Anurag Kashyap (1972 - )

Total Page:16

File Type:pdf, Size:1020Kb

Anurag Kashyap (1972 - ) HUMANITIES INSTITUTE Stuart Blackburn, Ph.D. ANURAG KASHYAP (1972 - ) LIFE Anurag Kashyap’s father is a now-retired engineer, who sent his young son to a prestigious boarding school in Dehradun (in the Himalayan foothills). His later schooling was in Gwalior, after which he went to New Delhi to study zoology at Delhi University. Having received his degree in 1993, he began acting and directing in a street theatre group. During that time, he became addicted to film, especially international films, especially those by de Sica and especially Bicycle Thieves. Inspired to become a director, he relocated to Bombay , where he roughed it until he was able to direct a play. Slowly, he made contacts in the film industry and got jobs as a script writer for bot h screen and television. Throughout his productive directorial career in Bollywood, starting with his first release (Black Friday) in 2007, Kashyap has made stylish thrillers that dramatise the world of crime without glorifying it. His most internationally acclaimed film so far is The Gangs of Wasseypur, a tour de force that documents the operations of a coal mafia over six decades from the 1940s. Today, he is active in making feature-length and shorter films, for television as well as cinemas. Kashyap’s brother is a film-director, and his sister is an associate producer on most of his films. He married a film editor, with whom he had a daughter, but they divorced in 2009. A few years later, he married an actress, but they also divorced, two years later. ACHIEVEMENTS In 2013 Kashyap was awarded the Knight of the Order of Arts and Letters (Ordre des Arts des Lettres) by the French Government during a festival to celebrate a century of Indian cinema. In addition to winning awards for Best Screenplay, his feature film debut Black Friday won the Grand Jury Prize at a film festival in Los Angeles; and it was also nominated for Best Film at the Locarno Film Festival in 2008. The Gangs of Wasseypur won many awards, including Best Dialogue and Best Film, at the Filmfare Festival in 2013. LIST OF FEATURE FILMS (as director) Five (Paanch) 2003 (unreleased) Black Friday 2007 No Smoking 2007 Return of Hanuman 2007 Dev D 2009 Red Powder (Gulaal) 2009 That Girl in Yellow Boots 2011 Gangs of Wasseypur, 1 & 2 2012 Ugly 2014 Bombay Velvet 2015 Raman Raghav 2.0 2016 The Brawler (Mukkabaaz) 2018 .
Recommended publications
  • Movie Aquisitions in 2010 - Hindi Cinema
    Movie Aquisitions in 2010 - Hindi Cinema CISCA thanks Professor Nirmal Kumar of Sri Venkateshwara Collega and Meghnath Bhattacharya of AKHRA Ranchi for great assistance in bringing the films to Aarhus. For questions regarding these acquisitions please contact CISCA at [email protected] (Listed by title) Aamir Aandhi Directed by Rajkumar Gupta Directed by Gulzar Produced by Ronnie Screwvala Produced by J. Om Prakash, Gulzar 2008 1975 UTV Spotboy Motion Pictures Filmyug PVT Ltd. Aar Paar Chak De India Directed and produced by Guru Dutt Directed by Shimit Amin 1954 Produced by Aditya Chopra/Yash Chopra Guru Dutt Production 2007 Yash Raj Films Amar Akbar Anthony Anwar Directed and produced by Manmohan Desai Directed by Manish Jha 1977 Produced by Rajesh Singh Hirawat Jain and Company 2007 Dayal Creations Pvt. Ltd. Aparajito (The Unvanquished) Awara Directed and produced by Satyajit Raj Produced and directed by Raj Kapoor 1956 1951 Epic Productions R.K. Films Ltd. Black Bobby Directed and produced by Sanjay Leela Bhansali Directed and produced by Raj Kapoor 2005 1973 Yash Raj Films R.K. Films Ltd. Border Charulata (The Lonely Wife) Directed and produced by J.P. Dutta Directed by Satyajit Raj 1997 1964 J.P. Films RDB Productions Chaudhvin ka Chand Dev D Directed by Mohammed Sadiq Directed by Anurag Kashyap Produced by Guru Dutt Produced by UTV Spotboy, Bindass 1960 2009 Guru Dutt Production UTV Motion Pictures, UTV Spot Boy Devdas Devdas Directed and Produced by Bimal Roy Directed and produced by Sanjay Leela Bhansali 1955 2002 Bimal Roy Productions
