with a voice garnered from either a deal with the Devil or with God. Crawdaddy Age Old Hunger is chock full of country, gospel and blues influences, interlaced with Denny's idiosyncratic vibrato. Billboard Magazine It's rock, it's gospel, it's right now and it's from sometime long ago, all at once. Most of all, it's full of passion and the "age old hunger" that Denny has been moved to sing about. Dusted The North Little Rock, Ark., native's country-folk cadence has earned him the local moniker of the 'kid with the golden voice.' American Songwriter If you guessed Christopher Denny's age and thought you were only half off, you'd still probably overshoot it by a factor of two, because the twentysomething's Jimmie Dale Gilmore warble sounds like he was born in the 1930s. The Austin Chronicle With a style that's reminiscent of '50s rockabilly, of Elvis Presley, Roy Orbison, and Scotty Moore, the multi-talented songwriter updates the tradition with natural skill and unpredictable choices. Legion Arts The song's ("Westbound Train") Dylanesque cadence and straightforward sentiment, like the rest of Age Old Hunger, sound sincere and even daring. Pitchfork Media (7.4 rating) With any justice, his debut, Age Old Hunger (00:02:59), will rock juxeboxes from the Lower East Side to Little Rock for generations to come. Relix Magazine He's young, talented and knows what he wants… this is only the beginning. JULY Arkansas Democrat Gazette JULY 4 - HOT SPRINGS, AR - MAXINES JULY 10 - LITTLE ROCK - pizza d's * HIGHLIGHTS: Cover of Billboard magazine SXSW issue. JULY 11 - FAYETTEVILLE (tbd) * Featured band on Daytrotter. com JULY 13 - TULSA - CAIN'S BALLROOM * Age Old Hunger will hit Americana radio in June. JULY 14 - OKLAHOMA CITY - THE BLUE DOOR * Playing Austin City Limits Festival in September along with non-stop touring JULY 15 - DALLAS - DOUBLE WIDE throughout the summer. Part of the prestigious Hotel Cafe Tour along with Ingrid Michaelson, Cary JULY 17 - AUSTIN - THE MOHAWK Brothers, etc. JULY 19 - HOUSTON - THE CONTINENTAL CLUB @ JULY 20 - NEW ORLEANS - CIRCLE BAR CONTACT: JULY 21 - BATON ROUGE (tbd) Management: [email protected] JULY 22 - SHREVEPORT - ARTIST'S CAFE Radio: [email protected] JULY 24 - LITTLE ROCK - WHITE WATER TAVERN Booking: [email protected] * w/Jared Tyler @ Chris solo/acoustic www.christopherdenny.com I www.2minutes59.com.
Recommended publications
  • Austinmusicawards2017.Pdf
    Jo Carol Pierce, 1993 Paul Ray, Stevie Ray Vaughan, and PHOTOS BY MARTHA GRENON MARTHA BY PHOTOS Joe Ely, 1990 Daniel Johnston, Living in a Dream 1990 35 YEARS OF THE AUSTIN MUSIC AWARDS BY DOUG FREEMAN n retrospect, confrontation seemed almost a genre taking up the gauntlet after Nelson’s clashing,” admits Moser with a mixture of The Big Boys broil through trademark inevitable. Everyone saw it coming, but no outlaw country of the Seventies. Then Stevie pride and regret at the booking and subse- confrontational catharsis, Biscuit spitting one recalls exactly what set it off. Ray Vaughan called just prior to the date to quent melee. “What I remember of the night is beer onto the crowd during “Movies” and rip- I Blame the Big Boys, whose scathing punk ask if his band could play a surprise set. The that tensions started brewing from the outset ping open a bag of trash to sling around for a classed-up Austin Music Awards show booking, like the entire evening, transpired so between the staff of the Opera House, which the stage as the mosh pit gains momentum audience visited the genre’s desired effect on casually that Moser had almost forgotten until was largely made up of older hippies of a Willie during “TV.” the era. Blame the security at the Austin Stevie Ray and Jimmie Vaughan walked in Nelson persuasion who didn’t take very kindly About 10 minutes in, as the quartet sears into Opera House, bikers and ex-Navy SEALs from with Double Trouble and to the Big Boys, and the Big “Complete Control,” security charges from the Willie Nelson’s road crew, who typical of the proceeded to unleash a dev- ANY HISTORY OF Boys themselves, who were stage wings at the first stage divers.
