DP570 Multichannel Audio Tool
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Dolby Audio Encoder DP591 Product Specification
Dolby Audio Encoder DP591 Product specification 19 January 2018 Copyright © 2018 Dolby Laboratories. All rights reserved. Dolby Laboratories, Inc. 1275 Market Street San Francisco, CA 94103-1410 USA Telephone 415-558-0200 Fax 415-863-1373 http://www.dolby.com Trademarks Dolby and the double-D symbol are registered trademarks of Dolby Laboratories The following are trademarks of Dolby Laboratories: Dialogue Intelligence™ Dolby Theatre® Dolby® Dolby Vision™ Dolby Advanced Audio™ Dolby Voice® Dolby Atmos® Feel Every Dimension™ Dolby Audio™ Feel Every Dimension in Dolby™ Dolby Cinema™ Feel Every Dimension in Dolby Atmos™ Dolby Digital Plus™ MLP Lossless™ Dolby Digital Plus Advanced Audio™ Pro Logic® Dolby Digital Plus Home Theater™ Surround EX™ Dolby Home Theater® All other trademarks remain the property of their respective owners. Confidential information Confidential information for Dolby Laboratories Licensees only. Unauthorized use, sale, or duplication is prohibited. Patents This product is protected by one or more patents in the United States and elsewhere. For more information, including a specific list of patents protecting this product, please visit http:// www.dolby.com/patents. Contents Contents 1 Introduction.................................................................................................. 5 1.1 Overview........................................................................................................... 5 1.2 Key features......................................................................................................5 -
DP563 Dolby Surround Dolby Pro Logic II Encoder User's Manual
DP563 Dolby Surround and Pro Logic II Encoder User’s Manual Issue 3 Part Number 91690 Dolby® DP563 User’s Manual Dolby Laboratories, Inc. Corporate Headquarters Dolby Laboratories, Inc. 100 Potrero Avenue San Francisco, CA 94103-4813 Telephone 415-558-0200 Fax 415-863-1373 www.dolby.com European Headquarters Dolby Laboratories, Inc. Wootton Bassett Wiltshire, SN4 8QJ, England Telephone (44) 1793-842100 Fax (44) 1793-842101 DISCLAIMER OF WARRANTIES: EQUIPMENT MANUFACTURED BY DOLBY LABORATORIES IS WARRANTED AGAINST DEFECTS IN MATERIALS AND WORKMANSHIP FOR A PERIOD OF ONE YEAR FROM THE DATE OF PURCHASE. THERE ARE NO OTHER EXPRESS OR IMPLIED WARRANTIES AND NO WARRANTY OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE, OR OF NONINFRINGEMENT OF THIRD-PARTY RIGHTS (INCLUDING, BUT NOT LIMITED TO, COPYRIGHT AND PATENT RIGHTS). LIMITATION OF LIABILITY: IT IS UNDERSTOOD AND AGREED THAT DOLBY LABORATORIES’ LIABILITY, WHETHER IN CONTRACT, IN TORT, UNDER ANY WARRANTY, IN NEGLIGENCE, OR OTHERWISE SHALL NOT EXCEED THE COST OF REPAIR OR REPLACEMENT OF THE DEFECTIVE COMPONENTS OR ACCUSED INFRINGING DEVICES, AND UNDER NO CIRCUMSTANCES SHALL DOLBY LABORATORIES BE LIABLE FOR INCIDENTAL, SPECIAL, DIRECT, INDIRECT, OR CONSEQUENTIAL DAMAGES, (INCLUDING, BUT NOT LIMITED TO, DAMAGE TO SOFTWARE OR RECORDED AUDIO OR VISUAL MATERIAL), COST OF DEFENSE, OR LOSS OF USE, REVENUE, OR PROFIT, EVEN IF DOLBY LABORATORIES OR ITS AGENTS HAVE BEEN ADVISED, ORALLY OR IN WRITING, OF THE POSSIBILITY OF SUCH DAMAGES. Dolby, Pro Logic, and the double-D symbol are registered trademarks of Dolby Laboratories. Part Number 91690 All other trademarks remain the property of their respective owners. Issue 3 2003 Dolby Laboratories, Inc. -
Digital Multichannel Audio
MULTICHANNEL AUDIO DigitalMultichannel audio — live transmission of Prix Europa concert in Dolby AC-3 by RBB, and in Dolby E via the Eurovision Network The Eurovision network is continuing its evaluation of different technical options for multichannel audio (MCA) and, in October 2004, it broadcast a live concert from Prix Europa in Berlin using the Dolby E format. The 5.1 surround sound production was carried out by the German radio station RBB Radio Multikulti in Berlin. Part I of this article describes some of the problems in a 5.1 live mixing situation and how the mix was transported via a wide-area network to the satellite uplink in Potsdam for multicast distribution. In addition, some current issues on DVB signalling and set-top box compatibility are discussed, and a perspective on lessons learned for the future is given. Part II reports on the experience gained by the EBU from the Prix Europa 2004 Dolby E experiment. It also describes the technical and operational aspects of the trial in some detail and gives a short description of Dolby MCA technology. Part I Nikolaus Löwe RBB, Berlin From 16 to 23 October 2004, Radio Berlin Brandenburg (RBB) hosted the annual Euro- pean television, radio and Internet festival Prix Europa. It was opened on 16 October with a concert by the Danish band Oriental Mood at the RBB broadcasting house in Berlin. The festival’s opening concert has always been transmitted live on radio. This year, however, RBB Radio Multikulti carried out a multicast trans- mission in stereo and Dolby Digital 5.1 and the EBU distrib- Figure 1 uted the concert to its Members Oriental Mood on stage EBU TECHNICAL REVIEW – January 2005 1 / 14 N. -
