"Sesfp^^Rkoklmrsllast •" Doors 1:45—W’Ash Premiere

Total Page:16

File Type:pdf, Size:1020Kb

12:45. 2:30. 4:15. 6. 7:50 and 9:40 p.m. — Even Where and When Metropolitan "The Corn Is Sonja Practices Green": 11:10 a.m., 1:15, 3:20, 5:20. HOLLYWOOD. Current Theater Attractions 7:25 and 9:30 p.m. Superlative skill is acquired only effort. One Palace—“Blood on the Sun": 11 through great Sonja Henie Cliche Irks and Time of three whole Hollywood Showing a.m., 1:10, 3:15, 5:25, 7:30 and 9:40 spent seasons nracticing the common toe whirl on skates Stage. p.m. before she attempted it in public. A — Capital Medicine Man National “Life With Father”: Pix—“Escape From Yesterday”: 8:30 2, 4:40, 7:20 and 10:10 AMUSEMENTS. By JAY CARMODY. p.m. p.m. An Trans-Lux—News and obstetrician friend of ours—we have all kinds of friends—is no Screen. shorts, con- admirer of tinuous from 10 Hollywood's vaunted research departments. He won’t be Capitol—‘‘Murder, He Says": 11 until the movies rid of a.jn. get one of their most overworked and inaccurate a.m., 1:45, 4:35, 7:20 and 10:05 p.m. cliches. And he is not sure he will be even then. Stage shows: 1, 3:45, 6:35 and 9:20 The cliche in is question the one in which a doctor rushes into a p.m. AMUSEMENTS. | scene, drops his off his bag. slips overcoat and says: Columbia—“Where Do We Go hoi water, please. And plent.v * From Here?”: 11 a.m., 12:35, 2:25, 'Shoothi, v Dm vm u crmo •§ of it.” MW Yoait TIMH • ■ open tomorrow morning at the 4:15, 6:05, 8 and 9:50 p.m. Our O. B man. as the trade phrase Fifteehth street house. Geraldine Earle—“G. I. Joe": 10:50 a.m., has it, is at a complete loss to under- Fitzgerald. George Sanders and Ella 1:25, 4:15, 6:50 and 9:35 p.m. Stage stand. Raines have the leading roles. The “It is shows: 12:45, 3:30, 6:20 and 8:55 p.m. an invariably piece of busi- play served as a vehicle for two Hippodrome—“The Silver ness and dialogue in scenes having years for Joseph Schildkraut and Fleet”: to do with the delivery of infants, Eva Le Gallienne. 2:15, 3:45, 5:10, 6:40, 8:10 and 9:40 he says, “but I’ve p.m. delivered more Miss Harrison's interest in mys- than 1.000 babies and I've never used tery tales was born of her long Keith’s—“Back to Bataan”: 11:40 hot water yet. I don’t know of any association with Mr. Hitchcock, the a.m., 1:40, 3:40, 5:40, 7:40 and 9:40 of who do my colleagues either.” master of whose work she gave a p.m. Lukewarm he water, could under- fine imitation in her first picture, Little—“On Approver’: 11 a.m., stand. he says. But not the steam- "Phantom Lady.” ~ kind on the ing they prepare kitchen * * * * AMUSEMENTS. range when the obstetrician shows ■ Waifs and The r.... up in a movie. The lukewarm strays: Lunts, now back in this after two water is used in real life by doctors country years in England and on the who want it to wash their hands. Continent, will revert to their first Actually, it seems to us that Holly- love, reper- f tory, after their run wood's practice of medicine is more completing in; 'Oh Mistress Mine.” The advanced on the hot-water score latter! which will be bv the The- than is the craftsmanship of its produced ater Guild and John C. Wilson was AT EASE—Deanna Durbin relaxes with on writers. So far as we recall the Ralph Bellamy the a great hit in London. set on a Train cliche, which is pretty far, the hot! "Junior of “Lady I.esle Charteris mystery tale filmed by i Miss,” the Capitol's next attraction, water never is used for anything. Universal. It offers her an entirely new type of role, that of But the imperativeness