    [Show full text]
  • Hidden Kitchens Texas with Host Willie Nelson
    Hidden Kitchens Texas with Host Willie Nelson Produced by The Kitchen Sisters (Davia Nelson & Nikki Silva) In collaboration with KUT FM at the University of Texas in Austin & NPR A New NPR Nationwide Special Summer/Fall 2007 Peabody Award-winning producers, The Kitchen Sisters, NPR, and KUT Austin present Hidden Kitchens Texas, a lively, illuminating, sound-rich hour of stories about the Texas experience through food, told by people who find it, grow it, cook it, eat it, sell it, share it, celebrate with it, and write about it. Host, Willie Nelson and Dallas-born actress Robin Wright Penn (whose mother was a Mary Kay Cosmetics Executive), along with some extraordinary tellers, take us across The Lone Star State and share their own hidden kitchen stories in this new special that comes alive in story and sound, laced with soulful array of Texas music. Stories of NASA's space kitchens, cowboy kitchens, oil barrel barbeques, ice houses, chili queens, the birth of the Frito, the birth of the 7-11, the birth of the Slurpee, the birth of the Frozen Margarita, the first barbeque pit on the moon, a car wash kitchen in El Paso, and so much more. intimate, historic, offbeat, profound and wild. As we did with the Hidden Kitchens Morning Edition series, we opened up a Hidden Kitchens hotline across Texas, and listeners called in by the droves with their own tales and tips that we followed to in all kinds of places. “Deep Fried Fuel: A Biodiesel Kitchen Vision, travels to Carl’s Corner Truck stop in Carl’s Corner Texas, a tale of fuel made from farm crops and restaurant grease.
    [Show full text]
  • Bio Dave Alvin and Jimmie Dale Gilmore
    Dave Alvin & Jimmie Dale Gilmore Downey to Lubbock Biography written by: Joe Nick Patoski Downey, California to Lubbock, Texas is a thousand-mile straight shot across the heart of the American West, with not much in between. The cities at each end of the line are one-time cowtowns that grew into symmetrically-platted working-class communities with very little to interrupt the horizon plane, making for big empty canvasses that require a vivid imagination to fill in all that blank space. Dave Alvin from Downey and Jimmie Dale Gilmore from Lubbock have been filling canvasses with music of the American West for decades, coming from two very different directions. The title track explains Alvin is a Strat-packing, wild blues Blaster, a nod to the roots rock band he formed with his brother Phil in 1978 before Dave peeled off to go his own way in 1986. He’s been part of the bands X, the Knitters, and the Flesh Eaters, tours relentlessly with his own band, the Guilty Ones, and continues apace on musical quests informed by his love of California and its history, and by Texas and the South, where most of the great music that was made in Los Angeles before and after the Second World War came from. Gilmore is the old Flatlander from the Great High Plains, acknowledging his first group, the folk-country trio formed in Lubbock 1972 with Joe Ely and Butch Hancock who continue performing and recording today. In addition to the Flatlanders and an extended solo career, he has been part of several ensembles including the Hub City Movers and The Wronglers with Warren Hellman, who started the Hardly, Strictly Bluegrass Festival in San Francisco.