Dolby® Cineasset
Dolby® CineAsset Dolby CineAsset DCP Editor Dolby CineAsset Content Management Dolby® CineAsset is a complete mastering software suite that can create and play back DCI-compliant digital cinema packages (DCPs) from virtually any source. The Pro version of Dolby CineAsset allows for the generation of encrypted DCPs along with the ability to easily generate key delivery messages (KDMs) for any encrypted content in the Dolby CineAsset database. With Dolby CineAsset, asset management has never been simpler. Drop folders allow for automated transfer of image sequences and other media files into the database. Dolby CineAsset offers additional functionality when used with Dolby digital cinema servers, including transport controls, file transfer, and KDM management for the connected device. The Dolby CineAsset suite includes Dolby CineAsset, Dolby CinePlayer, and the Dolby CineInspect DCP validation tool. CINEASSET KEY FEATURES: CINEASSET DEVICE CONTROL*: • Create and playback DCPs with subtitles • Device KDM and certificate manager • Generate encrypted DCPs (Pro version only) • Convert, transfer, schedule and playback 2D • Subtitle editor or 3D video clips • Optional render nodes reduce render times * Supported Dolby servers: (DCP-2000 – • Dolby Atmos® support ShowVault /IMB – DCP-2K4 – IMS2000) • Multiple filters (scale, XYZ color space conversion, timecode burn-in, logo overlay, audio delay, trimmer) CinePlayer DCP Player: • Custom LUTs and Matrix values for color conversion • High-frame-rate support • Real time XYZ to RGB color conversion -
Engine User Manual V7.7.7
Engine User Guide V7.7.7 July 2019 Contents Contents ........................................................................................................................................... 2 1. Engine Overview ..................................................................................................................... 6 About Engine ........................................................................................................................................... 7 Hardware Requirements ..................................................................................................................................... 8 2. Installation and System Configuration ............................................................................. 9 Getting Started ......................................................................................................................................... 9 Files Installed (Windows) ..................................................................................................................... 9 Files Installed (Apple Mac) ................................................................................................................. 10 Eflow (Information for Windows Installations) ......................................................................... 10 Engine–Configurator Application .................................................................................................... 11 Report Customisation ......................................................................................................................... -
Model DP564 Multichannel Audio Decoder User's Manual
Model DP564 Multichannel Audio Decoder User’s Manual Issue 1 Part Number 91830 DP564 Multichannel Audio Decoder Dolby Laboratories, Inc. Corporate Headquarters Dolby Laboratories, Inc. 100 Potrero Avenue San Francisco, CA 94103-4813 Telephone 415-558-0200 Fax 415-863-1373 www.dolby.com European Headquarters Dolby Laboratories, Inc. Wootton Bassett Wiltshire, SN4 8QJ, England Telephone (44) 1793-842100 Fax (44) 1793-842101 Dolby, Pro Logic, and the double-D symbol are registered trademarks of Dolby Laboratories. Surround EX is a trademark of Dolby Laboratories. All other trademarks remain the property of their respective owners. 2002 Dolby Laboratories, Inc.; all rights reserved. S02/14327 Issue 1 Part Number 91830 ii DP564 Multichannel Audio Decoder Table of Contents List of Figures............................................................................................................................ vi List of Tables.............................................................................................................................. vi Regulatory Notices and Fusing Information .................................................................... vii Fusing Information................................................................................................. ix Chapter 1 Introduction ...................................................................................................... 1-1 Chapter 2 Installation ............................................................................................ 2-1 2.1 Mounting................................................................................................. -