    [Show full text]
  • Media Release Reliance Entertainment and Phantom Films
    Media Release Reliance Entertainment and Phantom Films’ Super 30 to release on 23rd Nov, 2018 Directed by Vikas Bahl, “Super 30” will star Hrithik Roshan Mumbai, November 4, 2017: Anil D. Ambani led Reliance Entertainment and Phantom Films’ “Super 30” directed by Vikas Bahl and starring Hrithik Roshan in the lead role will release on 23rd November 2018. Super 30 is a story of a mathematics genius from a modest family in Bihar, Anand Kumar, who was told that only a king’s son can become a king. But he went on to prove how one poor man could create some of the world’s most genius minds. Anand Kumar’s training program is so effective that students post cracking IIT have gone on to become some of the most successful professionals. Many students trained under the Super 30 program have joined some of the top global companies like Adobe, Samsung Research Institute, Amazon etc. Anand Kumar said, “I trust Vikas Bahl with my life story and I believe that he will make a heartfelt film. I am a rooted guy so I feel some level of emotional quotient is required to live my life on screen. I have seen that in Hrithik – on and off screen. I have full faith in his capabilities.” Vikas Bahl, truly inspired by Anand Kumar’s initiative, said, “Super 30 is a story of the struggles of those genius kids who have one opportunity and how those 30 amongst thousands of others redefine success. The film will focus on the Super 30 program that Kumar started, which trains 30 IIT aspirants to crack its entrance test.” Vikas Bahl is one of the most critically and commercially acclaimed directors of our country.
    [Show full text]
  • Intellectual Resonance
    Intellectual Resonance DCAC Journal of Interdisciplinary Studies Volume III, Issue No. 4, September 2016 ISSN: 2321-2594 Published and Printed by: DELHI COLLEGE OF ARTS AND COMMERCE (UNIVERSITY OF DELHI) NETAJI NAGAR, NEW DELHI-110023 Phone: 011-24109821, 26116333 Fax: 26882923 email: [email protected] website: http://www.dcac.du.in © Intellectual Resonance The views expressed in the articles are those of the authors Editorial Advisory Board, Intellectual Resonance (IR) 1) Prof. Daing Nasir Ibrahim 2) Prof. Jancy James Vice-Chancellor Former Vice-Chancellor University of Malaysia Central University of Kerala [email protected] [email protected] 3) Prof. B.K. Kuthiala 4) Dr. Daya Thussu Vice-Chancellor Prof. Department of Journalism and Makhanlal Chaturvedi Rashtriya Mass Communication Patrakarita Vishwavidyalaya University of Westminster (UK) [email protected] [email protected] 5) Prof. Dorothy Figueira 6) Prof. Subrata Mukherjee Professor, University of Georgia Rtd. Professor, Department of Honorary President, International Political Science Comparative Literature Association University of Delhi [email protected] [email protected] 7) Prof. Anne Feldhaus 8) Prof. Partha S. Ghosh Prof. Department of Religious Studies Senior Fellow Arizona State University Nehru Memorial Museum and Library (NMML) [email protected] [email protected] 9) Prof. B.P. Sahu 10) Dr. Anil Rai Professor, Department of History Professor, Universityof Delhi University of Delhi [email protected] [email protected] 11) Dr. Roswitha M. King 12) Dr. Gautam Rajkhowa Associate Professor, Senior Assistant Professor Department of Economics Chester Business School Ostfold University College, Norway University of Chester, Westminster [email protected] [email protected] 13) Sandy Das Sharma Research Head, Hansdhwani Foundation [email protected] Academic Executive Committee (AEC, DCAC) And Editorial Board, Intellectual Resonance (IR) 1) Dr.
