DOCSLIB.ORG

For My Parents Promotor Prof. Dr. Kornee Van Der Haven Vakgroep

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
For My Parents Promotor Prof. Dr. Kornee Van Der Haven Vakgroep for my parents Promotor Prof. dr. Kornee van der Haven Vakgroep Letterkunde Decaan Prof. dr. Marc Boone Rector Prof. dr. Anne De Paepe Nederlandse vertaling: Een Revisionistische, Genretheoretische en Historische Studie van de Engelse Ode in de Achttiende Eeuw A Revisionist, Genre-Theoretical, and Historical Study of the English Ode in the Eighteenth Century (1680–1760) Thomas Van der Goten Proefschrift voorgelegd tot het behalen van de graad van Doctor in de Letterkunde 2017 Acknowledgements Four years of doctoral research have naturally resulted in an accumulation of debts to many people. My gratitude to every individual and institution that has been of assistance to me would quickly strain even the most fulsome Pindaric ode, so I will restrict my words of thanks to those people without whom this dissertation would never have existed. First and foremost, I am extremely grateful to my supervisor, Prof. Dr. Sandro Jung, who made it possible for me to embark upon a project so dear to his own heart, and whose advice, encouragement, and inspiration have been invaluable to me. His diligence and generosity as a scholar are, quite frankly, unparalleled. Under the aegis of his Centre for the Study of Text and Print Culture, I was able to benefit extensively from conferences and research days both at Ghent and abroad, which allowed me to engage intellectually and amicably with other scholars in the field. It has been a privilege to work under Sandro’s expert guidance and tutorship, and it is all the more regrettable that, due to unforeseen circumstances, he was unable to continue the supervision in the final year of my project. Sandro also fostered an environment of collegiality and congeniality among his doctoral students; I reserve special thanks for two of them, dear friends who have supported me from the beginning with words of kindness and advice, and with an unbelievable sense of humour: Dr. Kwinten Van De Walle and Dr. Thomas Spittael. I also wish to thank Prof. Dr. Kornee van der Haven, who generously agreed to take on the administrative supervision of my project when at a very inconvenient stage of the PhD I was forced to find another supervisor. Kornee worked tirelessly to make the transition as smooth as possible, and his insightful comments on the first drafts of my introduction were just as essential to me as the practical arrangements to which he attended. He has done more than I could possibly have bargained for on such short notice. Finally, but perhaps most importantly, my heartfelt gratitude to my parents, Marciane and Stany, and my sister, Charlotte—for everything. In lieu of an ode, I dedicate this dissertation to them. v List of Abbreviations 18thConnect 18thConnect: Eighteenth-Century Scholarship Online Burney 17th and 18th Century Burney Collection Newspapers Copac Copac: National, Academic, and Specialist Library Catalogue DMI Digital Miscellanies Index EEBO Early English Books Online ECCO Eighteenth Century Collections Online ESTC English Short Title Catalogue GM Gentleman’s Magazine NLS National Library of Scotland ODNB Oxford Dictionary of National Biography OED Oxford English Dictionary POAS Poems On Affairs of State: Augustan Satirical Verse, 1660–1714, eds. William J. Cameron, Galbraith M. Crump, Frank H. Ellis, George de Forest Lord, Elias F. Mengel, and Howard H. Schless, 7 vols. (New Haven: Yale University Press, 1963–1975) vii List of Figures Figure 1 “Ode” and “Pindaric” 1700–1750 .........................................................................5 Figure 2 Odes published in titular ode collections before 1740 .....................................7 Figure 3 Most Frequent Terms ......................................................................................... 16 Figure 4 Abundance pouring out her cornucopia, as featured in Addison’s Dialogues ................................................................................................................ 62 Figure 5 Frontispiece to William Sherlock’s Thanksgiving Day Sermon of 1704. ...... 68 Figure 6 Frontispiece to England’s Glory (1706) ............................................................... 71 Figure 7 Illustration in Poems on Affairs of State, vol. iv, 437, which shows Anne clipping the wings of le coq gaulois while as tutelary sun she eclipses the face of Louis XIV ........................................................................................... 74 Figure 8 Medallic print by Simon Gribelin commemorating the Battle of Namur (1695) ....................................................................................................... 85 Figure 9 Woodcut headpiece of An Ode: or Elegy (1701) ................................................. 