Jeffrey Herman the BarbicanCentre principal funderof is thefounder and Corporation The Cityof London

Oslo Philharmonic Philharmonie deParis, Berkeley, Cal Performances, University of California, Gustavo Dudamel,Music&ArtisticDirector, The LosAngelesPhilharmonicAssociation, Barbican Centre andBritten Sinfonia, Commissioned by TheShed,NYC Produced by theBarbican andBritten Sinfonia Part of Barbican Presents 2019–20 Colin Currie Britten Sinfonia co-curated by Alex Poots andHansUlrichObrist by , montage by RudiHeinen; Film by Gerhard Richter andCorinnaBelz,music Britten Sinfonia co-commission) Reich/Richter Steve Reich Hall Wednesday 23October 2019 7.30pm &9.30pm, Reich/Richter advertising by Cabbell(tel 02036037930) Programme produced by HarrietSmith; hearing aidto Tsettingonentering thehall. Please useourinductionloop–justswitch your Use ahearingaid? the performance. Take photos ormake recordings during Please don’t... the performance. Turn off watch alarmsandphonesduring Please do... conductor Runner (European premiere, Barbicanand

2 immense energy –both visualandrhythmic. Richter’s abstract painting The starting pointfor thisnew film is and through hismultimediaoperas attuned to thevisualworld, not least and JohnCage. AndSteve Reich isequally paintings onfigures asdiverse asJ SBach by music,andhasproduced seriesof Gerhard Richter haslong beenfascinated premiere. this year andtonight receives itsEuropean which was premiered inNew York inApril Corinna Belzhasdonein Richter? Thatisexactly whatfilmmaker composer Steve Reich andartistGerhard two giantsof contemporary culture – What happenswhenyou bringtogether Welcome from the Barbican . Reich/Richter 946-3 , awork of ,

Head of Music,Barbican Huw Humphreys I hopeyou enjoy it. It promises to bearemarkable evening. art thisyear. most significant momentsincontemporary images’, anditseemssetto beoneof the a musicalcompositionvisualisedby film interpreted by musicand,at thesametime, as ‘astream of images, itsrhythmic flow Richter hasdescribedthecollaboration sum of itsparts. artwork thatisboundlesslymore thanthe from Richter’s painting, to create an and digital visuals,algorithmicallyderived and artisthave combinedoriginal music Together with Britten Sinfonia composer

Richter Tonight’s performances of both of thisextraordinary project to London. producers to bringtheEuropean premiere together asco-commissionersandco- could reprise ourpartnershipandwork for usto contact theBarbican to seeifwe with Gerhard Richter itmade perfect sense orchestra abouthisplannedcollaboration work, European premiere of hisnew orchestral the 80thbirthday of Steve Reich, givingthe Barbican’s memorable events celebrating Sinfonia was proud to bepartof the Almost exactly three years ago, Britten Welcome from Britten Sinfonia Pulse andhis2016 work . SowhenReich approached the Runner Reich/ are not Britten Sinfonia Chief Executive &Artistic Director, David Butcher We hopeyou have awonderful evening. Barbican family. proud anddelighted to bemembersof the our parts,andatBritten Sinfonia we are we canbesomuchmore thanthesumof its Resident andAssociate Artists.Together the partnershipsbetween theBarbicanand demonstrate thehugecreative potential of cultural events in Londonthisyear, butalso only poisedto beamongthemostnotable

3 Welcome 4 from the Mary Flagler CaryCharitable Trust, the program, made possibleby generous support New Music USA’s CommissioningMusic/USA House Covent Garden; EnsembleSignalthrough ‘Runner’ was commissionedby theRoyal permission from Boosey &Hawkes Programme note ©Steve Reich, reprinted withkind pace thepieceto reach asuccessfulconclusion. my awareness that,like arunner, Iwould have to The titlewas suggested by therapid openingand breath willcomfortably sustain them. played aspulsesby thewindsfor aslonga eighths andfinally areturn to the16ths butnow fourth comesareturn to theirregularly accented version of thestandard bellpattern from Ghana, eighths [quavers], thenavery slowed-down 16ths [semiquavers], thenirregularly accented are basedondifferent note durations. First,even are five movements, played withoutpause,that the tempo remains more orlessconstant, there 2016 andisabout16 minutes induration. While percussion, pianosandstringswas completed in Runner City of Frankfurt amMain and EnsembleModern,withkindsupport by the Congress Dina Koston andRoger Shapiro Fund; Performing Arts,with thesupportof theLibrary of University of California, Berkeley; Washington the HelenF Whitaker Fund; CalPerformances, William andFlora Hewlett Foundation,and Affairs, New York State CouncilontheArts, Lead Trusts, New York City Departmentof Cultural Ford Foundation, theFrancis Goelet Charitable Runner Steve Reich , for alarge ensembleof winds,

