DOCSLIB.ORG

Annual REPORT 2014 2014, a Year Full of Change

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Annual REPORT 2014 2014, a Year Full of Change ANNUAL REPORT 2014 2014, a year full of change “Every year around the world, one hundred new museums are said to open their doors to the public. Opening a new museum is the dream of every architect, curator, collector and sponsor, rightly due to the new symbolic value tied to this matter.” These are the words used by Isabella Pezzini to delve into to the topic of new museums in her work co-authored with Umberto Eco, El museo (the museum), Casimiro, 2015, p. 47. The International Council of Museums (ICOM), which turns 70 in 2016, is pondering this central issue of the museum of tomorrow. Long viewed as bygone, even old-fashioned institutions, today museums are seeing extraordinary development. New museums are appearing around the world, remarkable for their architectural features but above all, for the universal access that they provide to culture. In 2014, ICOM and UNESCO drafted a recommendation on the protection and promotion of museums and collections, placing museums more explicitly at the heart of the exchanges that occur between peoples and societies. This is a first step in considering a new definition for third-millennium museums, as Eco highlights. 3 ICOM has also joined forces with major international institutions to support and defend countries in the throes of armed conflict, including Iraq and Syria, to fight the spread of illicit trafficking in cultural property and develop tools to confront emergency situations. ICOM supports concrete and concerted efforts: a new platform, the ICOM International Observatory on Illicit Traffic in Cultural Goods, was launched in July 2014, and three Red Lists are being finalised, concerning Iraq, Libya and West Africa, including Mali. Training is also at the heart of ICOM’s activities, and 2014 saw two successful training seminars in China at the Palace Museum, each of which involved some thirty young museum professionals. Our national and Project Management: ICOM General Secretariat international committees are also undertaking a number of initiatives and should be encouraged to do so, notably via special projects and grants Layout: Justine Navarro - www.justine-navarro.com made available by the SAREC. In 2015, ICOM is pursuing its ambitious projects: acting on a worldwide level, coordinating actions to enhance museums of all types, working with With the assistance of international bodies, and developing reference tools for museum ethics and training. A nearly 35,000-member-strong network, a team of 24 Secretariat staff members and nearly 200 committees are all striving to assert the vital role of our organisation in global dialogue on heritage and museums. Prof. Dr Hans-Martin Hinz, ICOM President Prof. Dr Anne-Catherine Robert-Hauglustaine, ICOM Director General Citation: Umberto Eco, Isabella Pezzini, El museo, Casimiro Livres, 2015, 76 p. With the financial support of the Prevention of and Fight against Crime Programme European Commission Washington, D.C. Directorate-General Home Affairs. 2014 Key Figures Summary 3 Editorial 4 2014 Key Figures 34,864 5 Summary ICOM members M+9.9% Members registered with International Committees 6 ASSERTING ICOM’S ROLE AS A RESPECTED EXPERT 6 Strengthening the Voice of Museums in Global Exchanges 7 At the Heart of Societal Debates 88.75% 8 Intervening in Conflict Zones 9 Extending ICOM’s Global Expertise Average annual 10 Clarifying, Spreading and Encouraging the Creation renewal rate of Normative Frameworks 24 12 Map: [International Committee Annual Meetings in 2014] Average number of staff members at ICOM General Secretariat in 2014 16 OPENING UP TO THE WORLD 16 Extending the Network Globally 1945N 17 Exchange and Transmission 18 Cooperating for Local Action Registration of Luisa Arruda 19 Making the Ressources of ICOM Available to Professionals (ICOM Portugal) 68,707 € 22 Map: [Participation by ICOM committees in other national and The ICOM member international meetings in 2014] with the oldest record for 16 special projects +55.7% compared to 2013 26 STRENGHTENING RELATIONSHIPS 26 Cultivating Relationships Within the ICOM Network 28 Stimulating Local Synergies 31 Encouraging Healthy Competition Between Museums 77 32 118 O Map: [Trainings offered by ICOM in 2014] ICOM National Years Committees Age difference between the youngest 36 RESPONDING TO NEW CHALLENGES ICOM member (19 years old, ICOM 36 Protecting Cultural Heritage Portugal) and oldest ICOM member 