98 Figure 10 An Elegy on the Death of ... William the Third (1702), with the same headpiece used for the Ode: or Elegy on James, but with decorative mourning borders ............................................................................................. 100 Figure 11 Frontispiece and titlepage of Tate’s Mausolæum (1695), which offers a visual representation of the monument designed by Wren. ..................... 104 Figure 12 Engraved print by John Sturt, advertised in The Daily Courant as “An Elegy on the Death of her late Majesty Queen Anne,” and expressly marketed as having the shape of a “Silver Twopence” ............................... 111 Figure 13 Ode length in total number of lines. .............................................................. 167 Figure 14 Expandable music score for Carter’s “Ode to Wisdom” as included in Richardson’s Clarissa, vol. ii, p. 50 (1747). ..................................................... 176 Figure 15 Woodcut headpiece to Warton’s “Ode to Horror,” printed in The Oxford Sausage. ................................................................................................... 207 Figure 16 Woodcut tailpiece to “Ode I,” in Two Odes. .................................................... 211 ix Table of Contents Introduction .......................................................................................................................... 1 Chapter 1 Across the Great Divide: Eighteenth-Century and Contemporary Views on the Ode .......................................................................................... 27 1.1 Recent Views on the Ode ............................................................................................. 29 1.2 The Problem with Titology: Pindaric and Horatian Odes ....................................... 33 1.3 Pindaric or Horatian? A Problematic Legacy............................................................ 37 Chapter 2 The Court Ode: Panegyric, Coinage, and Commemoration in the Age of Queen Anne ............................................................................................... 39 2.1 Introduction .................................................................................................................. 39 2.2 Monarchical Representations in the Court Ode ....................................................... 44 2.2.1 Restoration Panegyric and the Return of the Monarch ............................. 44 2.2.2 Birthday Odes and New Year Odes for William III ....................................... 48 2.2.3 Queen Anne and the Return of Astraea ......................................................... 51 2.2.4 Queen Anne as the Sun .................................................................................... 55 2.3 Intermediality and Commemoration: Odes and Medals ......................................... 58 2.3.1 Coinage and the Ode ........................................................................................ 58 2.3.2 The Flipside of Royal Coins ............................................................................. 65 2.3.3 Inscription and Monumentalization: Panegyric, Epic, or Ode? ................. 72 Chapter 3 The Elegiac Ode: Generic Modulation in Early Eighteenth-Century Funerary Verse .............................................................................................. 83 3.1 Introduction .................................................................................................................. 83 3.2 Generic Modulation and the Pindaric Funeral Ode ................................................. 90 3.3 Funerary Emblems, Woodcuts, and the Visualization of Death ............................ 95 3.4 Experiencing the Eighteenth-Century Funerary Moment ................................... 101 3.5 Generic Repertoires and the Funeral Ode ............................................................... 106 3.6 The Summer of 1714: A Case Study in Party-Political Generics ........................... 112 Chapter 4 The Sacred Ode: Prophecy, Form, and Figuration in the 1720s .............. 123 4.1 Introduction ................................................................................................................ 123 4.2 Prophecy and Eschatology in the Eighteenth-Century Ode ................................. 127 4.2.1 Classical Prophecy .......................................................................................... 127 4.2.2 Old Testament Prophecy ............................................................................... 131 xi 4.2.3 Eschatology ..................................................................................................... 134 4.3 The Origins of Poetry ................................................................................................. 136 4.4 Hebrew Verse and the Pindaric Ode .......................................................................
