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The Other, Other, Other All-Batman Game by Mike Young Intercon H in Chelmsford, Mass
The Other, Other, Other All-Batman Game By Mike Young Intercon H in Chelmsford, Mass. It was 6:00 on a Friday. I had just finished bragging that I wasn't running anything this weekend. Phillip Kelley dares me to write a game for the con. At 6:30 we all sit down to play The Other, Other, OtherAll Batman Game. Curse you, Phil Kelley! You can read an excellent history of The All Batman Game, The Other All Batman Game, and The Other, Other All-Batman Game at Phil’s site. I believe that mine is unique in being the only one in which all the characters are actually Batman, well more or less. Thanks to the players of the inaugural run: Daniel Abraham, Vivian Abraham, Dave Cave, Quinn D, Greer Hauptman, Phillip Kelley, Sue Lee, David Lichtenstein, and Drew Novick. Game Situation A group of omnipotent, plot driven entities known as the Omniseers have kidnapped a number of Batmen from across time and space and forced them to choose one to be the true Batman. The Batmen may choose any one of them to be the true one, but they won't. They will dither and argue and fight. After ten or so minutes, or when the joke has run out, just pick one randomly. Game Set Up Print out the character sheets below and distribute them to the players. The combat system can be any of the following, or just make up your own. The winner can do whatever they want to the loser. Potential Combat Systems: MENKS: Players get cards equal to their Power Level. -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
Batman, Screen Adaptation and Chaos - What the Archive Tells Us
This is a repository copy of Batman, screen adaptation and chaos - what the archive tells us. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/94705/ Version: Accepted Version Article: Lyons, GF (2016) Batman, screen adaptation and chaos - what the archive tells us. Journal of Screenwriting, 7 (1). pp. 45-63. ISSN 1759-7137 https://doi.org/10.1386/josc.7.1.45_1 Reuse Unless indicated otherwise, fulltext items are protected by copyright with all rights reserved. The copyright exception in section 29 of the Copyright, Designs and Patents Act 1988 allows the making of a single copy solely for the purpose of non-commercial research or private study within the limits of fair dealing. The publisher or other rights-holder may allow further reproduction and re-use of this version - refer to the White Rose Research Online record for this item. Where records identify the publisher as the copyright holder, users can verify any specific terms of use on the publisher’s website. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Batman: screen adaptation and chaos - what the archive tells us KEYWORDS Batman screen adaptation script development Warren Skaaren Sam Hamm Tim Burton ABSTRACT W B launch the Caped Crusader into his own blockbuster movie franchise were infamously fraught and turbulent. It took more than ten years of screenplay development, involving numerous writers, producers and executives, before Batman (1989) T B E tinued to rage over the material, and redrafting carried on throughout the shoot. -
Julien's Auctions Announces Property from the Life And
For Immediate Release JULIEN’S AUCTIONS ANNOUNCES PROPERTY FROM THE LIFE AND CAREER OF PRINCE Music Legend’s Iconic Wardrobe, Guitars, Memorabilia and More to Rock the Auction Stage at Hard Rock Cafe New York FRIDAY, MAY 18, 2018 Los Angeles, California – (February 5, 2018) –Coming off another record breaking season that witnessed achieving the world record for a guitar played by Prince sold at auction ($700,000), Julien’s Auctions has announced — PROPERTY FROM THE LIFE AND CAREER OF PRINCE. Julien’s will pay tribute to one of the greatest music legends of all time in this exclusive presentation of the titanic seven-time, Grammy-winning singer/songwriter’s personal collection of signature wardrobe, guitars, memorabilia and more items related to his iconography as part of their two day MUSIC ICONS auction taking place on May 18 with Prince and historical items by other music legends (to be announced later) on May 19 live in New York at the Hard Rock Cafe and online. (photo top left: Prince’s Schecter "White Cloud" electric guitar, bottom left: Under the Cherry Moon ensemble and bottom right: red jumpsuit) Born Prince Rogers Nelson in 1958 in Minneapolis, Minnesota and known around the world by his first name and later only a symbol, the one and only Prince’s music career and extraordinary, unique gifts as a recording artist have immortalized him into the ranks of Elvis Presley, Michael Jackson, Madonna and The Beatles as one of pop music’s greatest icons. A musical prodigy and multi-instrumentalist by his early teens, an 18-year-old Prince signed his first record deal with Warner Bros. -