39 Responding to Social Challenges (96 years old, ICOM Germany) 40 Map: [ICOM presence on social networks in 2014] 116 42 They talked about ICOM in 2014 Number of requests received 74% 44 Main financial data for 2014 in 2014 by UNESCO-ICOM Average renewal rate of Information Centre three years in a row 46 Bibliography of ICOM committee publications put out in 2014 Asserting ICOM’s role as a respected expert In 2014, ICOM was able to affirm its key role in international discussions on heritage and museums. A respected voice in public debates, the organisation intervened in sensitive and conflictual geopolitical contexts. ICOM is positioned at the forefront of important battles for the safekeeping of world heritage and museums in 2014. ICOM began thorough in-house work to harmonise and spread normative frameworks and encourage the transmission of best practices among its members. STRENgtheNING THE VOICE OF MUSEUMS IN GLobaL EXCHANGES The Museu da Maré in Rio de Janeiro, Brazil has welcomed over 40,000 visitors In 2014, ICOM successfully advocated in favour of museums since its creation in 2006. while attending major international meetings. A joint recommendation with UNESCO © Naldinho Lourenço currently underway 6 7 The draft recommendation on museums is the result of several months of collaborative work between ICOM and UNESCO and fills a normative gap regarding this topic. Initiated with IBRAM (Brazilian Institute of Museums), it reaffirms the leading role of museums as actors in global development and cultural diversity. Nowadays, museums are increasingly involved in human exchanges and must therefore be recognised not only as institutions dedicated to conservation, but as places for dialogue sharing, learning and training. The recommendation will be discussed on 27-28 May, 2015 by UNESCO Member States and reviewed during the 38th session of the UNESCO AT THE Heart General Conference in 2015. OF SocietaL Debates Standing up for copyright law reflecting museums’ singularity ICOM’s role goes beyond ensuring museum ethics. In 2014, it played a major role in a number of debates that found an ICOM also took part in the meeting of the World Intellectual echo in the public sphere. Property Organization (WIPO) from 16 to 20 December, 2013 in Geneva, Switzerland, for the first time. Represented by the Saving the Museu da Maré ICOM Legal Affairs Committee (LEAC), the organisation was able to make a case for museums’ unique situation as regards In 2014, ICOM supported the Museu da Maré, an institution that the acceleration of the flow of data as well as copyright issues. has existed since 2006, part of the social fabric of one of the This resulted in a vote in favour of carrying out a special study biggest favelas in Rio De Janeiro and threatened with eviction. on issues specific to museums. This should lead to their ICOM defended a model museum praised in 2013 during inclusion in the future international treaty on exceptions and its 23rd General Conference, which every year allows 40,000 limitations to copyright and related rights. This achievement visitors to discover 2,300 local objects. ICOM’s support through demonstrates the necessity of constantly lobbying for ICOM’s its national and international committees was part of a larger- voice to be heard within international institutions. scale mobilisation that led to the preservation of the museum, maintaining an essential space for transmission at the heart of its community. Cairo, Egypt, August 2014. Visit to the conservation laboratory at the Museum of Islamic Art (MIA). © Daniel Hausdorf and Karen Stamm Fighting museum abuses The close ties between ICOM and Blue Shield were strengthened in in heritage management Spain where ICOM’s national committee now heads the Blue Shield national committee. On the American continent, ICOM US was In July 2014, CIPEG (International Committee for Egyptology) invited as a regional actor to a conference organised by Blue Shield spoke out on behalf of ICOM on the controversial sale of the in Washington, D.C in September 2014. The event, in partnership Sekhemka Statue held by the Northampton Museum and sold for with the Smithsonian Institution, gathered 200 participants. In over £15m.The committee stated that the transaction breached the Netherlands, 125 participants attended a seminar entitled ICOM’s Code of Ethics for Museums and best practices regarding “Heritage under Attack” held on 14 November, 2014. the sale of artefacts. Vigorous efforts amplified by numerous media internationally and applauded by the museum community contributed to the Northampton Museum losing its Art Council EXTENDING England accreditation. ICOM’S GLobaL Expertise Taking part in public debates ICOM International Training Centre for Museum Following the international outcry generated by the euthanasia Studies, a succesful initiative of giraffes at the Copenhagen Zoo in February 2014, NATHIST (International Committee for Museums and Collections of Natural After an inaugural training workshop of the newly-established History) took a stance on public autopsy and dissections of ICOM International Training Centre for Museum Studies (ICOM-