    [Show full text]
  • BW-July-WEB.Pdf
    FRIDAY JULY 6TH SATURDAY JULY 7TH THURSDAY JULY 12TH FRIDAY JULY 13TH SATURDAY JULY 14TH FRIDAY JULY 20TH SATURDAY JULY 21ST SUNDAY JULY 22ND FRIDAY JULY 27TH SATURDAY JULY 28TH THURS. AUGUST 2ND FRIDAY AUGUST 3RD THURS. AUGUST 9TH FRIDAY AUGUST 10TH SATURDAY AUGUST 11TH ...AND MUCH MORE: 8.16 - FLATLAND CAVALRY | 8.17 - MAGIC MIKE XXL | 8.18 - ORGY “bRING YOUR ARMY TOUR” w/ MOTOGRATER | 8.19 - LIL DEBBIE W/ WHITNEY PEYTON 8.21 - THE NIGHT OWLS | 8.22 - THE MYSTERY COLLECTION PRESENTS - PAUL NOFFSINGER: UNREAL | 9.14 - MY FAVORITE BANDS | 9.21 - BLOCK PARTY BandWagMag BandWagMag BandWagMag 802 9th St. album reviews Greeley, CO 80631 I AM THE OWL PG. 5 BANDWAGMAG.COM MODERN LEISURE PG. 6 www.BandWagMag.com HEAVY BEAUTY PG. 7 PUBLISHER ELY CORLISS EDITOR-IN-CHIEF JED MURPHY MANAGING EDITOR KEVIN JOHNSTON ART DIRECTOR JACK “JACK” JORDAN PHOTOGRAPHY DYNOHUNTER LIVING LEGENDS PG. 10-11 PG. 14-15 TALIA LEZAMA CONTRIBUTORS KYLE EUSTICE CAITLYN WILLIAMS JAY WALLACE MICHAEL OLIVIER THE COLORADO SoUND’S TOP PICKS PG 8 Advertising Information: [email protected] Any other inquires: [email protected] BandWagon Magazine PG. 18-19 © 2018 The Crew Presents Inc. THIEVERY CORPORATION 3 | BANDWAGON MAGAZINE BANDWAGON MAGAZINE | 4 I Am The Owl A PLACE WHERE A Mission to Civilize: Part II YOU CAN TRUST YOURSELF Michael Olivier and Kyle Krueckeberg’s vocals BandWagon Magazine to tear through in a new way that’s sure to get you pumped. I find myself coming back to the fourth track on the album, BE “You Haven’t Fooled Me.” The REMARKABLE middle of the tune features a massive, almost progressive rock instrumental section that plays heavily with dynamics, shifting drum grooves, and mul- tiple tasty guitar licks for those local ear-candy seekers.
    [Show full text]
  • Entertainment Law Institute
    26th Annual Entertainment Law Institute JOE ELY 2016 TEXAS STATE MUSICIAN Photo by Todd Purifoy LIVE Austin • November 3-4, 2016 • Sheraton Austin at the Capitol MCLE CREDIT DOWNLOADABLE TexasBarCLE.com Education by the Bar, 13.5 Hours (2 Ethics) Course Materials 800.204.2222 x1574 for the Bar TexasBarCLE presents the 26th Annual Entertainment Law Institute Cosponsored by the Entertainment and Sports Law Section of the State Bar of Texas LIVE Austin Stan Soocher, Denver, CO covered by ESPN, Yahoo, The CW, Turner Editor-in-Chief, Entertainment Law & and WME/IMG with new companies like November 3-4, 2016 Finance Oomba Gameworks moving in. Sheraton at the Capitol Associate Professor, Music & Moderator Entertainment Industry Studies Michele Martell, Esq., Austin Register by October 20 and University of Colorado Denver save $50! Martell Media House 9:45 Roundup of Recent Entertainment David Ho, Los Angeles, CA Entertainment and Sports Law Industry Cases 1 hr General Counsel, Fullscreen Media Section members can save $75! Rooster Teeth Professor Stan Soocher presents a Attorneys licensed 5 years or less roundup of entertainment industry Michael Williams, Los Angeles, CA cases and is joined by Entertainment attend for half off! Oomba.com Law Update Podcast co-hosts Tamera Bennett and Gordon Firemark. 2:15 Broadway Musicals: the Contracts, #TBCLE Royalties and Economics of the “Great Stan Soocher, Denver, CO White Way” 1 hr Editor-in-Chief, Entertainment Law & This panel will discuss the many different Finance types of music licensing deals, contracts
    [Show full text]
  • Lubbock on Everything: the Evocation of Place in the Music of West Texas
