Redefining Functions and Spaces in a Design of a Museum
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Barbara Blackmun Collection, EEPA 2016-012
Barbara Blackmun Collection, EEPA 2016-012 Eden Orelove October 2018 Eliot Elisofon Photographic Archives, National Museum of African Art National Museum of African Art P.O. Box 37012 MRC 708 Washington, DC 20013-7012 [email protected] http://africa.si.edu/collection/eliot-elisofon-photographic-archives/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical / Historical.................................................................................................... 1 Arrangement..................................................................................................................... 2 Scope and Contents........................................................................................................ 2 Names and Subjects ...................................................................................................... 2 Container Listing ............................................................................................................. 4 Series 1: Museum Objects, 1979-1994.................................................................... 4 Series 2: People, circa 1969-1994......................................................................... 71 Series 3: Ceremonies and Festivals, circa 1969-1994........................................... 89 Series 4: Landscape and Street -
The Nigerian Tourism Sector: Economic Contribution, Constraints, and Opportunities
Journal of Hospitality Financial Management The Professional Refereed Journal of the International Association of Hospitality Financial Management Educators Volume 10 Issue 1 Article 7 2002 The Nigerian Tourism Sector: Economic Contribution, Constraints, and Opportunities Abiodun Bankole University of Ibadan, Nigeria Follow this and additional works at: https://scholarworks.umass.edu/jhfm Recommended Citation Bankole, Abiodun (2002) "The Nigerian Tourism Sector: Economic Contribution, Constraints, and Opportunities," Journal of Hospitality Financial Management: Vol. 10 : Iss. 1 , Article 7. Available at: https://scholarworks.umass.edu/jhfm/vol10/iss1/7 This View Point is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Journal of Hospitality Financial Management by an authorized editor of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. The Journal of Hospitality Financial Management. Volume 10, Number 1, 2002 THE NIGERIAN TOURISM SECTOR: CONTRIBUTION, CONSTRAINTS, AND OPPORTUNITIES Abiodun S. Bankole Introduction Nigeria made some far-reaching commitments in the tourism and travel-related ser- vices sub-sector in the General Agreement on Trade in Services (GATS) signed at the end of the multilateral trade negotiations of the Uruguay ~0und.lCross-border supply, con- sumption abroad, and commercial presence in tourism and travel-related services were fully bound in that agreement. Full binding of commitments in any service sector implies that no limitation of any kind is imposed on the market access opportunities of foreign services providers in this particular sector for the aforementioned mode of supply. The only types of restrictions are those contained in the horizontal commitments of Nigeria's schedule of services commitments. -
A Boost to Cultural Tourism in Nigeria (Pp
An International Multi-Disciplinary Journal, Ethiopia Vol. 4 (4), Serial No. 17, October, 2010 ISSN 1994-9057 (Print) ISSN 2070-0083 (Online) Tradition and Art Appreciation: A Boost to Cultural Tourism in Nigeria (Pp. 506-520) Bakare, K. Oyebisi - Department of Family, Nutrition and Consumer Sciences, Obafemi Awolowo University, Ile-Ife, Nigeria E-mail: [email protected] Phone: +234 7039205077 Akinbileje, Thessy Y. - Department of Fine and Applied Arts, Obafemi Awolowo University, Ile-Ife, Nigeria E-mail: [email protected] Phone: +23408137291172 Abstract It is abysmal and disheartening to observe that Nigeria is depleted of parts of its cultural treasury to looters. It is delighted to deduce that these assets (tradition and art) are indispensable to our cultural pride and are potential assets to tourism, which has recently become world’s “gold mine”. The paper examines the implications of non-challant attitudes of Nigerians toward cultural preservation which adversely perch on our cultural bearing and disposition. It suggests solutions to some upheavals been faced by cultural tourism in Nigeria. It further unveils the deception and antics used by foreigners to dispossess us of our cultural heritage, which is consequently repackaged and sold back to us at extortionate prices. This study endeavors to document the inventory of some museums in Nigeria. In essence, the earlier Nigerians realize this, the better for us to start to reap the unflinching prospects inherent in our cultural heritage and endowment. The paper recommends that there is need for individual citizens to develop profound interest in Nigeria’s cultural heritage for development of tourism industry Copyright © IAARR, 2010: www.afrrevjo.com 506 Indexed African Journals Online: www.ajol.info Vol. -
This Essay Narrates the History of the National War Museum, Umuahia
THE NATIONAL WAR MUSEUM,UMUAHIA:PRESERVATION OF CIVIL WAR MEMORIALS AND NIGERIAN MILITARY HISTORY Chijioke N. Onuora, University of Nigeria, Nsukka INTRODUCTION to house major archaeological and ethnographical This essay narrates the history of the finds, including the Jos Museum (established by National War Museum, Umuahia, as a national Bernard Fagg in 1952), the Nigerian National heritage site. In 1965, political turmoil in postco- Museum, Lagos (established by Kenneth C. Mur- lonial Nigeria resulted in a conflict between the ray in 1957), and the Owo Museum in Owo. Nigerian state and the secessionist state of Biafra. Other museums in Benin City, Esie, Gidan A political challenge against a perceived Igbo Makama, Oron, and other regions of Nigeria dominance in the affairs of the postcolonial contain artworks in terra cotta, bronze, brass, nation led to riots, arson, and pogroms against wood, iron, ivory, and stone, as well as other arti- Igbo peoples in northern and western regions of facts associated with ancient indigenous Nigerian Nigeria, which eventually resulted in a secession cultures. Beyond the Kanta Museum in the Kebbi bid by Igbos and other minority ethnic groups in area, Kaduna Museum and Owo Museum in the eastern part of the country. The civil war that which weapons of war were accorded significant followed lasted from 1967 to 1970 and left in its visibility, the National War Museum, Umuahia trail unprecedented hardships and Igbo losses of remains the only museum in Nigeria (and one of almost 1 million people from deaths of mostly the few in Africa) devoted to the collection, con- starved children, soldiers, and civilians. -
The Jos Museum (1952), Prior to Its Opening
The Jos Museum (1952), prior to its opening. Photo: Collection of the B. E. B. Fagg Archive, © Mrs M. C. Fagg. JCS_3.1_Hellman_74-96.indd 74 4/1/14 1:40:00 PM Jcs 3 (1) pp. 74–96 Intellect Limited 2014 Journal of curatorial studies Volume 3 Number 1 © 2014 Intellect Ltd Article. English language. doi: 10.1386/jcs.3.1.74_1 AMANDA H. HELLMAN Michael C. Carlos Museum, Emory University The Grounds for Museological Experiments: Developing the Colonial Museum Project in British Nigeria Abstract Keywords In 1943 Kenneth C. Murray conducted a survey of antiquities in British Nigeria, Kenneth C. Murray leading to the founding of the Department of Antiquities, which wrote antiquities Bernard E. B. Fagg legislation, regulated archaeological excavations, and established all of the museums museums in Nigeria in the country. Looking to British institutions, such as the British and the Pitt Rivers colonial cultural Museums, Nigeria’s institutions and display practices reveal the way in which the policies colonial government intended to use the museum to unite a diverse population and collecting and create the modern colonial African subject. This article examines the processes by preserving African which European museum standards were translated to colonial-era African muse- art ums and how early Nigerian museums were both an extension of and departure The Jos Museum from the way British museums were used for social and political purposes. The Nigerian Museum, Lagos The nineteenth- and early twentieth-century British museum is well documented as a venue for public education, the construction of national identity, mapping culture and evolution, and, more specifically, for the 1.