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Programme Cover 21.03.2021
Our Sponsors... TEAM National Trust membership offers free entry to hundreds of Trust properties throughout Australia and overseas and helps secure the future of our natural and built heritage – phone 03 9656 9800 OF PIANISTS COLIN & CICELY RIGG BEQUEST, ADMINISTERED BY EQUITY TRUSTEES www.teamofpianists.com.au BRILLIANT AUSTRALIAN BERNIES MUSIC LAND & AND INTERNATIONAL PERFORMERS THE TEAM OF PIANISTS - IN HERITAGE SETTINGS A GREAT ASSOCIATION Recognised for consistent presentation of top-class performances, the Team of In 1988, Bernie Capicchiano invited me to adjudicate the first Bernstein Pianists is supported by enthusiastic audiences, who treasure the privilege of Competition. I was very impressed with the sounds of the Bernstein piano, and experiencing excellent performances at close range, often in heritage venues. soon after that, the Team of Pianists obtained Bernstein pianos for its concerts. Subsequently, the Team performed regularly on radio 3MBS-FM in a The Team and their artists bring audiences into contact with great music, programme called 'The Bernstein Piano Hour' and later, we made CDs at MOVE providing a vital sense of connection with the past. Fine solo and chamber Records, using Bernstein pianos from Bernies Music Land. These CDs have been very successful and continue to be available commercially. works, chosen specially with particular venues and Following the first Bernstein Competition, Bernie introduced masterclasses performers in mind, form and teachers’ seminars and with great support from his family, he encouraged the basis of the Team’s music in the community. Bernie and I became close friends, both of us having programmes, exciting similar aims in lifting the standards of piano playing and in promoting music listeners' emotions and generally. -
Participating Artists
The Flowers of War – Participating Artists Christopher Latham and in 2017 he was appointed Artist in Ibrahim Karaisli Artistic Director, The Flowers of War Residence at the Australian War Memorial, Muezzin – Re-Sounding Gallipoli project the first musician to be appointed to that Ibrahim Karaisli is head of Amity College’s role. Religion and Values department. Author, arranger, composer, conductor, violinist, Christopher Latham has performed Alexander Knight his whole life: as a solo boy treble in Musicians Baritone – Re-Sounding Gallipoli St Johns Cathedral, Brisbane, then a Now a graduate of the Sydney decade of studies in the US which led to Singers Conservatorium of Music, Alexander was touring as a violinist with the Australian awarded the 2016 German-Australian Chamber Orchestra from 1992 to 1998, Andrew Goodwin Opera Grant in August 2015, and and subsequently as an active chamber Tenor – Sacrifice; Race Against Time CD; subsequently won a year-long contract with musician. He worked as a noted editor with The Healers; Songs of the Great War; the Hessisches Staatstheater in Wiesbaden, Australia’s best composers for Boosey and Diggers’ Requiem Germany. He has performed with many of Hawkes, and worked as Artistic Director Born in Sydney, Andrew Goodwin studied Australia’s premier ensembles, including for the Four Winds Festival (Bermagui voice at the St. Petersburg Conservatory the Sydney Philharmonia Choirs, the Sydney 2004-2008), the Australian Festival of and in the UK. He has appeared with Chamber Choir, the Adelaide Chamber Chamber Music (Townsville 2005-2006), orchestras, opera companies and choral Singers and The Song Company. the Canberra International Music Festival societies in Europe, the UK, Asia and (CIMF 2009-2014) and the Village Building Australia, including the Bolshoi Opera, La Simon Lobelson Company’s Voices in the Forest (Canberra, Scala Milan and Opera Australia. -
