Adventures of Ideas ALFRED NORTH WHITEHEAD
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The University of Chicago Looking at Cartoons
THE UNIVERSITY OF CHICAGO LOOKING AT CARTOONS: THE ART, LABOR, AND TECHNOLOGY OF AMERICAN CEL ANIMATION A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF CINEMA AND MEDIA STUDIES BY HANNAH MAITLAND FRANK CHICAGO, ILLINOIS AUGUST 2016 FOR MY FAMILY IN MEMORY OF MY FATHER Apparently he had examined them patiently picture by picture and imagined that they would be screened in the same way, failing at that time to grasp the principle of the cinematograph. —Flann O’Brien CONTENTS LIST OF FIGURES...............................................................................................................................v ABSTRACT.......................................................................................................................................vii ACKNOWLEDGMENTS....................................................................................................................viii INTRODUCTION LOOKING AT LABOR......................................................................................1 CHAPTER 1 ANIMATION AND MONTAGE; or, Photographic Records of Documents...................................................22 CHAPTER 2 A VIEW OF THE WORLD Toward a Photographic Theory of Cel Animation ...................................72 CHAPTER 3 PARS PRO TOTO Character Animation and the Work of the Anonymous Artist................121 CHAPTER 4 THE MULTIPLICATION OF TRACES Xerographic Reproduction and One Hundred and One Dalmatians.......174 -
VOICES of DEM Rysi a Handbook for Speakeo, Teachers, and Writers
VOICES OF DEM rysi A Handbook for Speakeo, Teachers, and Writers s 4. 4 Compiled by BERNARDMOLC5HON under the direction of CHESTER S.WILLIAMS Assistant Administrator, Federal Forum Project Bulletin1941, No. 8 es - FederalSecurity Agency6 -- 4. AO -PaulV.tvicNirrt,Administrator U. S. OFFICEOF EDUCATION - .01 -John W. Studebaker, Commissioner United States GovernmentPrinting Office --------Washington:1§41 For sale by the Superintendent of Documents,Weishington, D. C.- ---Price 15 cents . ci ., 4 4 Contents rage "GIVE Mg LIBERTY!" V "WE GOFORWARD"..__ lx FOUR FREEDOMS-- _ - - Ix MEMORABLESTATEMENTSON: Our InalienableRights_ 3 Liberty_- _ - - -- 4 DefendingLiberty__ ----- 7 GivingupLiberty 10 Minorities__ 11 Power._ 12 Suffrage___ __ _ _ _ - _ _ 13 . Freedom to Know__ 14 Criticism_ 16 Freedom of Expression___ _ _ _ _ 18 / .. Freedom of Conscience___ _ _ _ ._ 1 21 Justice______ __ __ _ _ _ _ _ 23 Equality _ _ 25 'Free Homes ___ ____.___._____ ___ 27 tv What We Readand Write_ 27 Truth _ _ _ 29' Thinking As We Please _ . 31 Free Government_____ _ _ _ _ _ _ , - _ 32 MEMORABLE STORIESOFLIFE, LIBERTY;AND THEPURSUITOFHAPPINEss_ 37 Oppressive Government__ _ 39 V _ __ _ _ The Wages ofaSlave _ _ __ 39 "Why Didn'tThey Ask for MyKingdom?"_ _ .. 0. -ft . .0 40 , He Refused to Bow____ _ _ 40 "What I Do, I Do Freely-forLiberty"_ _ _ 40 A Good Listener______ 41 , "We Do Not Wish To Molest 0 Yoe_ 41 "We Shall LightaCandle"_ _ 41 No Man $hall Interfere__ _ _ _. 42 MasterpileeesWritten in Jail__ _ _ ._ - - 42 "We Must Give the LibertyW3 Ask" _ _ _ _ _ __- 42 . -
Jobs and Education
Vol. 3 Issue 3 JuneJune1998 1998 J OBS AND E DUCATION ¥ Animation on the Internet ¥ Glenn VilppuÕs Life Drawing ¥ CanadaÕs Golden Age? ¥ Below the Radar WHO IS JARED? Plus: Jerry BeckÕs Essential Library, ASIFA and Festivals TABLE OF CONTENTS JUNE 1998 VOL.3 NO.3 4 Editor’s Notebook It’s the drawing stupid! 6 Letters: [email protected] 7 Dig This! 1001 Nights: An Animation Symphony EDUCATION & TRAINING 8 The Essential Animation Reference Library Animation historian Jerry Beck describes the ideal library of “essential” books on animation. 10 Whose Golden Age?: Canadian Animation In The 1990s Art vs. industry and the future of the independent filmmaker: Chris Robinson investigates this tricky bal- ance in the current Canadian animation climate. 