Load more

Recommended publications
  • Save the Date: 18 Sep 2018
    The Capital Region of Denmark and E.ON are proud to invite you to the Copenhagen Zoo on 18 September to be part of ‘Roaming for seamless cross-border charging’ The road to seamless cross-border charging is a bumpy yet exciting one, and you are invited along for the ride! September 18 will be the Danish kick-off of a new European project connecting various pilots and projects in multiple countries to provide transparent information about charging in Europe through the use of the open, independent OCPI protocol. Local and international partners, suppliers, and EV drivers are welcome to contribute to the project and share knowledge and experiences. The project’s ultimate goal is to enable all EV drivers to charge hassle -free anywhere in the EU. The programme 9:30 Coffee & Registration • Ceremonial launch of the evRoaming4EU If you have not registered yet, 10:00 Start of plenary session project please do so here. Limited seats are available. • Welcome by Jan E. Jørgensen, Member of the 12:00 Lunch We look forward to meeting you. Danish Parliament and 1st Deputy Mayor of the 13:00 Workshops Municipality of Frederiksberg Best regards, • Presentation of evRoaming4EU and • The road to seamless cross-border introduction to roaming roaming Roland Ferwerda, NKL Hosted by E.ON and CPH-Electric • EV corridors require interoperability • Det offentlige sektors rolle (in Danish) Britt Karlsson-Green, Region Skåne & GREAT project Hosted by The Capital Region of Denmark How can local authorities support •roaming? Diana Arsovic Nielsen, Director of the 14:30–15:00 Wrap-up and networking Centre for Regional Development of the Capital Region of Denmark The kick-off will be moderated by journalist and former TV-Host, Nynne Bjerre Christensen ABOUT THE PROJECT This project is a collaborative independent OCPI protocol.
    [Show full text]
  • When Zoo Became Nature Copenhagen Zoo and Perceptions of Animals and Nature Around 1900
    TfK 1-2010 ombrukket_TfK 1-2-2007 02.03.10 15.55 Side 22 When Zoo became Nature Copenhagen Zoo and perceptions of animals and nature around 1900 Anne Katrine Gjerløff Københavns universitet [email protected] Keywords Abstract History of animals, This article points out central historical themes in the debates and arguments given by the conservation, directors of Copenhagen Zoo for the zoo as an alternative to nature. When Copenhagen Copenhagen Zoo, Zoo was founded in 1859, its purpose was divided equally between entertainment, perceptions of nature, enlightenment and symbolizing the glory of the Danish capital. During this period animal protection though, it also became possible for the zoo to stage itself as a kinder place for animals than “real” nature. In the early 20th century, the zoo attracted attention from animal rights movements, wherefore the debates came to be structured around two radically different perceptions of nature. The article takes its outset in the arguments formulated by the three successive directors: Julius Schiøtt, Waldemar Dreyer and Theodor Alving. Nature in here This was a time when anthropomor- This article will investigate an institution phic and popular descriptions of animals that is readily associated with nature by were challenged by new ideas of animal most, but which in fact is a cultural phe- welfare, as well as by a professionalized and nomenon; ‘the zoo’. ‘Nature’, as presented scientific approach to zoo keeping. At the in zoos, is not untouched, authentic or same time, developments made it possible wild. Rather, the presence of animals and for zoos to stage themselves as worthy alter- many institutionalized and conscious dis- natives to an externalized nature, through courses about nature are effectuated in the the discourse of conservation and ideals zoo, making it an excellent location for regarding realistic surroundings and land- identifying definitions and perceptions of scaping for the animals.