    02-233 Ch16 9/19/02 2:27 PM Page 255 16 Lubbock on Everything: The Evocation of Place in the Music of West Texas Blake Gumprecht The role of landscape and the importance of place in literature, poetry, the visual arts, even cinema and television are well established and have been widely discussed and written about. Think of Faulkner’s Mississippi, the New England poetry of Robert Frost, the regionalist paintings of John Steuart Curry, or, in a contemporary sense, the early movies of Barry Levinson, with their rich depictions of Baltimore. There are countless other examples. Texas could be considered a protagonist in the novels of Larry McMurtry. The American Southwest is central to the art of Georgia O’Keeffe. New York City acts as far more than just a setting for the films of Woody Allen. The creative arts have helped shape our views of such places, and the study of works in which particular places figure prominently can help us better understand those places and human perceptions of them.1 Place can also be important to music, yet this has been largely overlooked by scholars. The literature on the subject, in fact, is nearly nonexistent. A sim- ple search of a national library database, for example, retrieved 295 records under the subject heading “landscape in literature” and more than 1,000 un- der the heading “landscape in art,” but a similar search using the phrase “landscape in music” turned up nothing.2 This line of inquiry is so poorly de- veloped that no equivalent subject heading has been established.
    [Show full text]
  • The Flatlanders Are Now More a Band Than a Legend, to Inversely
    The Flatlanders: Hills and Valleys [New West] By Steven Rosen Horse Whisperer soundtrack. The three Americana role models share writing credits create strongest post- reunion album to date on eight songs, and create vividly rendered The Flatlanders are tales about restless now more a band than hearts, wide-open a legend, to inversely spaces and troubled paraphrase the title of times. They also have their first CD. By the carefully crafted melo- time More a Legend dies, especially the Than a Band came out in 1990, it was mid-tempo compositions replete with primarily a historic document, drawn folk-rock hooks. “Homeland Refugee,” from the 1972 sessions of one of Texas’ sung by Ely, updates Steinbeck and earliest and short-lived alternative- Woody Guthrie with hauntingly vivid country bands. But as the band detail; “Borderless Love” is both ro- members-Joe Ely, Butch Hancock and mantic and political. Hancock’s Jimmie Dale Gilmore-began to have “Thank God for the Road” showcases successful solo careers as singer- his characteristic inventive wordplay, songwriters, interest grew in their always careful to be sincere and not long-forgotten Flatlanders roots. merely clever. Although there are a The primarily acoustic Hills and couple filler songs sprinkled through- Valleys, produced by Lloyd Maines, is out, the Flatlanders are clearly no the Flatlanders' third and strongest longer a mere legend. They're elders of album since reuniting in 1998 for The Americana music. Role models, even..
    [Show full text]
  • January 20, 2006
    NEWSSTAND PRICE $6.50 JANUARY 20, 2006 Urban Loves Keyshia Cole The View From The Top The Interscope /A &M artist scores Most Added at Urban Throughout 2006, Urban this week as "Love" picks Editor Dana Hall will spotlight up 56 adds - over 85% prominent African -American of the panel. The track is broadcast owners in a off the 21- year -old monthly series. She kicks off Oakland, CA native's with an extensive and debut CD, The Way It Is. interesting interview with If you want to read more Perry Broadcasting President about her, check out the Russell Perry (pictured), who January- February issue of owns 10 stations in Oklahoma. King: Cole is featured as Discover the secrets of his the cover story. success. Page 37. F-v Po 17) 1 e r-- TRLAJ1\ HOSTED BY SUSIE CASTILLO MTV's TRL branded bilingual radio show features the best from the world of Reggaeton, Rhythmic, Latino music and entertainment. TRLatino esta en fuego with two hours of the hottest tracks, a Top 20 Weekly countdown, exclusive artist interviews, TRL clips, MTV News briefs, weekly song premieres, personalized artist lines, and more. Caution This show is so hot MTV strongly recommends that you DO NOT touci your radio dial and assumes no responsibility for scorched fingers or melted speakers. NOW HEARD IN: WSKQ FM New York KXOL FM Los Angeles WPOW FM Miami KTCY FM Dallas KYLD FM San Francisco WCMN FM Puerto Rico www.americanradiohistory.com Pot N T- T o - P O I N T DIRECT MARKETING SOLUTIONS Sk.
