Winter 2021 Cbc's Baroness Von Sketch Show Star Aurora Browne
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Prix Écrans Canadiens : Lauréats Du Gala CTV Honorant Des Productions En Fiction Par Ordre De Présentation Des Catégories
Prix Écrans canadiens : Lauréats du gala CTV honorant des productions en fiction par ordre de présentation des catégories Best Supporting Actor, Drama Anne with an E CBC (CBC) (Northwood Entertainment) R.H. Thomson Best Supporting Actress, Drama Anne with an E CBC (CBC) (Northwood Entertainment) Geraldine James Best Guest Performance, Drama Series Mary Kills People - The Means Global (Corus Entertainment) (Cameron Pictures) Karen Robinson Best Pre-School Program or Series Sponsor | WOW! Unlimited Media Dino Dana TVOKids (TVO) (Sinking Ship Entertainment) J.J. Johnson, Blair Powers, Christin Simms, Matthew J.R. Bishop, Eric Beldowski Best Animated Program or Series Sponsor | WOW! Unlimited Media PAW Patrol TVOKids (TVO) (Spin Master Paw Productions 5 Inc.) Jennifer Dodge, Laura Clunie, Ronnen Harary, Keith Chapman, Scott Kraft, Ursula Ziegler- Sullivan, Toni Stevens, Jonah Stroh, Jason McKenzie, Christina Sang - St. Catherine, David Sharples, Damian Temporale Best Children's or Youth Fiction Program or Series Sponsor | WOW! Unlimited Media Odd Squad TVOKids (TVO) (Sinking Ship Entertainment) J.J. Johnson, Tim McKeon, Blair Powers, Paul Siefken, Matthew J.R. Bishop, Adam Peltzman, Mark De Angelis, Stephen J. Turnbull Best Performance, Children's or Youth Sponsor | WOW! Unlimited Media Odd Squad TVOKids (TVO) (Sinking Ship Entertainment) Anna Cathcart Best Performance, Animation Sponsor | WOW! Unlimited Media The Cat in the Hat Knows A Lot About That! Treehouse TV (Corus Entertainment) (Portfolio Entertainment Inc.) Martin Short Best Photography, -
Canadian Canada $7 Spring 2020 Vol.22, No.2 Screenwriter Film | Television | Radio | Digital Media
CANADIAN CANADA $7 SPRING 2020 VOL.22, NO.2 SCREENWRITER FILM | TELEVISION | RADIO | DIGITAL MEDIA The Law & Order Issue The Detectives: True Crime Canadian-Style Peter Mitchell on Murdoch’s 200th ep Floyd Kane Delves into class, race & gender in legal PM40011669 drama Diggstown Help Producers Find and Hire You Update your Member Directory profile. It’s easy. Login at www.wgc.ca to get started. Questions? Contact Terry Mark ([email protected]) Member Directory Ad.indd 1 3/6/19 11:25 AM CANADIAN SCREENWRITER The journal of the Writers Guild of Canada Vol. 22 No. 2 Spring 2020 Contents ISSN 1481-6253 Publication Mail Agreement Number 400-11669 Cover Publisher Maureen Parker Diggstown Raises Kane To New Heights 6 Editor Tom Villemaire [email protected] Creator and showrunner Floyd Kane tackles the intersection of class, race, gender and the Canadian legal system as the Director of Communications groundbreaking CBC drama heads into its second season Lana Castleman By Li Robbins Editorial Advisory Board Michael Amo Michael MacLennan Features Susin Nielsen The Detectives: True Crime Canadian-Style 12 Simon Racioppa Rachel Langer With a solid background investigating and writing about true President Dennis Heaton (Pacific) crime, showrunner Petro Duszara and his team tell us why this Councillors series is resonating with viewers and lawmakers alike. Michael Amo (Atlantic) By Matthew Hays Marsha Greene (Central) Alex Levine (Central) Anne-Marie Perrotta (Quebec) Murdoch Mysteries’ Major Milestone 16 Lienne Sawatsky (Central) Andrew Wreggitt (Western) Showrunner Peter Mitchell reflects on the successful marriage Design Studio Ours of writing and crew that has made Murdoch Mysteries an international hit, fuelling 200+ eps. -
6Th on Screen Report
