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Future Ready Focused Future
Sustainability Report 2016-17 Future Focused Future Ready Sustainability Report 2016-17 Future Focused Future Ready The world is entering an epoch of fundamental changes. The way we live and do business is opening up new opportunities through digital solutions and service providers. Meanwhile, socio-political developments in different parts of the world are increasingly impinging on international business, introducing an additional dimension to the conventional interplay of market forces. This requires organizations of today to be agile and open to harnessing the power of digital and the connected world. The theme for our sustainability report seeks to educate stakeholders on our current and futuristic outlook towards sustainability. As a future ready organization, LTI continually expands its IT infrastructure and has the requisite mindset and policies in place to be able to leverage disruptive technologies. This enables us to identify and address changing business and technology needs. These are imperative as we wish to position ourselves as a market leader and a disruptor. Our lucid outlook for the future, focus on emerging and establishing technologies and commitment to client- centricity enable us to successfully face these burgeoning challenges. Future Focused Future Ready Going the extra mile, Being agile, Pushing the frontiers of innovation, Keep learning and Solving for society are the core beliefs at LTI which embolden our commitment to the futuristic approach. These beliefs direct our course as we strive to become the most client-centric company in the industry, adjust rapidly in the dynamic business environment, streamline innovation, foster a culture of continuous learning and be at the forefront of becoming a responsible organization. -
SELECTION for CO-PRODUCTION MARKET 2017 by NFDC
SELECTION FOR CO-PRODUCTION MARKET 2017 by NFDC We are pleased to announce the official selection of projects for Co-Production Martket 2017. This year, 18 projects have been selected to participate in the Market. After the success of Open Pitch 2016, this year again the selected filmmakers will be pitiching their projects to a curated audience of national and international producers, financiers and sales agents. The selected projects are - • Aamis (Voracious) | Assamese | India Director: Bhaskar Hazarika’s directorial debut film Kothanodi premiered at Busan International Film Festival in 2015 and won the Asian Cinema Fund’s Post Production Award. Kothanodi travelled to many international festivals and also won Best feature Film in Assamese at the 63rd National Film Awards. Producer: Poonam Deol, Signum Productions Poonam Deol, founder of Signum Productions, is a graduate from St. Stephens College, Delhi Univer- sity and holds a Master of Philosophy degree from Jawaharlal Nehru University, New Delhi. Intellectual by training and an artist at heart, she believes that films provide her a tremendous opportunity to com- bine both. Producer: Shyam Bora, Metanormal Motion Pictures From being the Executive Producer on Bhaskar Hazarika’s Kothanodi (2015) to line producing Pan Nalin’s Angry Indian Goddesses (2015; winner, Audience Awards at TIFF and Rome) and Faith Connec- tions (2013; World Premiere, TIFF), Shyam has been working on international co-productions of inde- pendent films from India for the last five years. Voracious is his first feature as Producer. • Badhonhin (Free) | Bengali | Bangladesh Director: Taneem Rahman has made two feature films titled Aadi and Shopnobari (2016). -
Astrophysical Tests of Modified Gravity
