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Gustavo Dudamel 2020/21 Season (Long Biography)
GUSTAVO DUDAMEL 2020/21 SEASON (LONG BIOGRAPHY) Gustavo Dudamel is driven by the belief that music has the power to transform lives, to inspire, and to change the world. Through his dynamic presence on the podium and his tireless advocacy for arts education, Dudamel has introduced classical music to new audiences around the world and has helped to provide access to the arts for countless people in underserved communities. As the Music & Artistic Director of the Los Angeles Philharmonic, now in his twelfth season, Dudamel’s bold programming and expansive vision led The New York Times to herald the LA Phil as “the most important orchestra in America – period.” With the COVID-19 global pandemic shutting down the majority of live performances, Dudamel has committed even more time and energy to his mission of bringing music to young people across the globe, firm in his belief that the arts play an essential role in creating a more just, peaceful, and integrated society. While quarantining in Los Angeles, he hosted a new radio program from his living room entitled “At Home with Gustavo,” sharing personal stories and musical selections as a way to bring people together during a time of isolation. The program was broadcast locally as well as internationally in both English and Spanish, with guest co-hosts including, among others, composer John Williams, his wife, actress María Valverde. Dudamel also participated in Global Citizen’s Global Goal: Unite For Our Future TV fundraising special, giving a socially-distanced performance from the Hollywood Bowl with the LA Phil and YOLA (Youth Orchestra Los Angeles). -
NOT JUST to WIN AUDITIONS: PLAYING ORCHESTRAL PERCUSSION EXCERPTS for PEDAGOGY and ENRICHMENT by Richard David Puzzo, Jr a Docum
Not Just to Win Auditions: Playing Orchestral Percussion Excerpts for Pedagogy and Enrichment Item Type text; Electronic Dissertation Authors Puzzo, Richard D., Jr. Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 08/10/2021 18:57:28 Link to Item http://hdl.handle.net/10150/623254 NOT JUST TO WIN AUDITIONS: PLAYING ORCHESTRAL PERCUSSION EXCERPTS FOR PEDAGOGY AND ENRICHMENT By Richard David Puzzo, Jr Copyright © Richard Puzzo, Jr. 2017 A Document Submitted to the Faculty of the FRED FOX SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2017 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Document Committee, we certify that we have read the document prepared by Richard David Puzzo, Jr., titled “Not Just to Win Auditions: Playing Orchestral Percussion Excerpts for Pedagogy and Enrichment” and recommend that it be accepted as fulfilling the document requirement for the Degree of Doctor of Musical Arts. _____________________________________________ Date: December 7, 2016 Norman Weinberg _____________________________________________ Date: December 7, 2016 Edward Reid _____________________________________________ Date: December 7, 2016 Moisés Paiewonsky Final approval and acceptance of this document is contingent upon the candidate’s submission of the final copies of the document to the Graduate College. I hereby certify that I have read this document prepared under my direction and recommend that it be accepted as fulfilling the document requirement. -
West Side Story
To Our Readers ow can something be as fresh, as bril Hliant, as explosively urgent as "West Side Story," and be 50 years old? How can this brand new idea for the American theatre have been around for half a century? Leonard Bernstein used to say that he wished he could write the Great American Opera. He was still designing such a project shortly before his death. But in retrospect, we can say that he fulfilled his wish. "West Side Story" is performed to enthusiastic audiences in opera houses around the world - recently in La Scala and, before this year is out, at the Theatre du Chatelet in Paris. Is there a Broadway revival in the works? The signs are highly auspicious. In this issue, we celebrate "West Side Story": its