Asylum”: Public Memory and Community Storytelling
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Tv Pg 08-09.Indd
8 The Goodland Star-News / Tuesday, August 9, 2011 All Mountain Time, for Kansas Central TIme Stations subtract an hour TV Channel Guide Tuesday Evening August 9, 2011 7:00 7:30 8:00 8:30 9:00 9:30 10:00 10:30 11:00 11:30 ABC 28 ESPN 57 Cartoon Net 21 TV Land 41 Hallmark Wipeout Take the Money and Combat Hospital Local Nightline Jimmy Kimmel Live S&T Eagle CBS NCIS NCIS: Los Angeles The Mentalist Local Late Show Letterman Late 29 ESPN 2 58 ABC Fam 22 ESPN 45 NFL NBC It's Worth What? America's Got Talent Local Tonight Show w/Leno Late 2 PBS KOOD FOX Hell's Kitchen MasterChef Local 2 PBS KOOD 30 ESPN Clas 59 TV Land 23 ESPN 2 47 Food Cable Channels 3 KWGN WB 31 Golf 60 Hallmark 3 NBC-KUSA 24 ESPN Nws 49 E! A&E Billy Billy Billy Billy Billy Billy Billy Exterminator Local 4 ABC-KLBY AMC Rambo Part II Rambo Part II Flight of the Phoenix Local 5 KSCW WB 32 Speed 61 TCM 25 TBS 51 Travel ANIM Wild Russia Wild Russia Wild Russia Wild Russia Russia Local 6 ABC-KLBY 6 Weather BET 33 Versus 62 AMC 26 Animal 54 MTV Bringing Down Born to Dance The Mo'Nique Show Wendy Williams Show Weapons Local 7 CBS-KBSL BRAVO Flipping Out Flipping Out Flipping Out Flipping Out Housewives/NJ 7 KSAS FOX 34 Sportsman 63 Lifetime 27 VH1 55 Discovery CMT Local Local Extreme Makeover The Rookie 8 NBC-KSNK 8 NBC-KSNK 28 TNT 56 Fox Nws CNN Piers Morgan Tonight Anderson Cooper 360 John King, USA Piers Morgan Tonight Anderson Local 35 NFL 64 Oxygen 9 Eagle COMEDY Tosh.0 Tosh.0 Tosh.0 Tosh.0 Daily Colbert Tosh.0 Tosh.0 Local 9 NBC-KUSA 37 USA 65 We 29 CNBC 57 Disney DISC Local Local Auction Auction Auction Auction Auction Auction D. -
Seeking Asylum: Race, Memory, and the American Landscape
ABSTRACT Title of Thesis: SEEKING ASYLUM: RACE, MEMORY, AND THE AMERICAN LANDSCAPE Daniela Tai, Dual Master’s Degree in Architecture and Historic Preservation, 2019 Thesis Directed By: Professor, Ronit Eisenbach, School of Architecture, Planning & Preservation The stories and places we choose to preserve tell us who we are as a people. What does it say about ourselves when the stories that are associated with a particular place are ones that we wish to keep in the dark? As we look towards the future of preservation it has become clear that our perception of what is “significant” has shifted. Modern preservation has expanded to include tangible and intangible landscapes, environmental conservation, and more voices at the table. This thesis explores how to use preservation, storytelling, and sustainable practices to respond to places of difficult history and reclaim that space, while using Crownsville State Hospital as a model. The racial and systemic trauma experienced at the formerly racially segregated mental health facility permeated the campus grounds; not only does the community need to heal, the land does too. SEEKING ASYLUM: RACE, MEMORY, AND THE AMERICAN LANDSCAPE by Daniela Tai Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Dual Master’s Degree in Architecture and Historic Preservation 2019 Advisory Committee: Professor Ronit Eisenbach, Chair Dr. Donald W. Linebaugh, Interim Dean Professor Emeritus Karl F.G. Du Puy, AIA © Copyright by Daniela Tai 2019 Preface Opened in 1911 as the Hospital for the Negro Insane of Maryland, Crownsville State Hospital stands at a crossroads in American history; on one side stands the triumphs of medical progress and on the other stands the racial injustice and community trauma that made that progress possible. -
Treat Or Repeat
Treat or Repeat A State Survey of Serious Mental Illness, Major Crimes and Community Treatment September 2017 TreatmentAdvocacyCenter.org/treat-or-repeat The gatekeepers of the chronically mentally ill must recognize that a failure to assess not just the rights of the mentally ill persons, but also their ability to achieve a minimum standard of acceptable behavior in the community will further erode public confidence in the professionals who govern patient care. … When the personal freedom of the mentally ill is given priority over all other considerations, the tyranny of some will jeopardize the autonomy of all. — Gary Maier, M.D., 1989 “The Tyranny of Irresponsible