with which was screened for critics today. .1 amateur sleuth the cinema Vivienne Segal takes a whirl at i obstetrician asks for it1 straight drama in "Forever b indicates that the only hope for sav- Is Now." Indian Family" in the production AMUSEMENTS. “SOPHISTICATED BEE LILLIE a new-born It was written another ac- _ U vl *0n V£ ing infant is to dun* it by \ starting Thursday. ... He is Robert '* * ft* Star Adele *P AT HER BEST” )“> Carmody. instantly in water of such a tem- tress, Longmire. She was Hunt who also has worked in Hol- • M0W 'L*Y,NG F*E0CBWt ©ROOVC last seen here B**1 1 BVllilfci ct perature. in "A Connecticut j lywood The play, starring Aline NATIONAL Em 8.3# Mali. *:3# bV^ Vankee.” “BROAD SATIRE ... YOU’LL HAVE A Hollywood would please our man F. Cowles Strickland,! McMahon, will go to Broadway if of America's Greatest Laugh Hit! TODAY'S NEIGHBORHOOD MOVIES very much by dropping the cliche, formerly the Washington Civic everything works out according to SWELL TIME.” Betty Hynes, Ttm^Her I or at least the Theater, now at Leland Stanford schedule. Bill y»T»7TT»] Buy War Bonds and Stamps at Any Local Theater. modifying dialogue ! Johnson, Metro “ to let the doctor say. “Cold W'ater University, will use a Washington player, will headline the Capitol's ANYONE WHO DOESN’T LOVE MISS LILLIE please.” He could drink that while aoy in the cast of Pearl Buck's show CAROLINA nth& n. cav.s e. ; All Time Schedule* Given In Warner "My stage starting Thursday. ISN’T FIT TO LIVE.” Tom Donnellv, tHnuuina Bros.' Ads Indicate LIFE WITH \eus Con, from 5;45 p,m. Time Feature J» sterlizing his instruments in alcohol, Presented. if Healthfullv Air Conditioned. they are not already sterilized, “A SURE-FIRE HIT. MAJOR AND THE MINOR GINGER DELIGHTFULLY ROGERS. RAY MILLAND Plus MR Theater*^Having Matinee*_ * * * * AMUSING, Deal Proves DISARMINGLY ‘RISQUE’/’-\^o,, b bm, r,>,t MUGGS RIDES AGAIN. LEO GORCEY Palm for the summer's most suc- Draper Costly _ AMBASSADOR Md. of Bv HAROLD HEFFERNAN. Copitol Heights, I cinct piece movie criticism goes to G. I Joe": Robert Mitcham, as CAPITOL Matinee P.M. FATHER"‘•h Healthfully Air Conditioned. of the James HOLLYWOOD. Secretary Navy For- Capt. Walker, hands Burgess Mere- YVONNE DE CARLO in "SALOME, WHERE ERNIE PYLE S STORY OF GI JOE ** Behind Carl Benton Reid restal for his review of "The Fleet movie headlines: Yanking dith, as Ernie Pyle, a bottle of lik- & Betty Linley SHE DANCED (in Technicolor'. At 1. 2:05, 5:15, 7:20. 9:35. Cartoon. Paul *»•*■ ll ’l. % | Mn. »2 4ft 13 Ml l»j That Came to Of it. he said: Draper, famed dancer, from ker. takes a Stay.” Burgess long swig and Mat«. »i.2o, si.fie a S2.«e i»ri is nne of 2105 Po- Ave* N W- RE 0184 “This the finest the the top spots in "Blue Skies" j his PIRPIOUlUAib F i picture nearly strangles. Finally getting •- Sterilized A,r BEVERLY ,, has will cost Paramount a Conditioning. Navy produced. Every Amer- hundred breath, he asks, “What’s that—the Last Day— ‘WITHOUT LOVE" with SPEN-I Healthfully Air Conditioned. ican should see it.” or Comins Today housand, maybe twice that secret weapon?" Bob agrees and THURSDAY CER TRACY. KATHERINE HEPBURN. and Tomorrow. PETER LAW- Open ft. Feature at ft:*J5 7 9::ift. FORD. DONALD CRISP. SON OF He was absolutelv as much smount. adds: “We i />U L. right, give a Purple Heart after LASSIE.” 1:111, 3:1S. 5:20. 