Here Night Has Been Forgotten?
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Arbez Drama Fringe 2017 Company Bios
Arbez Drama Projects in association with The Toronto Fringe Festival 2017 THE OLD WOLF and the SACRED TROUT by Donald Molnar COMPANY HISTORY & BIOS Arbez Drama Projects Arbez Drama Projects is a not-for-profit theatre company based in Toronto. Our mandate is to pursue theatre projects that we feel passionate about. We create, develop, and produce new Canadian plays. The creation of our company is intimately connected to Sara's Cave by Donald Molnar, which was accepted into the City of Brampton’s 2nd Annual NewWorks Playwright Festival (2005). In order to produce the play, Donald Molnar, John Sader, and Alicia Payne created Arbez Drama Projects. Arbez Drama Projects now has several plays at various stages of development and has produced readings and workshop presentations at theatre festivals as well as social justice and academic conferences including: Readers’ Theatre of New Works at the National Black Theatre Festival, Winston Salem, North Carolina (2013 and 2015); 33rd Annual Teaching Public Administration Conference, Grand Rapids, Michigan (2010); Innocence Network Conference, at the South Texas College of Law, Houston, Texas (2009); and the rock.paper.sistahaz 7 festival, Toronto (2008). Anna Braumberger – Wolf Masks Anna Braumberger delights in the whimsical and bizzare which suits her very well in her work in the Vancouver Film industry set decoration department (IATSE Local 891). Having been professionally tasked in the last two years with everything from fabricating 80's neon art to occult decorated cow skulls for use in TV shows she still finds time for the occasional personal project. Starting in 2003 Anna began in a community Shakespeare group called "The Pressgang Theater Company" which worked every year on a shoestring budget to produce a play under the funding of the Society for Creative Anachronism. -
Internalizing Borderlands: the Performance of Borderlands Identity
Internalizing Borderlands: the Performance of Borderlands Identity by Megan De Roover A Thesis presented to The University of Guelph In partial fulfilment of requirements for the degree of Master of Arts in English Guelph, Ontario, Canada © Megan De Roover, December, 2012 ABSTRACT Internalizing Borderlands: the Performance of Borderlands Identity Megan De Roover Advisor: University of Guelph, 2012 Professor Martha Nandorfy In order to establish a working understanding of borders, the critical conversation must be conscious of how the border is being used politically, theoretically, and socially. This thesis focuses on the border as forcibly ensuring the performance of identity as individuals, within the context of borderlands, become embodiments of the border, and their performance of identity is created by the influence of external borders that become internalized. The internalized border can be read both as infection, a problematic divide needing to be removed, as well as an opportunity for bridging, crossing that divide. I bring together Charles Bowden (Blue Desert), Monique Mojica (Princess Pocahontas and the Blue Spots), Leslie Marmon Silko (Ceremony, Almanac of the Dead), and Guillermo Verdecchia (Fronteras Americanas) in order to develop a comprehensive analysis of the border and border identity development. In these texts, individuals are forced to negotiate their sense of self according to pre-existing cultural and social expectations on either side of the border, performing identity according to how they want to be socially perceived. The result can often be read as a fragmentation of identity, a discrepancy between how the individual feels and how they are read. I examine how identity performance occurs within the context of the border, brought on by violence and exemplified through the division between the spirit world and the material world, the manipulation of costuming and uniforms, and the body. -
Guillermo Verdecchia Theatre Artist / Teacher 46 Carus Ave