Load more

Recommended publications
  • The Journal of New Latin Poetry
    VATES The Journal of New Latin Poetry Issue 4, Autumn/Winter 2011-12 CONTENTS Editorial 2 Carmina Latina After the Raid (Brad Walton) 3 2 First World War Poems (Paul Murgatroyd) 7 Webicus Bacchus (Joseph Tusiani) 9 2 Carmina (J. Turner Brakeley) 10 Eoan Airs (Massimo Scorsone) 12 Uxor Tiresiae (Paul Murgatroyd) 26 Pro Senectute Mea (Joseph Tusiani) 29 Laus Bacchi (Raul Lavalle) 30 3 Carmina ex Hobbito Illo (Mark Walker) 32 Features Toiling Up Parnassus (Barry Baldwin) 37 Verba Inaudita (Mark Walker) 40 Book Review: Musa Pedestris (Barry Baldwin) 46 De gustibus non est disputandum 48 Contributors 50 Edited by Mark Walker email: [email protected] Vates is a Pineapple Publications publication Vates Issue 4 Editorial Welcome to this fourth edition of Vates, the free journal of new Latin poetry. I‟m delighted that we are reaching an ever wider and increasingly international audience. Poetry in this issue comes from Italy, Argentina the USA, Canada and the UK. We have readers in Europe, North America, Jamaica, Australia … and the generous contributions from our poets around the globe shows no sign of slowing down, either – quite the opposite, in fact, which is a gratifying indication that we must be doing something right! One issue that prompted me to set up this journal in the first place was the problem of finding a readership for new Latin verse: „Who reads Latin Poems written in these days!‟ wrote Walter Savage Landor‟s exasperated brother in 1820, scarcely able to believe his brother would waste his talents on such a quixotic endeavour, and the situation can hardly be said to have improved since then.
    [Show full text]
  • ROBERT BURNS and PASTORAL This Page Intentionally Left Blank Robert Burns and Pastoral
    ROBERT BURNS AND PASTORAL This page intentionally left blank Robert Burns and Pastoral Poetry and Improvement in Late Eighteenth-Century Scotland NIGEL LEASK 1 3 Great Clarendon Street, Oxford OX26DP Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York # Nigel Leask 2010 The moral rights of the author have been asserted Database right Oxford University Press (maker) First published 2010 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose the same condition on any acquirer British Library Cataloguing in Publication Data Data available Library of Congress Cataloging in Publication Data Data available Typeset by SPI Publisher Services, Pondicherry, India Printed in Great Britain on acid-free paper by MPG Books Group, Bodmin and King’s Lynn ISBN 978–0–19–957261–8 13579108642 In Memory of Joseph Macleod (1903–84), poet and broadcaster This page intentionally left blank Acknowledgements This book has been of long gestation.
    [Show full text]
  • ~Ressor Dl Ecting Paper
    FLORIDA STATE UNIVERSITY JOHN NEWBERY -- FATHER OF CHILDREN'S LITERATURE By Perme1ia E. Board A Paper Submitted to the Graduate Council of Florida Stat. Univers1ty in partial fu1f11lment of the requ1rements for the degree of Master of Arts Approved: P....;.. A ~ ~ressor Dl ecting Paper • • :t~ Representative, Graduate Council Dean of the Graduate School August, 1950 TABLE OF CONTENTS Page INTRODUCTION • • . .. .. .. .. .. .. .. .. .. .. 1 CHAPTER I. LIFE AND PERSONALITY • • • • • • CHAPTER II. CHILDREN'S BOOKS • • • • • • • 17 CHAPTER III. CONTRIBUTION TO THE DEVELOPMENT OF CHILDREN 'S LITERATURE .. .. .. • .. • .. • •• 31 BIBLIOGRAPHY • • • • • • • • .. .. .. .. .. .. •• 3~ ACKNOWLEDGEMENTS The wrl tar sincerely wishes to acknowledge an immeasurable indebtedness to Miss Agnes Gregory and Mr. Robert Clapp whose untiring interest and guidance helped to make this paper possible. In addition, deep appreCiation Is expressed to Miss Frances Haynes, ~lO secured reference material from the following libraries, Cleveland Public Library, Cleveland, Ohio; Duke University, Durham, North Carolina; Jacksonville Public Library, Jackson­ ville, Florida; University of Florida, Gainesville, Florida; University of GeorgiaL AtilenS Georgia; and University of North carolina, chapel Hl 11, North Carolina. INTRODUCTION Today, when we see the gay and attractive books for cbildren tbat crow the sbelves of book shops and libraries, we realize that this Is, Indeed, a golden age ot children's literature. The best of contemporary writers and illustra­ tors are giving tbeir thougbt and effort to the creating of these books. The range Is vide as to oontent, and new methods of treatment are constantly appearing. Attempts are now made to understand the chIld, to recognize his individuality, and to provide him as large a measure of enjoyment as possible.
