Regarding Subtitles: Canadian Newspaper Coverage (May 2014-2018)
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Crime Files Series General Editor: Clive Bloom Since its invention in the nineteenth century, detective fiction has never been more pop- ular. In novels, short stories, films, radio, television and now in computer games, private detectives and psychopaths, prim poisoners and overworked cops, tommy gun gangsters and cocaine criminals are the very stuff of modern imagination, and their creators one mainstay of popular consciousness. Crime Files is a ground-breaking series offering scholars, students and discerning readers a comprehensive set of guides to the world of crime and detective fiction. Every aspect of crime writing, detective fiction, gangster movie, true-crime exposé, police procedural and post-colonial investigation is explored through clear and informative texts offering comprehensive coverage and theoretical sophistication. Titles include: Maurizio Ascari A COUNTER-HISTORY OF CRIME FICTION Supernatural, Gothic, Sensational Pamela Bedore DIME NOVELS AND THE ROOTS OF AMERICAN DETECTIVE FICTION Hans Bertens and Theo D’haen CONTEMPORARY AMERICAN CRIME FICTION Anita Biressi CRIME, FEAR AND THE LAW IN TRUE CRIME STORIES Clare Clarke LATE VICTORIAN CRIME FICTION IN THE SHADOWS OF SHERLOCK Paul Cobley THE AMERICAN THRILLER Generic Innovation and Social Change in the 1970s Michael Cook NARRATIVES OF ENCLOSURE IN DETECTIVE FICTION The Locked Room Mystery Michael Cook DETECTIVE FICTION AND THE GHOST STORY The Haunted Text Barry Forshaw DEATH IN A COLD CLIMATE A Guide to Scandinavian Crime Fiction Barry Forshaw BRITISH CRIME FILM Subverting -
Rupert Power ACO, GBCT | Crew Profile | Gravycrew
Gravy Crew Ltd. t. +44 (0) 203 696 4600 e. [email protected] Diary Management Service Rupert Power ACO, GBCT Camera / Steadicam Owner-Operator Rupert is an experienced Camera & Steadicam Operator working on Features, TV Drama, TV Comedy, Commercials and Music productions. Experienced with remote heads, geared heads, steadicam and happy to light second unit. Steadicam owner/operator. Feature Films (Selection) Production Director / DOP Production Company Additional Information A Christmas Number 1. Chris Cottam / Catherine Sky Original Cinema Camera Operator Derry Last Night In Soho Edgar Wright / Oliver Big Smoke Pictures Ltd. Camera & Steadicam 2nd Unit Curtis BSC Muscle Gerard Johnson / Stuart Muscle Films Ltd. B Camera & Steadicam Bentley Sulphur & White Julian Jarrold / Felix UME 9 LTD / AMG B Camera & Steadicam Wiedemann International Cordelia Adrian Shergold / Tony StudioPow Steadicam Operator dailies Slater-Ling 90 Minutes Simon Baker /Dom Bartels 90 Minutes Productions Steadicam Operator Sing Street John Carney /Yaron Cosmo Films Steadicam / Crane Op Orbach Legacy David Fairbanks, Marc Legacy Productions Steadicam Operator Small /Aaron Reid The Possibilities are Endless Ed Lovelace, James Hall Pulse Films Steadicam Operator /Richard Stewart Hyena Gerard Johnson /Ben No 9 Films Steadicam Operator Kracun Fair Game Doug Liman /Robbie River Road Entertainment Steadicam Operator Baumgartner Angus, Thongs & Snogging Gurinder Chadha / Dick High Command Steadicam Operator Pope BSC Shifty Rani Creevy /Ed Wild Dudlowe Films Steadicam Operator -
Older Adults and the Justice System
OLDER ADULTS AND THE JUSTICE SYSTEM A navigational guidebook for caregivers and service providers February 2020 This guidebook was prepared by the Provincial Human Services and Justice Coordinating Committee (PHSJCC), with support from the Canadian Mental Health Association Ontario. The information in this document is intended for information purposes only. It does not provide legal or medical advice. If you have a health question, you should consult a physician or other qualified health care provider. If you have a legal question, you should consult a lawyer. TABLE OF CONTENTS Acknowledgements . IV Preface . VI CHAPTER 1: DEMENTIA AND OTHER AGE-RELATED CONDITIONS . 