15 Here’s A How de do Diary: March The first installment of Barry Purves’ production diary as he chronicles producing a series of animated shorts for Channel 4. An Animation World Magazine exclusive. 20 Survey: It Takes Three to Tango Through a series of pointed questions we take a look at the relationship between educators, industry representatives and students. School profiles are included. 1998 33 What’s In Your LunchBox? Kellie-Bea Rainey tests out Animation Toolworks’ Video LunchBox, an innovative frame-grabbing tool for animators, students, seven year-olds and potato farmers alike! INTERNETINTERNET ANIMATIONANIMATION 38 Who The Heck is Jared? Well, do you know? Wendy Jackson introduces us to this very funny little yellow fellow. 39 Below The Digital Radar Kit Laybourne muses about the evolution of independent animation and looks “below the radar” for the growth of new emerging domains of digital animation. -
Imagination Bound: a Theoretical Imperative
University of Kentucky UKnowledge Theses and Dissertations--Philosophy Philosophy 2016 Imagination Bound: A Theoretical Imperative Robert Michael Guerin University of Kentucky, [email protected] Digital Object Identifier: http://dx.doi.org/10.13023/ETD.2016.017 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Guerin, Robert Michael, "Imagination Bound: A Theoretical Imperative" (2016). Theses and Dissertations-- Philosophy. 8. https://uknowledge.uky.edu/philosophy_etds/8 This Doctoral Dissertation is brought to you for free and open access by the Philosophy at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Philosophy by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless an embargo applies. -
University of Oklahoma Libraries Western History Collections Ralph
University of Oklahoma Libraries Western History Collections Ralph H. Records Collection Records, Ralph Hayden. Papers, 1871–1968. 2 feet. Professor. Magazine and journal articles (1946–1968) regarding historiography, along with a typewritten manuscript (1871–1899) by L. S. Records, entitled “The Recollections of a Cowboy of the Seventies and Eighties,” regarding the lives of cowboys and ranchers in frontier-era Kansas and in the Cherokee Strip of Oklahoma Territory, including a detailed account of Records’s participation in the land run of 1893. ___________________ Box 1 Folder 1: Beyond The American Revolutionary War, articles and excerpts from the following: Wilbur C. Abbott, Charles Francis Adams, Randolph Greenfields Adams, Charles M. Andrews, T. Jefferson Coolidge, Jr., Thomas Anburey, Clarence Walroth Alvord, C.E. Ayres, Robert E. Brown, Fred C. Bruhns, Charles A. Beard and Mary R. Beard, Benjamin Franklin, Carl Lotus Belcher, Henry Belcher, Adolph B. Benson, S.L. Blake, Charles Knowles Bolton, Catherine Drinker Bowen, Julian P. Boyd, Carl and Jessica Bridenbaugh, Sanborn C. Brown, William Hand Browne, Jane Bryce, Edmund C. Burnett, Alice M. Baldwin, Viola F. Barnes, Jacques Barzun, Carl Lotus Becker, Ruth Benedict, Charles Borgeaud, Crane Brinton, Roger Butterfield, Edwin L. Bynner, Carl Bridenbaugh Folder 2: Douglas Campbell, A.F. Pollard, G.G. Coulton, Clarence Edwin Carter, Harry J. Armen and Rexford G. Tugwell, Edward S. Corwin, R. Coupland, Earl of Cromer, Harr Alonzo Cushing, Marquis De Shastelluz, Zechariah Chafee, Jr. Mellen Chamberlain, Dora Mae Clark, Felix S. Cohen, Verner W. Crane, Thomas Carlyle, Thomas Cromwell, Arthur yon Cross, Nellis M. Crouso, Russell Davenport Wallace Evan Daview, Katherine B. -
A Historical Introduction to the Philosophy of Science, Fourth Edition