    [Show full text]
  • Unit-22 the Age of Dryden Unit-23 John Dryden Unit-24 Mac Flecknoe Unit-25 Pope: a Background to an Epistle to Dr
    This course material is designed and developed by Indira Gandhi National Open University (IGNOU), New Delhi. OSOU has been permitted to use the material. Master of Arts ENGLISH (MAEG) MEG-01 BRITISH POETRY Block – 5 The Neoclassical poets : Dryden and Pope UNIT-22 THE AGE OF DRYDEN UNIT-23 JOHN DRYDEN UNIT-24 MAC FLECKNOE UNIT-25 POPE: A BACKGROUND TO AN EPISTLE TO DR. ARBUTHNOT UNIT-26 POPE: THE STUDY OF AN EPISTLE TO DR. ARBUTHNOT The Neoclassical Poets UNIT 22 THE AGE OF DRYDEN Structure 22.0 Objectives 22.1 Introduction 22.2 The Social Background of Restoration and Early 18thcentury England 22.2.1 The Court 22.2.2 The Theatre 22.2.3 The Coffee House and the Periodicals 22.2.4 Natural Calamities 22.2.5 Social Change 22.2.6 Learning and Education 22.3 The Intellectual Milieu 22.3.1 Science and Scepticism 22.3.2 Science and Poetry in the Augustan Age 22.4 The Literary Context 22.4.1 The Neo-classical Age 22.4.2 Language 22.4.3 Poetic Diction 22.4.4 Poetry-verse-prose-prose Fiction 22.4.5 The Heroic Couplet 22.4.6 Prose and Prose Fiction 22.4. 7 Literary Criticism 22.5 Religion, Philosophy and Morality 22.5.l Religion and Science 22.5.2 Quakerism 22.5.3 Deism 22.5.4 Mysticism, Methodism, Evangelicalism 22.6 Let Us Sum Up 22.7 Questions 22.8 Important Dates 22.9 Suggested Readings 22.0 OBJECTIVES The objective of these units is to introduce you to the age of John Dryden (1631- 1700) the most important man of letters of Restoration England (1660-1700), and Alexander Pope (1688-17 44).