University of Cambridge Department of Applied Mathematics and Theoretical Physics Astrophysical Tests of Modified Gravity Jeremy Aaron Sakstein This thesis is submitted to the University of Cambridge for the degree of Doctor of Philosophy Downing College Cambridge, United Kingdom March 2014 Ph.D. Dissertation, March 2014 Jeremy Aaron Sakstein Department of Applied Mathematics and Theoretical Physics & Downing College University of Cambridge, United Kingdom This thesis is dedicated to my mother, Laura Sakstein, who unequivocally supported and aided me throughout my entire academic career, which ultimately led to the completion of this thesis. Abstract Einstein’s theory of general relativity has been the accepted theory of gravity for nearly a century but how well have we really tested it? The laws of gravity have been probed in our solar system to extremely high precision using several different tests and general relativity has passed each one with flying colours. Despite this, there are still some mysteries it cannot account for, one of which being the recently discovered acceleration of the universe and this has prompted a theoretical study of modified theories of gravity that can self-accelerate on large scales. Indeed, the next decade will be an exciting era where several satellites will probe the structure of gravity on cosmological scales and put these theoretical predictions to the test. Despite this, one must still worry about the behaviour of gravity on smaller scales and the vast majority of these theories are rendered cosmologically uninteresting when confronted with solar system tests of gravity. This has motivated the study of theories that differ from general relativity on large scales but include screening mechanisms which act to hide any modifications in our own solar system. -
The Conference Brochure
The Many Lives of Indian Cinema: 1913-2013 and beyond Centre for the Study of Developing Societies, Delhi 9-11 January 2014 1 Credits Concept: Ravi Vasudevan Production: Ishita Tiwary Operations: Ashish Mahajan Programme coordinator: Tanveer Kaur Infrastructure: Sachin Kumar, Vikas Chaurasia Consultant: Ravikant Audio-visual Production: Ritika Kaushik Print Design: Mrityunjay Chatterjee Cover Image: Mrityunjay Chatterjee Back Cover Image: Shahid Datawala, Sarai Archive Staff of the Centre for the Study of Developing Societies We gratefully acknowledge support from the following institutions: Indian Council for Social Science Research; Arts and Humanities Research Council; Research Councils UK; Goethe Institute, Delhi; Indian Council for Historical Research; Sage Publishing. Doordarshan have generously extended media partnership to the conference. Images in the brochure are selected from Sarai Archive collections. Sponsors Media Partner 2 The Idea Remembering legendary beginnings provides us the occasion to redefine and make contemporary the history we set out to honour. We need to complicate the idea of origins and `firsts’ because they highlight some dimensions of film culture and usage over others, and obscure the wider network of media technologies, cultural practices, and audiences which made cinema possible. In India, it is a matter of debate whether D.G. Phalke's Raja Harishchandra (1913), popularly referred to as the first Indian feature film, deserves that accolade. As Rosie Thomas has shown, earlier instances of the story film can be identified, includingAlibaba (Hiralal Sen, 1903), an Arabian Nights fantasy which would point to the presence of a different cultural universe from that provided by Phalke's Hindu mythological film. Such a revisionary history is critical to our research agenda. -
Backup of HT 12.Cdr
Monday 14 September to 20 September, 2020 Mumbai TheThe Year : 2nd Editor - in - Chief Issue No. : 27 HULAHULHULAHUL TTimesimes Mr. Ravi Singh Initiative by HULAHUL Foundation International Literacy Day 2020: Focuses On The 'Literacy Teaching And Learning In The Covid-19 Crisis And Beyond.' he day spread mindfulness about the significance of proficiency for people, For what reason is International Literacy Day celebrated? networks, and social orders and the requirement for heightened endeavors Ttowards more proficient social orders. It is important to bring issues to light in This day is praised to advance human consideration towards proficiency and know their the realm of artistic issues that are looked by individuals and furthermore to underwrite privileges for social and human turn of events. As the food is critical to be alive and crusades that help increment education for all individuals. achievement a similar proficiency is additionally significant. It is an important instrument to kill neediness, bringing down kid