Guillermo Verdecchia Theatre Artist / Teacher 46 Carus Ave. Toronto, ON M6G 2A4 (416) 516 9574 [email protected] [email protected] Education M.A University of Guelph, School of English and Theatre Studies, August 2005 Thesis: Staging Memory, Constructing Canadian Latinidad (Supervisor: Ric Knowles) Recipient Governor-General's Gold Medal for Academic Achievement Ryerson Theatre School Acting Program 1980-82 Languages English, Spanish, French Theatre (selected) DIRECTING Two Birds, One Stone 2017 by Rimah Jabr and Natasha Greenblatt. Theatre Centre, Riser Project, Toronto The Thirst of Hearts 2015 by Thomas McKechnie Soulpepper, Theatre, Toronto The Art of Building a Bunker 2013 -15 by Adam Lazarus and Guillermo Verdecchia Summerworks Theatre Festival, Factory Theatre, Revolver Fest (Vancouver) Once Five Years Pass by Federico Garcia Lorca. National Theatre School. Montreal 2012 Ali and Ali: The Deportation Hearings 2010 by Marcus Youssef, Guillermo Verdecchia, and Camyar Chai Vancouver East Cultural Centre, Factory Theatre Toronto Guillermo Verdecchia 2 A Taste of Empire 2010 by Jovanni Sy, Cahoots Theatre Rice Boy 2009 by Sunil Kuruvilla, Stratford Festival, Stratford. The Five Vengeances 2006 by Jovanni Sy, Humber College, Toronto. The Caucasian Chalk Circle 2006 by Bertolt Brecht, Ryerson Theatre School, Toronto. Romeo and Juliet 2004 by William Shakespeare, Lorraine Kimsa Theatre for Young People, Toronto. The Adventures of Ali & Ali and the aXes of Evil 2003-07 by Youssef, Verdecchia, and Chai. Vancouver, Toronto, Montreal, Edmonton, Victoria, Seattle. Cahoots Theatre Projects 1999 – 2004 ARTISTIC DIRECTOR. Responsible for artistic planning and activities for company dedicated to development and production of new plays representative of Canada's cultural diversity. -
Senate Tuesday, June 21,2005 18:30 Room 1714 Lifetime Learning Centre OVC
University of Guelph Senate Tuesday, June 21,2005 18:30 Room 1714 Lifetime Learning Centre OVC AGENDA APPROVAL OF AGENDA REMARKS FROM THE CHAIR READING AND DISPOSING OF MINUTES OF THE SENATE MEETING OF May 17,2005. IV BUSINESS ARISING FROM THE MINUTES v READING OF ENQUIRIES AND COMMUNICATIONS VI QUESTION PERIOD VII CAUCUS REPORT VIII REPORTS OF STANDING BOARDS AND COMMITTEES 1. EXECUTIVE COMMITTEE page 11 For Information: Graduation Statistics BYLAWS & MEMBERSHIP COMMITTEE page 15 For Action: Awards Committee Bylaw Amendment BOARD OF UNDERGRADUATE STUDIES page 21 For Action: (a) Bachelor of Bio-Resource Management - Proposal for a Major in Environmental Management (b) Bachelor of Arts - Economics - Deletion of Applied Economics Major (c) Bachelor of Science in Engineering - Changes to Admission Requirements (d) Bachelor of Applied Science, University of Guelph-Humber - Changes to Admission Requirements (e) Academic Schedule of Dates, 2006-2007 For Information: (0 Course, Additions, Deletions and Changes (g) Editorial Calendar Amendments (i) Grade Reassessment (ii) Readmission - Credit for Courses Taken During Rustication 4. BOARD OF GRADUATE STUDIES page 9 1 For Action: (a) Proposal for a Master of Fine Art in Creative Writing (b) Proposal for a Master of Arts in French Studies For Information: (c) Graduate Faculty Appointments (d) Course Additions, Deletions and Changes 5. COMMITTEE ON AWARDS page 177 For Information: (a) Awards Approved June 2004 - May 2005 (b) Winegard, Forster and Governor General Medal Winners 6. COMMITTEE ON UNIVERSITY PLANNING page 181 For Action: Change of Name for Department of Human Biology and Nutritional Science IX COU RE,PORT X OTHER BUSINESS XI ADJOURNMENT Please note: The Senate Executive will meet at 18:15 in Room 1713 Lifetime Learning Centre OVC just prior to Senate 1r;ne Birrell, Secretary of Senate University of Guelph Senate Tuesday, June 21": 2005 REPORT FROM THE SENATE EXECUTIVE COMMITTEE Chair: Al Sullivan <[email protected]~ For Information: Graduation Statistics - June 2005 Membership: A. -
The Black Drum Deaf Culture Centre Adam Pottle