authors, its original performers, and its continuing vital presence in the world. Chita Rivera regrets that, due to scheduling conflicts, she was unable to contribute to this issue by print time. [ wEst SIDE ·sronv L "West Side Story" continues to break ground to this very day. Earlier this year, the show was performed by inmates at Sing Sing. A few months later, it was presented as part of a conflict resolution initiative for warring street gangs in Seattle. And if there's a heaven, Leonard Bernstein was up there dancing for joy last summer while Gustavo Dudamel led his sensational 200-piece Simon Bolfvar Youth Orchestra in the "Mambo" at the Proms in London. The audience went bonkers. Check it out: http://www.dailymotion.com/swf/ 6pXLfR60dUfQNjMYZ There are few theatrical experiences as reliably thrilling as a student production of "West Side Story". -
LA Phil at Tynecastle Revised.Indd
Aberdeen Standard Investments Opening Event: LA Phil at Tynecastle Friday 2 August 7.00pm Tynecastle Park Gustavo Dudamel conductor The performance lasts Los Angeles Philharmonic approximately one hour thirty YOLA National minutes with no interval. Sponsored by Supported by #edintfest In collaboration with Tynecastle Park The Los Angeles Philharmonic residency has been made possible by the support of Dunard Fund USA Aberdeen Standard Investments Opening Event: LA Phil at Tynecastle Gustavo Dudamel conductor Los Angeles Philharmonic YOLA National Korngold March of the Merry Men from The Adventures of Robin Hood John Williams Shark Cage Fugue/Out to Sea from Jaws Herrmann Suite from Vertigo John Williams Hedwig’s Theme from Harry Potter and the Philospher’s Stone John Williams Fawkes the Phoenix from Harry Potter and the Chamber of Secrets Steiner Suite from Casablanca John Williams Olympic Fanfare and Theme Waxman Sunset Boulevard Suite John Williams Theme from Jurassic Park John Williams Adventures on Earth from E.T. The Extra-Terrestrial Mancini Theme from The Pink Panther John Williams Throne Room and Finale from Star Wars Encores John Williams The Imperial March from Star Wars: The Empire Strikes Back John Williams Superman March from Superman Gustavo Dudamel conductor Gustavo Dudamel was born in 1981 in Barquisimeto, Venezuela. He studied the violin before turning to conducting in 1993, studying with Rodolfo Saglimbeni and José Antonio Abreu. He started his career as an assistant conductor of the Amadeus Chamber Orchestra, of which he became Music Director in 1996. In 1999 he became Music Director of the Simón Bolívar Youth Orchestra. He came to international attention when he won the inaugural Bamberger Symphoniker Gustav Mahler Competition in 2004. -
A Listening Guide for the Indispensable Composers by Anthony Tommasini
A Listening Guide for The Indispensable Composers by Anthony Tommasini 1 The Indispensable Composers: A Personal Guide Anthony Tommasini A listening guide INTRODUCTION: The Greatness Complex Bach, Mass in B Minor I: Kyrie I begin the book with my recollection of being about thirteen and putting on a recording of Bach’s Mass in B Minor for the first time. I remember being immediately struck by the austere intensity of the opening choral singing of the word “Kyrie.” But I also remember feeling surprised by a melodic/harmonic shift in the opening moments that didn’t do what I thought it would. I guess I was already a musician wanting to know more, to know why the music was the way it was. Here’s the grave, stirring performance of the Kyrie from the 1952 recording I listened to, with Herbert von Karajan conducting the Vienna Philharmonic. Though, as I grew to realize, it’s a very old-school approach to Bach. Herbert von Karajan, conductor; Vienna Philharmonic (12:17) Today I much prefer more vibrant and transparent accounts, like this great performance from Philippe Herreweghe’s 1996 recording with the chorus and orchestra of the Collegium Vocale, which is almost three minutes shorter. Philippe Herreweghe, conductor; Collegium Vocale Gent (9:29) Grieg, “Shepherd Boy” Arthur Rubinstein, piano Album: “Rubinstein Plays Grieg” (3:26) As a child I loved “Rubinstein Plays Grieg,” an album featuring the great pianist Arthur Rubinstein playing piano works by Grieg, including several selections from the composer’s volumes of short, imaginative “Lyrical Pieces.” My favorite was “The Shepherd Boy,” a wistful piece with an intense middle section. -