    [Show full text]
  • Poematia Latine Partim Reddita Partim Scripta a Vincentio Bourne
    PICKERING'S .LDINE EDITION OF THE POETS. Beautifully printed, price 5s. or bound in morocco J"or presents, 10s. 6d. each volume. Vols. 1. 1*. 2. Poems of BURNS. With Memoir and Notes by Sir Harris Nicolas, Portrait, and Additional Poems. 3 vols. 3. 4. Poems of THOMSON. With Memoir by Sir H. Nicolas, and upwards of Twenty Additional Poems never before printed. 2 vols. 5. Poems of COLLINS. With Memoir by Sir H. Nicol4S. 6. Poems of H. KIRKE WHITE. With Memoir by Sir H. Ni- colas, and Additional Poems. 7. 8. 9. Poems of COVVPER. Including his Translations from Mil- ton, Madame Guion, &c. with Memoir by Sir H. Nicolas, and Portrait, the most complete edition extant. 3 vols. 10. 11. Poems of SURREY AND WYATT. With Memoirs by Sir Harris Nicolas, and Portraits. 2 vols. 12. Poems of BEATTIE. With Memoir by the Rev. A. Dyce, and Additional Poems. 13. 14. 15. Poems of POPE. With Memoir by the Rev. A. Dyce. 3 vols. 16. Poems of GOLDSMITH. With Memoir and Notes by the Rev. John Mitford, and Additional Poems. 17. 18. 19. Poems of MILTON. With Memoir, Notes, &c. by the Rev. J. Mitford. 3 vols. 20. Poems of SHAKESPEARE. With Memoir by the Rev. Alex- ander Dyce. 21—25. Poems of DRYDEN. With Memoir by the Rev. J. Mit- ford. 5 vols. 26. Poems of PARNELL. With Memoir by the Rev. J. Mitford. 27. 28. 29. Poems of SWIFT. With Life by the Rev. J. Mitford. 3 vols. 30. 31. Poems of YOUNG. With Memoir by the Rev.
    [Show full text]
  • Jewel Tower – Final Interpretation Plan
    Jewel Tower FINAL Interpretation Plan Curatorial Department 2012/13 Contents 1. Introduction 1.1 Site summary and context of the plan 1.2 Project team 2. History of the site 2.1 Summary 2.2 History of the building and important associations 2.3 Description and features 2.4 Points of significance 3. Conservation management 3.1 Designations 3.2 Condition survey 3.3 Conservation issues 3.4 Parameters for new interpretation 4. Collections 4.1 Summary of collections 4.2 Collections conservation 5. Audiences 5.1 Visitor numbers 5.2 Analysis 5.3 Education visits 5.4 Neighbouring attractions 5.5 Target audiences 6. Existing interpretation and visitor experience 6.1 Audit of current interpretation 6.2 Guidebook 6.3 Events 6.4 Website 7. Interpretation proposals 7.1 Themes 7.2 Interpretation approach 7.3 The scheme 7.4 Maintenance 8. Appendices i) Future work ii) Copy of visitor questionnaire and results iii) Collections in store iv) Activity sheet v) Education visits at the Houses of Parliament vi) Site plan 2 1. INTRODUCTION 1.1 Site summary and context of the plan The Jewel Tower is a three storey building lying opposite the Houses of Parliament in the heart of London. It was built around 1365 to house Edward III’s personal treasure as part of the palace at Westminster, and is one of the few buildings from this complex to survive today. In the 17th century, the Jewel Tower became the record office for the Houses of Lords and from 1869, it was the home of the Weights and Measures office, which set standards used across the British Empire.
    [Show full text]
  • The Patent Medicines Industry in England, 1760-1830
    Rethinking Georgian Healthcare: The Patent Medicines Industry in England, 1760-1830 Alan Finlay Mackintosh Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of Philosophy, Religion and the History of Science September 2015 The candidate confirms that the work is submitted is his own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. © 2015 The University of Leeds and Alan Finlay Mackintosh The right of Alan Finlay Mackintosh to be identified as Author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. i Acknowledgements As I have been one of the more mature research students at the University, this thesis has presented fresh challenges to my supervisors, Jon Topham and Adrian Wilson. They have patiently and gently steered me from a scientific way of thinking and writing into a more humanities based approach, while remaining enthusiastic about all aspects of the research. I am very grateful to them for their perseverance in supporting and directing the research in so many ways. I am also indebted to many members of the Centre for the History and Philosophy of Science for their help, particularly my fellow PhD students Becky Bowd and Jo Elcoat who have been invaluable in suggesting sources, commenting on work in progress and generally providing an extra dimension to the focussed life of a research student.