WOMEN IN VIEW On Screen Report June 2021 On Screen 2021 About Women in View Written by: Jill Golick & Nathalie Younglai Women in View is a national not-for-profit organization dedicated to gender parity and inclusion in Data Analysis: Jill Golick Canadian media both on screen and behind the scenes. Project Manager: Amber-Sekowan Daniels Research Lead: Katie McMillain Women in View Board of Directors Research Coordinator: Bita Joudaki Tracey Deer Research on the representation of BIPOC women was overseen by Nathalie Younglai, founder of Black, Aisha Jamal Indigenous and People of Colour in TV and Film (BIPOC TV & Film). Jan Miller Additional Research: Muna Deria, Umang Antariksh Sagar Lizzy Karp Design: Innovate By Day General Manager: Amber-Sekowan Daniels, [email protected] Special Thanks: Adeline Bird, Joan Jenkinson, Sharon McGowan, Women in the Director’s Chair, [email protected] Women in Film and Television Canada. www.womeninview.ca The authors acknowledge the financial support of Ontario Creates, the Government of Canada, Canadian Broadcasting Corporation, Directors Guild of Canada, Inspirit Foundation, and the Canadian Media Producers Association, BC Producers Branch. About BIPOC TV & FILM BIPOC TV & Film is a not-for-profit organization and collective of Black, Indigenous and People of Colour in Canada’s TV and film industry. From writers, directors, producers and actors to editors, crew members and executives, our members are a mix of emerging, mid-level and established industry professionals. BIPOC TV & Film is dedicated to increasing the representation of BIPOC both in front and behind the camera. BIPOC TV & Film was founded in 2012 as Indigenous & Creatives of Colour in TV & Film by Writer/ Director Nathalie Younglai, who saw a need to form a community for others like her, who were also feeling isolated by the overall lack of representation of BIPOC in the industry. -
The Last Comedy
v*? - at \ The Banff Centre for Continuing Education T h e B a n f f C e n t r e As The Banff Centre embarks on its seventh decade, it carries with it a new image as an internationally renowned centre of creativity. presents The Centre continues to stress the imagina tion's role in a vibrant and prosperous soci ety. It champions artists, business leaders and their gift of creativity. It brings profes The Last sionals face to face with new ideas, catalyses achievement, experiments with disciplinary boundaries. It takes Canadians and others to the cutting edge - and beyond. Comedy The Banff Centre operates under the authority of The Banff Centre Act, Revised by Michael Mackenzie Statutes of Alberta. For more information call: Arts Programs 762-6180 Gallery Information 762-6281 Management Programs 762-6129 Directed by - Jean Asselin Conference Services 762-6204 Set and Costume Design by - Patrick Clark Lighting Design by - Harry Frehner Set and Costume Design Assistant - Julie Fox* Lighting Design Assistant - Susann Hudson* Arts Focus Stage Manager - Winston Morgan+ Our Centre is a place for artists. The Assistant Stage Manager - Jeanne LeSage*+ Banff Centre is dedicated to lifelong Production Assistant - David Fuller * learning and professional career develop ment for artists in all their diversity. * A resident in training in the Theatre Production, We are committed to being a place that Design and Stage Management programs. really works as a catalyst for creative +Appearing through the courtesy of the Canadian activity — a place where artistic practices Actors' Equity Association are broadened and invigorated. There will be one fifteen minute intermission Interaction with a live audience is an important part of many artists’ profession al development. -
'Like an American, but Without a Gun'?: Canadian National Identity
. Volume 17, Issue 2 November 2020 ‘Like an American, but without a gun’?: Canadian national identity and the Kids in the Hall Melissa Beattie, Independent Scholar, USA Abstract: Media representation of national identity can be complex and utilise many potential mechanisms for conveying said identity onto both diegeses and series. This paper analyses the mechanisms by which the corpus of texts produced by comedy troupe the Kids in the Hall (KITH) represents and constructs a Canadian national identity for domestic and foreign audiences. Utilising both textual analysis and audience research, this paper examines the banal diegetic nationalism (Beattie 2017a, b) of the corpus as well as how the Canadianness of the series is perceived. Keywords: Canadian national identity and media, Discursive national identity, Fan studies, Representation, Audiences Introduction and literature review Media representation of national identity can be complex and utilise many potential mechanisms for conveying said identity onto both diegeses and series. This paper analyses the mechanisms by which the corpus of texts produced by comedy troupe the Kids in the Hall (KITH) represents