Dolby DP580 Professional Reference Decoder User's
Dolby Professional Reference Decoder DP580 User's guide V2.0 16 January 2018 Copyright © 2018 Dolby Laboratories. All rights reserved. Dolby Laboratories, Inc. 1275 Market Street San Francisco, CA 94103-1410 USA Telephone 415-558-0200 Fax 415-863-1373 http://www.dolby.com Trademarks Dolby and the double-D symbol are registered trademarks of Dolby Laboratories. The following are trademarks of Dolby Laboratories: Dialogue Intelligence™ Dolby Theatre® Dolby® Dolby Vision™ Dolby Advanced Audio™ Dolby Voice® Dolby Atmos® Feel Every Dimension™ Dolby Audio™ Feel Every Dimension in Dolby™ Dolby Cinema™ Feel Every Dimension in Dolby Atmos™ Dolby Digital Plus™ MLP Lossless™ Dolby Digital Plus Advanced Audio™ Pro Logic® Dolby Digital Plus Home Theater™ Surround EX™ Dolby Home Theater® All other trademarks remain the property of their respective owners. Confidential information Confidential information for Dolby Laboratories Licensees only. Unauthorized use, sale, or duplication is prohibited. Contents Contents 1 Introduction to the Dolby Professional Reference Decoder DP580 documentation .................................................................................................. 5 1.1 Using this information..................................................................................... 5 1.2 Speaker name abbreviations........................................................................... 5 1.3 Questions and feedback.................................................................................. 6 2 Overview of the Dolby Professional -
Files As Shown on Figures 6, 7 and 8
DIALNORM_TUTORIAL DATE: 28 MAR 2010 Disclaimer The opinions expressed are those of the author and do not represent those of the Society of Broadcast Engineers or my employer. This paper draws freely on information taken from the websites of Dolby, JBL and Linear Acoustic. All trademarks are owned by their respective corporations. DIALNORM A Tutorial from the Perspective of the Motion Picture Industry will be presented. Why the Motion Picture Industry? The audio standard for terrestrial digital TV was lifted from the multi-channel audio format used for the distribution of motion pictures to your local neighborhood theater and on commercially produced movie DVD’s. LET’S ALL C.AL.M. DOWN A bill to regulate the volume of TV commercials (apparently not radio commercials or movie trailers) is working its way through the House and Senate. Passage is expected and Congress is expected to recommend that the ATSC Recommended Practice: “Techniques for Establishing and Maintaining Audio Loudness for Digital Television” (soon to be released by the ATSC) is the basis for determining compliance. This document is basically a rewrite of the ATSC document A85 and includes several practical application examples. THE ANSWER Since Engineers like to skip to the end of the murder mystery book to find out who the killer is, I will jump to the end of the presentation and give you the answer first. When the Advanced Television Systems Committee wrote the technical specifications for over-the-air digital television broadcasting, they included as part of the audio specification, a mystical entity called “Dialnorm”. This mystical entity was intended to control the volume of the program audio at the consumer end of the broadcast chain. -
Metadata Made Simple
Metadata Made Simple Metadata: data about the data Dolby® E metadata contains two parts, professional for the Dolby E signal and consumer for the eventual Dolby Digital encoding. Most important metadata parameters: Program Configuration Metadata for Dolby E (professional) sets the Dolby E coding configuration for best efficiency. 5.1+2 would be a 5.1-channel program and a stereo program. 5.1+2x1 would be a 5.1-channel program and two mono programs. Channel Mode and LFE Channel Enable This is usually represented as number of front channels/number of rear channels/LFE. So 3/2/L would be a typical 5.1 program and 2/0 would be typical stereo program. Setting a 5.1 program to the 2/0 mode will result in the loss of dialogue and other center channel information. For a given program, metadata for Dolby Digital (consumer) contains all of the parameters for that program. If the Dolby E stream contains more than one program, each program will have a separate consumer metadata set. Dialnorm Value The dialnorm value determines the output volume of the Dolby Digital decoder. It does not have any effect on the Dolby E signal levels. The dialnorm value also interacts with the dynamic range control and may cause unnecessary pumping of the dialogue if the dialnorm value is not set correctly. The correct setting of the dialnorm level is easily accomplished with the Dolby LM100 Broadcast Loudness Meter. Surround 3 dB Attenuation This flag is used when projects are mixed in a facility that normally presents feature films and is properly calibrated to film standards for sound reproduction levels. -