The Evolution of Batman and His Audiences
Georgia State University ScholarWorks @ Georgia State University English Theses Department of English 12-2009 Static, Yet Fluctuating: The Evolution of Batman and His Audiences Perry Dupre Dantzler Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/english_theses Part of the English Language and Literature Commons Recommended Citation Dantzler, Perry Dupre, "Static, Yet Fluctuating: The Evolution of Batman and His Audiences." Thesis, Georgia State University, 2009. https://scholarworks.gsu.edu/english_theses/73 This Thesis is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. STATIC, YET FLUCTUATING: THE EVOLUTION OF BATMAN AND HIS AUDIENCES by PERRY DUPRE DANTZLER Under the Direction of H. Calvin Thomas ABSTRACT The Batman media franchise (comics, movies, novels, television, and cartoons) is unique because no other form of written or visual texts has as many artists, audiences, and forms of expression. Understanding the various artists and audiences and what Batman means to them is to understand changing trends and thinking in American culture. The character of Batman has developed into a symbol with relevant characteristics that develop and evolve with each new story and new author. The Batman canon has become so large and contains so many different audiences that it has become a franchise that can morph to fit any group of viewers/readers. Our understanding of Batman and the many readings of him gives us insight into ourselves as a culture in our particular place in history. -
Talisman: Batman™ Super-Villains Edition Rules
INTRODUCTION Key Components and The object of the game is to sneak, fight and search your way through Arkham Asylum, and be the first of the Concepts Overview Villains to reach the Security Control Room at the top of This section will introduce new players to the key concepts the Guard Tower. Once there you must subdue Batman and components of Talisman. For players who are familiar and turn off all security systems. The first player to do with Batman Talisman, or the original Talisman game, we this will free all of the Villains and become the leader of recommend jumping ahead to ‘Game Set-up’ on page 6. Gotham City’s underworld, and will win the game. In order to reach the end, you’ll need to collect various Items, gain Followers and improve your Strength and Cunning. Game Board Most importantly, you will need to locate a Security Key Card The game board depicts the Villains’ hand drawn maps of to unlock the Security Control Room. Without one of these Arkham Asylum. It is divided into three Regions: First Floor powerful cards there is no hope of completing your task. (Outer Region), Second Floor (Middle Region), and Tower (Inner Region). Number of Players Up to six players can play Batman Talisman, but the more players that are participating, the longer the game will last. For this reason we suggest using the following rules for faster play. If you have fewer players, or would like to experience the traditional longer Talisman game there are alternative rules provided at the end of this rulebook on page 14. -
This List Attempts to Document Every Vinyl Record Released in the USA, Only, Relating to the Batman Craze of the 1960’S
This list attempts to document every vinyl record released in the USA, only, relating to the Batman craze of the 1960’s. US 7”/Singles: Artist – “Title” A-Side / “Title” B-Side (Mfg’r Record #, Date) (Notes) · 4 Of Us - “Batman” / “You Gonna Be Mine” (Hideout 1003, 1965) (A surf instrumental and is not related to the TV series; later pressings of this single have the Batman song retitled as “Freefall”) · 5th Avenue Busses - “Robin Boy Wonder” / “Fantastic Voyage” (20th Century Fox 45-6653, 1966) (Promo copy exists) · The Airmen Of Note – “Theme From Batman” / “Second Time Around” (The United States Airforce Public Service Program” GZS 108695, 1966?) (“Music In the Air” radio transcription 33 1/3 RPM, 7” single, Programs NR: 423/424. Label reads “This record is the property of the U.S. Government and cannot be used for commercial purposes.” The Airmen Of Note are the jazz ensemble within the US Army Air Forces Band and was formed to carry on the music of The Major Glenn Miller Army Air Forces Orchestra.) · Davie Allan & The Arrows - “Batman Theme” (Reportedly recorded in 1966 but never issued as 45. Instead, it first appeared on the 1996 reissue CD of the Various Artists “Wild Angels” soundtrack.) · Astronauts - “Batman Theme” (Never issued as 45. A surf instrumental first released on 1963 LP so is not TV show influenced) · Avengers - “The Batman Theme” / “Back Side Blues” (MGM K 13465, 1966) (Though released as by "The Avengers," the A-side was recorded by all-female group The Robins, while the flip was recorded by popular Ardent recording -