(2016)

(born 1936)(born

the score. film. They sentsomeandIagreed to compose project andthatIwould like to seesomeof the writing themusic?Isaiditwas avery interesting together withCorinnaBelzandwould Iconsider Richter saidhewas makingafilm of thebook abstractions, to very fine stripes. bilateral symmetry) to stillsmaller‘psychedelic’ ‘creatures’ (sincethemirroring produces a seriesof gradually smaller anthropomorphic net effect isto gofrom anabstract paintingto eighth, 16th, 32nd,alltheway upto 4096th.The of divide,mirror, repeat from halfto quarter, into mirror images. Hethenrepeated thisprocess in halfandtwo of thefour quarters hereversed cut thescaninhalfandtook each half,cutthat a photo of thepaintinginto acomputer andthen his abstract paintingsfrom the1990s. Hescanned showed mehis he shows inNew York. We metthere andhe meeting attheMarianGoodmanGallerywhere like to discussanew project. Hesuggested Seven years later, in2016, Iheard thathewould mutual respect andadmiration. spend muchtimetogether butthere was warm, Richter andIhad achanceto meet.We didn’t all of whichwe did.Itwent extremely well and Musicians ensemble inside the show and to play to play Ludwig MuseuminCologneandwanted me Musicians Modern – occasionally withtheFrankfurt-based Ensemble Steve Reich together? CarolCheung Ann Belz by made Corinna Richter’s new film, for Gerhard music the creating about Steve Cheung Ann to Carol talks Reich Reich/Richter Part 1 atthenearby ColognePhilharmonie, . Richter was having ashow atthe Drumming Part 1 Itgoesback to 2009.Iusedto play Patterns How didthisproject first come book.Itstarts withoneof withmembersof the and Music for 18 Music for 18 Then they gradually grew to 4,8,16, 32,andso terms, theinitialstripeswere made with2pixels. film was multiplyingandrepeating. Incomputer Instead of dividing,mirroring andrepeating, the the pulsating,colour-shifting, glowing stripes. involved was thevery beginning of thefilm with SR past. Was thatwhatattracted you to theproject? CAC an arch form. it goesgradually back to thestripes.Soit’skindof gets to thefullpainting,butitgetscloseandthen or anthropomorphic ‘creatures’. Thefilm never gradually to larger andlarger ‘abstract images’ It starts withthestripes,andthenitchanges backwards andconsiderably lesssystematic. SR and structure asthe CAC indicates theexact hour, minute, secondand is measured instandard SMPTEtimecode.It SR work? based onthesamestructure. How exactly didthat CAC structure of thefilm. Thatwas thebasicidea. The structure of themusicwould betiedto the completed piecesto thebeginningof thisproject. perfect way to move from theendof my just- and here thefilm beganwith2pixels. Itwas a I wanted to beginapiece withthatoscillation, played by almost alltheinstruments.Ifelt that oscillation between two gradually changingnotes Ensemble andOrchestra I completed two pieces: Now, justbefore Istarted work onthisproject, on. It was onefactor butwhatreally got me No, inthefilm, it’sbasicallythebook The exact timingof thefilm, aswithany film, I know you’ve worked with arch forms inthe Does thefilm follow thesameprogression You’re saying thefilm andthemusicare both Patterns Runner . Both pieces end with an . Both piecesendwithan book? and Music for Music for