mortality, controlling populace development, Worldwide Literacy Day 2020: Theme accomplishing sexual orientation balance, and so on. It is accurately said that proficiency can raise the family status. Subsequently, this day The subject for 2020 is “Literacy teaching and learning in the is commended to support the individuals towards getting constant COVID-19 crisis and beyond." It features the particularly on the training and comprehend their obligation regarding the family, society, function of instructors and evolving teaching methods. The subject and the nation. UNESCO keeps on assuming a main function in features proficiency learning in a long lasting learning point of view, improving worldwide proficiency and advancing International and along these lines, predominantly centers around youth and grown- Literacy Day with governments, networks, and so on. -
Syllabus for M.Sc. (Film Production)| 1
Syllabus for M.Sc. (Film Production)| 1 Detailed Syllabus for Master of Science (Film Production) (Effective from July 2019) Department of Advertising & Public Relations Makhanlal Chaturvedi National University of Journalism and Communication B-38, Press Complex, M.P. Nagar, Zone-I, Bhopal (M.P.) 462 011 Syllabus for M.Sc. (Film Production)| 2 MAKHANLAL CHATURVEDI NATIONAL UNIVERSITY OF JOURNALISM AND COMMUNICATION (DEPARTMENT OF ADVERTISING AND PUBLIC RELATIONS) Master of Science (Film Production) (Effective from July 2019) Marks Distribution Subject Theory Practic Intern Total Credit al al CCC-1 Evolution of Cinema 80 00 20 100 6 CCC-2 Origin and Growth of Media 80 00 20 100 6 Introduction to Socio CCC-3 80 00 20 100 6 Economic Polity Sem - I CCE-1 Art of Cinematography 50 30 20 OR OR 100 6 CCE-2 Storyboarding 50 30 20 OE-1 Understanding Cinema 25 15 10 50 3 CCC-4 Drama & Aesthetics 50 30 20 100 6 CCC-5 Lighting for Cinema 50 30 20 100 6 CCC-6 Audiography 50 30 20 100 6 Sem - II CCE-3 Art of Film Direction 50 30 20 OR OR 100 6 CCE-4 Film Journalism 50 30 20 OE-2 Ideation and Visualization 25 15 10 50 3 CCC-7 Multimedia Platform 50 30 20 100 6 Editing Techniques & CCC-8 50 30 20 100 6 Practice CCC-9 Film Research 50 30 20 100 6 Sem - III Screenplay Writing for CCE-5 50 30 20 Cinema OR 100 6 OR CCE-6 50 30 20 Advertisement Film Making OE-3 Film Society & Culture 40 00 10 50 3 CCC-10 Film Business & Regulations 80 00 20 100 6 CCC-11 Cinematics 50 30 20 100 6 CCC-12 Project Work on Film Making 00 80 20 100 6 Sem - Literature & Cinema CCE-7 80 00 20 IV OR OR 100 6 Film Management & CCE-8 80 00 20 Marketing OE-4 Documentary Film Making 25 15 10 50 3 Syllabus for M.Sc. -
Arxiv:2103.07476V1 [Astro-Ph.GA] 12 Mar 2021
FERMILAB-PUB-21-075-AE-LDRD Draft version September 3, 2021 Typeset using LATEX twocolumn style in AASTeX63 The DECam Local Volume Exploration Survey: Overview and First Data Release A. Drlica-Wagner ,1, 2, 3 J. L. Carlin ,4 D. L. Nidever ,5, 6 P. S. Ferguson ,7, 8 N. Kuropatkin ,1 M. Adamow´ ,9, 10 W. Cerny ,2, 3 Y. Choi ,11 J. H. Esteves,12 C. E. Mart´ınez-Vazquez´ ,13 S. Mau ,14, 15 A. E. Miller,16, 17 B. Mutlu-Pakdil ,2, 3 E. H. Neilsen ,1 K. A. G. Olsen ,6 A. B. Pace ,18 A. H. Riley ,7, 8 J. D. Sakowska ,19 D. J. Sand ,20 L. Santana-Silva ,21 E. J. Tollerud ,11 D. L. Tucker ,1 A. K. Vivas ,13 E. Zaborowski,2 A. Zenteno ,13 T. M. C. Abbott ,13 S. Allam ,1 K. Bechtol ,22, 23 C. P. M. Bell ,16 E. F. Bell ,24 P. Bilaji,2, 3 C. R. Bom ,25 J. A. Carballo-Bello ,26 D. Crnojevic´ ,27 M.-R. L. Cioni ,16 A. Diaz-Ocampo,28 T. J. L. de Boer ,29 D. Erkal ,19 R. A. Gruendl ,30, 31 D. Hernandez-Lang,32, 13, 33 A. K. Hughes,20 D. J. James ,34 L. C. Johnson ,35 T. S. Li ,36, 37, 38 Y.-Y. Mao ,39, 38 D. Mart´ınez-Delgado ,40 P. Massana,19, 41 M. McNanna ,22 R. Morgan ,22 E. O. Nadler ,14, 15 N. E. D. Noel¨ ,19 A. Palmese ,1, 2 A. H. G. Peter ,42 E. S. -
Global Digital Cultures: Perspectives from South Asia