    [Show full text]
  • Jimmie Dale Gilmore
    Artists & Music Gìlmore's Busy With Wìndcharger Solo Set, Flatlanders Reunion BY CHRIS MORRIS Waksler adds, "I do think the don't think there's any better capa- on [the 1996 album] `Braver New LOS ANGELES -Texas singer/ pump is primed, and I think Lucin- bility for production anywhere, and World.' He said that he thought of songwriter Jimmie Dale Gilmore is da has shown a lot of retailers that it has to do with Buddy's expertise me as a singer who happened to beginning the millennium in auspi- they can sell this kind of record, as an engineer and a producer and write a few good songs. And that's cious and very active fashion. which may not be in one particular being so computer -literate." what I had always thought -I loved On Feb. 29, Rounder Records kind of pocket." Using a core band of Nashville him for verbalizing that. I think he will issue Gilmore's album "One Gilmore and his manager Mike players and Gilmore's longtime was saying that Bob Dylan was a Endless Night," the debut release Crowley started up Windcharger accompanist, guitarist Rob Gjerso, songwriter who sang a little bit, on his own Windcharger Records after the musician secured his re- Miller also enlisted some notewor- and that I was a singer who wrote a imprint. At the same time, Gilmore lease from Elektra Records, for thy guests, including Billboard 1999 little bit." is reuniting onstage with the Flat - whom he recorded three much - Century Award winner Harris, Waksler says that "One Endless landers, the historic '70s group that praised albums during the '90s.
    [Show full text]
  • Townes Van Zandt Tribute Bottom Line, New York, 23 February 1997 As Heard on Vin Scelsa's Idiot's Delight on New York's WNEW (102.7 FM)
    Townes Van Zandt Tribute Bottom Line, New York, 23 February 1997 As heard on Vin Scelsa's Idiot's Delight on New York's WNEW (102.7 FM) CD ONE: 1. Vin Scelsa - Introduction 2. Townes Van Zandt - Old Shep (from the Bottom Line, 1995) 3. Jimmie Dale Gilmore - No Lonesome Tune 4. Jonell Mosser/Joe Ely - If I Needed You 5. Jonell Mosser - Tower Song 6. Chip Taylor - Pueblo Waltz 7. Chip Taylor - Introducing Gillian Welch 8. Gillian Welch/David Rawlings - Snowin' On Raton 9. Paul K. - A Song For 10. Paul K. - Only Him Or Me 11. Rosie Flores - Introducing Next Song 12. Rosie Flores - Pancho & Lefty 13. Rosie Flores - Brother Flower 14. Vin Scelsa - Introducing Two Dollar Guitar 15. Two Dollar Guitar - Introducing Harm’s Swift Way 16. Two Dollar Guitar - Harm's Swift Way 17. Two Dollar Guitar/Lorette Velvette - Song For A Dead Friend 66 minutes CD TWO: 1. Lorette Velvette/Two Dollar Guitar - The Hell You Speak Of 2. Vin Scelsa – Station Call 3. Joe Ely - Story About Townes 4. Joe Ely – Waitin’ 'Round To Die 5. Joe Ely - Introducing Indian Cowboy 6. Joe Ely - Indian Cowboy 7. Mary Lee Kortes - Story About Townes 8. Mary Lee Kortes/Mary Lee's Corvette - No Place To Fall 9. Vin Scelsa – Station Call 10. Tom Russell - Story & Tecumseh Valley 11. Tom Russell - White Freightliner Blues 12. David Olney - For The Sake Of The Song 13. David Olney - Dollar Bill Blues 14. Chip Taylor - Talking About David Olney 15. David Olney/Chip Taylor - Rex's Blues 16.
