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The Premiere Fund Slate for MIFF 2021 Comprises the Following
The MIFF Premiere Fund provides minority co-financing to new Australian quality narrative-drama and documentary feature films that then premiere at the Melbourne International Film Festival (MIFF). Seeking out Stories That Need Telling, the the Premiere Fund deepens MIFF’s relationship with filmmaking talent and builds a pipeline of quality Australian content for MIFF. Launched at MIFF 2007, the Premiere Fund has committed to more than 70 projects. Under the charge of MIFF Chair Claire Dobbin, the Premiere Fund Executive Producer is Mark Woods, former CEO of Screen Ireland and Ausfilm and Showtime Australia Head of Content Investment & International Acquisitions. Woods has co-invested in and Executive Produced many quality films, including Rabbit Proof Fence, Japanese Story, Somersault, Breakfast on Pluto, Cannes Palme d’Or winner Wind that Shakes the Barley, and Oscar-winning Six Shooter. ➢ The Premiere Fund slate for MIFF 2021 comprises the following: • ABLAZE: A meditation on family, culture and memory, indigenous Melbourne opera singer Tiriki Onus investigates whether a 70- year old silent film was in fact made by his grandfather – civil rights leader Bill Onus. From director Alex Morgan (Hunt Angels) and producer Tom Zubrycki (Exile in Sarajevo). (Distributor: Umbrella) • ANONYMOUS CLUB: An intimate – often first-person – exploration of the successful, yet shy and introverted, 33-year-old queer Australian musician Courtney Barnett. From producers Pip Campey (Bastardy), Samantha Dinning (No Time For Quiet) & director Danny Cohen. (Dist: Film Art Media) • CHEF ANTONIO’S RECIPES FOR REVOLUTION: Continuing their series of food-related social-issue feature documentaries, director Trevor Graham (Make Hummus Not War) and producer Lisa Wang (Monsieur Mayonnaise) find a very inclusive Italian restaurant/hotel run predominately by young disabled people. -
Visionsplendidfilmfest.Com
Australia’s only outback film festival visionsplendidfilmfest.comFor more information visit visionsplendidfilmfest.com Vision Splendid Outback Film Festival 2017 WELCOME TO OUTBACK HOLLYWOOD Welcome to Winton’s fourth annual Vision Splendid Outback Film Festival. This year we honour and celebrate Women in Film. The program includes the latest in Australian contemporary, award winning, classic and cult films inspired by the Australian outback. I invite you to join me at this very special Australian Film Festival as we experience films under the stars each evening in the Royal Open Air Theatre and by day at the Winton Shire Hall. Festival Patron, Actor, Mr Roy Billing OAM MESSAGE FROM THE MINISTER FOR TOURISM AND MAJOR EVENTS THE HON KATE JONES MP It is my great pleasure to welcome you to Winton’s Vision Splendid Outback Film Festival, one of Queensland’s many great event experiences here in outback Queensland. Events like the Vision Splendid Outback Film Festival are vital to Queensland’s tourism prosperity, engaging visitors with the locals and the community, and creating memorable experiences. The Palaszczuk Government is proud to support this event through Tourism and Events Queensland’s Destination Events Program, which helps drive visitors to the destination, increase expenditure, support jobs and foster community pride. There is a story to tell in every Queensland event and I hope these stories help inspire you to experience more of what this great State has to offer. Congratulations to the event organisers and all those involved in delivering the outback film festival and I encourage you to take some time to explore the diverse visitor experiences in Outback Queensland. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
Of Egyptian Gulf Blockade Starting at 11 A.M