1 Age-related conditions . 1 Dementia . 1 Delirium . 3 Mental health . 5 Substance use . 5 Developmental disabilities . 6 Physical health conditions . 6 Social determinants of health . 7 Priority populations . 7 Racialized populations . 8 Indigenous populations . 9 Non-English-speaking populations . 9 2SLGBTQ+ . 10 Housing and supports . 11 Personal care . .11 Long-term care homes . .11 Retirement homes . 13 Care homes . .14 Mental health and substance use supportive housing . 14 Dementia-friendly communities . 15 CHAPTER 2: CRIMINAL JUSTICE SYSTEM . 16 Interacting with the police . .16 Planning before a crisis . 16 Responsive behaviours . 17 If someone goes missing . .18 Crisis centres and safe beds . 19 Calling the police . .19 Apprehension under the Mental Health Act . .20 Order for examination under the Mental Health Act . .21 Laying a charge . .21 Pre-charge diversion . .21 - I - Arrest . 22 Police custody . .23 Release from police custody . 24 Peace bonds . .25 The courtroom . .25 Judicial officers . 25 Jurors . .26 The Crown . 26 Defence counsel and duty counsel . -
699-5914 Page 1 De
Location/Animation Productions PAC info@ showpac.com (450) 699-5914 Song Name Singer Name no. DO WAH DIDDY 2 LIVE CREW 000030 TON AMOUR A CHANGER MA VIE LES CLASSELS 001001 LE DEBUT D'UN TEMPS NOUVEAU RENEE CLAUDE 001002 SUR LES CHEMINS D'ETE(DANS MA CAMARO) STEPHANE VENNE 001003 L'AUTOROUTE SANS RETOUR DANNY BOUDREAU 001420 1500 MILES ERIC LAPOINTE 001421 ADAMO MEDLEY 1 ADAMO 001422 ADAMO MEDLEY2 ADAMO 001423 N'EST CE PAS MERVEILLEUX ADAMO 001424 NOTRE ROMAN ADAMO 001425 ELLE ADAMO 001426 JE VEUX TOUT ARIANNE MOFFATT 001427 SOULMAN BEN L'ONCLE SOUL 001428 JE POURSUIS MON BONHEUR DANIEL BÉLANGER 001429 LE RENDEZ VOUS VALÉRIE CAROPENTIER 001430 ON S'EST AIMÉ À CAUSE CÉLINE DION 001431 J'ATTENDS CHARLOTTE CARDIN GOYER 001432 OUBLIE MOI COEUR DE PIRATE 001433 CRIER TOUT BAS COEUR DE PIRATE 001434 SI TU M'AIMES ENCORE JEAN MARC COUTURE 001435 ENCORE UN SOIR CELINE DION 001436 TU PEUX PARTIR DANIEL BÉLANGER 001437 DANZA DOMINIQUE HUDSON 001438 QUAND JE VOIS TES YEUX DOMINIQUE HUDSON 001439 ÇA ME MANQUE ERIC LAPOINTE 001440 LES ALLUMEUSES HUGO LAPOINTE 001441 TU M'AIMES TROP HUGO LAPOINTE 001442 DIS QUAND REVIENDRAS TU ISABELLE BOULAY 001443 JE PENSE À TOI GREGORY CHARLES 001444 TOI QUI ME FAIT VIVRE JEAN MARC COUTURE 001445 COMME ON ATTENDS LE PRINTEMPS JEROME COUTURE 001446 JE NE CHERCHE PAS AILLEURS JJ LECHANTEUR 001447 LE GROS PARTY JJ ROLLAND 001448 NON IL NE FAUT PAS PLEURER JJ ROLLAND 001449 L'AMOUR DE MA VIE JJ ROLLAND 001450 NANIE JOCELYN THÉRIAULT 001451 NON NE RACCROCHEZ PAS JOCELYNE BÉDARD 001452 LE KID J PAINCHAUD 001454 LES VIEUX -
Lamda.Ac.Uk Review of the Year 1 WELCOME
REVIEW OF THE YEAR 17-18 lamda.ac.uk Review of the Year 1 WELCOME Introduction from our Chairman and Principal. This year we have been focussing on: 2017-18 has been a year of rapid development and growth for LAMDA Our students and alumni continue to be prolific across film, theatre and television • Utilising our new fully-accessible building to its maximum potential and capacity. production, both nationally and internationally; our new building enables us to deliver • Progressing our journey to become an independent Higher Education Provider with degree gold standard facilities in a fully accessible environment; and our progress towards awarding powers. registration as a world-leading Higher Education Provider continues apace. • Creating additional learning opportunities for students through new collaborations with other arts LAMDA Examinations continues to flourish with 2017/18 yielding its highest number of entrants to organisations and corporate partners. date, enabling young people across the globe to become confident and creative communicators. • Widening access to ensure that any potential student has the opportunity to enrol with LAMDA. We hope you enjoy reading about our year. • Extending our