Cinema of Mike Ott
JUMP CUT A REVIEW OF CONTEMPORARY MEDIA copyright 2018, Jump Cut: A Review of Contemporary Media Jump Cut, No. 58, winter, 2017-2018 Small form films: the (non-)cinema of Mike Ott By Robert Campbell Since graduating from the California Institute of the Arts, where he studied, inter alia, under Thom Andersen and James Benning, Mike Ott has prolifically been making feature films as well as shorts and music videos on tiny budgets. Indeed, he has shot seven features in little over a decade, including his graduation film Analog Days (2006), the documentary Kid Icarus (with Carl Bird McLaughlin, 2008), a series of three films called LiTTLEROCK (2010), Pearblossom Hwy (2012) and Lake Los Angeles (2014), which are referred to collectively as the Antelope Valley trilogy, Actor Martinez (with Nathan Silver, USA, 2016) and California Dreams (2017). Between them, these films have won various awards, including at the Montréal Festival of New Cinema, the Cleveland International Film Festival, the AFI Fest and the Independent Spirit Awards. LiTTLEROCK, Pearblossom Hwy, Lake Los Angeles and Actor Martinez are all available on Amazon Video/Amazon Prime, while LiTTLEROCK is also distributed on DVD by Kino Lorber, and Actor Martinez by Breaking Glass Pictures. A short, Lancaster, CA (2015), was in 2016 distributed on MUBI. Meanwhile, at time of writing California Dreams continues its festival run after premiering as part of the Critics’ Week at the Berlin Film Festival in February 2017 and having its first screening in North America at the SXSW Film Festival in March —with esteemed film critic Richard Brody also naming Actor Martinez among his top films of 2017 in The New Yorker.[1] [open notes in new window] Making films set in locales about fifty miles from Hollywood, Ott uses the film industry and Hollywood style as an implicit reference in most of his films, but primarily in the sense that his own style is in a way counter- Hollywood.
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