    [Show full text]
  • Gratis / Free Rabat / Discount
    Ta d re M ø l l e 25/0 0 Teatermuseet i Hofteatret / The Theatre Museum at The Court Theatre 40/0 0 Thorvaldsens Museum 50/0 0 GRATIS / FREE Tivoli / Tivoli Gardens 100/100 0 COPENHAGENCARD Tycho Brahe Planetarium 144/94 0 Tøjhusmuseet / The Royal Arsenal Museum 0/0 0* Adults/ Copenhagen Vedbækfundene / Vedbæk Finds Museum 30/0 0 Museer og attraktioner / Museums & attractions Children Card Visit Carlsberg 90/60 0 Amalienborg 95/0 0 Vor Frelsers Kirke /Church of our Saviour 45/10 0 Amber Museum Copenhagen 25/10 0 Zoologisk Have / Copenhagen ZOO 170/95 0 Arbejdermuseet /The Workers Museum 65/0 0 Zoologisk Museum / Zoological Museum 140/75 0 ARKEN Museum for moderne kunst / Museum of Modern Art 110/0 0 Øresundsakvariet / Øresund Aquarium 79/59 0 Bakkehusmuseet /The Bakkehus Museum 50/0 0 Brede Værk (Nationalmuseet) /Brede Works 0/0 0* Tranport i Hovedstadsregionen Bådfarten / Boat Tours 70/50 0 / Transportation in the Capital Region. Canal Tours Copenhagen 80/40 0 Bus, tog, havnebus, Metro/ bus, train, harbour bus, Metro 0 Casino Copenhagen 95/- 0 Cirkusmuseet / Circus Museum 50/0 0 Cisternerne / The Cisterns 50/0 0 Danmarks Tekniske Museum / The Danish Museum of Science and Technology 70/0 0 Dansk Arkitektur Center / Danish Architecture Centre 60/0 0 RABAT / DISCOUNT Dansk Jagt- og Skovbrugsmuseum / Danish Museum for Hunting & Forestry 70/0 0 Dansk Jødisk Museum / The Danish Jewish Museum 50/0 0 De Kongelige Repræsentationslokaler / The Royal Reception Rooms 90/45 0 Adults/ Copenhagen De Kongelige Stalde / The Royal Stables 50/25 0 Museer
    [Show full text]
  • Tivoli Gardens
    Tivoli Gardens The Tivoli Gardens at Denmark Tivoli Gardens is the most-visited theme park in Scandinavia, and the second-oldest operating amusement park. The amusement park features beautiful scenery, a lake and flower gardens. It originally had rides like a merry-go-round and a scenic railway. Today, the garden owns some of the best rides such as the wooden roller coaster (Rutschebanen), and Daemonen (the Demon). Tivoli Gardens is also home to the world’s tallest carousel, the Star Flyer. A list of the rides at the park in the order of their opening: 1926 - Bumper Cars 1937 - Galley Ships roundabout boats 1943 - The Ferris Wheel 1988 - Snurretoppen (breakdance spinner) 1988 - Spinning Top (spinner ride) 1993 - The Flying Trunk (renovated in 2010) 1995 - The Dragon (giant swing) 1999 - The Golden Tower (drop tower) 2001 - The Monsoon (a magic carpet ride) 2003 - The Mine (dark ride in a boat featuring 2m drop) 2009 - Vertigo giant swing For kids the park has the Big Clock, Dragon Boats, Dyrekarussellen, the Fun House, the Light House, the Little Pilot, Nautilus, Petzi's World, the Panda, Rasmus Klump, the Temple Tower, Trolley Bus and Vintage Cars. Other attractions at Tivoli Gardens include the pantomime theater, an open-air theater for performances in the commedia dell’arte style, as well as ballet and modern dance. Live music is featured during the summer months. Laser and water shows over the lake are held during the evenings. In 2013, Tivoli has expanded to create a new astronomy themed area named 'The Cheerful Corner'. This place features three rides inspired by the 16th century Danish astronomer Tycho Brahe and are designed for all ages.