    [Show full text]
  • Masaan-Press-Kit.Pdf
    MACASSAR PRODUCTIONS, PATHÉ ET AND DRISHYAM FILMS PRÉSENTENT PRESENT Durée Length : 1H43 Photos et dossier de presse téléchargeables sur www.pathefilms.com Material can be downloaded on www.patheinternational.com DISTRIBUTION FRENCH DISTRIBUTION & INTERNATIONAL SALES PATHÉ DISTRIBUTION 2, rue Lamennais – 75008 Paris Tél. : 01 71 72 30 00 www.pathefilms.com www.patheinternational.com À CANNES IN CANNES INTERNATIONAL SALES Boutique Bodyguard Résidences du Grand Hôtel - IBIS Entrance 45, la Croisette Apartement 4 A/E - 4th floor Jardins du Grand Hôtel Tél. : +33 4 93 68 24 31 06400 Cannes [email protected] Tél. : 04 93 99 91 34 RELATIONS PRESSE INTERNATIONAL PRESS LE PUBLIC SYSTÈME CINÉMA Céline PETIT, Clément REBILLAT, Celia MAHISTRE & Anne-Sophie TRINTIGNAC 40, rue Anatole France – 92594 Levallois-Perret Cedex Tél. : 01 41 34 23 50 [email protected] À CANNES IN CANNES RELATIONS PRESSE FRANCE & INTERNATIONAL LE PUBLIC SYSTÈME CINÉMA Céline PETIT, Clément RÉBILLAT, Celia MAHISTRE & Anne-Sophie TRINTIGNAC 29, rue Bivouac Napoléon – 06400 Cannes Tél. : +33 7 86 23 90 85 [email protected] [email protected] [email protected] [email protected] Bénarès, la cité sainte au bord du Gange, punit cruellement ceux qui jouent Benares, the holy city on the banks of the Ganges, reserves a cruel punishment avec les traditions morales. Deepak, un jeune homme issu des quartiers for those who play with moral traditions. Deepak, a young man from a poor pauvres, tombe éperdument amoureux d’une jeune fille qui n’est pas de la neighborhood, falls hopelessly in love with a young girl from a different caste. même caste que lui.
    [Show full text]
  • Magazine1-4Final.Qxd (Page 2)
    Comical and illogical...Page 4 SUNDAY, NOVEMBER 27, 2016 INTERNET EDITION : www.dailyexcelsior.com/magazine Why disrespect....Page 3 TALWARA goes organic Dr. Banarsi Lal Jammu and Kashmir is a mountainous state in which Jammu region is predominantly sub-tropical while Kashmir and Ladakh regions are temperate. The total geographical area of Jammu & Kashmir state is 2, 22, 236 sq. km and its population is 1, 25, 48,926 as per 2011 Census. Agriculture is the mainstay of Jammu and Kashmir state. This sector provides employment to about 70 per cent of the state population. Agriculture contributes about 65 per cent of the state revenue which signi- fies the overdependence of the state on agriculture. The average size of land holding of the state is only 0.67 hectare against 1.33 hectares' land holding size on national basis. Organic farming is picking up pace in the state and there is need of awareness and trainings of farmers for organic farming. J&K has huge potential for organic farming as the large area in the state is already under semi- organic cultivation in hilly districts of the state due to the lack of availability of chemical fertilizers in these areas and the farmers of these areas avoid to apply the chemical fertilizers. Basmati rice of R. S. Pura, rajmash of Bhaderwah, pota- to of Gurez and Machil and red rice of Tangdar, Kupwara, ginger and turmer- ic of Pouni, Reasi are major exportable organic products in the state and have the potential to fetch more returns in the market. Organic farming means holis- tic production systems which refer earth friendly methods for cultivation and food processing.