7:35. i>: 25. as we liked "The No reason for the Fighting Lady.” sudden shift, every third drink." rnumrcc 2931 Nichols Ave. s e. ifter the tURUIlLOJ rai WPRT 2324 Wi,. Ave. N.W. * * * * picture was three weeks * * * * TR 8700. Air Conditioned. (.Hi.vx.ni wo 2345 Ma) , P M_ before the YVONNE DE CARLO in "SALOME. WHERE cameras, is offered. It Healthfully Air Liberty Films, the Hollywood pro- Frankie Carle, SHE DANCED" <in Technicolor!. At 6:55. Conditioned. s known, however, that in- popular piano- Today and Tomorrow. ducing setttp with so Draper band K.05, 9 1ft. DONALD many glamor- playing leader, tells a strange Let 2 ° CRISP. PETER LAWFORD in "SON sisted on designing his own cos- Ooys ous directorial names which is being story on the set of “Riverooat “To” Tm" OF LASSIE At I. 3:10. 5:70. 7:30, ] umes when some of the Rhy- VeachoW 0 Melody Carioon. watched by one in the most) thm," in which is 'll 45._Merry every indus-!, .alented he being featured available were Dumbarton;,’-,-—,4- OSOO. will Frank designers at RKO. and 425 9th St. N.W. try. give Capra his fa- | Seems Frankie gave away Today Tomorrow Only—Two Hits. WtnrrtlTRM brought out to dress all other mem- LOUISE ALLBRITTON JON HALL. "SAN 1 me. 2841. vorite character to work a number seven GifcDMs Opens 10:45. with in song years ago to a |bers of the company. In one num- HOW DIAGO I LOVE YOU Plus PAUL KEL- Healthfully Air Conditioned. his first since friend for a is Wonderful m Warner OH, YOU'LL LY. VIRGINIA GREY in GRISSLY picture leaving the ber alone 15 working music company. Bros. S MIL- Last Day ROSALIND RUSSELL. girls, surrounding Dra- LIONS public JACK CARSON Army.
Recommended publications
  • August 26, 2014 (Series 29: 1) D.W
    August 26, 2014 (Series 29: 1) D.W. Griffith, BROKEN BLOSSOMS, OR THE YELLOW MAN AND THE GIRL (1919, 90 minutes) Directed, written and produced by D.W. Griffith Based on a story by Thomas Burke Cinematography by G.W. Bitzer Film Editing by James Smith Lillian Gish ... Lucy - The Girl Richard Barthelmess ... The Yellow Man Donald Crisp ... Battling Burrows D.W. Griffith (director) (b. David Llewelyn Wark Griffith, January 22, 1875 in LaGrange, Kentucky—d. July 23, 1948 (age 73) in Hollywood, Los Angeles, California) won an Honorary Academy Award in 1936. He has 520 director credits, the first of which was a short, The Adventures of Dollie, in 1908, and the last of which was The Struggle in 1931. Some of his other films are 1930 Abraham Lincoln, 1929 Lady of the Pavements, 1928 The Battle of the Sexes, 1928 Drums of Love, 1926 The Sorrows of Satan, 1925 That Royle Girl, 1925 Sally of the Sawdust, 1924 Darkened Vales (Short), 1911 The Squaw's Love (Short), 1911 Isn't Life Wonderful, 1924 America, 1923 The White Rose, 1921 Bobby, the Coward (Short), 1911 The Primal Call (Short), 1911 Orphans of the Storm, 1920 Way Down East, 1920 The Love Enoch Arden: Part II (Short), and 1911 Enoch Arden: Part I Flower, 1920 The Idol Dancer, 1919 The Greatest Question, (Short). 1919 Scarlet Days, 1919 The Mother and the Law, 1919 The Fall In 1908, his first year as a director, he did 49 films, of Babylon, 1919 Broken Blossoms or The Yellow Man and the some of which were 1908 The Feud and the Turkey (Short), 1908 Girl, 1918 The Greatest Thing in Life, 1918 Hearts of the World, A Woman's Way (Short), 1908 The Ingrate (Short), 1908 The 1916 Intolerance: Love's Struggle Throughout the Ages, 1915 Taming of the Shrew (Short), 1908 The Call of the Wild (Short), The Birth of a Nation, 1914 The Escape, 1914 Home, Sweet 1908 Romance of a Jewess (Short), 1908 The Planter's Wife Home, 1914 The Massacre (Short), 1913 The Mistake (Short), (Short), 1908 The Vaquero's Vow (Short), 1908 Ingomar, the and 1912 Grannie.