    [Show full text]
  • Business in Zoociety Building a 5-Year Plan for Copenhagen Zoo
    Copenhagen Business School Team Executive summary Business in ZOOciety Building a 5-year plan for Copenhagen Zoo Copenhagen Zoo, you find yourself facing competition from the increasing selection of entertainment activities in your geographical region, as well as high seasonality in visitors, and a low number of foreign guests. The question you need to ask yourself, before stating a new and realistic five-year plan, is: How can you grow your annual visitor base to 1.6M by 2020, without compromising your core values and competencies, whilst retaining an 8% profit margin independently of government subsidies? We believe that you can manage this, through a strategy that can be summarized in three words, namely: Engage, Expand and Escalate Engage: We propose initiating the ZOOciety program, a program that will position you as a global frontrunner in animal research and natural preservation. This program shall be the platform and brand from which all your projects in preservation and research stem, but also a new membership concept, that will replace your current annual cards by 2016. The new structure is based on a value and content driven loyalty program, not a discount driven one. Customers become active partners in your work, and part of the membership fee goes directly to projects. This enhances the value proposition of your park, and makes it not only a recreational offering but also a flagship for sustainability and preservation. Expand: We propose that you expand your current platform for funding of your projects, into involving crowd funding and an elaborated private funding program. This will generate large amounts of funding that can replace your current dependency on government subsidies, which can then completely be faced out by 2020.
    [Show full text]
  • Copenhagen, Denmark
    Your Guide to Copenhagen, Denmark Your Guide to Copenhagen at RIPE 72 – May 2016 What to See The little Mermaid At Langelinje Pier, you will find one of Copenhagen's most famous tourist attractions - the sculpture of The Little Mermaid. She turned 100-years-old on 23 August 2013. http://www.visitcopenhagen.com/copenhagen/little-mermaid-gdk586951 Christiania Christiania, the famous freetown of Copenhagen, is without a doubt one of Denmark’s most popular tourist attractions. http://www.visitcopenhagen.com/copenhagen/christiania-gdk957761 Nyhavn Nyhavn is the perfect place to end a long day, especially during summer. Have dinner at one of the cosy restaurants or do like the locals do and buy a beer from a nearby store and rest your feet by the quayside. http://www.visitcopenhagen.com/copenhagen/nyhavn-gdk474735 Strøget Strøget is one of Europe's longest pedestrian streets with a wealth of shops, from budget-friendly chains to some of the world's most expensive brands. The stretch is 1.1 km long and runs from City Hall Square (Rådhuspladsen) to Kongens Nytorv. http://www.visitcopenhagen.com/copenhagen/stroget-shopping-street-gdk414471 Lego Shop Find exclusive LEGO sets. The LEGO flagship stores are larger than average and carry a wide range of products including exclusive and difficult to find sets that are not available elsewhere. http://www.visitcopenhagen.com/copenhagen/lego-store-gdk496953 Torvehallerne Market It is not a supermarket – it is a Super Market. At Torvehallerne in Copenhagen, you will find over 60 stands selling everything from fresh fish and meat to gourmet chocolate and exotic spices, as well as small places where you can have a quick bite to eat.