THE BLACK DRUM DEAF CULTURE CENTRE ADAM POTTLE ApproximatE Running time: 1 HouR 30 minutEs INcLudes interviews before the performancE and During intermissIoN. A NOTE FROM JOANNE CRIPPS A NOTE FROM MIRA ZUCKERMANN With our focus on oppression, we forget First of all, I would like to thank the DEAF to celebrate Deaf Life. We celebrate Deaf CULTURE CENTRE for bringing me on as Life through sign language, culture and Director of The Black Drum, thereby giving arts. The Black Drum is a full exploration me the opportunity to work with a new and and celebration of our Deaf Canadian exciting international project. The project experience through our unique artistic is a completely new way of approaching practices finally brought together into one musical theatre, and it made me wonder exceptional large scale signed musical. - what do Deaf people define as music? All Almost never do we see Deaf productions Deaf people have music within them, but it that are Deaf led for a fully Deaf authentic is not based on sound. It is based on sight, innovative artistic experience in Canada. and more importantly, sign language. As We can celebrate sign language and Deaf we say - “my hands are my language, my generated arts by Deaf performers for all eyes are my ears”. I gladly accepted the audiences to enjoy together. We hope you invitation to come to Toronto, embarking have a fascinating adventure that you will on an exciting and challenging project that not easily forget and that sets the stage for I hope you all enjoy! more Deaf-led productions. -
Season of Events
2014.2015 SEASON OF EVENTS Path to Paradise: Miserere Mei Saturday, November 8, 2014 7:30 p.m. Trinity College Chapel The Coronation of King George II Sunday, November 9, 2014 7:30 p.m. Trinity College Chapel The Faculty of Music gratefully acknowledges the generous support of our presenting sponsors Saturday, November 8, 2014 Path to Paradise: Miserere Mei SCHOLA CANTORUM & THE CHOIR OF THE THEATRE OF EARLY MUSIC Daniel Taylor, conductor PROGRAM Jesus Christ the Apple Tree Elizabeth Poston (1905-1987) If Ye Love Me Thomas Tallis (1505-1585) Ubi Caritas Maurice Duruflé (1902-1986) Jesus’ blood never failed me yet Gavin Bryars (b.1943) Danced by Coleman Lemieux & Company Original choreography by James Kudelka Ave Verum William Byrd (1540-1623) Remember Not O Lord Henry Purcell (1659-1695) Hymn to the Virgin Benjamin Britten (1913-1976) Miserere Mei Deus Gregorio Allegri (1582-1652) Soloists: Agnes Zsigovics, Rebecca Genge, Rebecca Claborn, David Roth Danced by Dancetheatre David Earle Original choreography by David Earle This evening’s concert has been made possible through a generous gift from Jean Edwards. This concert is presented with the support of the Canada Council for the Arts and with the significant assistance of the Ontario Arts Council. an Ontario government agency un organisme du gouvernement de l’Ontario Translations Ubi Caritas - Maurice Durufle Ubi caritas et amor, Deus ibi est. Where charity and love are, God is there. Congregavit nos in unum Christi amor. Christ’s love has gathered us into one. Exultemus, et in ipso iucundemur. Let us rejoice and be pleased in Him. -
FRIENDS and the MUNICIPAL ELECTION - YOUR Involvement Counts
September/October 2014 Volume 6, Issue 2 Mr. Dewey and Friends Newsletter of the Friends of the Guelph Public Library FRIENDS and the MUNICIPAL ELECTION - YOUR Involvement Counts The municipal election will take place on Monday, October 27, 2014. The deadline for declaring intent to stand for election has now passed, and the names of all candidates for Mayor and Council are a matter of public record. As a registered charity, the Friends of the Guelph Public Library cannot support any particular candidate for any office. The role of the group and its members and supporters is always to support and advocate for the Library in every possible way, not only concerning library buildings, but also concerning financial support to maintain our excellent information collection, excellent staff and excellent services. In the context of an election the role of the Friends is to work tirelessly to ensure that voters have full and accurate information about the Library when they examine candidates’ platforms and make their voting choices. It is important that voters select candidates with vision and a broad understanding of the ram- ifications of their platforms. Your role as a supporter of the Library is to inform yourself and be prepared to question candidates and supply accurate information when you encounter misin- formation or uninformed voters between now and election day. Go to all-candidates meetings and ask questions about the Library’s future. For more about library-related issues, there is a wealth of information at Kitty Pope’s blog on the Library website: http://kittysonapositivenote.wordpress.com/. -