The Top 7000+ Pop Songs of All-Time 1900-2017
The Top 7000+ Pop Songs of All-Time 1900-2017 Researched, compiled, and calculated by Lance Mangham Contents • Sources • The Top 100 of All-Time • The Top 100 of Each Year (2017-1956) • The Top 50 of 1955 • The Top 40 of 1954 • The Top 20 of Each Year (1953-1930) • The Top 10 of Each Year (1929-1900) SOURCES FOR YEARLY RANKINGS iHeart Radio Top 50 2018 AT 40 (Vince revision) 1989-1970 Billboard AC 2018 Record World/Music Vendor Billboard Adult Pop Songs 2018 (Barry Kowal) 1981-1955 AT 40 (Barry Kowal) 2018-2009 WABC 1981-1961 Hits 1 2018-2017 Randy Price (Billboard/Cashbox) 1979-1970 Billboard Pop Songs 2018-2008 Ranking the 70s 1979-1970 Billboard Radio Songs 2018-2006 Record World 1979-1970 Mediabase Hot AC 2018-2006 Billboard Top 40 (Barry Kowal) 1969-1955 Mediabase AC 2018-2006 Ranking the 60s 1969-1960 Pop Radio Top 20 HAC 2018-2005 Great American Songbook 1969-1968, Mediabase Top 40 2018-2000 1961-1940 American Top 40 2018-1998 The Elvis Era 1963-1956 Rock On The Net 2018-1980 Gilbert & Theroux 1963-1956 Pop Radio Top 20 2018-1941 Hit Parade 1955-1954 Mediabase Powerplay 2017-2016 Billboard Disc Jockey 1953-1950, Apple Top Selling Songs 2017-2016 1948-1947 Mediabase Big Picture 2017-2015 Billboard Jukebox 1953-1949 Radio & Records (Barry Kowal) 2008-1974 Billboard Sales 1953-1946 TSort 2008-1900 Cashbox (Barry Kowal) 1953-1945 Radio & Records CHR/T40/Pop 2007-2001, Hit Parade (Barry Kowal) 1953-1935 1995-1974 Billboard Disc Jockey (BK) 1949, Radio & Records Hot AC 2005-1996 1946-1945 Radio & Records AC 2005-1996 Billboard Jukebox -
Edexcel a Level Aos3: Music for Film, Part 3
KSKS55 Edexcel A level AoS3: Music for film, part 3 James Manwaring by James Manwaring is Director of Music for Windsor Learning Partnership, and has been teaching music for 13 years. He is a member INTRODUCTION of the MMA and ISM, and he writes This is the last of three resources on film music (following part one inMusic Teacher, November 2017, and part a music education two in January 2018) based around Edexcel’s Area of Study 3. Here we’ll focus on Batman Returns, and also blog. some further ways into film music composition for A level students. STARTING POINT: COMPOSITION Film music is a popular genre among students. They enjoy both the set works and the wider listening. Composing in a cinematic genre also remains a popular avenue for many students, who enjoy crafting and creating music that tells a clear story. In this resource, I want to start by looking at some specific ways into film composition, so that students can create music that fits in with the set works. If students are going to truly understand a genre of music, they need to engage fully with it. Composing cinematic music is a great way for students to understand cinematic music – and that goes for all genres of music, in fact. Performance is also important, however: students should have the chance to play music from different genres – and there are some great arrangements out there for all abilities. If you can play something cinematic in your orchestra, wind band or brass band, it will really bring the music to life. -
Diagnostic and Prognostic Computed Tomography Imaging Markers in Basilar Artery Occlusion (Review)
EXPERIMENTAL AND THERAPEUTIC MEDICINE 22: 954, 2021 Diagnostic and prognostic computed tomography imaging markers in basilar artery occlusion (Review) RARES CRISTIAN FILEP1, LUCIAN MARGINEAN1, ADINA STOIAN2 and ZOLTAN BAJKO3 1PhD School of Medicine, and Departments of 2Pathophysiology and 3Neurology, ‘George Emil Palade’ University of Medicine, Pharmacy, Sciences and Technology, 540142 Târgu Mureș, Romania Received May 5, 2021; Accepted June 4, 2021 DOI: 10.3892/etm.2021.10386 Abstract. Acute ischemic stroke treatment has been revolution‑ in the last decade. Hyperdense Basilar Artery Sign (HDBA), ized by the addition of mechanical and aspiration thrombectomy. Posterior Circulations‑Alberta Stroke Program Early CT Randomized controlled trials have proven beyond doubt, the Score (pc‑ASPECTS), Pons‑Midbrain Index (PMI), Posterior substantial clinical impact of endovascular interventions in ante‑ Circulation Collateral Score (pc‑CS), Posterior Circulation rior circulation territory strokes. Unfortunately, patients