5 Programme notes 6 film would beasinteresting to watch asasilent to create anew work. Frankly, Idon’tknow ifthe Ultimately though,thetwo partscametogether Richter’s film isnot your usualkindof movie either. thing before –but thenagain, working with music composer. I’ve never donethiskindof of new ways of composing.I’mnot amovie- a pre-existing film, Ifound itforced meto think For me,inthetraditional situationof writingfor timing to themusic. my piece young filmmakers have made films to accompany predates thefilm. For instance, anumberof film. There are other situationswhere themusic – thatistheusualorder whenwritingmusicfor a film was completed before Istarted composing to composesomethingfor thefilm. Muchof the SR out differently ifitwasn’t tiedto thefilm? CAC Corinna andIallagreed to keep someflexibility. and themusicchangingare not soexact. Richter, However, thechangesbetween animage shift ending withthemostintense rapid movement. back into more rapid eighthsandthen16ths, pixel countbeginsto diminish,themusicmoves ‘creature’-like, themusicreally slows. Later, asthe pixels andtheimages becomelarger andmore the film, whentheimages move from 512 to 1024 film, to quarter notes [crotchets]. Bythemiddleof [quavers], andlater, asthepixel countgrew inthe longer note values –initiallyeighthnotes ridiculous, soatthatpointIbeganintroducing After that,Ibeganto think,thisisgoingto get a four-16th-note pattern, thento eight,and16. film goesto four pixels, themusicmoves onto note [semiquaver] oscillatingpattern. Whenthe 2-pixel stripes,themusicstarts withatwo-16th- As Isaidbefore, whenthefilm beginswiththe visuals shift. time codeindicates theexact momentswhere the the film asIworked withitonmy computer. The in awindow inthe lower-righthand cornerof fraction of asecondof thefilm, andwas visible The musiconlyexists becauseIwas asked Do you thinkthemusicwould have turned . They have to adapt their Duane Street andRichard Serra lived around community inthe1960s and1970s. Ilived on intellectual andartisticlevel intheNew York arts There was areal camaraderie onapersonal, Metropolitan Museumof Art. York premiere inthe20th-centurygalleriesof the Rothko ChapelinHouston, followed by theNew the UKwhileAmericanpremiere was inthe Gallery duringthefirst show of MarkRothko in the Londonpremiere of done attheWhitney in1969. Myensemblegave Nauman, Michael Snow andJamesTenney was performed by myself, Richard Serra, Bruce at theGuggenheimMuseum. the 1940s. Thepremiere of when JohnCage presented aconcertthere in never beenusedfor musicbefore thatexcept Art, initsoriginalmovie theater in1971. Ithad Musicians, was attheMuseumof Modern Drumming were atmuseums.Theworld premiere of 1960s andearly1970s, my majorperformances public attention inNew York andelsewhere inthe SR particularly suited to artscollaborations? like there’s somethingaboutyour musicthatis the visualartssceneinNew York. Doyou feel CAC another. think thatthey very muchmutuallyreinforce one to bepresented asaconcertpieceby itself–I film. AndIdon’tintend whatI’ve written musically permission Interview ©Boosey &Hawkes; reprinted withkind being connected withvisualartists. on two videooperas. SoIhave alonghistory of artist BerylKorot, withwhomI’ve collaborated living. I’ve beenmarriedfor 45years to visual scene came.Thatwas thecontext inwhich Iwas Rauschenberg andthewholeJudsonDance Place Galleryrunby Paula Cooperaround 1967, away. WhenIgave theconcertsatPark the corner–Michael Snow justafew blocks It’s certainly truethatwhenIfirst cameto You’ve longbeencloselyassociated with , performed by Steve Reich and attheHayward was was , About the artist the About He lives andworks inCologne. Kunstakademie Düsseldorffrom 1971 to 1994. Gerhard Richter taught attheStaatliche Queensland ArtGallery, Brisbane. at theNationalGallery, Prague, andAustralia at had hisfirst soloexhibitions intheCzechRepublic volume of a accompanied by thepublicationof the first the retrospective Garden (2002–3).In2011, Tate Modernpresented Art, andHirshhornMuseumSculpture of Chicago, SanFrancisco Museum of Modern and TheMuseumof ModernArt,theArtInstitute Centro deArte Reina Sofia, Madrid (1993–94); Museet, Stockholm andtheMuseoNacional Bundesrepublik Deutschland,Bonn,Moderna la VilledeParis, Kunst- undAusstellungshalle der Tate Gallery(1991); theMuséed’ArtModernede been featured inretrospectives includingatthe documenta 5,6,7, 8,9and10. Richter’s work has at the47thVenice Bienniale.Hehasshown at numerous other prizesincludingtheGoldenLion the Germancityof Recklinghausen andhaswon In 1967, hewon theJungerWesten artprizefrom Artist Gerhard Richter’s career spanssixdecades. Gerhard Richter (born1932) Gerhard Richter catalogue raisonné Gerhard Richter: Panorama . In2017 Richter