global reach through the expansion of LAMDA Examinations. Rt. Hon. Shaun Woodward Joanna Read Chairman Principal lamda.ac.uk Review of the Year 2 OUR PURPOSE Our mission is to seek out, train and empower exceptional dramatic artists and technicians of every generation, so they can make the most extraordinary impact across the world through their work. Our examinations in drama and communications inspire people to become confident, authentic communicators and discover their own voice. Our vision is to be a diverse and engaged institution in every sense, shaping the future of the dramatic arts and creative industries, and fulfilling a vital role in the continuing artistic, cultural and economic success of the UK. -
BRITISH ACADEMY TELEVISION CRAFT AWARDS in 2016: Winners in *BOLD
BRITISH ACADEMY TELEVISION CRAFT AWARDS IN 2016: Winners in *BOLD SPECIAL AWARD *NINA GOLD BREAKTHROUGH TALENT sponsored by Sara Putt Associates DC MOORE (Writer) Not Safe for Work- Clerkenwell Films/Channel 4 GUILLEM MORALES (Director) Inside No. 9 - The 12 Days of Christine - BBC Productions/BBC Two MARCUS PLOWRIGHT (Director) Muslim Drag Queens - Swan films/Channel 4 *MICHAELA COEL (Writer) Chewing Gum - Retort/E4 COSTUME DESIGN sponsored by Mad Dog Casting BARBARA KIDD Jonathan Strange & Mr Norrell - Cuba Pictures/Feel Films/BBC One *FOTINI DIMOU The Dresser - Playground Television UK Limited, Sonia Friedman Productions, Altus Productions, Prescience/BBC Two JOANNA EATWELL Wolf Hall - Playground Entertainment, Company Pictures/BBC Two MARIANNE AGERTOFT Poldark - Mammoth Screen Limited/BBC One DIGITAL CREATIVITY ATHENA WITTER, BARRY HAYTER, TERESA PEGRUM, LIAM DALLEY I'm A Celebrity... Get Me Out of Here! - ITV Consumer Ltd *DEVELOPMENT TEAM Humans - Persona Synthetics - Channel 4, 4creative, OMD, Microsoft, Fuse, Rocket, Supernatural GABRIEL BISSET-SMITH, RACHEL DE-LAHAY, KENNY EMSON, ED SELLEK The Last Hours of Laura K - BBC MIKE SMITH, FELIX RENICKS, KIERON BRYAN, HARRY HORTON Two Billion Miles - ITN DIRECTOR: FACTUAL ADAM JESSEL Professor Green: Suicide and Me - Antidote Productions/Globe Productions/BBC Three *DAVE NATH The Murder Detectives - Films of Record/Channel 4 JAMES NEWTON The Detectives - Minnow Films/BBC Two URSULA MACFARLANE Charlie Hebdo: Three Days That Shook Paris - Films of Record/More4 DIRECTOR: FICTION sponsored -
Chapters in Canadian Popular Music
UNIVERZITA PALACKÉHO V OLOMOUCI FILOZOFICKÁ FAKULTA Katedra anglistiky a amerikanistiky Ilona Šoukalová Chapters in Canadian Popular Music Diplomová práce Vedoucí práce: Mgr. Jiří Flajšar, Ph.D. Olomouc 2015 Filozofická fakulta Univerzity Palackého Katedra anglistiky a amerikanistiky Chapters in Canadian Popular Music (Diplomová práce) Autor: Ilona Šoukalová Studijní obor: Anglická filologie Vedoucí práce: Mgr. Jiří Flajšar, Ph.D. Počet stran: 72 Počet znaků: 138 919 Olomouc 2015 Prohlašuji, že jsem diplomovou práci na téma "Chapters in Canadian Popular Music" vypracovala samostatně pod odborným dohledem vedoucího práce a uvedla jsem všechny použité podklady a literaturu. V Olomouci dne 3.5.2015 Ilona Šoukalová Děkuji vedoucímu mé diplomové práce panu Mgr. Jiřímu Flajšarovi, Ph.D. za odborné vedení práce, poskytování rad a materiálových podkladů k práci. Poděkování patří také pracovníkům Ústřední knihovny Univerzity Palackého v Olomouci za pomoc při obstarávání pramenů a literatury nezbytné k vypracování diplomové práce. Děkuji také své rodině a kamarádům za veškerou podporu v době mého studia. Abstract The diploma thesis deals with the emergence of Canadian popular music and the development of music genres that enjoyed the greatest popularity in Canada. A significant part of the thesis is devoted to an investigation of conditions connected to the relation of Canadian music and Canadian sense of identity and uniqueness. Further, an account of Canadian radio broadcasting and induction of regulating acts which influenced music production in Canada in the second half of the twentieth century are given. Moreover, the effectiveness and contributions of these regulating acts are summarized and evaluated. Last but not least, the main characteristics of the music style of a female singer songwriter Joni Mitchell are examined. -
Alain Simard
Alain Simard Chairman of the Board of L'Équipe Spectra, FrancoFolies de Montréal and Festival International de Jazz de Montréal, and Founding President Emeritus de MONTRÉAL EN LUMIÈRE Founder of three festivals One of the pioneers and leaders of the Canadian music industry, Alain Simard has been a builder of Quebec's culture for nearly 50 years. His passionate work as a manager, agent, concert and festival promoter, recording and television producer as well as avenue owner has contributed to the development and professionalization of our cultural industry and has generated extraordinary artistic, social, economic and touristic benefits for Montreal and Canada. The trail-blazing promoter When he was 18 years old, he opened a live concert café, La Clef, and organized pop festivals featuring the first Montreal underground bands, some of which he managed. From 1971, with Kosmos productions, he was the first to promote British groups Genesis, Gentle Giant, Pink Floyd and Procol Harum in Eastern Canada and initiated the midnight shows in Cinéma Outremont with several international artists. In 1977, he organized Harmonium’s L’Heptade only arena tour and founded Spectra Scène (which would become L’Équipe Spectra in 1992) with André Ménard and Denyse McCann. Together, they launched the Cinéma Saint-Denis as a venue, followed by El Casino club and soon the legendary Spectrum de Montréal in 1983. Alain Simard and Spectra were also behind the transformation of the Métropolis (formerly a nightclub) into a venue in 1997, the renovation and reopening of the Théâtre Outremont in 2001 and the creation of the L’Astral concert club in the seven-storey Maison du Festival de Jazz. -
Unsettling the White Noise: Deconstructing the Nation-Building
Unsettling the White Noise: Deconstructing the Nation-Building Project of CBC Radio One’s Canada Reads By Emily M. Burns A thesis submitted to the Graduate Program in the Department of Gender Studies in conformity with the requirements for the Degree of Master of Arts Queen’s University Kingston, Ontario, Canada August, 2012 Copyright @ Emily M. Burns, 2012 Abstract The Canadian Broadcasting Corporation’s Canada Reads program, based on the popular television show Survivor, welcomes five Canadian personalities to defend one Canadian book, per year, that they believe all Canadians should read. The program signifies a common discourse in Canada as a nation-state regarding its own lack of coherent and fixed identity, and can be understood as a nationalist project. I am working with Canada Reads as an existing archive, utilizing materials as both individual and interconnected entities in a larger and ongoing process of cultural production – and it is important to note that it is impossible to separate cultural production from cultural consumption. Each year offers a different set of insights that can be consumed in their own right, which is why this project is written in the present tense. Focusing on the first ten years of the Canada Reads competition, I argue that Canada Reads plays a specific and calculated role in the CBC’s goal of nation-building: one that obfuscates repressive national histories and legacies and instead promotes the transformative powers of literacy as that which can conquer historical and contemporary inequalities of all types. This research lays bare the imagined and idealized ‘communities’ of Canada Reads audiences that the CBC wishes to reflect in its programming, and complicates this construction as one that abdicates contemporary responsibilities of settlers. -
These Prése1nt6e B La Faculte Des Btudes Supérieures De I'universit6 Laval Pour L'obtention Du Grande De Philosophiae Doctor (Ph.D.)
LA CNRCONSPECTION DES INSTANCES CRITIQUES A PROPOS. DES BEST-SELLERS FÉMININS AU QU~BEC(1985 A 1995) ET C'CMERQENCE D'UNE ZONE TROUBLE DU CHAMP LITTERAIRE These prése1nt6e B la Faculte des Btudes supérieures de I'Universit6 Laval pour l'obtention du grande de Philosophiae Doctor (Ph.D.) DBpattement des lin6ratures Facuite des lettres Universit6 Laval Quebec Juillet 2000 @ Chantal Savoie, 2000 Nationai Library BiMotheque nationale 1+1 OfCamda du Canada Acquisitions mû Acquisitions et Bibliographie Sewiçes services b~Miographiques 395 W~~ Street 395. rue welnngtor, Otiewaffl K7AW -ON K1AM canada canada The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or sell reproduire' prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/£üm, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation, La these s'applique & 6valuer le degr6 de l6gitimit6 des best-sellers fdminins qudbdcois et analyser les mBcanismes et les crithres qui gouvernent leur apprdhension au sein des Btudes litidmires et culturelles. Pour ce faire, elle propose l'étude de l'ensemble du discours critique B propos de cinq auteures de best-sellers fhinins qudbkois de 1985 B 1995 : Francine Ouellette, Denise Bombardier, Chrystine Brouillet. -
New Films from Canada March 7 – 10, 2019 Ifc Center, New York
NEW FILMS FROM CANADA MARCH 7 – 10, 2019 IFC CENTER, NEW YORK With the support of CANADA NOW 2019 Look up. Way up. Up above that distant 49th parallel. Soon you will begin to see the swirling illuminations of those northern cinematic lights: Canada Now 2019 is here. Yes, your Canadian neighbours are again coming south, bringing tales of restless youth, ancient indigenous stories of tragedy and healing, compelling personal dramas about reinventing our world with the power of our imaginations, plus a trio of riveting, dramatic documentaries about the global environmental crisis, war crimes in Europe, and the struggle for civil rights in the United States of America. This latest Canada Now selection includes daring and impressive works by both veteran fi lmmakers and new Canadian visions by emerging directorial talents. The 2019 Canada Now showcase celebrates the independent creative spirit that has always been a hallmark of Canadian cinema. Follow us on Facebook at @CanadaNowFilm www.CanadaNowFestival.com CANADA NOW is presented by Telefi lm Canada in partnership with the Consulate General of Canada in New York City and with the support of Air Canada. Directors of the CANADA NOW fi lms will be present at screenings for Q & A. Anthropocene: The Human Epoch THURSDAY, MARCH 7, 7:00 PM FRIDAY, MARCH 8, 7:00 PM ANTHROPOCENE: THE HUMAN EPOCH HUGH HEFNER’S AFTER DARK: Directors: Jennifer Baichwal, Nicholas de Pencier, Edward Burtynsky SPEAKING OUT IN AMERICA U.S. Distributor: Kino Lorber in association with Kanopy Director: Brigitte Berman 2018 | 87 MINUTES | ENGLISH 2018 | 101 MINUTES | ENGLISH Four years in the making, Anthropocene: The Human Epoch is a visually arresting From Brigitte Berman, Oscar winning director of Artie Shaw: Time Is All You’ve Got (1985), cinematic rumination on humanity’s recent, rapacious technological transformation of comes this remarkable documentary of one of America’s most influential and controversial the Earth. -
Louisiana Bar Journal/April/May 2015
RESURRECTION OF A REAL RIGHT: Annuities with a Charge Also Inside: • Interstate Discovery Simplified • Are Medicare Set-Asides Legally Mandated in Personal Injury Settlements? • Book Review: Acadie LegierCo haystack NO Mag Aug09 8/12/09 4:37 PM Page 1 The Needle In A Haystack Ask how we can help you file BP Oil Spill Claims utilizing the latest court-supervised settlement methodology. Complex financial litigation cases often require the engagement of experts who can find “the needle in a haystack.” A substantial edge is gained when you have Legier & Company’s Forensic & Investigative CPA and Expert Witness Group on your team to help you find obscured financial facts that build and prove stronger cases. Expert Testimony • Fraud • Forensic & Investigative Accounting • Calculating and Refuting Financial Damages Business Valuations • Bankruptcies • Shareholder Disputes • Lost Profits • Business Interruptions Lost Wages • Corporate Veil Piercing • Marital Dissolutions For more information, contact William R. Legier (504) 599-8300 1100 Poydras Street • 34th Floor • Energy Centre • New Orleans, LA 70163 Telephone (504) 561-0020 • Facsimile (504) 561-0023 • http://www.legier.com Louisiana Bar Journal Vol. 62, No. 6 417 418 April / May 2015 ® April / May 2015 Volume 62, Number 6 Departments Features Editor’s Message .................. 423 Interstate Discovery Simplified: Louisiana Passes the Uniform Interstate Depositions and Discovery Act President’s Message ............ 424 By Christopher D. Cazenave and Graham H. Ryan ..............................................426 Association Actions .............. 440 Practice Management........... 450 Resurrection of a Real Right: Annuities with a Charge By Tyler G. Storms .................................................................................................430 Lawyers Assistance .............. 451 Focus on Diversity ................ 452 Are Medicare Set-Asides Legally Mandated in Personal Injury Settlements? Puzzle ..................................