    [Show full text]
  • Zooquaria Spring 2020
    QUARTERLY PUBLICATION OF THE EUROPEAN ASSOCIATION OF ZOOS AND AQUARIA SPRINGZ 2020 OO QUARIAISSUE 108 A NOBLE CAUSE SAVING THE DANISH NOBLE CHAFER WHICH FISH? CAMPAIGNING DURING A GLOBAL PANDEMIC 1 BUILDING A FOOD FOREST BEHIND THE SCENES AT A NEW PRIMATE EXHIBIT Elegant enclosures with Webnet The robust wire rope net Webnet enables the realisation of the typically delicate and customized solutions. Jakob Rope Systems supplies both materials and know-how to create functional yet architecturally sophisticated animal enclosures. jakob.com Contents Zooquaria Spring 2020 12 14 4 From the Director’s chair 18 Shifting the population How Covid-19 has affected the EAZA community management paradigm Some insights into the effectiveness of the new 5 From our Chairman RCP process A message of support for EAZA Members 20 A plan for the cinereous vulture 6 Noticeboard An update on the Cinereous vulture EEP Decisions from the latest EAZA Council Meeting 22 Planning for a revolution 7 Just keep swimming How CPSG Europe is ramping up its efforts for An update on our new Which Fish? campaign species conservation 8 Births & hatchings 24 Saving the Danish noble chafer The latest success stories from EAZA zoos Reporting on a new conservation project at Copenhagen Zoo 10 Let’s help nature become part of the solution 26 Taking action for Indonesia Zooquaria talks to Luc Bas, Director of IUCN How threatened ungulates benefited from the first European Regional Office ever Action Indonesia Day 12 A bright future for songbirds 27 Flexible funding for a brighter
    [Show full text]
  • Zoo Veterinarians Between Welfare and Conservation
    University at Buffalo School of Law Digital Commons @ University at Buffalo School of Law Journal Articles Faculty Scholarship Spring 4-1-2018 Saving Species, One Individual at a Time: Zoo Veterinarians Between Welfare and Conservation Irus Braverman University at Buffalo School of Law Follow this and additional works at: https://digitalcommons.law.buffalo.edu/journal_articles Part of the Animal Law Commons, and the Zoology Commons Recommended Citation Irus Braverman, Saving Species, One Individual at a Time: Zoo Veterinarians Between Welfare and Conservation, 9 Humanimalia 1 (2018). Available at: https://digitalcommons.law.buffalo.edu/journal_articles/922 First published in Humanimalia volume 92, number 2, https://www.depauw.edu/humanimalia/issue%2018/ braverman.html. This Article is brought to you for free and open access by the Faculty Scholarship at Digital Commons @ University at Buffalo School of Law. It has been accepted for inclusion in Journal Articles by an authorized administrator of Digital Commons @ University at Buffalo School of Law. For more information, please contact [email protected]. HUM a N I M A L I A 9:2 Irus Braverman Saving Species, One Individual at a Time: Zoo Veterinarians Between Welfare and Conservation Figure 1. Reticulated giraffe at the St. Louis Zoo. Photo by Robert Lawton, Nov. 11, 2005. CC BY-SA 3.0. “I save a species, one individual at a time.” --- Kelly Helmick (DSM). Supervisory Medical Officer, Smithsonian Conservation Biology Institute; Former President, American Association of Zoo Veterinarians (personal communication, February 15, 2016) Who Killed Marius? On February 9, 2014, two-year old giraffe “Marius” was killed at the Copenhagen Zoo.