    [Show full text]
  • Think Film! on Current Practices and Challenges in Film Culture: a Documentation of a Student Symposium 2020
    Repositorium für die Medienwissenschaft Adriane Meusch, Bianka-Isabell Scharmann u.a. (Hg.) Think Film! On Current Practices and Challenges in Film Culture: A Documentation of a Student Symposium 2020 https://doi.org/10.25969/mediarep/13589 Veröffentlichungsversion / published version Konferenzbeitrag / conference object Empfohlene Zitierung / Suggested Citation: Meusch, Adriane; Scharmann, Bianka-Isabell (Hg.): Think Film! On Current Practices and Challenges in Film Culture: A Documentation of a Student Symposium. Frankfurt am Main: Zenodo 2020. DOI: https://doi.org/10.25969/mediarep/13589. Erstmalig hier erschienen / Initial publication here: https://doi.org/10.5281/zenodo.3662799 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung 4.0/ Lizenz zur Verfügung gestellt. Nähere Attribution 4.0/ License. For more information see: Auskünfte zu dieser Lizenz finden Sie hier: http://creativecommons.org/licenses/by/4.0/ http://creativecommons.org/licenses/by/4.0/ THINK THINK FILM! Edited by Adriane MeuschandBianka- Adriane Edited by Isabell Scharmann On Current Practices and Challenges in Film Culture: A Documentation of a Student Symposium Think Film! On Current Practices and Challenges in Film Culture: A Documentation of a Student Symposium Edited by Adriane Meusch & Bianka- Isabell Scharmann Frankfurt am Main, 2020 Editors Adriane Meusch and Bianka-Isabell Scharmann, in collaboration with Michelle Rafaela Kamolz https://thinkfilmsymposium.wordpress.com Copy Editor Carly Crane Graphic Design Muriel Serf (mmm.do) Bibliographic information of the German Library The German Library catalogues this publication in the German National Bibliography; detailed bibliographic information can be found on the Internet website: http://dnb.d-nb.de.
    [Show full text]
  • In India, Gods Rule the 'Toon' Universe
    In India, Gods Rule The 'Toon' Universe http://www.washingtonpost.com/wp-dyn/content/article/2008/01/08/AR... In India, Gods Rule The 'Toon' Universe Hindu Myth a Fount of Superheroes By Rama Lakshmi Washington Post Foreign Service Wednesday, January 9, 2008; A11 NEW DELHI -- Eight-year-old Tejas Vohra is used to spending most of his after-school hours watching "Power Rangers," "Transformers" and "Looney Tunes." But these days, one of his favorite superheroes is a cool cartoon version of Hanuman, the monkey-headed Hindu god. For thousands of years, Hindus have prayed to Hanuman in times of trouble, beseeching him to perform miraculous feats in their lives. Last week, the god was revealed to Tejas in a movie theater. In "The Return of Hanuman," the adored deity is reborn as a boy who goes to school in khaki shorts, uses a computer, combats pollution and, most important, smashes the bad guys to pulp. "I loved the film because Hanuman is a boy like me and saves planet Earth," said Tejas, a tall, wide-eyed second-grader. "It was awesome to see the gods laughing, singing and flying planes. The fights were really good, and in the end Hanuman sets everything right." A number of haloed Hindu gods and goddesses have debuted in the frenetic world of animation over the past five years. Their appearance marks a shift from a decades-long period in which Indian children grew up almost exclusively on American TV and movie characters, including Mickey Mouse, Tom and Jerry, and Spider-Man. To many parents, though, the "mytho-cartoons" are more than a novelty; they are a way to introduce the ancient tales to a generation that seems to be losing touch with its 5,000-year heritage.