F Ou Gl Orieu X
4528, rue de Bullion Montréal (Québec) Canada H2T 1Y6 F ou gl orieu x PHOTO: ANGELO BARSETTI www.louiselecavalier.com AGENT : URIEL LUFT, ATMO PRODUCTIONS \ [email protected] \ T. : 1 819-842-1919 \ F. : 1 819-842-1818 \ ADMINISTRATION : SUZANNE BENOIT \ [email protected] \ T. : 1 450-258-3061 \ COORDINATION DE TOURNÉE ET COMMUNICATIONS_ TOUR COORDINATION AND COMMUNICATIONS: ANNE VIAU \ [email protected] \ T. : 1 514-273-5478 \ louise LECAVALIER LONE EPIC (2006) Solo Choreography: Crystal Pite Dancer: Louise Lecavalier Music: excerpts from Bernard Herrmann’s music for Citizen Kane Lighting Design: Lucie Bazzo Rehearsal Mistress: France Bruyère Costume designed and built by: Anne-Marie Veevaete Sound engineering: Owen Belton, Diane Labrosse Length: 16 minutes LULA AND THE SAILOR (2005) Duet from Cobalt rouge Choreography:Tedd Robinson Dancers: Louise Lecavalier, Éric Beauchesne* Original Music: Yannick Rieu Lighting Design: Jean-Philippe Trépanier Rehearsal Mistress: France Bruyère Costumes: Yso, Dubuc Length: 12 minutes * with alternate performances by Elijah Brown Production: Louise Lecavalier/Fou glorieux,Ten Gates Dancing In co-production with Théâtre de la Ville, Paris, the Venice Biennale, and the National Arts Centre, Ottawa “I” IS MEMORY (2006) Solo Choreography: Benoît Lachambre Dancer: Louise Lecavalier Original Music: Laurent Maslé Lighting: Jean-Philippe Trépanier Props: Louis-Philippe Saint-Arnault Rehearsal Mistress: France Bruyère Length: 45 minutes Production of “I” Is Memory and Lone Epic: Louise Lecavalier/Fou glorieux, in co-production with STEPS # 10, Switzerland; Théâtre de la Ville, Paris; Tanz im August – Internationales Tanzfest, Berlin; Aarhus Festuge, Aarhus; National Arts Centre, Ottawa; Usine C, Montreal; in partnership with Quebec presenters. -
Full Program
The School is passionately committed to training and education in the art of IMPULSE contemporary dance. Through our Professional Programs, the School: • provides training, education, and artistic and skills development, and networking opportunities to aspiring professional dancers; • supports the art form, contributing well-trained graduates to the profession; • engages exceptional professional faculty to provide outstanding and relevant instruction; • provides mentorship, connection, and exposure to current professional artists, 2019 and links to the professional world; and • SURYLGHVOHDGHUVKLSWRWKHÀHOGDQGOHDGHUVIRUWKHÀHOG November 28-30 & December 5-7, 8 PM Winchester Street Theatre 7KH6FKRRORI7RURQWR'DQFH7KHDWUH·V3URIHVVLRQDO7UDLQLQJ3URJUDPLVDSSURYHGDVDYRFDWLRQDO program under the Private Career Colleges Act, 2005. 80 Winchester Street 7KH6FKRRORI7RURQWR'DQFH7KHDWUHLVDIÀOLDWHGZLWKToronto Dance Theatre (Christopher House, Artistic Director). For more information about the company, please visit: tdt.org. For more information on the Winchester Street Theatre, please visit: winchester.tdt.org ACKNOWLEDGMENT OF TRADITIONAL LAND The School of Toronto Dance Theatre would like to acknowledge the sacred land on which we operate, the site of human activity for over 15,000 years. This land is the traditional territory of many nations: the Wendat, the Haudenosaunee, and the Anishinaabe, including the Mississaugas of the Credit First Nation. We are grateful to have the opportunity to work on this land and to share our space with all peoples – those -
UNIVERSIDAD TECNOLÓGICA NACIONAL Facultad Regional
UNIVERSIDAD TECNOLÓGICA NACIONAL Facultad Regional Concepción del Uruguay Licenciatura en Lengua Inglesa MULTIPLE BORDER IDENTITIES AND CODE-SWITCHING. THE CASE OF FRONTERAS AMERICANAS/ AMERICAN BORDERS BY GUILLERMO VERDECCHIA Tesis presentada por Marcela Paula GHIGLIONE como requisito parcial para la obtención del grado académico de Licenciada en Lengua Inglesa Directora de Tesis: Dra. María Laura SPOTURNO 2016 Concepción del Uruguay, Entre Ríos, Argentina For my parents, Adriana y Jorge, with all respect For my love, Miguel, con todo mi corazón. 