Revised Pages Global Digital Cultures Revised Pages Revised Pages Global Digital Cultures Perspectives from South Asia ASWIN PUNATHAMBEKAR AND SRIRAM MOHAN, EDITORS UNIVERSITY OF MICHIGAN PRESS • ANN ARBOR Revised Pages Copyright © 2019 by Aswin Punathambekar and Sriram Mohan All rights reserved This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. Published in the United States of America by the University of Michigan Press Manufactured in the United States of America Printed on acid- free paper First published June 2019 A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging- in- Publication data has been applied for. ISBN: 978- 0- 472- 13140- 2 (Hardcover : alk paper) ISBN: 978- 0- 472- 12531- 9 (ebook) Revised Pages Acknowledgments The idea for this book emerged from conversations that took place among some of the authors at a conference on “Digital South Asia” at the Univer- sity of Michigan’s Center for South Asian Studies. At the conference, there was a collective recognition of the unfolding impact of digitalization on various aspects of social, cultural, and political life in South Asia. We had a keen sense of how much things had changed in the South Asian mediascape since the introduction of cable and satellite television in the late 1980s and early 1990s. We were also aware of the growing interest in media studies within South Asian studies, and hoped that the conference would resonate with scholars from various disciplines across the humanities and social sci- ences. -
Jrasc-August'99 Text
Publications and Products of August/août 1999 Volume/volume 93 Number/numero 4 [678] The Royal Astronomical Society of Canada Observer’s Calendar — 2000 This calendar was created by members of the RASC. All photographs were taken by amateur astronomers using ordinary camera lenses and small telescopes and represent a wide spectrum of objects. An informative caption accompanies every photograph. This year all of the photos are in full colour. The Journal of the Royal Astronomical Society of Canada Le Journal de la Société royale d’astronomie du Canada It is designed with the observer in mind and contains comprehensive astronomical data such as daily Moon rise and set times, significant lunar and planetary conjunctions, eclipses, and meteor showers. The 1999 edition received two awards from the Ontario Printing and Imaging Association, Best Calendar and the Award of Excellence. (designed and produced by Rajiv Gupta). Price: $13.95 (members); $15.95 (non-members) (includes taxes, postage and handling) The Beginner’s Observing Guide This guide is for anyone with little or no experience in observing the night sky. Large, easy to read star maps are provided to acquaint the reader with the constellations and bright stars. Basic information on observing the moon, planets and eclipses through the year 2005 is provided. There is also a special section to help Scouts, Cubs, Guides and Brownies achieve their respective astronomy badges. Written by Leo Enright (160 pages of information in a soft-cover book with otabinding which allows the book to lie flat). Price: $15 (includes taxes, postage and handling) Looking Up: A History of the Royal Astronomical Society of Canada Published to commemorate the 125th anniversary of the first meeting of the Toronto Astronomical Club, “Looking Up — A History of the RASC” is an excellent overall history of Canada’s national astronomy organization. -
Connect for Annual Report 2018 - 2019 CONNECTFOR at a GLANCE
connect for Annual Report 2018 - 2019 CONNECTFOR AT A GLANCE Number of Cities Reached 06 NGOs Partnered With 185 Number of Volunteers Engaged Since Inception 3,850 Number of Volunteering Hours 34,970 Number Of Initiatives 113 Money Saved For NGOs 75,38,668.00 Top Cause Areas Community Development, Opted For Children & Youth, By Volunteers Education & Literacy CONTENTS 01 ConnectFor’s Mission & Vision What Is ConnectFor? 02 03 Why We Exist Founders’ Message 04 05 ConnectFor’s Services Bridging Social Sector Gaps 06 07 Collaboration Is Key Enabling Corporate Sector Engagement 08 09 Mobilising Individuals Supporting the Cause of Women 10 Multiplier Eect 11 12 Capacity Building of NGOs Making Volunteering Relevant 13 14 Financial Summary Future Plans 15 16 Appendix 1 Cause Meets Passion, Meets Impact ConnectFor’s mission is to provide tailored solutions to ensure social value creation through volunteering and Corporate Social Responsibility. MISSION VISION ConnectFor aims to be an all-encompassing resource solution for non-profits; it seeks to help develop the culture of volunteering across India, encouraging both individuals and organisations to realise how to best use volunteering opportunities to add the most value. 