and constructs a Canadian national identity for domestic and foreign audiences. Utilising both textual analysis and audience research, this paper examines the banal diegetic nationalism (Beattie 2017a, b) of the corpus as well as how the Canadianness of the corpus is perceived. This is relevant when viewed in context of Edwardson’s (2008) work on the development of Canadian national identity through its cultural industries. Though his book looks at all of the cultural industries, Edwardson’s negative view of globalisation with regard Page 3 Volume 17, Issue 2 November 2020 to television in particular views the push for transnational television success as leading to the diminishing of Canadian-focused content in favour of what would appeal to a predominantly-American audience. -
Creative Arts & Performance
Voici la liste des lauréat.e.s du mercredi 19 mai 2021 des prix Écrans canadiens pour les catégories arts créatifs et prestations CTV PRESENTS THE CANADIAN SCREEN AWARDS - CREATIVE ARTS & PERFORMANCE Best Supporting Actor, Comedy Kim’s Convenience CBC (CBC) (Thunderbird Entertainment) Andrew Phung Best Supporting Actress, Comedy Schitt's Creek CBC (CBC) (Not A Real Company Productions, Inc.) Emily Hampshire Best Guest Performance, Comedy Kim's Convenience - Thinkin' About Inkin' CBC (CBC) (Thunderbird Entertainment) Amanda Brugel Best Performance, Sketch Comedy (Individual or Ensemble) Baroness von Sketch Show CBC (CBC) (Frantic Films) Carolyn Taylor, Meredith MacNeill, Aurora Browne, Jennifer Whalen Best Direction, Variety or Sketch Comedy Baroness von Sketch Show - Whatever you do, don't smell his T-shirts CBC (CBC) (Frantic Films) Vivieno Caldinelli, Joyce Wong Best Direction, Comedy Sponsor | Cinespace Film Studios Schitt's Creek - Happy Ending CBC (CBC) (Not A Real Company Productions, Inc.) Andrew Cividino, Daniel Levy Academy Board of Directors' Tribute Michael Donovan Best Achievement in Casting Schitt's Creek CBC (CBC) (Not A Real Company Productions, Inc.) Lisa Parasyn, Jon Comerford Best Stunt Coordination Blood Quantum Jean Frenette, Jean-François Lachapelle Best Sound, Fiction Sponsor | Company 3 Vikings - The Best Laid Plans History (Corus Entertainment) (Take 5 Productions Inc.) Jane Tattersall, Martin Lee, Ian Rankin, David McCallum, Claire Dobson, Dale Sheldrake, Steve Medeiros, Yuri Gorbachow, Sandra Fox, Kevin Schultz, -
Comedy: Stand-Up, Gay Male by Tina Gianoulis Actor and Comic Jason Stuart
Comedy: Stand-Up, Gay Male by Tina Gianoulis Actor and comic Jason Stuart. Encyclopedia Copyright © 2015, glbtq, Inc. Courtesy JasonStuart. Entry Copyright © 2002, glbtq, Inc. com. Reprinted from http://www.glbtq.com Stand-up comedy is a form of entertainment where one performer stands in front of an audience and tries to make common cause with that audience by pointing out the ridiculous and humorous in the universal problems of everyday life. Stand-up comics balance on a fine edge between the funny and the offensive. They can be social critics, prodding audiences to look at the unfairness and inequality in life and to rise above them with a laugh. They can also be part of that unfairness by using humor to make fun of women, gays, and ethnic groups, allowing some members of their audiences to feel superior to those who are the butts of the joke. The dilemma is well expressed by Henry Machtey on the Gay Comedy Links website: "Stand-up comedy. Cracking jokes. Are you going to aim those jokes at people who are less powerful? or people who are more powerful?" Too often, gay men have been the objects of hostile humor. Queer jokes, like female jokes and ethnic jokes, have long been a staple of straight stand-up comics looking for an easy laugh from audiences eager to assert their own heterosexuality in a world where it is often dangerous to be gay. At the same time, however, perhaps long before the all-male Greek theater of the fourth century B.C.E., audiences have also had a fascination with gender-bending. -
Tthhheee Tttaaattttttooooo