Omega-2018-Seasonbrochure-Web.Pdf
1 Welcome Moving into our thirteenth season, Omega Ensemble has come of age and entered its teens! If childhood is about magic, the 2018 Concert Season introduces mystery, love, romance and passion. We are proud to continue to perform our Virtuoso Series in the stunning City Recital Hall, alongside our Master Series at the iconic Sydney Opera House. Our 2018 Season is all about relationships, intimacy and connections, between our artists, our audience and the music itself. David Rowden Maria Raspopova Founder and Co-Artistic Director Co-Artistic Director 2 Season Calendar Concert Date and Time Venue Pg O Miss Brill - An Australian Premiere Sun 18 Feb, 7:00pm Art Gallery of New South Wales 21 M Summer Winds: From Beethoven to Ravel Sun 25 Feb, 2:30pm Utzon Room, Sydney Opera House 15 O Four Winds Festival Fri 30 Mar, 5:00pm Bermagui, NSW 21 V Eternal Quartets: Messiaen and Schubert Wed 11 Apr, 7:30pm City Recital Hall 7 O Annual Fundraising Gala Wed 23 May, 7:00pm University Union and Schools Club 21 M Fairy Tales: Schumann, Bruch and Borodin Sun 17 Jun, 2:30pm Utzon Room, Sydney Opera House 16 V Love: Weber and Franck Wed 18 July, 7:30pm City Recital Hall 8 V Joy: Farrenc and Beethoven Tue 25 Sept, 7:30pm City Recital Hall 11 M Vocalise: Rachmaninoff and Poulenc Sun 21 Oct, 2:30pm Utzon Room, Sydney Opera House 17 V Momentum: Schubert and Mendelssohn Tues 13 Nov, 7:30pm City Recital Hall 12 M Maria Raspopova in Recital Sun 2 Dec, 2:30pm Utzon Room, Sydney Opera House 18 M = Master Series V = Virtuoso Series O = Other Performance Composer -
Elena Kats-Chernin
Elena Kats-Chernin Elena Kats-Chernin photo © Bruria Hammer OPERAS 1 OPERAS 1 OPERAS Die Krönung der Poppea (L'incoronazione di Poppea) Der herzlose Riese Claudio Monteverdi, arranged by Elena Kats-Chernin The Heartless Giant 1643/2012/17 3 hr 2020 55 min Opera musicale in three acts with a prologue 7 vocal soloists-children's choir- 1.1.1.1-1.1.1.1-perc(2)-3.3.3.3.2 4S,M,A,4T,2Bar,B; chorus; 0.2.0.asax.tsax(=barsax).0-0.2.cimbasso.0-perc(2):maracas/cast/claves/shaker/guiro/cr ot/tgl/cyms/BD/SD/tpl.bl/glsp/vib/wdbls/congas/bongos/cowbell-continuo-strings; Tutti stings divided in: vla I–III, vlc I–II, db; Availability: This work is available from Boosey & Hawkes for the world Continuo: 2 gtr players, doubling and dividing the following instruments: banjo, dobro, mandolin, 12-string, electric, classical, Jazz, steal-string, slide, Hawaii, ukulele (some Iphis effects may be produced by the 1997/2005 1 hr 10 min same instrument); 1 vlc(separate from the celli tutti); 1theorbo; 1kbd synthesizer: most used sounds include elec.org, Jazz.org, pipe.org, chamber.org, hpd, clavecin, and ad Opera for six singers and nine musicians lib keyboard instruments as available. 2S,M,2T,Bar 1(=picc).0.1(=bcl).0-1.0.0.0-perc(1):wdbl/cyms/hi hat/xyl/marimba/SD/ World premiere of version: 16 Sep 2012 vib or glsp/3cowbells/crot/BD/tpl.bl/wind chimes/chinese bl/claves- Komische Oper, Berlin, Germany pft(=kbd)-vln.vla.vlc.db Barrie Kosky, director; Orchester und Ensemble der Komischen Oper Berlin Conductor: André de Ridder World Premiere: 03 Dec 1997 Bangarra Dance -