y' y / l i , : r . \ ' < r . ■ « • - t . - FRroAY, MAY 26, 1987 FACE TWENTY-FOUR iianrtfifat^r lEn^nUts ll^ralb Average Daily Net Pi’ess Run The W eadier,;v 5 ; For The Week Ended Sunny, milder Pvt Ronald F. Oirouard, bon Presidents nnd Vice Presi May 20, 1067 65-70, clear and opol of Mrs. Josephine Walsh of Instruction Set dents, Mrs. Doris Hogan;, Secre- low about 40; moeOy fWr About Town 317 Tolland Tpke., and. Pvt Ray-Totten U TKTA IWbert Schuster; Joy n il. 1-iO U nC ll Treosurera, Geoige Dickie; Leg^ ' DAVIS BAKERY « mild ionfiorrow, taigta hi 70A The VFW Aiixlliexy has been Barry N. Smith, son of Mr. 15 ,2 1 0 and Mrs.' NeWton R. &nlth of islailve and Council Delegaites, ManOhenter—^A CUy, of Village Charm Invited to attend and bring the Tlie Mancheater PTA OouncU Lloyd Berry; Program, Mia. 32 S. Main St., have rec^ itly PRICE SEVEN CHM29 co lo n to the J<^nt installation ■wm sponsor a school of instruc- ca^riene- Taylor; Membership, (ClaMlfied Adverttsttit on Page IS) completed an Army advanced WILL BE CLOSED MANCHESTER, CONN., SATURDAY, MAY 27, 1967 « f oiTteers of the Glastonbury tion for incoming officers and Eleanor McBatai; PubUclty, VOL. LXXXVI, NO. 202 (SIXTEEN PAGES—TV SECTION) infantry course at F t Jackson, VPW Poet and AuxllttmT Sat ooenmittee members of Districts i^tonchester Hoiald staff; Ways S.C. M O N , MAY 29 S TUES,.IIAY 80 urday at 8 pjn. at the poet One an<| Two at Bowers School Means, Mot. -
Complicated Views: Mainstream Cinema's Representation of Non
University of Southampton Research Repository Copyright © and Moral Rights for this thesis and, where applicable, any accompanying data are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis and the accompanying data cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content of the thesis and accompanying research data (where applicable) must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holder/s. When referring to this thesis and any accompanying data, full bibliographic details must be given, e.g. Thesis: Author (Year of Submission) "Full thesis title", University of Southampton, name of the University Faculty or School or Department, PhD Thesis, pagination. Data: Author (Year) Title. URI [dataset] University of Southampton Faculty of Arts and Humanities Film Studies Complicated Views: Mainstream Cinema’s Representation of Non-Cinematic Audio/Visual Technologies after Television. DOI: by Eliot W. Blades Thesis for the degree of Doctor of Philosophy May 2020 University of Southampton Abstract Faculty of Arts and Humanities Department of Film Studies Thesis for the degree of Doctor of Philosophy Complicated Views: Mainstream Cinema’s Representation of Non-Cinematic Audio/Visual Technologies after Television. by Eliot W. Blades This thesis examines a number of mainstream fiction feature films which incorporate imagery from non-cinematic moving image technologies. The period examined ranges from the era of the widespread success of television (i.e. -
September 3, 2013 (XXVII:2) Frank Capra, IT HAPPENED ONE NIGHT (1934, 105 Min)
September 3, 2013 (XXVII:2) Frank Capra, IT HAPPENED ONE NIGHT (1934, 105 min) Academy Awards—1935: —Best Actor in a Leading Role (Clark Gable) —Best Actress in a Leading Role (Claudette Colbert) —Best Director (Frank Capra) —Best Picture —Best Writing, Adaptation (Robert Riskin) National Film Registry—1993 Directed by Frank Capra Cinematography by Joseph Walker Clark Gable...Peter Warne Claudette Colbert...Ellie Walter Connolly...Andrews Roscoe Karns...Shapeley Ward Bond...Bus Driver #1 (uncredited) FRANK CAPRA (director) (b. Francesco Rosario Capra, May 18, 1897, Bisacquino, Sicily, Italy—d. September 3, 1991, La Quinta, California) Broadway Bill, 1934 It Happened One Night, 1933 Lady for a Day, 1932 American Madness, 1932 Forbidden, 1931 Platinum Frank Capra is the recipient of three Academy Awards: 1939 Blonde, 1931 Dirigible, 1930 Rain or Shine, 1930 Ladies of Best Director for You Can't Take It with You (1938), 1937 Best Leisure, 1929 The Donovan Affair, 1928 The Power of the Press, Director for Mr. Deeds Goes to Town (1936), and 1935 Best 1928 Submarine, 1928 The Way of the Strong, 1928 The Matinee Director for It Happened One Night (1934). In 1982 he received Idol, 1928 So This Is Love?, 1928 That Certain Thing, 1927 For a Lifetime Achievement Award from the American Film the Love of Mike, 1926 The Strong Man, and 1922 The Ballad of Institute. Fisher's Boarding House. Capra directed 54 films, including 1961 Pocketful of Miracles, Capra also has 44 writing credits, including the screenplay of It’s 1959 A Hole in the Head, 1951 Here Comes the Groom, 1950 a Wonderful Life. -
Lord-Of-The-Rings-Juliens-Auctions