A Historical Introduction to the Philosophy of Science, Fourth edition John Losee OXFORD UNIVERSITY PRESS A Historical Introduction to the Philosophy of Science This page intentionally left blank A Historical Introduction to the Philosophy of Science Fourth edition John Losee 1 3 Great Clarendon Street, Oxford ox2 6dp Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Athens Auckland Bangkok Bogotá Buenos Aires Calcutta Cape Town Chennai Dar es Salaam Delhi Florence Hong Kong Istanbul Karachi Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi Paris São Paulo Shanghai Singapore Taipei Tokyo Toronto Warsaw with associated companies in Berlin Ibadan Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York © John Losee , The moral rights of the author have been asserted Database right Oxford University Press (maker) First published All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organizations. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose this same condition on any acquirer British Library Cataloguing in Publication Data Data available Library of Congress Cataloging in Publication Data Data available ISBN ––– Typeset in Adobe Minion by RefineCatch Limited, Bungay, Suffolk Printed in Great Britain by Biddles Ltd., Guildford and King’s Lynn Preface This book is a historical sketch of the development of views about scientific method. -
DONOVAN, Timothy Paul. HENRY ADAMS and BROOKS ADAMS: the SEARCH for a LAW
This dissertation has beenmicrofilmed exactly asreceived Mic 60-5186 DONOVAN, Timothy Paul. HENRY ADAMS AND BROOKS ADAMS: THE SEARCH FOR A LAW. The University of Oklahoma, Ph.D., 1960 History, general University Microfilms, Inc., Ann Arbor, Michigan THE UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE HENRY ADAMS AND BROOKS ADAMS: THE SEARCH FOR A LAIV A DISSERTATION SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY BY TIMOTHY PAUL DONOVAN Norman, Oklahoma i960 HENRY ADAMS AND BROOKS ADAMS; THE SEARCH FOR A LAW APPROVED BY c : A , bvL'iZ ^2if7S^ DISSERTATION COMMITTEE TABLE OF CONTENTS Chapter Page I. AMERICA AND AMERICAN HISTORY.... ..................... 1 II. HENRY ADAMS: THE SEARCH .............................. 25 III. BROOKS ADAMS: THE SEARCH ............................ 63 INTERLUDE .................... 99 IV. HENRY ADAMS: THE LAW ................................. IO8 V. BROOKS ADAMS: THE L A W ................................ I38 INTERLUDE .......................................... 16? VI. THE ADAMSES AND THE AMERICAN DREAM ................. 175 VII. THE ADAMSES AND AMERICAN HISTORIOGRAPHY ............. 211 BIBLIOGRAPHY ............................................... 222 iix ACKNOWLEDGEMENTS The author would like to express his deep gratitude to Dr. John S. Ezell who first showed him the fascination of intel lectual history and who was of immeasurable aid in the direction of the dissertation. I would also like to thank Dr. Donnell M. Owings who read the first draft and made many valuable suggestions. Thanks are due to the other members of the committee, Dr. Herbert J. Ellison, Dr. Cortez A. M. Ewing, and Dr. William E. Livezey for their advice and counsel. A special debt is owed to Dr. Bert James Loewenberg of Sarah Lawrence College who by correspondence and interview directed the author's attention to the significance of Henry and Brooks Adams. -
Philosophy 306: the Rationalists (Winter Session 2018, First Term [Fall]) Section: A01 (CRN: 12528)
Philosophy 306: The Rationalists (Winter Session 2018, First Term [Fall]) Section: A01 (CRN: 12528) General Course Information, Recommended Supplementary Reading, Schedule I. General Course Information Location & Time: CLE C112; 11:30 a.m. – 12:50 p.m. Instructor: Dr. David Scott Instructor’s Office: CLE B320 Office Hours: Mon. & Thurs. 