    [Show full text]
  • Restoration and Renewal of the Palace of Westminster
    Availaible online at www.parliament.uk/jcpow © Parliamentary Copyright House of Lords and House of Commons 2016 OF WESTMINSTER: SESSION 2016–17: FROM THE JOINT COMMITTEE ON PALACE FIRST REPORT This publication may be reproduced under the terms of the Open Parliament Licence, which is published at www.parliament.uk/site-information/copyright House of Lords House of Commons Joint Committee on the Palace of Westminster Restoration and Renewal of the Palace of Westminster First Report of Session 2016–17 HL Paper 41 HC 659 HL Paper 41 HC 659 House of Lords House of Commons Joint Committee on the Palace of Westminster Restoration and Renewal of the Palace of Westminster First Report of Session 2016–17 Report, together with formal minutes relating to the report Ordered by the House of Lords to be printed on 5 September 2016 Ordered by the House of Commons to be printed on 5 September 2016 HL Paper 41 HC 659 Published on 8 September 2016 by authority of the House of Lords and House of Commons Joint Committee on the Palace of Westminster The Joint Committee on the Palace of Westminster was appointed in July 2015 to consider the restoration and renewal of the Palace of Westminster. The House of Commons Members were appointed on 16 July 2015. The House of Lords Members were appointed on 20 July 2015 and reappointed on 25 May 2016. Membership HOUSE OF LORDS HOUSE OF COMMONS Baroness Stowell of Beeston (Conservative) Chris Grayling MP (Conservative) (Co-Chairman) (Co-Chairman) Lord Carter of Coles (Labour) Chris Bryant MP (Labour) Lord Deighton (Conservative)
    [Show full text]
  • Durham E-Theses
    Durham E-Theses Studies in the heroic drama of John Dryden Blyth, Michael Graham How to cite: Blyth, Michael Graham (1978) Studies in the heroic drama of John Dryden, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/8000/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk Studies in the Heroic Drama of John Dryden Thesis submitted to the University of Durham for the degree of Ph.D. by Michael Graham Blyth The copyright of this thesis rests with the author No quotation from it should be published without his prior written consent and information derived from it should be acknowledged 2rsity of Durham Tiber 1978 Acknowledgements My sincere thanks go to the following for their invaluable assistance: Dr. Ray Selden, Durham University English Department, who has given a great deal of his time and critical energy to supervising my work in all stages of its development; Mr.
    [Show full text]
  • Kit-Cat Related Poetry
    ‘IN AND OUT’: AN ANALYSIS OF KIT-CAT CLUB MEMBERSHIP (Web Appendix to The Kit-Cat Club by Ophelia Field, 2008) There are four main primary sources with regard to the membership of the Kit-Cat Club – Abel Boyer’s 1722 list,1 John Oldmixon’s 1735 list,2 a Club subscription list dated 1702,3 and finally the portraits painted by Sir Godfrey Kneller between 1697 and 1721 (as well as the 1735 Faber engravings of these paintings). None of the sources agree. Indeed, only the membership of four men (Dr Garth, Lord Cornwallis, Spencer Compton and Abraham Stanyan) is confirmed by all four of these sources. John Macky, a Whig journalist and spy, was the first source for the statement that the Club could have no more than thirty-nine members at any one time,4 and Malone and Spence followed suit.5 It is highly unlikely that there were so many members at the Kit-Cat’s inception, however, and membership probably expanded with changes of venue, especially around 1702–3. By 1712–14, all surviving manuscript lists of toasted ladies total thirty-nine, suggesting that there was one lady toasted by each member and therefore that Macky was correct.6 The rough correlation between the dates of expulsions/deaths and the dates of new admissions (such as the expulsion of Prior followed by the admission of Steele in 1705) also supports the hypothesis that at some stage a cap was set on the size of the Club. Allowing that all members were not concurrent, most sources estimate between forty- six and fifty-five members during the Club’s total period of activity.7 There are forty- four Kit-Cat paintings, but Oldmixon, who got his information primarily from his friend Arthur Maynwaring, lists forty-six members.