Sale price Hammer Lot # Description Estimate + premium Price 1 HIGH ELVEN WARRIOR SHIELD $15,000 - $30,000 Unsold Unsold 2 HIGH ELVEN WARRIOR HELMET $15,000 - $25,000 Unsold Unsold 3 HIGH ELVEN WARRIOR SWORD & SCABBARD $30,000 - $50,000 Unsold Unsold 4 NÚMENÓREAN INFANTRY HELMET $10,000 - $15,000 $11,520 $9,000 5 PETER MCKENZIE "KING ELENDIL" HELMET $10,000 - $15,000 $12,800 $10,000 6 WETA WORKSHOP CREW HAT $50 - $100 $320 $250 7 WETA WORKSHOP T-SHIRT $50 - $100 $192 $150 8 WETA WORKSHOP VEST $100 - $200 $512 $400 9 DAY 133 FLEECE JACKET $500 - $1,000 $896 $700 10 HOBBITON HOBBIT HOLE CONSTRUCTION BLUEPRINTS $1,000 - $3,000 $2,240 $1,750 11 SCALE SET OF DRINKING TANKARDS $2,000 - $4,000 $1,920 $1,500 12 IAN HOLM (YOUNG) "BILBO BAGGINS" PROSTHETIC HOBBIT EARS $1,500 - $5,000 Unsold Unsold 13 IAN HOLM (OLD) "BILBO BAGGINS" PROSTHETIC HOBBIT EARS $1,500 - $5,000 Unsold Unsold 14 BAG END ENTRY FACADE FILMING MINIATURE $5,000 - $10,000 Unsold Unsold 15 VIGGO MORTENSEN "ARAGORN" SWORD $50,000 - $70,000 $62,500 $50,000 16 THE SHARDS OF NARSIL $30,000 - $50,000 $25,600 $20,000 17 RIVENDELL BRIDGE FILMING MINIATURE $3,000 - $6,000 Unsold Unsold 18 LIV TYLER "ARWEN" COSTUME BOOTS $2,500 - $5,000 $1,920 $1,500 19 LORD OF THE RINGS PRODUCTION-USED CALL SHEETS $100 - $300 $768 $600 20 SPECIAL FX LORD OF THE RINGS CREW T-SHIRT $100 - $200 $320 $250 21 ROLL OF WETA WORKSHOP TAPE $50 - $100 $128 $100 22 VISUAL FX LORD OF THE RINGS CREW T-SHIRT $50 - $100 $448 $350 23 ORC HERO METAL ARROWHEAD $600 - $1,500 $1,152 $900 24 MORIA ORC HELMET $12,000 - $20,000 -
The Suspension of Disbelief: Hyperreality, Fantasy, and the Waning Reality Principle
THESIS ABSTRACT THE SUSPENSION OF DISBELIEF: HYPERREALITY, FANTASY, AND THE WANING REALITY PRINCIPLE IVY R. ROBERTS JUNE 2009 The twentieth century brought technologies, such as film, video, and the Internet, that fundamentally altered the way human kind interacts and perceives the world. Investigating trends in popular culture, youth culture, the media, the Internet, and film and video technologies, these chapters pull together facets of contemporary thought in order to make sense of the digital age, a time where we take for granted the speed and magnitude of information. Deconstructing our way of seeing, it becomes clear how we take for granted the images flung at us through the media: images that bear little relevance to the everyday world as we naturally perceive it. In movies, advertisements, newspapers, and web pages, constructed images hail us to view the world in a specific way. This constructed gaze becomes manufactured to a simulated degree as we travel further into an age of hyperreality. The chapters herein raise a number of questions: how do we perceive the media; do we take our way of seeing for granted; how do we understand the power mechanisms behind the media; how do the media play upon our personal desires; how do the media construct beliefs? What’s particularly interesting in this digital information age is the effect it has on adolescents. Issues such as coming of age, historical perspective, memory, and addiction inform a broad study of how the very term “teen” infects our constraining age-consciousness. It’s critical at this juncture to look to the young people who will herald the future. -
ACCIDENTAL DEATH of an ANARCHIST Written by Dario Fo Translated by Alan Cumming and Tim Supple Directed by Stefo Nantsou Teacher's Resource Kit
Sydney Theatre Company presents The Residents in ACCIDENTAL DEATH OF AN ANARCHIST Written by Dario Fo Translated by Alan Cumming and Tim Supple Directed by Stefo Nantsou Teacher's Resource Kit Written and compiled by Robyn Edwards and Samantha Kosky Copyright Copyright protects this Teacher’s Resource Kit. Except for purposes permitted by the Copyright Act, reproduction by whatever means is prohibited. However, limited photocopying for classroom use only is permitted by educational institutions. Sydney Theatre Company’s Accidental Death of an Anarchist Notes © 2009 1 TABLE OF CONTENTS Sydney Theatre Company...................................................................................................................................................3 STC Ed .................................................................................................................................................................................3 IMPORTANT INFORMATION ...............................................................................................................................................4 About Accidental Death of an Anarchist ............................................................................................................................5 Social, Political and Cultural Context..................................................................................................................................6 Themes and Ideas...............................................................................................................................................................8 -