Freedom” Hospital and Community Psychiatry, 40, 453 Treat or Repeat A STATE SURVEY OF SERIOUS MENTAL ILLNESS, MAJOR CRIMES AND COMMUNITY TREATMENT E. Fuller Torrey, M.D. Founder Treatment Advocacy Center Lisa Dailey, J.D. Legislative and Policy Counsel Treatment Advocacy Center H. Richard Lamb, M.D. Emeritus Professor of Psychiatry and Behavioral Sciences Keck School of Medicine of the University of Southern California Elizabeth Sinclair, M.P.H. Research Associate Treatment Advocacy Center John Snook, J.D. Executive Director Treatment Advocacy Center Online at TreatmentAdvocacyCenter.org/treat-or-repeat © 2017 Treatment Advocacy Center Arlington, Virginia TREAT OR REPEAT n TABLE OF CONTENTS Executive Summary ................................................................................................................. 1 Introduction .......................................................................................................................... -
The Holzer Files,’ Returns with More Harrowing Tales from the Archives of America’S First Ghost Hunter
For Immediate Release: HIT TRAVEL CHANNEL SERIES, ‘THE HOLZER FILES,’ RETURNS WITH MORE HARROWING TALES FROM THE ARCHIVES OF AMERICA’S FIRST GHOST HUNTER Season Two Premieres on Thursday, October 29 at 11 p.m. ET/PT with a Special Halloween Week Launch Left to Right: Psychic medium Cindy Kaza, paranormal investigator Dave Schrader and equipment technician Shane Pittman NEW YORK (October 6, 2020) – After a groundbreaking freshman run, “The Holzer Files” returns with all-new investigations into Hans Holzer’s paranormal mysteries, launching with a special Halloween week premiere on Thursday, October 29 at 11 p.m. ET/PT. A dedicated paranormal team – led by paranormal investigator Dave Schrader, psychic medium Cindy Kaza and equipment technician Shane Pittman – revisits Hans Holzer’s most captivating cases. With the help of Holzer’s daughter, Alexandra Holzer, and researcher Gabe Roth, the team picks up where Holzer left off to re-examine the terrifying hauntings that he dedicated his life to researching. “The Holzer Files” is a cryptic mystery, bound by threads of truth, the voices of the past and the exploration of modern paranormal pioneers. Viewers will experience a chilling chase, fueled by Holzer’s rediscovered archival files and haunting cinematography. The second season, comprised of 13 brand new one-hour episodes, follows the team on the haunted trail of legendary cases – from an elegant mansion in New York City, home to one of the world’s most infamous hauntings to the historic Maryland tavern that hid John Wilkes Booth after he shot Abraham Lincoln. Recognized as the “father of the paranormal,” Hans Holzer’s legendary four-decade exploration into disturbing hauntings like the Amityville Horror house, helped spawn legions of supernatural enthusiasts, more than 120 books and even inspired Dan Aykroyd and Harold Ramis to write “Ghostbusters.” In each episode, the team culls through thousands of Holzer’s recently discovered documents, letters, photographs and chilling audio and visual recordings dating back to the 1950s. -
LEASK-DISSERTATION-2020.Pdf (1.565Mb)
WRAITHS AND WHITE MEN: THE IMPACT OF PRIVILEGE ON PARANORMAL REALITY TELEVISION by ANTARES RUSSELL LEASK DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at The University of Texas at Arlington August, 2020 Arlington, Texas Supervising Committee: Timothy Morris, Supervising Professor Neill Matheson Timothy Richardson Copyright by Antares Russell Leask 2020 Leask iii ACKNOWLEDGEMENTS • I thank my Supervising Committee for being patient on this journey which took much more time than expected. • I thank Dr. Tim Morris, my Supervising Professor, for always answering my emails, no matter how many years apart, with kindness and understanding. I would also like to thank his demon kitten for providing the proper haunted atmosphere at my defense. • I thank Dr. Neill Matheson for the ghostly inspiration of his Gothic Literature class and for helping me return to the program. • I thank Dr. Tim Richardson for using his class to teach us how to write a conference proposal and deliver a conference paper – knowledge I have put to good use! • I thank my high school senior English teacher, Dr. Nancy Myers. It’s probably an urban legend of my own creating that you told us “when you have a Ph.D. in English you can talk to me,” but it has been a lifetime motivating force. • I thank Dr. Susan Hekman, who told me my talent was being able to use pop culture to explain philosophy. It continues to be my superpower. • I thank Rebecca Stone Gordon for the many motivating and inspiring conversations and collaborations. • I thank Tiffany A. -