    [Show full text]
  • The Films of Raoul Walsh, Part 1
    Contents Screen Valentines: Great Movie Romances Screen Valentines: Great Movie Romances .......... 2 February 7–March 20 Vivien Leigh 100th ......................................... 4 30th Anniversary! 60th Anniversary! Burt Lancaster, Part 1 ...................................... 5 In time for Valentine's Day, and continuing into March, 70mm Print! JOURNEY TO ITALY [Viaggio In Italia] Play Ball! Hollywood and the AFI Silver offers a selection of great movie romances from STARMAN Fri, Feb 21, 7:15; Sat, Feb 22, 1:00; Wed, Feb 26, 9:15 across the decades, from 1930s screwball comedy to Fri, Mar 7, 9:45; Wed, Mar 12, 9:15 British couple Ingrid Bergman and George Sanders see their American Pastime ........................................... 8 the quirky rom-coms of today. This year’s lineup is bigger Jeff Bridges earned a Best Actor Oscar nomination for his portrayal of an Courtesy of RKO Pictures strained marriage come undone on a trip to Naples to dispose Action! The Films of Raoul Walsh, Part 1 .......... 10 than ever, including a trio of screwball comedies from alien from outer space who adopts the human form of Karen Allen’s recently of Sanders’ deceased uncle’s estate. But after threatening each Courtesy of Hollywood Pictures the magical movie year of 1939, celebrating their 75th Raoul Peck Retrospective ............................... 12 deceased husband in this beguiling, romantic sci-fi from genre innovator John other with divorce and separating for most of the trip, the two anniversaries this year. Carpenter. His starship shot down by U.S. air defenses over Wisconsin, are surprised to find their union rekindled and their spirits moved Festival of New Spanish Cinema ....................
    [Show full text]
  • 31 Days of Oscar® 2010 Schedule
    31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy
    [Show full text]
  • 2011 Schedule
    2011 SCHEDULE MONDAY, AUGUST 1 • MARLON BRANDO 6:00 AM The Fugitive Kind (’60) 8:15 AM Julius Caesar (’53) 10:30 AM The Chase (’66) 1:00 PM Reflections in a Golden Eye (’67) 3:00 PM The Teahouse of the August Moon (’56) 5:15 PM Guys and Dolls (’55) 8:00 PM The Wild One (’53) 9:30 PM A Streetcar Named Desire (’51) 12:00 AM On the Waterfront (’54) 2:00 AM The Freshman (’90) 4:00 AM The Formula (’80) TUESDAY, AUGUST 2 • PAULETTE GODDARD 6:00 AM Vice Squad (’53) 7:30 AM Dramatic School (’38) 9:00 AM Paris Model (’53) 10:30 AM Nothing But the Truth (’41) 12:15 PM The Crystal Ball (’43) 1:45 PM On Our Merry Way (’48) 3:30 PM Charge of the Lancers (’53) 4:45 PM Second Chorus (’40) 6:30 PM Modern Times (’36) 8:00 PM The Great Dictator (’40) 10:15 PM Reap The Wild Wind (’42) 12:30 AM An Ideal Husband (’47) 2:15 AM The Women (’39) 4:30 AM Pot O’ Gold (’41) WEDNESDAY, AUGUST 3 • BETTE davis 6:00 AM The Working Man (’33) 7:30 AM Stardust: The Bette Davis Story (’05) 9:00 AM Now, Voyager (’42) 11:00 AM Bordertown (’35) 12:45 PM 20,000 Years in Sing Sing (’32) 2:15 PM Juarez (’39) 4:30 PM The Letter (’40) 6:30 PM The Petrified Forest (’36) 8:00 PM The Old Maid (’39) 10:00 PM Jezebel (’38) 12:00 AM The Corn is Green (’45) 2:00 AM The Catered Affair (“56) 3:45 AM John Paul Jones (’59) 10:15 PM Bullitt (’68) 12:15 AM Junior Bonner (’72) 2:00 AM The Reivers (’69) 4:00 AM The Cincinnati Kid (’65) THURSDAY, AUGUST 4 • RONALD COLMAN 6:00 AM Lucky Partners (’40) 7:45 AM My Life with Caroline (’41) 9:15 AM The White Sister (’23) 11:30 AM Kiki (’26) 1:30 PM Raffles
    [Show full text]
  • In 1925, Eight Actors Were Dedicated to a Dream. Expatriated from Their Broadway Haunts by Constant Film Commitments, They Wante
    In 1925, eight actors were dedicated to a dream. Expatriated from their Broadway haunts by constant film commitments, they wanted to form a club here in Hollywood; a private place of rendezvous, where they could fraternize at any time. Their first organizational powwow was held at the home of Robert Edeson on April 19th. ”This shall be a theatrical club of love, loy- alty, and laughter!” finalized Edeson. Then, proposing a toast, he declared, “To the Masquers! We Laugh to Win!” Table of Contents Masquers Creed and Oath Our Mission Statement Fast Facts About Our History and Culture Our Presidents Throughout History The Masquers “Who’s Who” 1925: The Year Of Our Birth Contact Details T he Masquers Creed T he Masquers Oath I swear by Thespis; by WELCOME! THRICE WELCOME, ALL- Dionysus and the triumph of life over death; Behind these curtains, tightly drawn, By Aeschylus and the Trilogy of the Drama; Are Brother Masquers, tried and true, By the poetic power of Sophocles; by the romance of Who have labored diligently, to bring to you Euripedes; A Night of Mirth-and Mirth ‘twill be, By all the Gods and Goddesses of the Theatre, that I will But, mark you well, although no text we preach, keep this oath and stipulation: A little lesson, well defined, respectfully, we’d teach. The lesson is this: Throughout this Life, To reckon those who taught me my art equally dear to me as No matter what befall- my parents; to share with them my substance and to comfort The best thing in this troubled world them in adversity.