A9 | Monday, April 11, 2005 The Bristol Press TTHHEE TTAATTTTOOOO BRISTOL PRESS MAKING A PERMANENT IMPRESSION SINCE 1994 VOLUME 11 No. 11 ‘Hollow Men’ fill Iraq War protesters feel lucky By STEVEN DUREL University senior involved with the world, many calling for a and food from various organi- The Tattoo the Progressive Student timetable for the removal of zations. The Tent People even a TV humor void Alliance. American troops from Iraq, a entertained local religious lead- Amidst the ocean of green Marching in front of the nation which now possesses its ers who stopped by to let the By STEFAN KOSKI hats and balloons of St. Capitol at noon, the demon- own multi-ethnic government protesters know that their The Tattoo Patrick’s Day in Hartford last strators chanted and carried and military. Many Coalition efforts were much appreciated. month, there were also banners signs condemning the invasion. countries, most notably Spain, Despite the overall sense of Ever since “Saturday Night Live” premiered on NBC in 1975, a and cries of discontent. Rallying together an hour have removed their forces from solidarity among the anniver- host of other sketch comedy shows have been launched with Gathering around the state later, the protesters denounced Iraq and others, like Italy and sary demonstrations, the pro- mixed success. The most notable of these include Fox’s “Mad TV” Capitol, dozens of dissatisfied the war, making reference to the Ukraine, have recently testers themselves seemed less and Canada’s “The Kids in the Hall.” protesters marked the second the more than 100,000 lives lost made requests to leave the area than optimistic about how the Comedy Central has introduced many of these sketch comedy anniversary of the invasion of in the past two years. -
Canadian Canada $7 Fall 2016 Vol.19, No.1 Screenwriter Film | Television | Radio | Digital Media
CANADIAN CANADA $7 FALL 2016 VOL.19, NO.1 SCREENWRITER FILM | TELEVISION | RADIO | DIGITAL MEDIA We Celebrate Our Epic Screenwriting Success Stories It’s Time To Work On Your Pitch Baroness Von Sketch Show: Creating A World In Two Minutes Animated Conversation: Ken Cuperus Opens Up About His Live Action-Cartoon Crossover PM40011669 ★ ★ SCREENWRITERS STAY TUNED FOR IMPORTANT DEADLINES THE 21ST ANNUAL WGC SCREENWRITING AWARDS APRIL 24, 2017 | KOERNER HALL, TORONTO 2017 SPECIAL AWARDS: THE WGC SHOWRUNNER AWARD for excellence in showrunning THE JIM BURT SCREENWRITING PRIZE for longform screenwriting talent THE SONDRA KELLY AWARD for female screenwriters CALL FOR ENTRIES COMING SOON TO WWW.WGC.CA CANADIAN SCREENWRITER The journal of the Writers Guild of Canada Vol. 19 No. 1 Fall 2016 ISSN 1481-6253 Publication Mail Agreement Number 400-11669 Contents Publisher Maureen Parker Editor Tom Villemaire Features [email protected] Having An Animated Conversation 6 Director of Communications Li Robbins We talk to Ken Cuperus about how he and his writing team create a hybrid animation and live-action comedy. Editorial Advisory Board By Mark Dillon Denis McGrath (Chair) Michael MacLennan Susin Nielsen Simon Racioppa Changing The Rules 12 President Jill Golick (Central) While bureaucrats tinker with the points system in an effort Councillors to make Canadian television more successful, we offer our Michael Amo (Atlantic) epic track record, proving the system works. Mark Ellis (Central) By Matthew Hays Dennis Heaton (Pacific) Denis McGrath (Central) Warming Up For The Pitch 16 Anne-Marie Perrotta (Quebec) Pitching is often a bigger challenge to writers than, Andrew Wreggitt (Western) well, writing. -
Running Head: POPULAR PEDAGOGY in CANADIAN TELEVISION
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Brock University Digital Repository Running head: POPULAR PEDAGOGY IN CANADIAN TELEVISION Popular Pedagogy in Canadian Television: A Feminist Critical Discourse Analysis of Trailer Park Boys Andrew Haddow, B.A. (Hons.) Department of Graduate Studies in Education Submitted in partial fulfillment of the requirements for the degree of Master of Education Faculty of Education, Brock University St. Catharines, Ontario © Andrew Haddow, 2017 POPULAR PEDAGOGY IN CANADIAN TELEVISION Abstract This major research paper studied the representations of masculinity in the Canadian television program Trailer Park Boys from the perspective of public pedagogy and education. Motivated by a desire to expose how patriarchal discourses are learned through everyday practices and texts, a methodology of feminist Critical Discourse Analysis (CDA) was formulated. Trailer Park Boys is a long-running mockumentary series set in a fictional