American Independent Cinema 1St Edition Pdf, Epub, Ebook
AMERICAN INDEPENDENT CINEMA 1ST EDITION PDF, EPUB, EBOOK Geoff King | 9780253218261 | | | | | American Independent Cinema 1st edition PDF Book About this product. Hollywood was producing these three different classes of feature films by means of three different types of producers. The Suburbs. Skip to main content. Further information: Sundance Institute. In , the same year that United Artists, bought out by MGM, ceased to exist as a venue for independent filmmakers, Sterling Van Wagenen left the film festival to help found the Sundance Institute with Robert Redford. While the kinds of films produced by Poverty Row studios only grew in popularity, they would eventually become increasingly available both from major production companies and from independent producers who no longer needed to rely on a studio's ability to package and release their work. Yannis Tzioumakis. Seeing Lynch as a fellow studio convert, George Lucas , a fan of Eraserhead and now the darling of the studios, offered Lynch the opportunity to direct his next Star Wars sequel, Return of the Jedi Rick marked it as to-read Jan 05, This change would further widen the divide between commercial and non-commercial films. Thanks for telling us about the problem. Until his so-called "retirement" as a director in he continued to produce films even after this date he would produce up to seven movies a year, matching and often exceeding the five-per-year schedule that the executives at United Artists had once thought impossible. Very few of these filmmakers ever independently financed or independently released a film of their own, or ever worked on an independently financed production during the height of the generation's influence. -
Perth Amboy Keasbey Hopelawn Fords Sewaren
3 4 company manufactured terracotta practice bombs for the Army Air William H. Berry settled in Woodbridge in 1832 and in 1845 he began Corps. Later they produced extruded wall ashlars and swimming manufacturing fire-brick. Strategically located along Woodbridge Creek, The Mysterious Woodbridge Figures pool blocks. by 1875 his plant could produce a million high-quality fire-bricks annu- The clay industry produced many of the elite of Woodbridge soci- ally. Mr. Berry was a township committeeman and chairman of the board, LEGEND Made of pine or cedar, the small carvings are linked to Woodbridge’s clay history through the location of their discovery. They were ety. The “clayocracy” as they were referred to in a 1935 Woodbridge president of the board of directors of Dime Savings Bank, public school PORT READING AVE reportedly found during the development of Woodbridge Center in a shack in the scrub woodland surrounding the old clay pits. Everything TOWNSHIP BOUNDARIES Independent article, included the Anness, Berry, Cutter, Melick, trustee, trustee and president of the board of the Methodist Episcopal else is a mystery. Who made the unique, armless, anatomically correct folk-art figures? When and why? Date estimates range from late eighteen-hundreds through the 1940s. Rumors hint at an inbred clan of squatters, an insular family, fertility cult, healing shrine and deep Potter, Ryan and Valentine families. In addition to their business Church, Sunday school teacher and superintendent. He was also instru- WOODBRIDGE TOWNSHIP US RT 1 secrets that may never be known. However, since their discovery they have been exhibited in New York, Newark and Paris and are highly endeavors, many held political and governmental offices, founded mental in the construction of School No. -
Oregon State Hospital: a Case Study of Institutional Betrayal Trauma Leslie Medrano, Christina Gamache Martin, M.S., Jennifer J