    [Show full text]
  • A Reappraisal of Three Character Actors from Hollywood’S Golden Age
    University of the Incarnate Word The Athenaeum Theses & Dissertations 12-2015 Second-Billed but not Second-Rate: A Reappraisal of Three Character Actors From Hollywood’s Golden Age Candace M. Graham University of the Incarnate Word, [email protected] Follow this and additional works at: https://athenaeum.uiw.edu/uiw_etds Part of the Communication Commons, and the Film and Media Studies Commons Recommended Citation Graham, Candace M., "Second-Billed but not Second-Rate: A Reappraisal of Three Character Actors From Hollywood’s Golden Age" (2015). Theses & Dissertations. 70. https://athenaeum.uiw.edu/uiw_etds/70 This Thesis is brought to you for free and open access by The Athenaeum. It has been accepted for inclusion in Theses & Dissertations by an authorized administrator of The Athenaeum. For more information, please contact [email protected]. SECOND-BILLED BUT NOT SECOND-RATE: A REAPPRAISAL OF THREE CHARACTER ACTORS FROM HOLLYWOOD’S GOLDEN AGE by Candace M. Graham A Thesis Presented to the Faculty of the University of the Incarnate Word in partial fulfillment of the requirements for the degree of MASTER OF ARTS University of the Incarnate Word December 2015 ii Copyright 2015 by Candace M. Graham iii ACKNOWLEDGEMENTS I wish to thank Dr. Hsin-I (Steve) Liu for challenging me to produce a quality thesis worthy of contribution to scholarly literature. In addition, thank you for the encouragement to enjoy writing. To Robert Darden, Baylor University communications professor, friend, and mentor whose example in humility, good spirit, and devotion to one’s passion continues to guide my pursuit as a classic film scholar.
    [Show full text]
  • October 13, 1950 PARKING PROBLEMT Si.LVED!
    Wilkes Vol. 5, No. 4. WILKES COLLEGE, WILKES-BARRE, PA. Friday, October 13, 1950 PARKING PROBLEMT Si.LVED! THIRD MEMBER OF MUSIC DEPARTMENT ACTIVITIES SCHEDULE 500 CAR PARKING LOT TO BE BUILT BENEATH HAS COMPLETED STUDY AT FONTAINBLEU WEST END OF MARKET STREET BRIDGE The following list is the sche- Charles Henderson, instructor in piano at the Wilkes Col- dule of activities for the week of Mayor Luther M.Kniffen, Councilman Oliver I. Price, direct- lege School of Music, is the third member of the faculty in that October 16-21. or of streets and public improvements, and Guy B. Walker, city Tues., Oct. 17- Assembly department to have completed a course of study at Fontainbleu. Wed., Oct. 18- Coffeee Hour and planning engineer, among others, have decided that the Others who have attended this internationally-known music Wilkes Faculty Women parking situation at Wilkes must be cleared up. In the very center in southern France are Donald Cobleigh, head of the Fri., Oct. 20- Pep Rally - Cheer- near future we shall see the problem solved. According to lat- leaders - Senior Class - Senior department, and Wilbur Isaacs, voice instructor. Mr. Hender- Dance est reports, a 500 car parking lot is to be constructed beneath son, who returned from there several weeks ago, was awarded Sat., Oct. 21- Soccer - Blooms- the west end of the Market Street bridge. the first prize in the annual solfege competition. burg - Away. The officials feel that the park- were specifically mentioned, the Mr. Henderson's trip to Europe jag problem on River Street, as officials made it clear that the was arranged for him by the well- well as on streets throughout the under-the-bridge parking lot will known French bass, Doda Conrad, LITERARY SOCIETY SEEKS NEW MEMBERS; city, has been made more acute be for all motorists feeling the who appeared in Wilkes-Barre and since the increase in the number need of parking space for an ex- Scranton as a soloist on several GROUP TO RE-ORGANIZE NEXT THURSDAY of college students, both from Wil- tended time.