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listened to JohnCage’s musicwhilehepainted (2006), acycle of sixabstract paintings.Richter Fourteen years later, Richter completed characterises muchof Bach’s music. vertical lines,echoingtheorder andharmony that however, heusedonlystricthorizontal and to canvas withalarge squeegee.Inthisseries, Richter usesmany different ways of applyingoil he created theworks. Inhisnormalpractice, in themusicof J SBach, to whichhelistened as abstract paintings,reflects Richter’s lastinginterest Bach from very different eras. named for, andinspired by, apairof composers Perhaps thetwo key works, though,are two cycles overpainted photographs inhomage to Reich. City Life features hisearlierpainting Youth’s Kunsthalle Düsseldorfin1983; thecover of Sonic he designedfor aGlennBranca concertatthe has manifested itselfinavariety of ways: aposter Richter’s long-term interest inmusic.Thisinterest Tonight’s film canbeplaced inthecontext of Gerhard Richter: Musicand Art Reich/Richter © Alex Poots andHans Ulrich Obrist,co-curators, echoes Cage’s compositionalethos. experimental inclusionof controlled chancethat the trace left by thepaintoncanvas, an applies to hissqueegee,hecan’tfullyregulate process. Whileheselectsthecoloursthat intentionally allows chanceeffects into hiscreative in abstract paintings suchas such asoneinspired by the works were created usingchanceprocedures, artists runsmore deeply. Justasmany of Cage’s the cycle, buttheconnectionbetween thesetwo (1992), whichconsistsof four large-format (2002),abookthatfeatures aseriesof Daydream Nation I Ching Kerze Bach (1988), which (‘Candle’); and (‘Candle’);and and , soRichter, Cage Cage ,

7 About the artist 8 Jay Blakesberg been presented onfour continents. boundaries of theoperatic mediumandhave with videoartistBerylKorot –have pushedthe Cave Reich’s documentary video opera works – the PulitzerPrizein2009. earned Grammy Awards, and well as analbumof his percussion works, have Different Trains chanting of theHebrew scriptures. University of Ghana),andtraditional forms of Balinese ,Africandrumming(atthe Darius Milhaud.Hisstudieshave alsoincluded 1963, where heworked withLucianoBerioand his master’s degree inmusicfrom MillsCollege in Bergsma andVincentPersichetti. Reich received at theJuilliard Schoolof MusicwithWilliam Hall Overton, andfrom 1958 to 1961, hestudied the next two years hestudiedcompositionwith philosophy from Cornell University in1957. For California, Reich graduated with honoursin Born inNew York andraised there andin instrumental colour. propulsive rhythms andseductive harmony and canons; itcombinesrigorous structures with steady pulse,repetition andafascination with all over theworld. Hismusicisknown for on composersandmainstream musicians Steve Reich’s musicallegacy hasbeeninfluential Steve Reich (born1936) composer the About Steve Reich Steve and Three Tales and , made incollaboration Double