Cello Dreaming Programme Notes 27 Sept 2015
CELLO DREAMING CoralCoral Lancaster Lancaster Alan MacLean cellocello piano Cello Dreaming Concert A programme that explores aspects of dreaming, and the myriad ways in which music reveals to us inner realities of life Coral Lancaster and Alan MacLean 27 September 2015, 4pm Holywell Music Room Coral Lancaster pursues a varied career as a freelance chamber musician, orchestral musician, and teacher. Originally from Perth, Western Australia, Coral studied with Gregory Baron, Suzanne Wijsman, and David Pereira (dedicatee of Inner World and Threnody), before moving to the UK in 1997. Based in Oxford, Coral performs with the Lyric Piano Trio and the Jubilee Ensemble, and teaches locally. She is known for her sensitive performances, and also works regularly with the Philharmonia, the Bournemouth Symphony Orchestra, and the City of Birmingham Symphony Orchestra. This year Coral has toured with the Philharmonia to Madrid and Paris, and will shortly be travelling to Iceland with them as well. She can next be heard in Oxford performing in a solo lunchtime concert at St Michael at the North Gate, on 23rd November. Alan MacLean is a graduate of The Royal Scottish Academy of Music and Drama. Alan studied with the Hungarian pianist Bela Simandi and received the award for the most outstanding student in his final year. Further study followed with internationally renowned pianists including Karl Ulrich Schnabel. Much in demand as a chamber musician, he has played with many of the country's leading instrumentalists and he premiered Malcolm Arnold's ‘Trio Bourgeoises’ and a recent arrangement of John Field's Rondo in A flat for Piano and Orchestra. -
Beethoven's Quintet
Beethoven’s Quintet 2:30pm | Sunday | 08 Oct 2017 Utzon Room, Sydney Opera House 2018 Season Subscribe and save up to 30% Book your 2018 subscription before 12 December for your chance to win a Bang and Olufsen Beosound 2 speaker, worth $2,475. Book now at omegaensemble.com.au Proudly supported by Competition closes 12 December 2017. See website for full terms and conditions. Beethoven’s Quintet Sunday 8 October 2017 Program 2:30pm Utzon Room, Sydney Opera House Carl Nielsen Wind Quintet, Op. 43 Presented as part of the 2017 Master Series Paul Hindemith Kleine Kammermusik for Wind Quintet, Op. 24, No. 2 Interval Jean Françaix Quartet for Winds Ludwig van Beethoven Quintet in E-flat major for Piano and Winds, Op. 16 Approximate durations (minutes): 23 – 14 - Interval – 10 – 27 The concert will last approximately one hour and 35 minutes, including a 20-minute interval. Please ensure your mobile devices are turned to silent and switched off for the full duration of this performance. Please note that unauthorised recording or photography of this performance is not permitted. Omega Ensemble reserves the right to alter scheduled artists and programs as necessary. Listen to our 2018 Season Spotify playlist. Scan the code with your Spotify app or search for ‘Omega Ensemble’ in Spotify. Cover Image: Bruce Terry What’s On 2017 Season The Clarinet - David Rowden Lunch Series 12:30pm | Wed | 18 Oct Stravinsky Three Pieces for Clarinet Solo City Recital Hall Brahms Sonata for Clarinet and Piano, Op. 120, No. 2 cityrecitalhall.com Messager Solo de Concours 02 8256 2222 Anderson Miniatures [World Premiere] The Cello - Teije Hylkema Lunch Series 12:30pm | Wed | 15 Nov Bach Cello Suite No. -
Seeking Peace of Mind About Your Estate and Family?