10:00-11:00 a.m. (always by appointment) Telephone & Email: 250-721-7517; [email protected] ABOUT THIS COURSE: Rationalism is one of the most historically important streams of philosophy, and it informs and motivates much philosophical activity. It is the name given to a broadly defined set of positions and doctrines, all of which tend to involve the ideas that in some sense reason is real and that the universe exhibits reason or is rational. It is expressed in the views that everything has a reason, and that humans possess the ability, in the form of a faculty of reason, to apprehend the rational character of the universe. In this course we shall examine some of rationalism’s most famous and influential proponents, all of whom were active in the enlightenment period of the seventeenth and eighteenth centuries. We shall be focusing on works by René Descartes (Rules for the Direction of the Mind, Discourse on Method, Meditations, and Principles of Philosophy), and Gottfried W. Leibniz (Discourse on Metaphysics, Monadology). We may also be supplementing these studies with brief excursions into the philosophies of Malebranche and Spinoza. TEXTS AND COURSE MATERIAL: 1. René Descartes. Philosophical Essays and Correspondence, ed. Roger Ariew, Indianapolis: Hackett Publishing Company 2000. Paper ISBN-13: 978-0872205024 2. -
272 Bibliography Abbreviations for Frequently Cited Works Analysis = Mill [1829] E&W = Bain [1859] EAP = Reid[1788/1969]
Bibliography Abbreviations for Frequently Cited Works Analysis = Mill [1829] E&W = Bain [1859] EAP = Reid[1788/1969] EIP = Reid [1785/1969] First Enquiry = “An Enquiry Concerning Human Understanding” in Hume [1777/1975] Inquiry = Reid [1764/1997] Lectures = Brown [1828/1860] or Hamilton [1844/1877] (sense obvious in context) Observations, OM = Hartley [1749/1966] S&I = Bain [1855] Sketch = Brown [1820/1977] SSR = Kuhn [1962/1970] Treatise = Hume [1739-1740/1978] Section I: Primary Sources Allen, Grant, Physiological Aesthetics [Garland Publishing, 1877]. Bain, Alexander, The Senses and the Intellect [University Publications of America, 1855/1977]. Bain, Alexander, The Emotions and the Will [University Publications of America, 1859/1977]. Bain, Alexander, “The Early Life of James Mill” in Mind, 1(1), pp.97-116 [1876a]. Bain, Alexander, “The Life of James Mill” in Mind, 1(4), pp.509-531 [1876b]. Bain, Alexander, James Mill: A Biography [Augustus M. Kelley, 1882a/1967]. Bain, Alexander, John Stuart Mill: A Criticism with Personal Reflections [Longmans, Green and Co., 1882b]. Bain, Alexander, Autobiography [1904]. Barzellotti, Giacomo, “Philosophy in Italy” in Mind, 3(12), pp.505-538 [1878]. Berkeley, George, A Treatise Concerning the Principles of Human Knowledge, Jonathan Dancy, ed. [Oxford University Press, 1710/1998] Brown, Thomas, Lectures on the Philosophy of the Human Mind [Hallowell Glazer and Co., 1828]. 272 Brown, Thomas, Lectures on the Philosophy of the Human Mind [William Tegg, 1828/1860 (20th Edition)]. Brown, Thomas, Sketch of a System of the Philosophy of the Human Mind [1820], reprinted in Significant Contributions to the History of Psychology, Series A: Orientations, Volume I, Daniel N. -
A History of Rhythm, Metronomes, and the Mechanization of Musicality
THE METRONOMIC PERFORMANCE PRACTICE: A HISTORY OF RHYTHM, METRONOMES, AND THE MECHANIZATION OF MUSICALITY by ALEXANDER EVAN BONUS A DISSERTATION Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Department of Music CASE WESTERN RESERVE UNIVERSITY May, 2010 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the thesis/dissertation of _____________________________________________________Alexander Evan Bonus candidate for the ______________________Doctor of Philosophy degree *. Dr. Mary Davis (signed)_______________________________________________ (chair of the committee) Dr. Daniel Goldmark ________________________________________________ Dr. Peter Bennett ________________________________________________ Dr. Martha Woodmansee ________________________________________________ ________________________________________________ ________________________________________________ (date) _______________________2/25/2010 *We also certify that written approval has been obtained for any proprietary material contained therein. Copyright © 2010 by Alexander Evan Bonus All rights reserved CONTENTS LIST OF FIGURES . ii LIST OF TABLES . v Preface . vi ABSTRACT . xviii Chapter I. THE HUMANITY OF MUSICAL TIME, THE INSUFFICIENCIES OF RHYTHMICAL NOTATION, AND THE FAILURE OF CLOCKWORK METRONOMES, CIRCA 1600-1900 . 1 II. MAELZEL’S MACHINES: A RECEPTION HISTORY OF MAELZEL, HIS MECHANICAL CULTURE, AND THE METRONOME . .112 III. THE SCIENTIFIC METRONOME . 180 IV. METRONOMIC RHYTHM, THE CHRONOGRAPHIC -