Oregon State Hospital: A Case Study of Institutional Betrayal Trauma Leslie Medrano, Christina Gamache Martin, M.S., Jennifer J. Freyd, Ph.D. University of Oregon Dynamics Lab http://dynamic.uoregon.edu/ INTRODUCTION THE POTENTIAL IMPACT OF INSTITUTIONAL • Betrayal Trauma Theory (BTT) posits that individuals who are maltreated by a caregiver or BETRAYAL ON PATIENT RECOVERY a close other on whom they depend to meet their physical or emotional needs may become • The goals of OSH are to provide a safe environment in which patients will receive high-quality blind to, or unaware of the trauma in order to preserve the attachment relationship (Freyd, care with the ultimate goal of recovery and reintegration back into society. 1996). • Failure to pursue these explicit goals are likely to betray the trust that the patient has in the • While BTT typically focuses on a victim's interpersonal traumas, betrayal can also be Hospital’s promise of his or her treatment and recovery. experienced when an institution that is created to provide aid fails to protect or support victims’ needs (Freyd, 1996). • Overuse of seclusion and restraint interfere with the promise to protect patient liberty and increases the incident of patient physical and psychological harm (Hammer et al., 2011). • If the needs of an individual in an institution are ignored, or abuses within the system are tolerated, a victim may either develop feelings of mistrust and a lack of safety or the victim • Existing practices and current employee training encourage the role of the “caring security may respond with betrayal blindness in order to protect their survival within the system (Platt, guard”, opposed to a more therapeutic relationship between staff and inpatient. -
Dean Brooks Head of the Mental Hospital Where One Flew Over the Cuckoo’S Nest Was Filmed
OBITUARIES Dean Brooks Head of the mental hospital where One Flew Over the Cuckoo’s Nest was filmed Dean Brooks, psychiatrist and hospital administrator (b 1916; q 1942 Kansas University), died in his apartment at a “retirement community” in Salem, Oregon, on 30 May 2013. In 1972, Hollywood producers decided that the Oregon State Hospital for mentally ill patients would be the perfect location to film a movie based on Ken Kesey’s 1962 novel One Flew Over the Cuckoo’s Nest. Indeed, the setting of the novel was at Oregon State Hospital. Dean Brooks, hospital superintendent at the time, recalled decades later: “I warmed to the idea. I thought this would be great to have Hollywood come to [Oregon State Hospital].”1 An innovator, Brooks in 1969 wrote a paper NYC PHOTOFEST, on “dehumanisation” in mental hospitals2 and, Dean Brooks with actor Jack Nicholson in One Flew Over the Cuckoo’s Nest in 1972, organised a 16 day wilderness trip for 50 patients that was featured in Life magazine.3 “Brooks thought the movie, once to help finance his education. He earned his medi- Brooks thought the movie, once released, would released, would stimulate discussion cal degree in 1942 at Kansas University Medical stimulate discussion on mental health issues, on mental health . He also admitted School. He served in the US Navy during the sec- including patients’ rights. He also admitted that that he thought filming a movie in the ond world war as a triage officer for a battle fleet he thought filming a movie in the hospital would hospital would be ‘fun.’” in the Pacific. -
Representations of Mental Illness in Women in Post-Classical Hollywood
FRAMING FEMININITY AS INSANITY: REPRESENTATIONS OF MENTAL ILLNESS IN WOMEN IN POST-CLASSICAL HOLLYWOOD Kelly Kretschmar, B.A. Thesis Prepared for the Degree of MASTER OF ARTS UNIVERSITY OF NORTH TEXAS May 2007 APPROVED: Harry M. Benshoff, Major Professor Sandra Larke-Walsh, Committee Member Debra Mollen, Committee Member Ben Levin, Program Coordinator Alan B. Albarran, Chair of the Department of Radio, Television and Film Sandra L. Terrell, Dean of the Robert B. Toulouse School of Graduate Studies Kretschmar, Kelly, Framing Femininity as Insanity: Representations of Mental Illness in Women in Post-Classical Hollywood. Master of Arts (Radio, Television, and Film), May 2007, 94 pp., references, 69 titles. From the socially conservative 1950s to the permissive 1970s, this project explores the ways in which insanity in women has been linked to their femininity and the expression or