, as , as The The won won well astheSchumanAward from Columbia Composition from Northwestern University, as Biennale, andthe2016 NemmersPrizeinMusic Award inMadrid, theGoldenLionatVenice the Polar MusicPrizeinStockholm, theBBVA Duca inParis, thePraemium ImperialeinTokyo, artistique delaFondation SimoneetCinoDel Fine Arts.HishonoursincludetheGrand Prix well asamemberof theBavarian Academy of de l’Ordre desArtsetLettres inFrance, as in 2012. HehasbeennamedCommandeur by theAmericanAcademy of Arts andLetters Reich was awarded theGoldMedalinMusic Millepied andChristopher Wheeldon. Robbins, JustinPeck, Wayne McGregor, Benjamin Teresa deKeersmaeker, Jirˇ íKylián, Jerome have created dancesto hismusic,suchasAnne . Several noted choreographers Bang onaCanAll-Stars; AlarmWillSound;and Signal; International Contemporary Ensemble; Modern; EnsembleIntercontemporain; Ensemble London Sinfonietta; ; Ensemble San Francisco andSydney Symphony orchestras; Philharmonic orchestras; Boston, BBC, London, including theNew York andLosAngeles orchestras andensemblesaround theworld, Reich’s musichasbeenperformed by major permission Profile ©Boosey &Hawkes; reprinted withkind premiere. and Europe, starting withtonight’s European recent work, to tour to Europe andwithintheUSA. Another orchestra’s ranks. Thisseason,thework continues featuring agroup of 20soloistspulledfrom the is anextension of theBaroque first orchestral work inover 30years, thepiece of Reich’s Los AngelesPhilharmonicintheworld premiere In November lastyear Susanna Mälkkiledthe Conservatory of Music, amongothers. Academy inBudapest,andtheNew England College of Music,theJuilliard School,theLiszt received honorary doctorates from theRoyal at theUniversity of California at Berkeley. Hehas Dartmouth CollegeandtheRegent’s Lectureship University, theMontgomeryFellowship from Music for EnsembleandOrchestra Reich/Richter , tours across theUK concerto grosso . His . His , Marco Borggreve About the performers received. Lastyear hereleased Reich’s the ColinCurrieGroup’s debutrecording, Steve recording hisdiverse projects. Itsfirst release was conjunction withLSOLive, asaplatform for In 2017 helaunchedColinCurrieRecords, in Bruno Mantovani, Luke Bedford andAndyAkiho. the comingseasonhewillpremiere new works by Andrew Norman, andNicoMuhly. In Higdon, Kalevi Aho,Rolf Wallin, Kurt Schwertsik, , HelenGrime,Jennifer MacMillan, Brett Dean,SirHarrisonBirtwistle, HK Gruber, Mark-Anthony Turnage, SirJames as Steve Reich, , LouisAndriessen, 2005. Hehaspremiered works by composerssuch and receiving aBorletti–Buitoni Trust Award in Philharmonic SocietyYoung ArtistAward in2000 new musicfor percussion, winningtheRoyal years heforged apioneeringpathincreating 2015 Instrumentalist Award. From his earliest Philharmonic Society, whichawarded himthe new musicwas recognised by theRoyal His commitmentto commissioningandcreating world’s leading orchestras andconductors. as well asperforming regularly withthe choice for many of today’s foremost composers, music atthehighestlevel andisthesoloistof the peakof hispowers. Hechampionsnew Colin Currieisasoloandchamberartistat Colin Currie Reich Live atFondation LouisVuitton followed inspring2019 by Crime Colin Currie withHåkan Hardenberger, which was Drumming conductor , whichwas enthusiastically Colin Currie&Steve The Scene of the The Sceneof the

. Quartet, for performances attheVienna the JACK Quartet andhisown ColinCurrie including NicolasHodges,Antoine Tamestit, He alsocollaborates withchamberpartners, and Orquesta FilarmónicadeGran Canaria. Deutsche Staatsphilharmonie Rheinland-Pfalz Chamber andScottish Chamberorchestras, Philharmonique deStrasbourg, Swedish Sinfonieorchester Berlin,MDRLeipzig,Orchestre include appearances withtheRundfunk- Colin Currie’sother orchestral engagements premiere of Steve Reich’s debut, withBritten Sinfonia intheEuropean season highlightistonight’s conducting from theColinCurrieGroup. Another major under ThomasDausgaard andpercussionists with theBBC Scottish Symphony Orchestra Glorious Percussion give theUKpremiere of Sofia Gubaidulina’s the Oregon Symphony Orchestra, andwill Andy Akiho’snew with Bedford withthePhilharmoniaOrchestra, He alsopremieres anew concerto by Luke de Radio France underMikko Franck in April. Concerto withtheOrchestre Philharmonique premiere of BrunoMantovani’s Percussion Highlights of thisseasonincludetheworld season. season. 2014 andwhere hecontinues to perform every major percussion festival, Metal Wood Skin,in Southbank Centre, where hewas thefocus of a Colin CurrieisArtist-in-Association atthe its world premiere nearly 50years ago. Hayward Gallery, where thework received for four performances of return to theSouthbankCentre inDecember festivals internationally. TheColinCurrieGroup they have performed atmany venues and the role of ambassadors of Colin Currieandhisensemblehave taken on Since then,withReich’s personalendorsement made anacclaimed debutattheBBC Proms. celebrate themusicof Steve Reich andthey He formed theColinCurrieGroup in2006to Drama, KingsPlace andtheSouthbankCentre. St Luke’s, Royal Welsh Collegeof Music& Konzerthaus, deDoelen,Wigmore Hall,LSO attheEdinburgh Festival Reich/Richter Drumming Drumming at the atthe , which , which .