with CT Angiography Score (pc‑CTA), and Basilar Artery on CT vertebrobasilar ischemic stroke could not be included in these Prognostic Score (BATMAN), are computed tomography (CT) early trials due to inherent clinical, radiological, and prognostic markers with properties that can aid the diagnosis of BAO and particularities of posterior circulation ischemia; thus, indications can independently predict clinical outcome. This paper aims to for the treatment of posterior fossa strokes and basilar artery present a comprehensive review of these imaging signs to have occlusion (BAO) are mainly based on retrospective studies and a thorough understanding of their diagnostic and prognostic registries. BAO carries high morbidity and mortality, despite attributes. the new improvements in endovascular therapy. Identifying patients who will likely benefit from invasive treatment and have a good clinical outcome resides in discovering clinical, Contents biological, or imaging markers, that have prognostic implica‑ tions. -
Danny Elfman: Batman Returns Birth of a Penguin Part 1, Birth of a Penguin Part 2, Batman Vs the Circus, the Rise and Fall from Grace (For Component 3: Appraising)
Danny Elfman: Batman Returns Birth of a Penguin Part 1, Birth of a Penguin Part 2, Batman vs the Circus, The Rise and Fall from Grace (For component 3: Appraising) Background information and performance circumstances The composer Danny Elfman (b. 1953) is a self-taught composer and is unusual because of his parallel career as a rock musician with the band Oingo Boingo. He grew up in Los Angeles and is the youngest son of two teachers. While at school, Elfman wanted to be a filmmaker. ‘I always thought that some way or other I’d end up in film, but somehow I ended up in music.’ Tim Burton and Elfman had a close working relationship and collaborated on a number of films including Beetlejuice (1988), The Nightmare Before Christmas (1993) and Planet of the Apes (2001). Of all the films they have made together, Batman remained Elfman’s biggest grossing film until Spider-man (2002). More importantly, Batman brought Elfman to public attention and established him as a creditable film composer. Elfman often scores much of his music around leitmotifs then develops them through the use of variations. The use of thematic development illustrates Elfman’s influences from composers such as Bernard Herrman (Psycho, 1960) from the Golden Age of films. Having established the main materials of the score, Elfman works through the film chronologically, using the materials he has developed in a manner which is extremely unmethodical. Batman Returns (1992) is the sequel to Batman (1989), directed by Tim Burton with Michael Keaton reprising the role of Bruce Wayne/Batman. -
The Ultimate Listening-Retrospect
PRINCE June 7, 1958 — Third Thursday in April The Ultimate Listening-Retrospect 70s 2000s 1. For You (1978) 24. The Rainbow Children (2001) 2. Prince (1979) 25. One Nite Alone... (2002) 26. Xpectation (2003) 80s 27. N.E.W.S. (2003) 3. Dirty Mind (1980) 28. Musicology (2004) 4. Controversy (1981) 29. The Chocolate Invasion (2004) 5. 1999 (1982) 30. The Slaughterhouse (2004) 6. Purple Rain (1984) 31. 3121 (2006) 7. Around the World in a Day (1985) 32. Planet Earth (2007) 8. Parade (1986) 33. Lotusflow3r (2009) 9. Sign o’ the Times (1987) 34. MPLSound (2009) 10. Lovesexy (1988) 11. Batman (1989) 10s 35. 20Ten (2010) I’VE BEEN 90s 36. Plectrumelectrum (2014) REFERRING TO 12. Graffiti Bridge (1990) 37. Art Official Age (2014) P’S SONGS AS: 13. Diamonds and Pearls (1991) 38. HITnRUN, Phase One (2015) ALBUM : SONG 14. (Love Symbol Album) (1992) 39. HITnRUN, Phase Two (2015) P 28:11 15. Come (1994) IS MY SONG OF 16. The Black Album (1994) THE MOMENT: 17. The Gold Experience (1995) “DEAR MR. MAN” 18. Chaos and Disorder (1996) 19. Emancipation (1996) 20. Crystal Ball (1998) 21. The Truth (1998) 22. The Vault: Old Friends 4 Sale (1999) 23. Rave Un2 the Joy Fantastic (1999) DONATE TO MUSIC EDUCATION #HonorPRN PRINCE JUNE 7, 1958 — THIRD THURSDAY IN APRIL THE ULTIMATE LISTENING-RETROSPECT 051916-031617 1 1 FOR YOU You’re breakin’ my heart and takin’ me away 1 For You 2. In Love (In love) April 7, 1978 Ever since I met you, baby I’m fallin’ baby, girl, what can I do? I’ve been wantin’ to lay you down I just can’t be without you But it’s so hard to get ytou Baby, when you never come I’m fallin’ in love around I’m fallin’ baby, deeper everyday Every day that you keep it away (In love) It only makes me want it more You’re breakin’ my heart and takin’ Ooh baby, just say the word me away And I’ll be at your door (In love) And I’m fallin’ baby.