    [Show full text]
  • Big Synergy and Phantom Films Enter Into an Alliance to Create a Content Production Powerhouse Across Tv and Digital Media
    BIG SYNERGY AND PHANTOM FILMS ENTER INTO AN ALLIANCE TO CREATE A CONTENT PRODUCTION POWERHOUSE ACROSS TV AND DIGITAL MEDIA Mumbai, 1st July , 2016: Big Synergy Media and Phantom Films have forged an alliance to create a content production powerhouse, to deliver relevant and impactful entertainment content across TV and Digital Media. With the new alliance, both Big Synergy and Phantoms Films will benefit from each other’s core expertise to expand their businesses. Big Synergy will now have access to the tremendous creative talent resource of Phantom Films to expand their offering into the fiction segment for both TV and Digital Media. Phantom Films will build on Big Synergy’s well-established leadership in factual entertainment to expand their business in the TV and Digital Media. Phantom Films will also now have access to Big Synergy’s expertise and reach in production of regional language content across seven languages in the fiction & non-fiction space. BIG Synergy, promoted by Siddhartha Basu and Anita Kaul Basu, has built its reputation as a leader in the field of factual entertainment, starting off as one of the country's first independent television production houses in 1988. Big Synergy has since then been at the helm of producing some of the country’s most critically acclaimed and popular television programmes. Keeping abreast of constantly changing viewership and growth of regional markets, Big Synergy has incorporated top of the line technology and state-of the art techniques, creating content and programme ideas in sync with market demands across India. Phantom Films, established in 2011 by four prolific filmmakers , Anurag Kashyap, Vikas Bahl ,Vikramaditya Motwane and Madhu Mantena has earned a reputation for producing some of India’s most path breaking and engaging films in recent times.
    [Show full text]
  • Gangs of Wasseypur As an Active Archive of Popular Cinema
    M A D H U J A M U K H E R J E E Of Recollection, Retelling, and Cinephilia: Reading Gangs of Wasseypur as an Active Archive of Popular Cinema This paper studies Gangs of Wasseypur (Parts 1 and 2, 2012) as a definitive text via which Anurag Kashyap’s style became particularly provocative and pointed. While a range of films (both directed and produced by Kashyap) seemingly bear a certain ‘Kashyap mark’ in the manner in which they tackle subjects of violence and belligerent speech with an unpredictable comic sense, I argue that, more importantly, these films work within a particular visual framework with regard to its mise-en- scène (including the play of light, camera movement, modes of performance), as well as produce recognisable plot structures (involving capricious and realistic events), settings and locations (like the city’s underbelly, police stations, etc.), and so on. Indeed, Kashyap has made a set of films—including Paanch (unreleased), No Smoking (2007) and Ugly (2014)—which deal with similar issues, and explore contemporary cityscapes, especially Mumbai, with fervidness, thereby commenting on urban dystopia.1 Furthermore, these films speak to what has been analysed as the ‘Bombay noir’ mode by Lalitha Gopalan, by means of thoughtful art and set design, engaging (and often hand-held) camera movements and swish-pans, uses of blue or yellow filters, character prototypes, and reflective performances, which generate a world that is engulfed by a deep sense of disquiet and distress. This paper draws attention to such stylistic explorations, especially JOURNAL OF THE MOVING IMAGE 91 to the ways in which it has developed through Kashyap’s recent films.
    [Show full text]
  • “The Wire, Seriality, Media and Global Politics”
    English Department Doctoral Program in English and American Literary Studies “The Wire, Seriality, Media and Global Politics” Workshop, 16-17 May 2015 PLH-1-102, Plattenstr. 47 This workshop on television and seriality looks at the portrayal of the African American urban underclass in The Wire and identifies analogies between the show and Bombay cinema, even while investigating the limits of such a cultural cross- mapping. In the final analysis it asks why TV-series like The Wire have become so important in the twenty-first century. All students, members of staff and other interested parties are cordially invited to the workshop. Please register by sending an e-mail to Elizabeth Kollmann ([email protected]). 1 Saturday, 16 May (PLH-1-102, Plattenstr. 47) 10:00-10:30 Opening: Lars Koch (Dresden) & Elisabeth Bronfen (Zurich) Lars Koch and Elisabeth Bronfen will be opening the workshop by talking about the network they are setting up on issues of series and seriality. 10:30-12:30 Anupama Rao (Barnard) “Bombay to Baltimore (and back): Space, Capital, and the Subaltern-Urban“ (Lecture and discussion) The Wire’s cult status is now global, and not merely local. Some of this is to do with its function as urban ethnography that references, yet updates concerns that began with the “Chicago school” of urban sociology of the interwar; concerns with the relationship of space and social difference, of the city and its racialized underclass. By exploring the convergent histories of sociological theory, visual culture (photography, and now film and television), public housing, and subaltern social life across India and the United States, Bombay and Baltimore, Prof.