    [Show full text]
  • 2016 Newsletter
    Willmore Wilderness Foundation ... a registered charitable foundation 2016 Annual Newsletter Photo by Susan Feddema-Leonard - July 2015 Ali Klassen & Payton Hallock on the top of Mt. Stearn Willmore Wilderness Foundation Page 2 Page 3 Annual Edition - 2016 Jw Mountain Metis otipemisiwak - freemen President’s Report by Bazil Leonard Buy DVDs On LinePeople & Peaks People & Peaks Ancestors Calling Ancestors CallingLong Road Home Long Road Home Centennial Commemoration of Jasper’s Mountain Métis In 1806 Métis guide Jacco Findlay was the first to blaze a packtrail over Howse Pass and the Continental Divide. He made a map for Canadian explorer David Thompson, who followed one year later. Jacco left the North West Company and became one of the first “Freemen” or “Otipemisiwak” in the Athabasca Valley. Long Road Home: 45:13 min - $20.00 In 1907 the Canadian Government passed an Order in Council for the creation of the Ancestors Calling I thought that I would share a campsites, dangerous river fords, and “Jasper Forest Park”—enforcing the evacuation of the Métis in the Athabasca Valley. By 1909 guns were seized causing the community to surrender its homeland--including Jacco’s descendants. Six Métis families made their exodus after inhabiting the area for a century. Ancestors Calling This documentary, In 1804, the North West Company brought voyageurs, proprietors, evicted families, as well as Jacco’s progeny. Stories are shared through the voices of family recap of 2015, which was a year of historic areas on the west side of the members as they revealLong their Road struggle Home to preserve traditions and culture as Mountain Métis.
    [Show full text]
  • Ronald Davis Oral History Collection on the Performing Arts
    Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability.
    [Show full text]
  • Glorious Technicolor: from George Eastman House and Beyond Screening Schedule June 5–August 5, 2015 Friday, June 5 4:30 the G
    Glorious Technicolor: From George Eastman House and Beyond Screening Schedule June 5–August 5, 2015 Friday, June 5 4:30 The Garden of Allah. 1936. USA. Directed by Richard Boleslawski. Screenplay by W.P. Lipscomb, Lynn Riggs, based on the novel by Robert Hichens. With Marlene Dietrich, Charles Boyer, Basil Rathbone, Joseph Schildkraut. 35mm restoration by The Museum of Modern Art, with support from the Celeste Bartos Fund for Film Preservation; courtesy The Walt Disney Studios. 75 min. La Cucaracha. 1934. Directed by Lloyd Corrigan. With Steffi Duna, Don Alvarado, Paul Porcasi, Eduardo Durant’s Rhumba Band. Courtesy George Eastman House (35mm dye-transfer print on June 5); and UCLA Film & Television Archive (restored 35mm print on July 21). 20 min. [John Barrymore Technicolor Test for Hamlet]. 1933. USA. Pioneer Pictures. 35mm print from The Museum of Modern Art. 5 min. 7:00 The Wizard of Oz. 1939. USA. Directed by Victor Fleming. Screenplay by Noel Langley, Florence Ryerson, Edgar Allan Woolf, based on the book by L. Frank Baum. Music by Harold Arlen, E.Y. Harburg. With Judy Garland, Frank Morgan, Ray Bolger, Bert Lahr, Ray Bolger, Margaret Hamilton, Billie Burke. 35mm print from George Eastman House; courtesy Warner Bros. 102 min. Saturday, June 6 2:30 THE DAWN OF TECHNICOLOR: THE SILENT ERA *Special Guest Appearances: James Layton and David Pierce, authors of The Dawn of Technicolor, 1915-1935 (George Eastman House, 2015). James Layton and David Pierce illustrate Technicolor’s origins during the silent film era. Before Technicolor achieved success in the 1930s, the company had to overcome countless technical challenges and persuade cost-conscious producers that color was worth the extra effort and expense.