Film and Architecture: Discovering the Self-Reflection of Frank Capra And
UNLV Retrospective Theses & Dissertations 1-1-2000 Film and architecture: Discovering the self-reflection of rF ank Capra and Frank Lloyd Wright through contextual analysis Marie Lynore Kohler University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Kohler, Marie Lynore, "Film and architecture: Discovering the self-reflection of rF ank Capra and Frank Lloyd Wright through contextual analysis" (2000). UNLV Retrospective Theses & Dissertations. 1120. http://dx.doi.org/10.25669/c7iq-fh8b This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter fiaice, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor qualify illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. -
THE DAUGHTER Written and Directed by Simon Stone
THE DAUGHTER Written and Directed by Simon Stone Starring Geoffrey Rush, Ewen Leslie, Paul Schneider, Miranda Otto, Anna Torv with Odessa Young and Sam Neill Official Selection, Toronto International Film Festival Official Selection, Melbourne International Film Festival Official Selection, Sydney Film Festival Official Selection, Venice Days, Venice Film Festival 2015 / Australia / 96 min. / In English Press materials: www.kinolorber.com Distributor Contact: Kino Lorber 333 W. 39th Street New York, NY 10018 (212) 629-6880 Publicist Contact: Sasha Berman Shotwell Media (310) 450-5571 [email protected] Short Synopsis: A man returns to his hometown and unearths a long-buried family secret. As he tries to right the wrongs of the past, his actions threaten to shatter the lives of those he left behind years before. Long Synopsis: In the last days of a dying logging town Christian (Paul Schneider) returns to his family home for his father Henry’s (Geoffrey Rush) wedding to the much younger Anna (Anna Torv). While home, Christian reconnects with his childhood friend Oliver (Ewen Leslie), who has stayed in town working at Henry’s timber mill and is now out of a job. As Christian gets to know Oliver’s wife Charlotte (Miranda Otto), daughter Hedvig (Odessa Young) and father Walter (Sam Neill), he discovers a secret that could tear Oliver’s family apart. As he tries to right the wrongs of the past, his actions threaten to shatter the lives of those he left behind years before. About the Production: When critically acclaimed producers, Jan Chapman and Nicole O’Donohue, first saw Simon Stone’s stage adaptation of Henrik Ibsen’s play, The Wild Duck, at the Belvoir St Theatre in Sydney’s Surry Hills, they were immediately captivated. -
LONDON / CANNES MARKET REPORT 2008 Prepared by Ross Matthews (Senior Investment Manager), Scott Meek and Tait Brady (Evaluation Managers)
LONDON / CANNES MARKET REPORT 2008 Prepared by Ross Matthews (Senior Investment Manager), Scott Meek and Tait Brady (Evaluation Managers) En route to Cannes, Brian Rosen and Ross Matthews met in London for two days of meetings before heading south to Cannes. These were three primary goals: • Seek out possible sources of Offset cashflow loans, given that the UK industry had settled the early nerves associated with a new initiative, very similar to our own. • Have face-to-face meetings with UK providers of equity and gap already attached to several of our recently approved projects. • Take a reading on the general state of the UK industry, particularly as it has, as we have done, recently shifted from an industry driven by tax incentives to one supported by direct subsidy via a tax offset. Since the demise of Sale and Leaseback, Section 48 and the GAAP schemes replaced by the introduction of a 20% tax offset for British film, the UK industry seems now to have stalled. Production levels are down and by all accounts the industry is hurting. Many UK films now pass the cultural test that determines the offset but shoot off shore in Continental Europe rather than in the UK, as its become cheaper to do so. Although there are a small number of tax effective schemes still in play in the UK, there is a generally held view that the Chancellor’s axe will inevitably fall. The tax driven funding mechanisms still in play are: EIS schemes : this scheme allows investors to write off expenditure which supports start up companies.