repression of their sexuality. An analysis of films from Hollywood’s post-classical period (The Three Faces of Eve (1957), Lizzie (1957), Lilith (1964), Repulsion (1965), Images (1972) and 3 Women (1977)) demonstrates the societal tendency to label a woman’s behavior as mad when it does not fit within the patriarchal mold of how a woman should behave. In addition to discussing the social changes and diagnostic trends in the mental health profession that define “appropriate” female behavior, each chapter also traces how the decline of the studio system and rise of the individual filmmaker impacted the films’ ideologies with regard to mental illness and femininity. Copyright 2007 by Kelly Kretschmar ii TABLE OF CONTENTS Page Chapter 1. INTRODUCTION ......................................................................................... 1 Historical Perspective ........................................................................ 5 Women and Mental Illness in Classical Hollywood ............................... -
Not for Publication United States Court of Appeals
FILED NOT FOR PUBLICATION OCT 30 2013 MOLLY C. DWYER, CLERK UNITED STATES COURT OF APPEALS U.S. COURT OF APPEALS FOR THE NINTH CIRCUIT WARNER BROS ENTERTAINMENT, No. 13-55352 INC., a Delaware corporation; et al., D.C. No. 2:12-cv-09547-PSG-CW Plaintiffs - Appellees, v. MEMORANDUM* THE GLOBAL ASYLUM, INC., a California corporation, DBA The Asylum, Defendant - Appellant. Appeal from the United States District Court for the Central District of California Philip S. Gutierrez, District Judge, Presiding Argued and Submitted October 7, 2013 Pasadena, California Before: FERNANDEZ, PAEZ, and HURWITZ, Circuit Judges. Defendant The Global Asylum, Inc. (“Asylum”) appeals the district court’s order granting Plaintiffs Warner Brothers Entertainment, Inc., New Line Productions, Inc., Metro-Goldwyn-Mayer Studios, Inc., Saul Zaentz Company, and * This disposition is not appropriate for publication and is not precedent except as provided by 9th Cir. R. 36-3. New Line Cinema, LLC’s (collectively “Studios”) motion for a preliminary injunction. 1. “A plaintiff seeking a preliminary injunction must establish that he is likely to succeed on the merits, that he is likely to suffer irreparable harm in the absence of preliminary relief, that the balance of equities tips in his favor, and that an injunction is in the public interest.” Winter v. Natural Res. Def. Council, Inc., 555 U.S. 7, 20 (2008). The district court found that all four Winter elements were met. 2. On appeal, Asylum challenges only the district court’s ruling that the Studios are likely to succeed on their trademark infringement claim under 15 U.S.C. -
Built by Geniuses to Be Run by the Inmates
Bui lt by Geni us es to be Run by the Inmates Introduction This page ( http://www.historicasylums.org/ ) is an attempt to catalog and pre s e nt Ame ri c a's hi s tori c ps yc hi atri c hos pi tals ( s tate hospitals; insane asylums) founded mostly in the latter half of the 19th century. The site gives special emphasis on the facilities built on the "Kirkbride plan", but it is not necessarily limited to the Kirkbride hospitals. The Kirkbride plan and the resulting bui ldi ngs represented great ambiti on on the part of both ps ychi atri c caregi vers and archi tects . Known Ki rkbri de hos pi tals are i ndi cated by a cli ckable Ki rkbri de label Type: Kirkride in the listings. Asylums outside of this scope, such as ones constructed in the 20th century are also included. To some, the asylums of the 19th century represent a darker period in mental health care, with involuntary incarcerati on, barbaric and ineffective treatments, and abuse of patients. However, there is also a legacy of progressive institutional treatment left by Dorothea Dix, Thomas Story Kirkbride, John Galt, and others represented by these buildings and sites. The sites that remain stand in monument to the successes and failures of these reforms and their efforts. The treatments and philosophies seem rather outdated and quant today, but at the time were a considered to be great improvement in the treatment of people perceived in need of psychiatric care. A large proportion of these historic institutions are no longe r ps yc hi atri c hos pi tals .