1 WHAT IS CONNECTFOR ConnectFor (CF) is a non-profit platform designed to enable and enhance volunteering in the social sector primarily in Mumbai, Pune and Bengaluru. We began our work by understanding and identify- ing the skill gaps and other needs of Non-Government Organisations (NGOs) and trying to fulfill these by matching them with individuals, groups and corporate volunteers who can fulfill the same using their time and talent. -
The Recent Star Formation in Sextans a Schuyler D
THE ASTRONOMICAL JOURNAL, 116:2341È2362, 1998 November ( 1998. The American Astronomical Society. All rights reserved. Printed in U.S.A. THE RECENT STAR FORMATION IN SEXTANS A SCHUYLER D. VAN DYK1 Infrared Processing and Analysis Center, California Institute of Technology, Mail Code 100-22, Pasadena, CA 91125; vandyk=ipac.caltech.edu DANIEL PUCHE1 Tellabs Transport Group, Inc., 3403 Griffith Street, Ville St. Laurent, Montreal, Quebec H4T 1W5, Canada; Daniel.Puche=tellabs.com AND TONY WONG1 Department of Astronomy, University of California at Berkeley, 601 Cambell Hall, Berkeley, CA 94720-3411; twong=astro.berkeley.edu Received 5 February 1998; revised 1998 July 8 ABSTRACT We investigate the relationship between the spatial distributions of stellar populations and of neutral and ionized gas in the Local Group dwarf irregular galaxy Sextans A. This galaxy is currently experi- encing a burst of localized star formation, the trigger of which is unknown. We have resolved various populations of stars via deepUBV (RI) imaging over an area with [email protected]. We have compared our photometry with theoretical isochronesC appropriate for Sextans A, in order to determine the ages of these populations. We have mapped out the history of star formation, most accurately for times [100 Myr. We Ðnd that star formation in Sextans A is correlated both in time and space, especially for the most recent([12 Myr) times. The youngest stars in the galaxy are forming primarily along the inner edge of the large H I shell. Somewhat older populations,[50 Myr, are found inward of the youngest stars. Progressively older star formation, from D50È100 Myr, appears to have some spatially coherent structure and is more centrally concentrated. -
CARMA CO OBSERVATIONS of THREE EXTREMELY METAL-POOR, STAR-FORMING GALAXIES Steven R
CORE Metadata, citation and similar papers at core.ac.uk Provided by The Australian National University The Astrophysical Journal, 814:30 (9pp), 2015 November 20 doi:10.1088/0004-637X/814/1/30 © 2015. The American Astronomical Society. All rights reserved. CARMA CO OBSERVATIONS OF THREE EXTREMELY METAL-POOR, STAR-FORMING GALAXIES Steven R. Warren1, Edward Molter2, John M. Cannon2, Alberto D. Bolatto1, Elizabeth A. K. Adams3, Elijah Z. Bernstein-Cooper4, Riccardo Giovanelli5, Martha P. Haynes5, Rodrigo Herrera-Camus1, Katie Jameson1, Kristen B. W. McQuinn6,7, Katherine L. Rhode8, John J. Salzer8, and Evan D. Skillman9 1 Department of Astronomy, University of Maryland, College Park, MD 20742, USA; [email protected], [email protected], [email protected], [email protected] 2 Department of Physics & Astronomy, Macalester College, 1600 Grand Avenue, Saint Paul, MN 55105, USA; [email protected], [email protected] 3 Netherlands Institute for Radio Astronomy (ASTRON), Postbus 2, 7990 AA, Dwingeloo, The Netherlands; [email protected] 4 Department of Astronomy, University of Wisconsin, 475 N Charter Street, Madison, WI 53706, USA; [email protected] 5 Center for Radiophysics and Space Research, Space Sciences Building, Cornell University, Ithaca, NY 14853, USA; [email protected], [email protected] 6 Minnesota Institute for Astrophysics, University of Minnesota, Minneapolis, MN 55455, USA; [email protected] 7 McDonald Observatory; The University of Texas; Austin, TX 78712, USA 8 Department of Astronomy, Indiana University, Bloomington, IN 47405, USA; [email protected], [email protected] 9 Minnesota Institute for Astrophysics, University of Minnesota, 116 Church St.