trailer park near Halifax, Nova Scotia. It focuses on a cast of male characters with exaggerated personalities, and is satirical in tone. Prior to the main analysis of this paper, a collection of relevant literature was conducted and an opportunity to address a lack of gender-focused studies of Canadian television, including Trailer Park Boys, was noted. This study used the feminist CDA method to analyze what masculinities were reinforced as normal or abnormal in Seasons 3 and 9 of the program, based on the understanding that popular culture is a site of everyday learning. After the data was collected episode-by-episode, it became apparent that the themes of family, authority, and sexuality were helpful in understanding what relationship Trailer Park Boys had with traditional representations of heteronormative masculinity. -
Download the 2010 Press
April 6-11, 2010 2010 a comedy odyssey PRODUCED BY FESTIVAL SPONSOR THE 2010 WINNIPEG COMEDY FESTIVAL - AN ODYSSEY NINE YEARS IN THE MAKING. February 22, 2010 (Winnipeg) – It’s nearly that time of year again, when dozens of comics from across the nation hold the city hostage with big laughs and side-splitting mirth. Running April 6-11, 2010, it’s our biggest festival yet, featuring 70 comics and 29 shows in six short nights. What makes this festival so big? Let’s start at the beginning. Tuesday, April 6th we launch the festival with a bang by hosting the Trevor Boris DVD Release/Homecoming 2010 show. When Winnipeg’s favourite farmboy-turned-Much Music-host Trevor Boris announced his intentions to return home to launch his new DVD with Warner Brothers, we decided to join forces and create a show celebrating Trevor and other fine Manitoba ex-pats Irwin Barker and Bruce Clark, as well as current Winnipeggers Al Rae and Chantel Marostica. Wednesday marks our eighth year of the fantastic Opening Night show with the Manitoba Lotteries, hosted this year by none other than the prodigal son, Trevor Boris! The show has swollen from the traditional four to six talented performers; Greg Morton, Derek Edwards, Arthur Simeon, Scott Faulconbridge and Karen O’Keefe. Next comes four nights of galas, including five recorded-for-broadcast CBC galas. We kick off on Thursday with the Edumacation Show, hosted by Gerry Dee and featuring half a dozen cerebral comics including David Hemstad and Jon Dore. Friday night we’ve got two fantastic galas. -
CANADIAN the Beaverton Its National Is Ready for Spotlight from Stage Fast-Track to Screen Tallboyz Head Writer at Writerat Head
CANADIAN CANADA $7 FALL 2019 VOL.22, NO.1 SCREENWRITER FILM | TELEVISION | RADIO | DIGITAL MEDIA The Beaverton Tallboyz Brander is ready for fast-track graduates to its national from stage head writer at spotlight to screen 22 Minutes The Comedy Issue Meet the minds behind the funniest shows in Canadian TV PM40011669 CANADIAN SCREENWRITER The journal of the Writers Guild of Canada SPECIAL AWARDS Vol. 22 No. 1 Fall 2019 Contents ISSN 1481-6253 Publication Mail Agreement Number 400-11669 Cover DESERVE SPECIAL Publisher Maureen Parker From Pratfalls to Flatfalls 6 Editor Tom Villemaire [email protected] For our special comedy issue, we talk to 11 of the hottest writers of Canadian comedy about the scenes that made them laugh and Director of Communications the ones that got away. Their responses are, well, funny. Lana Castleman CANDIDATES! By Diane Wild Editorial Advisory Board Michael Amo Michael MacLennan Features Susin Nielsen Simon Racioppa Fake News. Real Laughs. 14 Rachel Langer NOMINATIONS OPEN JAN. 6, 2020 FOR: With so many voices clamouring to be heard, The Beaverton President Dennis Heaton (Pacific) has managed to capture an audience with its sharp and incisive Councillors brand of news parody as it moves to national broadcast on CTV. Michael Amo (Atlantic) Mark Ellis (Central) By Matthew Hays Marsha Greene (Central) Alex Levine (Central) Anne-Marie Perrotta (Quebec) Tallboyz Fast-Track to TV 18 ALEX BARRIS MENTORSHIP AWARD Andrew Wreggitt (Western) With Bruce McCulloch of Kids in the Hall fame on-board as Design Studio Ours showrunner, Tallboyz Guled Abdi, Vance Banzo, Tim Blair, Cover Photo: Dan Bannister and Franco Nguyen discuss their quick transition from writing Printing Vibrant Graphics for the stage to writing for the small screen.