Digital Concert Hall Where We Play Just for You
www.digital-concert-hall.com DIGITAL CONCERT HALL WHERE WE PLAY JUST FOR YOU PROGRAMME 2016/2017 Streaming Partner TRUE-TO-LIFE SOUND THE DIGITAL CONCERT HALL AND INTERNET INITIATIVE JAPAN In the Digital Concert Hall, fast online access is com- Internet Initiative Japan Inc. is one of the world’s lea- bined with uncompromisingly high quality. Together ding service providers of high-resolution data stream- with its new streaming partner, Internet Initiative Japan ing. With its expertise and its excellent network Inc., these standards will also be maintained in the infrastructure, the company is an ideal partner to pro- future. The first joint project is a high-resolution audio vide online audiences with the best possible access platform which will allow music from the Berliner Phil- to the music of the Berliner Philharmoniker. harmoniker Recordings label to be played in studio quality in the Digital Concert Hall: as vivid and authen- www.digital-concert-hall.com tic as in real life. www.iij.ad.jp/en PROGRAMME 2016/2017 1 WELCOME TO THE DIGITAL CONCERT HALL In the Digital Concert Hall, you always have Another highlight is a guest appearance the best seat in the house: seven days a by Kirill Petrenko, chief conductor designate week, twenty-four hours a day. Our archive of the Berliner Philharmoniker, with Mozart’s holds over 1,000 works from all musical eras “Haffner” Symphony and Tchaikovsky’s for you to watch – from five decades of con- “Pathétique”. Opera fans are also catered for certs, from the Karajan era to today. when Simon Rattle presents concert perfor- mances of Ligeti’s Le Grand Macabre and The live broadcasts of the 2016/2017 Puccini’s Tosca. -
Audio Selections
AUDIO SELECTIONS Audio Files that accompany this book may be found on the UC Press website, either on Spotify, YouTube, or the Soundcloud playlist, as indicated below. Chapter 3: Experiencing Musical Concepts: Focus on Latin America Sound Link 3.1. Guitarrón. Soundcloud Sound Link 3.2. Vihuela. Soundcloud Sound Link 3.3. Charango. “Alegría,” by Quechua musicians. Instruments and Music of Indians of Bolivia (Smithsonian Folkways, FW 01412, 1962, 2004). Spotify Sound Link 3.4. Berimbau. Various artists. The Music of Capoeira: Mestre Acordeon (Smithsonian Folkways, FW04332, 1985, 2004). Spotify Sound Link 3.5. Conch shell trumpets. Q’eros authorities. Mountain Music of Peru, vol. 1 (Smithsonian Folkways, SFW40020, 1991). Youtube Sound Link 3.6. Siku/Panpipes (“Quenita”) Aymara musicians. Instruments and Music of Indians of Bolivia (Smithsonian Folkways, FW 01412, 1962, 2004). Spotify Sound Link 3.7. Agogô. Soundcloud Sound Link 3.8. Cowbell. Soundcloud Sound Link 3.9. Pandeiro. Soundcloud Sound Link 3.10. Caxixi. Soundcloud Sound Link 3.11. Güiro. Soundcloud Sound Link 3.12. Maracas. Soundcloud Sound Link 3.13. Bongos. Soundcloud Sound Link 3.14a. Conga. Soundcloud Sound Link 3.14b. Conga in guagancó. Soundcloud Sound Link 3.15. Timbales. Soundcloud Sound Link 3.16. Claves, 3-2. Soundcloud Sound Link 3.17. Major scale, played on the piano. Soundcloud Sound Link 3.18. Minor scale, played on the piano. Soundcloud Sound Link 3.19. Chromatic scale, played on the piano. Soundcloud Sound Link 3.20a. Andalusian-Phrygian scale, played on the guitar. Soundcloud Sound Link 3.20b. Another Andalusian-Phrygian scale, played on the guitar. -
Annual Course Timpani & Percussions