    [Show full text]
  • Still on the Road 1991 Us Fall Tour
    STILL ON THE ROAD 1991 US FALL TOUR OCTOBER 24 Corpus Christi, Texas Bayfront Auditorium 25 Austin, Texas City Coliseum 26 San Antonio, Texas Sunken Garden Theater 27 Lubbock, Texas Lubbock Memorial Center 30 Tulsa, Oklahoma Brady Theater 31 Wichita, Kansas Civic Center NOVEMBER 1 Kansas City, Missouri Midland Theater 2 Ames, Iowa C. Y. Stephens Auditorium 4 Evanston, Illinois McCaw Hall, The Northwestern University 5 Madison, Wisconsin Dane County Coliseum 6 South Bend, Indiana Morris Civic Auditorium 8 Louisville, Kentucky The Whitney Hall 9 Dayton, Ohio The Memorial Hall 10 Indianapolis, Indiana Murat Temple 12 Detroit, Michigan Fox Theater 13 Akron, Ohio E.J. Thomas Performing Arts Hall, University of Akron 15 Wilkes-Barre, Pennsylvania F. M. Kirby Center 16 New Haven, Connecticut Yale University Campus, Woolsey Hall 18 Utica, New York Stanley Performing Arts Center 19 Erie, Pennsylvania Warner Theatre, Civic Center 20 Charlottesville, Virginia University Hall, University of Virginia Bob Dylan 1991: US Fall Tour 12640 Bayfront Auditorium Corpus Christi, Texas 24 October 1991 Concert # 344 of The Never-Ending Tour. First concert of the 1991 US Fall Tour. 1991 concert # 81. Concert # 60 with the 5th Never-Ending Tour band: Bob Dylan (vocal & guitar), John Jackson (guitar), Tony Garnier (bass), Ian Wallace (drums). No further information available. Session info updated 17 February 2001. Bob Dylan 1991: US Fall Tour 12650 City Coliseum Austin, Texas 25 October 1991 1. New Morning 2. Lay Lady Lay 3. All Along The Watchtower 4. What Good Am I? 5. Pancho And Lefty (Townes van Zandt) 6. Gotta Serve Somebody 7.
    [Show full text]
  • Songs in the Key of Z  
    covers complete.qxd 7/15/08 9:02 AM Page 1 MUSIC The first book ever about a mutant strain ofZ Songs in theKey of twisted pop that’s so wrong, it’s right! “Iconoclast/upstart Irwin Chusid has written a meticulously researched and passionate cry shedding long-overdue light upon some of the guiltiest musical innocents of the twentieth century. An indispensable classic that defines the indefinable.” –John Zorn “Chusid takes us through the musical looking glass to the other side of the bizarro universe, where pop spelled back- wards is . pop? A fascinating collection of wilder cards and beyond-avant talents.” –Lenny Kaye Irwin Chusid “This book is filled with memorable characters and their preposterous-but-true stories. As a musicologist, essayist, and humorist, Irwin Chusid gives good value for your enter- tainment dollar.” –Marshall Crenshaw Outsider musicians can be the product of damaged DNA, alien abduction, drug fry, demonic possession, or simply sheer obliviousness. But, believe it or not, they’re worth listening to, often outmatching all contenders for inventiveness and originality. This book profiles dozens of outsider musicians, both prominent and obscure, and presents their strange life stories along with photographs, interviews, cartoons, and discographies. Irwin Chusid is a record producer, radio personality, journalist, and music historian. He hosts the Incorrect Music Hour on WFMU; he has produced dozens of records and concerts; and he has written for The New York Times, Pulse, New York Press, and many other publications. $18.95 (CAN $20.95) ISBN 978-1-55652-372-4 51895 9 781556 523724 SONGS IN THE KEY OF Z Songs in the Key of Z THE CURIOUS UNIVERSE OF O U T S I D E R MUSIC ¥ Irwin Chusid Library of Congress Cataloging-in-Publication Data Chusid, Irwin.
    [Show full text]