Exceptional Minds Studio Raises Autism Expectations to 128 Movies and Television Shows
Contact: Dee McVicker Grassroots Communications Gilbert, Arizona 480.545.7363 [email protected] Exceptional Minds Studio Raises Autism Expectations to 128 Movies and Television Shows The studio of working professionals on the spectrum started 2019 with 128 movies and television shows to its credit, including three of the five 2019 Oscar nominees in the visual effects category (Avengers: Infinity War, First Man, and Solo: A Star Wars Story) and two Best Picture nominees. Sherman Oaks, California – January 22, 2019 – The Exceptional Minds studio staffed by professionals on the autism spectrum started the new year with 44 television shows and 84 movie features to its credit, including three of the five 2019 Oscar nominated movies in the Visual Effects category and two in the Best Picture category announced today by the Academy of Motion Picture Arts and Sciences. A nonprofit with an innovative approach to gainful employment for people with autism, Exceptional Minds artists did visual effects for 2019 Academy Award nominees Avengers: Infinity War, Black Panther, First Man, Green Book and Solo: A Star Wars Story as well as for four 2019 Golden Globe nominees (Black Panther, Crazy Rich Asians, First Man and Green Book) and three of the five 2018 Oscar nominated movies in the Visual Effects category. “We get asked often how we can create job opportunities in the competitive entertainment industry for a population that has one of the lowest employment rates. There are many reasons—a great education program, for one—but I think the main reason is that we have raised our expectations. We challenge everyone who walks through these doors to reevaluate their expectations for people with autism, and you know what? They meet, if not exceed, our expectations every time,” said Dr. -
Aesthetic Epistemology from Descartes to Kant. Jennifer J
Bryn Mawr Review of Comparative Literature Volume 6 Article 4 Number 2 Fall 2007 Fall 2007 Review of Catherine Labio, Origins and the Enlightenment: Aesthetic Epistemology from Descartes to Kant. Jennifer J. Davis University of Oklahoma Follow this and additional works at: https://repository.brynmawr.edu/bmrcl Let us know how access to this document benefits ouy . Recommended Citation Davis, Jennifer J. (2007). Review of "Review of Catherine Labio, Origins and the Enlightenment: Aesthetic Epistemology from Descartes to Kant.," Bryn Mawr Review of Comparative Literature: Vol. 6 : No. 2 Available at: https://repository.brynmawr.edu/bmrcl/vol6/iss2/4 This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. https://repository.brynmawr.edu/bmrcl/vol6/iss2/4 For more information, please contact [email protected]. Davis: Davis on Labio Catherine Labio, Origins and the Enlightenment: Aesthetic Epistemology from Descartes to Kant. Ithaca: Cornell University Press, 2004. xi +193 pp. ISBN 0801442753. Reviewed by Jennifer J. Davis, University of Oklahoma Since the Enlightenment, European intellectuals' tales of origins have focused on human actions rather than those of the gods, on natural laws rather than miracles, on history rather than myth. At least, so goes the stereotype. In fact, this thumbnail sketch so familiar from survey courses in the history of philosophy or Western Civilization ignores the rich diversity of intellectual models at play within the eighteenth century. Catherine Labio's ambitious text denies that origin narratives have ever been clear-cut or facilely transformed. Labio's major contribution lies in reframing the work of several very well-known eighteenth-century writers outside of the "dialectic of Enlightenment," adopting instead contemporary concerns and methods as analytic categories.