    [Show full text]
  • Anecdotes of Painting in England : with Some Account of the Principal
    C ' 1 2. J? Digitized by the Internet Archive in 2013 http://archive.org/details/paintingineng02walp ^-©HINTESS <0>F AEHJKTID 'oat/ /y ' L o :j : ANECDOTES OF PAINTING IN ENGLAND; WITH SOME ACCOUNT OF THE PRINCIPAL ARTISTS; AND INCIDENTAL NOTES ON OTHER ARTS; COLLECTED BY THE LATE MR. GEORGE VERTUE; DIGESTED AND PUBLISHED FROM HIS ORIGINAL MSS. BY THE HONOURABLE HORACE WALPOLE; WITH CONSIDERABLE ADDITIONS BY THE REV. JAMES DALLAWAY. LONDON PRINTED AT THE SHAKSPEARE PRESS, BY W. NICOL, FOR JOHN MAJOR, FLEET-STREET. MDCCCXXVI. LIST OF PLATES TO VOL. II. The Countess of Arundel, from the Original Painting at Worksop Manor, facing the title page. Paul Vansomer, . to face page 5 Cornelius Jansen, . .9 Daniel Mytens, . .15 Peter Oliver, . 25 The Earl of Arundel, . .144 Sir Peter Paul Rubens, . 161 Abraham Diepenbeck, . 1S7 Sir Anthony Vandyck, . 188 Cornelius Polenburg, . 238 John Torrentius, . .241 George Jameson, his Wife and Son, . 243 William Dobson, . 251 Gerard Honthorst, . 258 Nicholas Laniere, . 270 John Petitot, . 301 Inigo Jones, .... 330 ENGRAVINGS ON WOOD. Arms of Rubens, Vandyck & Jones to follow the title. Henry Gyles and John Rowell, . 39 Nicholas Stone, Senior and Junior, . 55 Henry Stone, .... 65 View of Wollaton, Nottinghamshire, . 91 Abraham Vanderdort, . 101 Sir B. Gerbier, . .114 George Geldorp, . 233 Henry Steenwyck, . 240 John Van Belcamp, . 265 Horatio Gentileschi, . 267 Francis Wouters, . 273 ENGRAVINGS ON WOOD continued. Adrian Hanneman, . 279 Sir Toby Matthews, . , .286 Francis Cleyn, . 291 Edward Pierce, Father and Son, . 314 Hubert Le Soeur, . 316 View of Whitehall, . .361 General Lambert, R. Walker and E. Mascall, 368 CONTENTS OF THE SECOND VOLUME.
    [Show full text]
  • The Old War Office Building
    MINISTRY OF DEFENCE The Old War Office Building A history The Old War Office Building …a building full of history Foreword by the Rt. Hon Geoff Hoon MP, Secretary of State for Defence The Old War Office Building has been a Whitehall landmark for nearly a century. No-one can fail to be impressed by its imposing Edwardian Baroque exterior and splendidly restored rooms and stairways. With the long-overdue modernisation of the MOD Main Building, Defence Ministers and other members of the Defence Council – the Department’s senior committee – have moved temporarily to the Old War Office. To mark the occasion I have asked for this short booklet, describing the history of the Old War Office Building, to be published. The booklet also includes a brief history of the site on which the building now stands, and of other historic MOD headquarters buildings in Central London. People know about the work that our Armed Forces do around the world as a force for good. Less well known is the work that we do to preserve our heritage and to look after the historic buildings that we occupy. I hope that this publication will help to raise awareness of that. The Old War Office Building has had a fascinating past, as you will see. People working within its walls played a key role in two World Wars and in the Cold War that followed. The building is full of history. Lawrence of Arabia once worked here. I am now occupying the office which Churchill, Lloyd-George and Profumo once had.
    [Show full text]