MATINEE 4 Seeking peace of mind about your estate and family? FRIDAY 25 NOVEMBER 2.30PM FEDERATION CONCERT HALL HOBART Marko Letonja conductor GERSHWIN Andrew Seymour clarinet Catfish Row: Symphonic Suite from ADAMS Porgy and Bess The Chairman Dances Catfish Row Duration 12 mins Porgy Sings Fugue COPLAND Hurricane Clarinet Concerto Good Morning, Sistuh Slowly and expressively – Duration 24 mins Cadenza – Rather fast This concert will end at approximately 4.30pm. Duration 17 mins INTERVAL Expert advice Duration 20 mins and solutions. MUNRO Blue Rags Bad Girl Rag Tromba Blues Sponsored by China Rag Duration 12 mins Tasmanian Symphony Orchestra concerts are broadcast and streamed throughout Australia and around the world by ABC Classic FM. We would appreciate your cooperation in keeping coughing to a minimum. Please ensure that your mobile phone is switched off. 48 49 JOHN ADAMS (born 1947) The Chairman Dances – Foxtrot for In the surreal final scene of the opera, Orchestra she interrupts the tired formalities of a state banquet, disrupts the slow moving American John Adams is one of the most protocol and invites the Chairman, who successful composers working today. He first is present only as a gigantic 40-foot came to prominence in the early 1980s with portrait on the wall, to “come down, works such as Harmonium, Grand Pianola MARKO LETONJA ANDREW SEYMOUR old man, and dance”. The music takes Music and Harmonielehre, and achieved full cognisance of her past as a movie even greater success with the opera Nixon actress. Themes, sometimes slinky and in China, which he wrote in collaboration Marko Letonja is Chief Conductor Principal Clarinet with the Tasmanian sentimental, at other times bravura and with poet Alice Goodman and stage director and Artistic Director of the Tasmanian Symphony Orchestra since 2012, Andrew bounding, ride above in bustling fabric Peter Sellars. -
Program Notes
SHANE CHEN violin NICHOLAS WATERS violin HELEN IRELAND viola ZOE KNIGHTON cello FLINDERS QUARTET WOLFGANG AMADEUS MOZART 1756-1792 String Quartet No. 14 in G major, K.387 (composed 1782) I. Allegro vivace assai II. Menuetto III. Andante cantabile IV. Molto allegro Mozart had just heard Haydn’s Opus 33 set of quartets in Vienna in 1781 and he was immediately inspired to compose for quartet again. This dedication to his muse reveals a self deprecating humanness in Mozart that is often overlooked. He reveals the agony of the long creative endeavour. These works had numerous rewrites and and he was often working on more than one string quartet at a time. Haydn heard these works for the first time at Mozart’s home. According to a letter Leopold wrote to his daughter, Nanerl, Haydn had declared, "Before God, and as an honest man, I tell you that your son is the greatest composer known to me either in person or by name. He has taste, and, what is more, the most profound knowledge of composition." To my dear friend Haydn, A father who had resolved to send his children out into the great world took it to be his duty to confide them to the protection and guidance of a very celebrated Man, especially when the latter by good fortune was at the same time his best Friend. Here they are then, O great Man and dearest Friend, these six children of mine. They are, it is true, the fruit of a long and laborious endeavor, yet the hope inspired in me by several Friends that it may be at least partly compensated encourages me, and I flatter myself that this offspring will serve to afford me solace one day. -
9–18 May 2014
9–18 May 2014 FOLLOW US #CIMF cimf.org.au Welcome to the 2014 Canberra International The European Union is delighted to support Music Festival. Celebrating its 20th year, the prestigious Canberra International Music this year’s Festival will bring together many Festival in what promises to be a magnificent of Australia’s finest musicians and a wonderful classical music event. array of acclaimed international artists to I am particularly pleased that the opening ensure a memorable program. night of the 2014 festival will take place on This year’s theme, The Fire and the Rose, will explore the centenary of 9 May, a date when 500 million European citizens celebrate Europe Day the commencement of World War I and the 75th anniversary of the all over the world. outbreak of World War II through the works of composers who wrote A number of the EU Member States' Embassies are also involved in while serving as soldiers on all sides. the festival, offering the Canberra community a unique opportunity of You will experience a rich and vibrant program of classical and enjoying some remarkable pieces of work – many of which are in fact contemporary music – a showcase of the familiar and the new. world or Australian premieres. The Festival program will feature a number of major reflective works In a year when we commemorate the centenary of the start of WWI, it is by Bach, Mozart and Brahms performed on period instruments. fitting that CIMF Director Chris Latham has put together a repertoire by Once again the award-winning Amazing Spaces series showcases European and other composers who at different times were affected or Canberra’s unique architecture and landscapes and explores the influenced by war and its difficult consequences. -