1 ACKNOWLEDGMENTS First, I would like to express my profound gratitude to María Laura Spoturno, my supervisor, for her stimulating discussion and questioning of many of the issues presented in this thesis. Without those invaluable suggestions and continuous encouragement this study could not have been completed. I would also like to acknowledge the coordinator of the career “Licenciatura en Lengua Inglesa”, Paula Aguilar, for her enthusiasm and constant guiding. My third debt of gratitude is to the staff of teachers who shared with us their invaluable insights, enriching comments and materials. Undoubtedly, they have left their mark on both my professional and personal development. Many people have also provided helpful input on this paper, at various stages. For their thoughtful and detailed suggestions through emails, I would particularly like to thank: Carol Myers-Scotton, Guillermo Verdecchia and Pieter Muysken. I also extend my thanks to Rocio Naef who shared with me her valuable comments on numerous revised drafts of this paper. I would like to express my appreciation to Luz Aranda, Celeste Rojas, Yamil Barrios, Tamara Romero, Luciana Sanzberro, Hebe Bouvet and my cousin, Daniela Koczwara, who provided me with helpful academic and technical advice. -
2014 Keynote Panels & Workshops
2014 KEYNOTE PANELS & WORKSHOPS KEYNOTE ADDRESS - NICOLE ROSE BOND Nicole Rose Bond began her formal dance training at York University, graduating cum laude with a BFAH in Dance in 2005. Since graduating, Nicole has felt privileged to perform in works by esteemed dance artists, choreographers and companies including Patricia Beatty, Coleman Lemieux et Compagnie, Dance Theatre David Earle, Danny Grossman Dance Company, Learie McNicholl, Susan Cash and Yvonne Ng. In the fall of 2012, Nicole was invited to work with Toronto Dance Theatre as a guest artist. Since that time, she has felt privileged to be a part of two cross-country tours of Christopher House’s Rivers, as well as many performances in Toronto, including Rare Mix, and Christopher House’s newest creation: Eleven Accords. Nicole feels incredibly grateful to be able to dance professionally in Canada, and deeply honoured to be working within a community of such gifted artists, whom inspire her every day. Q&A Play An interactive session to help establish your own goals for the day. And to give you a quick introduction to some of the other people in the room. Amanda Hancox is a graduate of the Arts Educational School in England. Over her 30 year performance career she worked extensively across Canada as a dancer and an actress in theatre, film, and television. Amanda has been Executive Director of the Dancer Transition Resource Centre since 2006. Throughout her tenure at the DTRC, Amanda has contributed her expertise to a number of major international and national conferences. Additionally she acts as a consultant and presents workshops on career transition within and outside the arts community. -
Camellia Koo Curriculum Vitae
CAMELLIA KOO CURRICULUM VITAE Please Contact Ian Arnold, Artist Representative @ Catalyst TCM 15 Old Primrose Lane, Toronto, ON M5A 4T1 Tel: 1-416-568-8673 [email protected] Opera & Ballet Design Set Treemonisha Weyni Mengesha Volcano/Stanford/SFO postponed Set Candide Joel Ivany Edmonton Opera 2020 Set & Costume Jacqueline Michael Mori Tapestry New Opera 2020 Set Rigoletto Rob Harriot Edmonton Opera 2019 Costume La Bohème Mary Birnbaum Santa Fe Opera Set Shanawdithit M. Mori/Y. Nolan Tapestry New Opera Set Hansel and Gretel Rob Harriot Edmonton Opera Set & Costume La Bohème Maria Lamont Pacific Opera Victoria 2018 Set HMS Pinafore Rob Harriot Edmonton Opera Set & Costume Turandot Dmitri Bertman Helikon Opera, Russia 2017 Set & Costume Simon Boccanegra Glynis Leyshon Pacific Opera Victoria 2016 Set Rocking Horse Winner Michael Mori Tapestry New Opera Set & Costume Maria Stuarda Maria Lamont Edmonton Opera Set Carmen Maria Lamont Edmonton Opera Set & Costume Sleeping Beauty Bengt Jorgen Ballet Jorgen Canada 2015 Set Pelléas et Mélisande Joel Ivany Against the Grain 2014 Costume Design Macbeth Joel Ivany Minnesota Opera Set & Costume Marilyn Forever Joel Ivany Aventa Ensemble 2013 Set & Costume Tales of Hoffman Joel Ivany Edmonton Opera Set & Costume Songs of Love and War Tim Albery U of T Opera Division 2012 Set Turn of the Screw Joel Ivany Against the Grain Theatre Set & Costume Maria Stuarda Maria Lamont Pacific Opera Victoria Set & Costume The Lighthouse Tim Albery Boston Lyric Opera Set La Bohème Joel Ivany Against the Grain Theatre