Dolby Metadata Guide
Dolby® Metadata Guide Issue 3 Dolby Laboratories, Inc Corporate Headquarters Dolby Laboratories, Inc. 100 Potrero Avenue San Francisco, CA 94103-4813 USA Telephone 415-558-0200 Fax 415-863-1373 www.dolby.com European Headquarters Dolby Laboratories, Inc. Wootton Bassett Wiltshire SN4 8QJ England Telephone (44) 1793-842100 Fax (44) 1793-842101 Dolby, Pro Logic, and the double-D symbol are registered trademarks of Dolby Laboratories. Surround EX is a trademark of Dolby Laboratories. Issue 3 © 2005 Dolby Laboratories, Inc. All rights reserved. S05/14660/16797 Dolby Laboratories, Inc. A Guide to Dolby Metadata Metadata provides unprecedented capability for content producers to deliver the highest quality audio to consumers in a range of listening environments. It also provides choices that allow consumers to adjust their settings to best suit their listening environments. In this document, we first discuss the concept of metadata: • Metadata overview We then discuss the three factors controlled by metadata that most directly affect the consumer’s experience: • Dialogue level • Dynamic range control (DRC) • Downmixing Finally, we define each of the adjustable parameters, and provide sample combinations: • Individual parameters • Metadata combinations 1 Metadata Overview Dolby® Digital and Dolby E are both data-rate reduction technologies that use metadata. Metadata is carried in the Dolby Digital or Dolby E bitstream, describing the encoded audio and conveying information that precisely controls downstream encoders and decoders. In normal operation, the encoded audio and metadata are carried together as a data stream on two regular digital audio channels (AES3, AES/EBU, or S/PDIF). Metadata can also be carried as a serial data stream between Dolby E and/or Dolby Digital equipment. -
Dolby Atmos Mastering Suite — Dolby Are in Sessions and Generate Our Deliverables
REVIEW Another quite remarkable and very accessible option is the range of Sound Bars currently on the market, as well as new TV’s with Up-firing speakers and beamforming technology. I was incredibly sceptical of the entire concept, and I was not the only one, but at a recent event at Dolby’s London HQ, Dolby employees, and film Dolby Atmos mixers alike were blown away by the level of detail from above (or deflected off the ceiling). Cinema RMU — When final mixing and mastering Mastering Suite for Cinema in Dolby Atmos, you require a Dolby Rendering and Mastering Unit, a hardware box The next generation of immersive audio mixing tools: JOHN JOHNSON, provided under license by Dolby through their Motion HHB’s CTO, describes the new Atmos Mastering Suite and Atmos for the Home. Picture Service Agreement to Dolby Certified Studios. In order to gain this certification, a number of criteria any of you will have heard of Dolby’s passing Atmos content right the way through to our have to be met, one of which is the target Sound Object Based Immersive Audio Format living rooms. Home Entertainment Atmos audio is Pressure Level of 85dB (+20dB Headroom). Gaining — Dolby Atmos. Some may well have packaged in either a Dolby TrueHD or Dolby Digital Dolby Certification requires a fair amount of planning, listened to content or even mixed in Plus bitstream, both of which can be authored to Blu- physical space, and attention to detail, however the MDolby Atmos, but until recently there were several Ray and played back on any standard player. -
Digital Fact Book Converged Media
The Digital Fact Book Converged media 20th anniversary edition The Digital Fact Book 20th Anniversary Edition Converged Media A reference manual for the television broadcast & post production industries includes stereoscopic 3D Editor: Bob Pank Acknowledgements Mark Horton, Lenny Lipton, Steve Owen, Phil Streather, Dave Throup, Roger Thornton Quantel R&D for their co-operation and many contributions and to the many contributors and commentators from the industry around the world Copyright Quantel Limited 1988, 1989, 1990, 1991, 1992, 1994, 1996, 1998, 2000, 2002, 2003, 2008 Extract from a letter from Michael Faraday to J. Clerk Maxwell Royal Institution, 13 November 1857 There is one thing I would be glad to ask you. When a mathematician engaged in investigating physical actions and results has arrived at his own conclusions, may they not be expressed in common language as fully, clearly, and definitely as in mathematical formulae? If so, would it not be a great boon to such as we to express them so – translating them out of their hieroglyphics that we also might work upon them by experiment? I think it must be so, because I have found that you could convey to me a perfectly clear idea of your conclusions, which, though they may give me no full understanding of the steps of your process, gave me the results neither above nor below the truth, and so clear in character that I can think and work from them. If this is possible, would it not be a good thing if mathematicians, writing on these subjects, were to give us their results in this