9 About the performers 10 experience withanunusualintensity. music events thatboth audiences andperformers conductor; andto create involving, intelligent rather thanfollowing thevisionof aprincipal across thearts,focusing onthemusicians with composers,conductors andguestartists between oldandnew music;to collaborate a uniquevision:to collapsetheboundaries and chambermusicianscametogether with ensemble comprisingtheUK’sleading soloists conventional image of anorchestra. Aflexible established asaboldreimagining of the Just over 25years ago, Britten Sinfonia was Britten Sinfonia Corinna Belzlives inCologneandBerlin. national film accolade, theGoldenLola. Painting film ontheartist’swork, the category ArtDocumentaries. Hersecond Richter, won agoldWorld MediaAward in (2007), Belz’sfirst collaboration withGerhard Late and including She haswritten anddirected numerous films, auteur feature filmmaker Rudolf Thome. documentarian HelgaReidemeister and experience asanassistant director to veteran Cologne andBerlin.Shegainedformative and mediasciencesattheUniversities of Corinna Belzstudiedphilosophy, arthistory Corinna Belz the orchestra isperforming atNew York’s Lincoln commitment to uncompromising quality, whether collaborators, andalways underpinnedby a by arichdiversity of influences andartistic namesake’s ethos.Itsprojects are characterised strong. ButBritten Sinfonia alsoembodies its East of England,where Britten’s roots were also in partahomage to itschosenhomeof the The orchestra isnamedafter BenjaminBritten, Peter Handke: InTheWoods, MightBe (2016). (2011) was awarded thetop German Other AmericanVoices The CologneCathedral Window filmmaker Gerhard Richter (2002) (2002) work oncreative andtherapeutic projects with Outside theconcerthall,Britten Sinfonia musicians evening’s European premiere of orchestra isalsoacommissioningpartnerinthis Mehldau andMark-Anthony Turnage. The Barry, Shiva Feshareki, EmilyHoward, Brad with commissionsfrom ThomasAdès, Gerald Tanowitz andtheatre director Ivo van Hove, Keaton Henson,dancer/choreographer Pam Recent andcurrent collaborators include Hyperion andHarmoniaMundilabels. and hasaward-winning recordings onthe Europe. ItisaBBC Radio 3Broadcast Partner tours to theUSA, Mexico, Chinaandmuchof to Amsterdam, Paris andBilbao. Thisseasonit worldwide from theSistineChapelandtoured broadcast live to more thanamillionpeople Proms. Over thepastyear theorchestra has and Norfolk andNorwichfestivals andtheBBC UK festivals, includingtheAldeburgh, Brighton Wigmore Hallandappearsregularly atmajor presents anannualchambermusicseriesatthe residencies inNorwichandCambridge.It Orchestra atSaffron HallinEssex andhas Ensemble here attheBarbican,Resident world’s leading ensembles.ItisanAssociate Today Britten Sinfonia isheralded asoneof the even themostexcluded individualsandgroups. underlying philosophy of finding ways to reach the communitieswithwhichthey work, withan Britten Sinfonia musiciansare deeplyrooted in Center orinLincolnshire’s Crowland Abbey. workshops andappeared attheLatitudeFestival. improvised withlaptop artists,ledfamily young performers, have performed inmuseums, orchestra’s youth chamberensemblefor talented Members of Britten Sinfonia Academy, the original andexciting UKcompositionaltalent. a professional commissionandunearths new, unpublished composersthechanceto receive The orchestra’s annualOPUS competitionoffers prisoners andolderpeopleatriskof isolation. people suffering from dementia,life-time pre-school children, teenagers, young carers, Reich/Richter . Dawn Hardwick Ben Dawson Toby Kearney Owen Gunnell Percussion Oliver Pashley Joy Farrall Emma Feilding Peter Facer Sarah O’Flynn Thomas Hancox Roger Linley Bass Guitar / Ben Chappell Caroline Dearnley Sascha Bota Clare Finnimore Nicola Goldscheider 2 Beatrix Lovejoy Róisín Walters Gould Thomas Violin 1 Sinfonia Britten leader

Sarah Rennix Director Creative Learning Hannah Bates Manager Orchestra Personnel Daniel Regan AssistantConcerts Hazel Terry Manager & Tours Concerts James Calver DirectorConcerts Nikola White Director Planning Artistic David Butcher DirectorArtistic Chief Executive & Management Team Britten Sinfonia Alice Walton Director Communications Elaine Rust Finance Manager Rachel Wilkinson Co-ordinator Creative Learning Sophie Cohen Sophie Cohen PR Agent& National Press Tara Hill Assistant Communications Milly March Marketing Manager Nick Brealey Director Development

11 About the performers 16 CURRIE RECORDS COLIN LIVE AT FONDATION LOUISVUITTON COLIN CURRIE&STEVEREICH AVAILABLE NOW CD |DIGITAL COLINCURRIE.COM