    [Show full text]
  • Jack and Bonita Granville Wrather Papers
    http://oac.cdlib.org/findaid/ark:/13030/c8f76dbp No online items Jack and Bonita Granville Wrather Papers Susan Jones and Clay Stalls William H. Hannon Library Loyola Marymount University One LMU Drive, MS 8200 Los Angeles, CA 90045-8200 Phone: (310) 338-5710 Fax: (310) 338-5895 Email: [email protected] URL: http://library.lmu.edu/ © 2013 Loyola Marymount University. All rights reserved. Jack and Bonita Granville Wrather CSLA-23 1 Papers Jack and Bonita Granville Wrather Papers Collection number: CSLA-23 William H. Hannon Library Loyola Marymount University Los Angeles, California Processed by: Susan Jones and Clay Stalls Date Completed: 2003 Encoded by: Clay Stalls and Bri Wong © 2013 Loyola Marymount University. All rights reserved. Descriptive Summary Title: Jack and Bonita Granville Wrather papers Dates: 1890-1990 Collection number: CSLA-23 Creator: Wrather, Jack, 1918-1984 Creator: Wrather, Bonita Granville, 1923-1988 Collection Size: 105 archival document boxes, 15 oversize boxes, 6 records storage boxes, 3 flat files Repository: Loyola Marymount University. Library. Department of Archives and Special Collections. Los Angeles, California 90045-2659 Abstract: The Jack and Bonita Granville Wrather Papers consist of textual and non-textual materials dating from the period 1890 to 1990. They document the considerable careers of Jack (1918-1984) and Bonita Granville Wrather (1923-1988) in the areas of entertainment, business, and politics. Languages: Languages represented in the collection: English Access Collection is open to research under the terms of use of the Department of Archives and Special Collections, Loyola Marymount University. Publication Rights Materials in the Department of Archives and Special Collections may be subject to copyright.
    [Show full text]
  • Jack Oakie & Victoria Horne-Oakie Films
    JACK OAKIE & VICTORIA HORNE-OAKIE FILMS AVAILABLE FOR RESEARCH VIEWING To arrange onsite research viewing access, please visit the Archive Research & Study Center (ARSC) in Powell Library (room 46) or e-mail us at [email protected]. Jack Oakie Films Close Harmony (1929). Directors, John Cromwell, A. Edward Sutherland. Writers, Percy Heath, John V. A. Weaver, Elsie Janis, Gene Markey. Cast, Charles "Buddy" Rogers, Nancy Carroll, Harry Green, Jack Oakie. Marjorie, a song-and-dance girl in the stage show of a palatial movie theater, becomes interested in Al West, a warehouse clerk who has put together an unusual jazz band, and uses her influence to get him a place on one of the programs. Study Copy: DVD3375 M The Wild Party (1929). Director, Dorothy Arzner. Writers, Samuel Hopkins Adams, E. Lloyd Sheldon. Cast, Clara Bow, Fredric March, Marceline Day, Jack Oakie. Wild girls at a college pay more attention to parties than their classes. But when one party girl, Stella Ames, goes too far at a local bar and gets in trouble, her professor has to rescue her. Study Copy: VA11193 M Street Girl (1929). Director, Wesley Ruggles. Writer, Jane Murfin. Cast, Betty Compson, John Harron, Ned Sparks, Jack Oakie. A homeless and destitute violinist joins a combo to bring it success, but has problems with her love life. Study Copy: VA8220 M Let’s Go Native (1930). Director, Leo McCarey. Writers, George Marion Jr., Percy Heath. Cast, Jack Oakie, Jeanette MacDonald, Richard “Skeets” Gallagher. In this comical island musical, assorted passengers (most from a performing troupe bound for Buenos Aires) from a sunken cruise ship end up marooned on an island inhabited by a hoofer and his dancing natives.
    [Show full text]