    [Show full text]
  • IN PERSON & PREVIEWS Talent Q&As and Rare Appearances, Plus A
    IN PERSON & PREVIEWS Talent Q&As and rare appearances, plus a chance for you to catch the latest film and TV before anyone else Preview: Dirty God + Q&A with director Sacha Polak and actor Vicky Knight UK-Netherlands-Belgium-Ireland 2019. Dir Sacha Polak. With Vicky Knight, Eliza Brady-Girard, Rebecca Stone. 104min. Digital. Cert tbc. Courtesy of Modern Films Set in a small East London council estate, the film follows young mother Jade (Knight) as she tries hard to recover from an acid attack that left her severely disfigured. Dutch director Sacha Polak draws an outstanding performance of raw emotion and sexual frankness from first-time actor Vicky Knight, defying character expectations. SAT 1 JUN 17:30 NFT1 The Night of the Iguana + intro by actors Clive Owen, Lia Williams and Anna Gunn USA 1964. Dir John Huston. With Richard Burton, Ava Gardner, Deborah Kerr, Sue Lyon. 118min. Format tbc. 12A ‘One man... Three women... One night...’ John Huston’s production of Tennessee Williams’ play depicts a disgraced priest who, in a moment of desperation, forces a bus load of passengers to detour to a small Mexican coastal village. He unravels further in the company of its newly widowed owner (Gardner) and one of her guests (Kerr). In association with the new production of The Night of the Iguana at the Noël Coward Theatre, which runs from 6 July, starring Clive Owen (Closer), Lia Williams (The Crown) and Anna Gunn (Breaking Bad) iguanawestend.com TUE 4 JUN 20:10 NFT1 TV Preview: Poldark + Q&A with actors Aidan Turner, Jack Farthing and Luke Norris, and writer Debbie Horsfield BBC One-Mammoth Screen 2019.
    [Show full text]
  • Anurag Kashyap, Guneet Monga, Nawazuddin Siddiqui, Richa Chadda, Vikramaditya Motwane
    [LISTED] THE UNDERDOG TURNED SUPERSTAR ANURAG KASHYAP, GUNEET MONGA, NAWAZUDDIN SIDDIQUI, RICHA CHADDA, VIKRAMADITYA MOTWANE Text Shahnaz Siganporia Photography Ishika Mohan Motwane N THE INDIAN FILM INDUSTRY, there are good and bad words. ‘Un- derdog’, ‘struggler’, ‘starlet’ are clubbed into the ‘bad’ category while I words such as ‘Superstar’, ‘100 Crore Club’, ‘legacy’ fall into the ‘good’ category. However, sometimes the two combine to form a heady cocktail. The starlet bags a 100 crore film and the underdog becomes the superstar. The latter is a tricky balance—there’s the formulaic superstar and then there’s the superstar who paves his or her own way and creates cinema that goes way beyond the norm. Over the last few years, the tides have been busy changing, contorting and transforming our home-grown film industry. And let’s face it, in an industry raking in the moolah, thanks to wish-fulfilment and feel- good stories, we’re suckers for the runt who becomes the alpha. In the 100th year of Indian cinema, Platform celebrates the erstwhile underdogs who have gone on to carve out a space for themselves and have begun their ascent to stardom. NOV/DEC 2013 · PLATFORM · CREATIVE LIFESTYLE · 031 [LISTED] Anurag Kashyap FROM BANNED TO LAUDED THE BEGINNING I don’t know why I wanted to make films. It’s like asking yourself why you love someone. How do you explain that? You just do, you know? I just knew that filmmaking is what I wanted to do. I was studying to be a scientist and something just snapped—I knew that I should have- been making films.
    [Show full text]