Vocalise Rachmaninoff and Poulenc
Vocalise Rachmaninoff and Poulenc 2:30PM | Sunday | 21 October 2018 Sydney Opera House Press Play. PLAYING FROM ALBUM Prokofiev: Visions fugitives Visions Fugitives, Op. 22: VIII. Com... Maria Raspopova, Omega Ensemble 0:40 -1:07 The music continues on Spotify, iTunes and Google Play. Stay tuned in 2019 as we release more live performances and studio recordings on Omega Classics. Vocalise Rachmaninoff and Poulenc Sunday 21 October 2018 Francis Poulenc 2:30pm Chanson d’Orkenise (Banalités) Utzon Room, Sydney Opera House Hôtel (Banalités) Voyage à Paris (Banalités) Presented as part of the 2018 Master Series C (Deux Poèmes de Louis Aragon) Air Vif (Air Chantes) Violon (Trois Poemès de Louise de Vilmorin) Les Gars qui vont a la fête (Chanson Villageoises) Sergei Rachmaninoff Selections from 14 Romances, Op.34 Vocalise Muza Arion Voskresheniye Lazarya Kakoye Schast’ye Ian Munro Letter to a Friend (Words by Judith Wright) [Australian premiere] Franz Schubert The Shepherd on the Rock The concert will last approximately 75 minutes without interval Please ensure your mobile devices are turned to silent and switched off for the full duration of this performance. Please note that unauthorised recording or photography of this performance is not permitted. Omega Ensemble reserves the right to alter scheduled artists and programs as necessary. About the music Francis Poulenc (1899-1963) Apollinaire’s love of Paris and consequent contempt for Selected Chansons, Banalités and anywhere else. Poemes One of two poems by Louis Aragon that Poulenc set in 1943, ‘C’, as Bernac once wrote, “evokes the tragic days I. Chanson d’Orkenise (Banalités S 107) on May 1940, when a large part of the French population II. -
Draft Submission from Pro Musica
SUBMISSION TO THE ACT LEGISLATIVE ASSEMBLY STANDING COMMITTEE ON EDUCATION, TRAINING AND YOUTH AFFAIRS Inquiry into the Future Use of the Fitters’ Workshop in the Kingston Arts Precinct on behalf of The Board of Pro Musica Inc presenters of the Canberra International Music Festival Ainslie Arts Centre, Elouera Street, Braddon, ACT, 2612 12 December 2011 CONTENTS EXECUTIVE SUMMARY ..........................................................................................................................................3 Preamble: The Poetics of Space ..........................................................................................................................4 INTRODUCTION: OUTLINE OF OUR SUBMISSION .............................................................................................5 1. BACKGROUND TO THIS SUBMISSION ........................................................................................................6 What is Pro Musica? .............................................................................................................................................6 What is Pro Musica’s Connection with the Fitters’ Workshop?.............................................................................8 2. PRO MUSICA’S EXPERIENCE OF OTHER MUSIC VENUES IN CANBERRA ......................................... 10 3. THE QUALITIES OF THE FITTERS’ WORKSHOP AS A VENUE FOR MUSIC ......................................... 11 4. OUR ‘WIN-WIN’ PROPOSAL FOR THE BEST USE OF THE FITTERS’ WORKSHOP ............................ -
9–18 May 2014
9–18 May 2014 FOLLOW US #CIMF cimf.org.au Welcome to the 2014 Canberra International The European Union is delighted to support Music Festival. Celebrating its 20th year, the prestigious Canberra International Music this year’s Festival will bring together many Festival in what promises to be a magnificent of Australia’s finest musicians and a wonderful classical music event. array of acclaimed international artists to I am particularly pleased that the opening ensure a memorable program. night of the 2014 festival will take place on This year’s theme, The Fire and the Rose, will explore the centenary of 9 May, a date when 500 million European citizens celebrate Europe Day the commencement of World War I and the 75th anniversary of the all over the world. outbreak of World War II through the works of composers who wrote A number of the EU Member States' Embassies are also involved in while serving as soldiers on all sides. the festival, offering the Canberra community a unique opportunity of You will experience a rich and vibrant program of classical and enjoying some remarkable pieces of work – many of which are in fact contemporary music – a showcase of the familiar and the new. world or Australian premieres. The Festival program will feature a number of major reflective works In a year when we commemorate the centenary of the start of WWI, it is by Bach, Mozart and Brahms performed on period instruments. fitting that CIMF Director Chris Latham has put together a repertoire by Once again the award-winning Amazing Spaces series showcases European and other composers who at different times were affected or Canberra’s unique architecture and landscapes and explores the influenced by war and its difficult consequences.