Ignacio Ceballos Martín Born in Valencia, he obtained his percussion diploma at the Conservatorio Profesional “MaestroVert” de Carcagente, Valencia, Spain with Ángel García and carried on his studies at the Conservatorio Superior de Música de Zaragoza with Manel Ramada. He perfected his playing at the Civica Scuola di Musica “Claudio Abbado” di Milano under the guidance of Mike Quinn, Johnathan Scully and David Searcy. He has participated in numerous master classes with soloists of international renown such as Michel Cerutti, Sylvio Gualda, Karl Mehlig, Rainer Römer, Emmanuel Séjourné, Robert Van Sice, Bernard Wulff. Since 1994 he has collaborated as timpanist with the principal italian orchestras: l’Orchestra Teatro della Scala, l’Orchestra Filarmonica della Scala, l’Orchestra Maggio ANNUAL COURSE Musicale Fiorentino, l’Orchestra Teatro “San Carlo” di Napoli, as well as many famous international orchestras such as: the Philarmonia Orchestra, the Mahler Chamber Orchestra and the Bilbao Orchestra TIMPANI & PERCUSSIONS Sinfonikoa, under the baton of Claudio Abbado, Daniel Barenboim, Herbert Blomstedt, Pierre Boulez, Semyon Bychkov, Riccardo Chailly, Cultural Association Gustavo Dudamel, Charles Dutoit, Lorin Maazel, Riccardo Muti, Kirill IGNACIO CEBALLOS MARTÍN Petrenko, Georges Prêtre, Gennadij Roždestvenskij, Giuseppe & School of Music Sinopoli, Jurij Temirkanov. 00169 Rome - Via Casilina, 1101 Since 1997 he has been the Prinicipal Timpanist of the Orchestra del Teatro dell’Opera di Roma. He has, for several years, also been very ph. + 39 06.2389732 active in the didactic field taking part in international percussion www.ariadimusica.com seminars and festivals. At present he is holding specialised timpani [email protected] courses at the Conservatorio Statale di Musica “Ottorino Respighi” in Principal timpanist Latina and the Centro Superior de Música del País Vasco (Musikene) in San Sebastián. -
Jaap Van Zweden Invites You to Discover the / Season
Season Highlights Season Highlights THE ART OF THE SCORE Fall Gala with Lang Lang Alec Baldwin Artistic Advisor Join Music Director Jaap van Zweden and the Philharmonic at the 2019–20 Fall Gala, featuring piano superstar Lang Lang. Close Encounters of the Third Kind in Concert Jaap van Zweden conductor Lang Lang piano Experience John Williams’s score performed live by the New York Philharmonic to October 7 Steven Spielberg’s out-of-this-world film. Richard Kaufman conductor Lunar New Year Close Encounters of the Third Kind September 11–12 Celebrate the Year of the Rat with © 1977, renewed 2005, Columbia Pictures Industries, Inc. All Rights the Philharmonic. Reserved Long Yu conductor Psycho in Concert January 28 David Geffen Hall at Lincoln Center 65th & Broadway Feel the suspense as the New York Philharmonic plays Bernard Herrmann’s Kelli O’Hara Sings Barber spine-tingling score to Hitchcock’s JAAP VAN ZWEDEN classic thriller. The season begins with a program pairing Richard Kaufman conductor Tony-winning Broadway star Kelli O’Hara INVITES YOU TO DISCOVER singing Barber’s Knoxville: Summer of 1915 West 68th Street September 13–14 with selections from Prokofiev’s THE ����/�� SEASON Merkin The Leopard at des Artists Romeo and Juliet. Hall West 67th Street Jaap van Zweden conductor Kelli O’Hara soprano Welcome to our second season led by Jaap van HOLIDAYS AT THE PHILHARMONIC Zweden — and what a season it promises to be. West 66th Street September 18–21 The Juilliard Stanley H. Kaplan School Harry Potter and the Sorcerer’s It will challenge you. -
Los Angeles Philharmonic Celebrating
CELEBRATING LOS ANGELES PHILHARMONIC CELEBRATING LOS ANGELES PHILHARMONIC 2 A Olympic Fanfare and Theme 4:00 J Theme from Jurassic Park 5:57 B Excerpts from Close Encounters of the Third Kind 8:28 Three Selections from Indiana Jones K Scherzo for Motorcycle and Orchestra 3:07 C Out to Sea and The Shark Cage Fugue from Jaws 4:24 L Marion’s Theme 4:11 M Three Selections from Harry Potter Raiders March 5:08 D Hedwig’s Theme 4:58 N Sayuri’s Theme from Memoirs of a Geisha 4:17 E Fawkes the Phoenix 3:42 Robert deMaine cello F Harry’s Wondrous World 4:41 Three Selections from Star Wars G Theme from Schindler’s List 3:41 O The Imperial March 3:03 Simone Porter violin P Yoda’s Theme 3:36 Q Throne Room and Finale 7:58 H Adventures on Earth from E.T. the Extra-Terrestrial 10:25 R Adagio from Star Wars: The Force Awakens 4:34 I The Flight to Neverland from Hook 4:49 S Superman March 4:26 3 CELEBRATING JOHN WILLIAMS The bonds between composer John Williams and the ably inevitable. More than any other composer, John Los Angeles Philharmonic reach farther back than any- Williams has been responsible for the growing accep- one might imagine. The veteran film composer first tance of film music in the concert hall. He has reminded conducted the orchestra in July 1978 at the Hollywood us all that the greatest music written for films can also, Bowl, in the aftermath of the Oscar-winning success of in the right context, stand alongside the finest concert his music for Star Wars and Close Encounters of the Third music being written today. -
Los Angeles Philharmonic
LOS ANGELES PHILHARMONIC Short History The LOS ANGELES PHILHARMONIC, under the vibrant leadership of Music Director Gustavo Dudamel, is re-inventing the concept of the 21st-century orchestra. Both at home and abroad, the Philharmonic – recognized as one of the world’s outstanding orchestras – is leading the way in innovative programming, both on stage and in the community, offering a diverse range of programs that reflect the orchestra’s artistry and demonstrates its vision. 2014/15 marks the orchestra’s 96th season. More than 250 concerts are either performed or presented by the Philharmonic at its two iconic venues: the Frank Gehry-designed Walt Disney Concert Hall and the Hollywood Bowl. These presentations represent a breadth and depth unrivaled by other orchestras or cultural institutions. During its 30-week winter subscription season of more than 170 performances at Walt Disney Concert Hall, the Philharmonic creates festivals, artist residencies, and other thematic programs designed to enhance the symphonic music experience and delve further into certain artists’ or composers’ work. The LA Phil’s commitment to the music of our time is also evident throughout the season programming, as well in the exhilarating Green Umbrella series and the LA Phil’s extensive commissioning initiatives. In the 2012/13 season, the LA Phil continued its Mozart opera project with the second installment, The Marriage of Figaro. The three-year initiative concludes during the 2013/14 season with Così fan tutte. The LA Phil also embarked on an international tour of Creative Chair John Adams’ oratorio The Gospel According to the Other Mary (to be released on CD by Deutsche Grammophon on March 11, 2014). -
LOS ANGELES PHILHARMONIC Discography
LOS ANGELES PHILHARMONIC Discography SONY CLASSICAL Esa-Pekka Salonen, conductor BACH: Transcriptions (by Elgar, Mahler, Schoenberg, Stokowski, Webern) BARTÓK: Concerto for Orchestra; Music for Strings, Percussion, and Celesta BARTÓK: Piano Concertos 1, 2, and 3 (Yefim Bronfman, piano) ** BRUCKNER: Symphony No. 4, “Romantic” DEBUSSY: Prélude à l’après-midi d’un faune; La mer; Images pour orchestre DEBUSSY: Trois nocturnes (Women of the Los Angeles Master Chorale); Le martyre de St. Sébastien (Fragments symphoniques); La damoiselle élue (Dawn Upshaw, soprano; Paula Rasmussen, mezzo-soprano; Women of the Los Angeles Master Chorale) HERRMANN: Suites from Psycho, Marnie, Vertigo, Fahrenheit 451, and Taxi Driver; Prelude to The Man Who Knew Too Much; Overture to North by Northwest; excerpts from Torn Curtain LUTOSLAWSKI: Symphony No. 2; Piano Concerto (Paul Crossley, piano); Chantefleurs et Chantefables (Dawn Upshaw, soprano); Fanfare for Los Angeles Philharmonic LUTOSLAWSKI: Symphony No. 3; Les espaces du sommeil (John Shirley-Quirk, baritone); Symphony No. 4 ** MAHLER: Symphony No. 3 (Anna Larsson, contralto; Paulist Boy Choristers of California) MAHLER: Symphony No. 4 (Barbara Hendricks, soprano) MAHLER: Das Lied von der Erde (Plácido Domingo, tenor; Bo Skovhus, baritone) MARSALIS: All Rise (Wynton Marsalis, trumpet; Lincoln Center Jazz Orchestra; singers) PROKOFIEV: Violin Concertos Nos. 1 and 2; STRAVINSKY: Violin Concerto (Cho-Liang Lin, violin) REVUELTAS: Music of Silvestre Revueltas (including La noche de los mayas, Sensemayá) SALONEN: