Coronavirus Concert Cancellations Expose Vulnerability of Touring
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Soiiy Discos to Close Warehouse Nationality, Argues Bolz
`N SYNC'S INDIRECT PATH TO THE TOP (Continued from page 6) (responsible for producing Spears) less where a record was produced, many." million albums sold worldwide are in haven't. We've just had to spend a lot with Kristian Lundin under the within the industry BMG Ariola BMG Ariola's head of internation- the U.S., according to BMG. The of time in the U.S." supervision of BMG A &R exec Munich is the first to admit that in al, Susie Armstrong, says that the group has been busy satisfying U.S. The band's agenda for this year Andreas von Oertzen in Munich. The 1997, a German- produced American climate changed over the time that demand, which has resulted in the will concentrate on the U.S. The label and creative team was a simi- boy band was not necessarily on top 'N Sync was being developed. BMG U.K. label Northwestside hav- group will play arenas there from lar constellation to what led to the of every affiliate's wish list, and it "Five years ago, I would not have ing to wait until May to release the March to May, then visit the U.K. to Backstreet Boys' European success. encountered resistance among col- had a fighting chance with this act" album. launch the album there. June sees The album was originally released leagues. However, the attitudes of key "We've had difficulty bringing the act recording, then a third set of in May 1997: That version has sold For Thomas M. Stein, BMG's executives in the U.S. -
Central Florida Future, Vol. 34 No. 14, November 21, 2001
University of Central Florida STARS Central Florida Future University Archives 11-21-2001 Central Florida Future, Vol. 34 No. 14, November 21, 2001 Part of the Mass Communication Commons, Organizational Communication Commons, Publishing Commons, and the Social Influence and oliticalP Communication Commons Find similar works at: https://stars.library.ucf.edu/centralfloridafuture University of Central Florida Libraries http://library.ucf.edu This Newspaper is brought to you for free and open access by the University Archives at STARS. It has been accepted for inclusion in Central Florida Future by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation "Central Florida Future, Vol. 34 No. 14, November 21, 2001" (2001). Central Florida Future. 1606. https://stars.library.ucf.edu/centralfloridafuture/1606 HAPPY THANKS61VIN6! from The Central THE central florida Florida Future • November 21, 2001 •THE STUDENT NEWSPAPER SERVING UCF SINCE 1968 • www.UCFjuture.com International 0 Hunger Banquet educates Week offered • forums, Study students about poverty Abroad Fair • KRISTA ZILIZI STAFF WRITER PADRA SANCHEZ S'rAfp WRITER • Students got the chance to experience the different social On Nov. 13, UCF held a classes that populate the world series of open forums for students, • at Volunteer UCF's annual faculty and staff about pertinent Hunger Banquet last week. international issues. Held in the "This is a small slice of Student Union's Key West Room, JOE KALEITA I CFF each forum followed a town hall life as it plays out ~ach day in lower class students, who were the world," said Nausheen format, with a panel of guest forced to sit on the floor, had to eat speakers and open microphones Farooqui, Hunger and with "rats". -
The Creative Conver
TWO PETERRAINMAKERS EDGETHE CREATIVE CONVERSATION s chief of RCA, Peter Edge has presided over one of the splashiest rosters in the biz, which has culminated in big chart successes, top-tier Grammy love and, occa- sionally, pop-cultural godhead for his acts. Edge’s keen A&R chops Aand artist whispering have been integral to his reign, and he has been acutely sensitive to the shifting winds of the marketplace. “I’m always looking for a unique propo- sition,” Edge said a decade and a half ago, and it clearly resonates today. “I’m really attracted to people who have an abundance of talent because I’m just in awe of that, being a music fan.” “Peter Edge loves music so much, it’s his heart and soul,” notes one of Edge’s Grammy-winning, chart-topping signings, Switch, where he booked artists such as Sade Khalid. “I’ve had such meaningful artistic and Grace Jones. His work there caught conversations with him, and I’m always in the eye of Simon Fuller, who hired him as awe of his knowledge and his passion.” an A&R rep at Chrysalis Music Publishing; “I have known and worked with Peter he subsequently moved to the label side at since I first started in this business,” says Chrysalis and was tasked with launching the manager Brandon Creed, “and he has London-based Cooltempo imprint in 1985, always been a very kind and soulful leader in tandem with producer Danny D. and personal mentor to me. His taste and In the U.K., the label would release talent are inspiring, and he’s as authen- music by Erik B and Rakim, EPMD, tic and genuine as an executive as he is a The Real Roxanne, Slick Rick and Doug human being.” E. -
A$Ap Rocky Injured Generation Tour 18-City
A$AP ROCKY INJURED GENERATION TOUR 18-CITY NORTH AMERICAN TOUR KICKS OFF TUESDAY, JANUARY 8 TICKETS ON SALE FRIDAY, NOVEMBER 2 October 29, 2018 – New York – A$AP Rocky will be hitting the road this winter with his Injured Generation Tour. The 18-city North American tour kicks off on Tuesday, January 8th in Minneapolis at The Armory, and will make stops in Los Angeles, Chicago, Philadelphia, Atlanta and more, before wrapping on Wednesday, February 6th in Kent, WA at accesso ShoWare Center. The tour is produced by AEG Presents. Tickets for A$AP Rocky’s Injured Generation Tour go on sale Friday, November 2nd at 12 noon local time. A$AP Rocky Fan Presale will begin Tuesday October 30th at 10am local time through Thursday, November 1st at 10pm local time. American Express® Card Members can purchase tickets before the general public beginning Tuesday, October 30th at 12 noon local time, through Thursday, November 1st at 10pm local time. For more information and to purchase tickets please visit: https://tstng.co/shows.html The tour comes on the heels of the release of A$AP Rocky’s highly-anticipated third studio album, TESTING, which has garnered over 1 billion streams worldwide, landing at #1 on the iTunes charts in 16 countries upon release. TESTING launches a new era for Rocky, exploring new sounds and ideas in an unparalleled musical landscape where he continues to break the mainstream mindset with sonics rarely heard in hip-hop. This album picks up where Rocky last left off, weaving mind-melting aural psychedelics into hip-hop that is, at times dark and confessional, and in other moments uplifting and celebratory. -
October 2020 2020 EARSHOT JAZZ DIGITAL FESTIVAL Feeling the Spirit
Since 1984, Earshot Jazz has been Seattle’s major ambassador of jazz – presenting jazz masters and important new artists, supporting the local scene, and educating young and old about the joys of jazz – all thanks to contributions from folks like you. Make a donation TODAY www.earshot.org/donate 206-547-6763 All photos by Daniel Sheehan taken at the 2018 Earshot Jazz Festival. Top: Brian Blade, Kate Olson, Jovino Santos Neto, Logan Richardson, Jazzmeia Horn, Bill Frisell, Ryan J. Lee, Maria Schneider. Middle: Regina Carter, Jasnam Daya Singh, Tia Fuller, Wayne Horvitz, Burniss Travis, Roosevelt High School Jazz Band, Myra Melford, Joel Ross. Bottom Row: Dawn Clement, Johnaye Kendrick, Jay Thomas, Jen Shyu, Keyon Harrold, Caroline Davis, Donovan Kranzler-Lewis, Mark Turner. 2 • EARSHOT JAZZ • October 2020 2020 EARSHOT JAZZ DIGITAL FESTIVAL Feeling the Spirit Welcome to the 2020 edition of the time, president Earshot Jazz Festival. We’re proud to Barack Obama celebrate Seattle’s place in the dy- referred to jazz namic world of jazz with a festival as “fearless and that reflects both the circumstances true” and an and the spirit of these extraordinary “honest reflec- times. tion of who Building this year’s program on we are in this the tangible pillars of Listen, Learn, time.” All of and Improvise; we’ve also focused the artists on the artistic expression on the essen- this year’s festi- tial fourth corner of jazz’s founda- val bring a great tion: Feel. Beneath the technical depth of skill brilliance that we’ve come to expect and expressive in today’s artists, the essence of the spirit to the music is in the personal expression stage, though of the artist and its impact on the few have so rig- listener. -
Where Reasonable Meets Rebel
C4 ST. LOUIS AMERICAN • JANUARY 2 - 8, 2014 Marco broad – or too narrow. When enemy of progress.” POTPOURRI Thompson NEW YEAR we don’t see the results we’ve It made me think of a and Inez Ross predicted and presented on friend who sat out spin class visit at their our vision board, we throw in because she put her workout Continued from C1 law office Continued from C1 the towel and call it a year. bag together in the dark and Christmas Party After a week of note-sifting her T-shirt didn’t match her musical performances by Dirty year.” After much agony and head-scratching, my New yoga pants. Mugs and En Vogue. about being completely Year’s resolution column It took a whole year, but There were many familiar overwhelmed by this epic fell victim to the same fate Rebeccah’s single sentence and new faces enjoying the “New Year, New You” for that my actual New Year’s hit home in a way that has me music, food, gourmet desserts 2014, abandoning the whole resolutions have suffered for ready to take on 2014 with and top-shelf drinks. The idea seemed like the only the past 25 years. a renewed sense of purpose. lines at the photo booths were sensible option. I was so discouraged that I didn’t spend the past week constant, but everyone was Sound familiar? I went back and read some drafting up unreasonable self- enjoying the party pictures. I don’t know about key points from previous contracts rooted in ridiculous Just to name a few of the anyone else, but this whole conversations with Rebeccah expectations with the guests I ran into: Gabrielle process mirrored my annual Bennett – as I do from time common theme of deprivation and Tony Davis Sr., David New Year’s resolutions to time – to encourage and and sacrifice. -
Grammy Museum® Announces New Program Series Titled Spotlight Saturdays
GRAMMY MUSEUM® ANNOUNCES NEW PROGRAM SERIES TITLED SPOTLIGHT SATURDAYS REPUBLIC RECORDS WILL BE THE FIRST LABEL TO TAKE OVER THE SERIES STARTING WITH ARTISTS BENEE, DUCKWRTH, CONAN GRAY, KIANA LEDÉ, AND JEREMY ZUCKER FOR MONTH OF AUGUST WHAT: GRAMMY Museum® announces a new program series titled Spotlight Saturdays featuring up- and-coming artists every Saturday. Each month will be in collaboration with a label, with the first takeover by Republic Records. Spotlight Saturdays is part of the Museum's Public Programs digital series, which features intimate sit-down interviews and performances via digital conferencing. More August programming to be announced soon. WHO: Spotlight Saturdays schedule below featuring August takeover by Republic Records. 8/1 — Kiana Ledé 8/8 — BENEE 8/15 — Conan Gray 8/22 — Duckwrth 8/29 — Jeremy Zucker WHEN: Every Saturday starting Aug. 1. WHERE: All content is released at the Digital Museum: www.grammymuseum.org ABOUT THE GRAMMY MUSEUM The GRAMMY Museum is a nonprofit organization dedicated to cultivating a greater understanding of the history and significance of music through exhibits, education, grants, preservation initiatives, and public programming. Paying tribute to our collective musical heritage, the Museum explores and celebrates all aspects of the art form — from the technology of the recording process to the legends who've made lasting marks on our cultural identity. For more information, visit www.grammymuseum.org, "like" the GRAMMY Museum on Facebook, and follow @GRAMMYMuseum on Twitter and Instagram. ▪ GRAMMY Museum® Announces New Program Series Titled Spotlight Saturdays | Page 1 of 3 BENEE From Auckland, New Zealand, breakthrough pop star Stella Bennett, aka BENEE, remains unfazed, unchanged and almost impervious to the cataclysmic success coming her way since releasing her debut EP, FIRE ON MARZZ, last summer. -
'N' Roll Fantasy Camp!
888.762.2263 extension 2 www.rockcamp.com Thank you for inquiring about Rock ‘n’ Roll Fantasy Camp! Our next camp will take place February 2010 in Hollywood, CA. We have two camp options in February: a 5 ½ day program February 23-28 and a 3 ½ day program February 25-28. May 25- 30, 2010 Rock ‘n’ Roll Fantasy Camp will head back to London and Abbey Road Studios for a six day camp. Our camp is a truly unique, once in a lifetime opportunity for campers to jam, record, and perform with the best artists in rock and roll. As a camper, you will be placed in a band with other campers and a Rockstar counselor, who will serve as your band’s fearless leader. Over the 3-6 days, you will rehearse and jam in a professional rehearsal studio, record in a world famous studio such as Abbey Road in London or Capitol Studios in Hollywood, and perform at a renowned concert venue like the Whisky A Go Go in Hollywood or The Cavern in Liverpool. Those of you who love music but don’t play are welcome! No musical experience is necessary. We put the bands together taking experience level and musical preferences into consideration. We also offer a master’s program geared to more musically experienced campers. Rock ‘n’ Roll Fantasy Camp Highlights include: 10 + hours of daily jam sessions with your band and Rockstar counselor Master classes with industry leaders, Rockstar counselors, and special musical guests Unlimited photograph and autograph opportunities A professional DVD of you jamming with the stars Live performance at a major venue Copy of your Studio recordings Daily meals with celebrity musicians and campers From the opening night party to the final concert, you’ll have the time of your life! Please visit www.rockcamp.com to see videos, pictures, and articles on the camp. -
50 Years in Rock History
HISTORY AEROSMITH 50 YEARS IN ROCK PART THREE AEROSMITH 50 YEARS IN ROCK PART THREE 1995–1999 The year of 1995 is for AEROSMITH marked by AEROSMITH found themselves in a carousel the preparations of a new album, in which the of confusions, intrigues, great changes, drummer Joey Kramer did not participate in its termination of some collaboration, returns first phase. At that time, he was struggling with and new beginnings. They had already severe depressive states. After the death of his experienced all of it many times during their father, everything that had accumulated inside career before, but this time on a completely him throughout his life and could no longer be different level. The resumption of collaboration ignored, came to the surface. Unsuspecting and with their previous record company was an 2,000 miles away from the other members of encouragement and a guarantee of a better the band, he undergoes treatment. This was tomorrow for the band while facing unfavorable disrupted by the sudden news of recording circumstances. The change of record company the basics of a new album with a replacement was, of course, sweetened by a lucrative drummer. Longtime manager Tim Collins handled offer. Columbia / Sony valued AEROSMITH the situation in his way and tried to get rid of at $ 30 million and offered the musicians Joey Kramer without the band having any idea a contract that was certainly impossible about his actions. In general, he tried to keep the to reject. AEROSMITH returned under the musicians apart so that he had everything under wing of a record company that had stood total control. -
CHR 2020 to 2000
Mediabase Charts Top 40 2020 Published (U.S.) -- Currents & Recurrents January 2020 through December, 2020 Rank Artist Title 1 THE WEEKND Blinding Lights 2 HARRY STYLES Adore You 3 DUA LIPA Don't Start Now 4 POST MALONE Circles 5 DOJA CAT Say So 6 LEWIS CAPALDI Before You Go 7 DUA LIPA Break My Heart 8 BLACKBEAR Hot Girl Bummer 9 HARRY STYLES Watermelon Sugar 10 JUSTIN BIEBER Intentions f/Quavo 11 CAMILA CABELLO My Oh My f/DaBaby 12 TREVOR DANIEL Falling 13 BILLIE EILISH everything i wanted 14 SAINT JHN Roses 15 THE WEEKND Heartless 16 MAROON 5 Memories 17 JAWSH 685 X JASON DERULO X BTS Savage Love (Laxed-Siren Beat) 18 ARIZONA ZERVAS Roxanne 19 DABABY Rockstar f/Roddy Ricch 20 LEWIS CAPALDI Someone You Loved 21 GABBY BARRETT I Hope f/Charlie Puth 22 SELENA GOMEZ Lose You To Love Me 23 BLACK EYED PEAS X J BALVIN RITMO (Bad Boys For Life) 24 LIZZO Good As Hell 25 JONAS BROTHERS Only Human 26 24KGOLDN Mood f/Iann Dior 27 TONES AND I Dance Monkey 28 SURF MESA ily (i love you baby) f/Emilee 29 BENEE Supalonely f/Gus Dapperton 30 POWFU Coffee For Your Head 31 JP SAXE F/JULIA MICHAELS If The World Was Ending 32 SAM SMITH & NORMANI Dancing With A Stranger 33 AVA MAX Kings & Queens 34 BILLIE EILISH bad guy 35 MEGAN THEE STALLION Savage f/Beyonce 36 JONAS BROTHERS Sucker 37 KANE BROWN Be Like That f/Khalid,Swae Lee 38 SURFACES Sunday Best 39 LIZZO Truth Hurts 40 BTS Dynamite 41 MAREN MORRIS The Bones 42 ED SHEERAN Beautiful People f/Khalid 43 ED SHEERAN & JUSTIN BIEBER I Don't Care 44 KHALID Talk 45 SHAED Trampoline 46 JUICE WRLD Come And Go f/Marshmello -
IN ACTION Nelba Márquez-Greene
By Ken Micallef | Photo by Steven Sussman axophonist Jimmy Greene JIMMY knows a pain that no person S should have to endure. Shortly afer 9:30 a.m. on Dec. 14, 2012, GREENE a gunman shot his way through a glass panel next to the locked entrance doors of Sandy Hook Elementary School in Newtown, Connecticut. He killed 20 children and six adult staf members. Among FAITH the dead were 6-and-a-half-year-old Ana Grace Márquez-Greene, the daughter of Greene and his wife, IN ACTION Nelba Márquez-Greene. At the time of the shooting, Greene was at read the Bible and loved to sing and dance as acts image was fashed on CNN. Lewis Nash contact- Western Connecticut State University at Danbury, of worship.” ed me from Japan. Harry Connick texted me and where he is an assistant professor of music and On the New York City jazz scene, Greene is said, ‘Can I come over?’ He’s a good friend. Harry assistant coordinator of jazz studies. admired for his expressive compositions, con- wrote a song for Ana called ‘Love Wins,’ which “I was at my ofce writing music when my summate musicianship and pure, beautiful tone we recorded in 2013. Harry released it and donat- wife called,” Greene said. “We went to the Sandy on tenor and soprano saxophones. A preco- ed all the proceeds to my family. A dozen more Hook Volunteer Firehouse, which it is at the bot- cious musician at age 6, by the time he was 15, songs were written by friends of mine. -
Aftercare Strategies for Chemically Addicted
AFTERCARE TO CHEMICALLY ADDICTED ADOLESCENTS: PRACTICE GUIDELINES FROM A SOCIAL WORK PERSPECTIVE by MARICHEN ANN VAN DER WESTHUIZEN Student Number: 4120-524-3 submitted in accordance with the requirements for the degree of DOCTOR OF PHILOSOPHY in the subject SOCIAL WORK at the UNIVERSITY OF SOUTH AFRICA Promoter: Dr. A.H. Alpaslan Joint promoter: Dr. M.S. de Jager Date submitted: June 2010 Student Number: 4120-524-3 I declare that “Aftercare to chemically addicted adolescents: Practice guidelines form a social work perspective”, is my own work and that all the sources that I have used or quoted have been indicated and acknowledged by means of complete references. ______________________________ ________________ Mrs. MA van der Westhuizen Date Acknowledgements I would like to thank those who have enabled me to start and complete this study with their help, support and encouragement: Professionally - • Colleagues at Walvis Bay Child and Family Centre and Hesketh King Treatment Centre, who introduced me to the field of addiction and the miracle of recovery. • My promoter, Dr. Alpaslan, for his remarkable ability to guide and support me. • My joint promoter, Dr. Mariana de Jager, for her patience and guidance. • My editor, Helen Allen, and independent coder, Laetitia le Roux, for giving such wonderful support. Personally - • My husband, Wynand, who gave me the freedom, support and encouragement to follow my dreams. • My parents, David and Valerie Basson, for their example. • My brother, Michel Basson, for inspiring me to be curious and to look further than the obvious. • My sister, Denise Basson, for joining me. • Nicolai and Jan-Hendrik, who helped me to keep a balance, and who ensured hours of fun in between the work.