    [Show full text]
  • The Royal House of Denmark 2008 Summary the 2008 Annual Report for the Royal House of Denmark Is the Fifth Since 2004
    Annual report | The Royal House of Denmark 2008 Summary The 2008 annual report for the Royal House of Denmark is the fifth since 2004. Reflecting the Court’s desire to keep the public informed, the report describes the duties and functions of the Danish Monarchy, key events during the year, and selected themes relating to The Royal Family. The themes in this year’s report spotlight The Royal Family’s work to promote Danish industry and culture internationally, the New Year levees, and the tradition of inscribing signatures on the windows of Fredensborg Palace. During 2008 members of The Royal Family undertook numerous official visits abroad, spearhead- ing industrial and cultural campaigns focused on Denmark, or helping to raise awareness of humanitarian organisations for which they are patrons. The Queen and The Prince Consort performed two state visits, one early in 2008 to Mexico, and one late in the year to Tanzania. At home in Denmark, The Royal Family made three summer cruises by the Royal Yacht Dannebrog, two with The Queen and The Prince Consort on board, the third with The Crown Prince and The Crown Princess accompanied by their children Prince Christian and Princess Isabella. The major family event in 2008 was the occasion of the wedding of Prince Joachim and Princess Marie on 24th May. The ceremony, which took place in Møgeltønder Church, was followed at close hand by several thousand people, including some 500 representatives of the Danish and international press. A private celebration was held afterwards in Schackenborg Castle. In spring 2008 a new three-year agreement was established between the Court and the Association of Court Employees.
    [Show full text]
  • Annual Report 2007
    Annual Report 2007 Annual Report Knowledge taking people further 2007--- Ramboll Group A/S Including the customer in our work processes When developing solutions for our customers, Ramboll’s engineers make use of a range of techniques in order to search for optimal outcomes. In the initial idea Ramboll Group A/S phase, our engineers usually prepare handmade drawings of their proposals to help visualisation for the customer. Our application of 3D technologies during the design phase enables more people to be involved, and ensures that the best possible solutions and excellent results are reached. In the final phase, models of the design will often be prepared to give the customer the opportunity to experience the finished design in real life. Content The Ramboll Group Head office Introduction 3 The Ramboll Group Facts 4 Ramboll Group A/S Russia Board of Directors and Executive Board 6 Teknikerbyen 1, 2 ZAO Ramboll Rambøll Danmark A/S DK-2830 Virum Foochika street 4 A Independent Auditor’s Report 8 MD, Robert Arpe Tel. +45 4598 6000 192102 St. Petersburg Key statistics 10 Fax +45 4598 6700 Russia Directors’ Report 12 Ramböll AB (Sweden) www.ramboll.com Tel. +7 (812) 705 2065 Holistic Report 16 MD, Bent Johannesson www.ramboll.ru Design within architecture and landscaping 22 Principal offices Rambøll Norge AS Climate and energy solutions 28 Lithuania Infrastructure development 34 MD, Jan Ove Holmen Denmark UAB Ramboll Lietuva Rambøll Danmark A/S Sv. Stepono g. 39 Buildings and high-rise in a sustainable context 40 Ramboll Group A/S Ramboll Finland Oy Bredevej 2 LT-03210 Vilnius Water and environment 46 Group Chief Executive Officer, Flemming Bligaard Pedersen MD, Markku Moilanen DK-2830 Virum Tel.
    [Show full text]
  • Eske Kath Arena Eske Kath Arena
    ESKE KATH ARENA ESKE KATH ARENA Arena is the chosen title for Danish artist Eske Kath’s second solo show with the gallery in Los Angeles. This new body of work will examine Kath’s interest in the forces of destruction and rebirth and the tension as an artist between chaos and control. Kath is painting on multiple surfaces for this show. Several pieces are painted directly onto raw linen wherein Kath has drawn compositional rules as the basis for his figuration. Foreground and background change position, and visible bits of linen and sketch lines become part of the finished work. The pattern of woven linen is exposed in these pieces, suggesting patterns of sand. As in all of Kath’s work, the single-family house is again depicted, in this work partially immersed in tides of (linen) sand. There are also paintings on blackboards, with houses in similar states of submergence by the ashen surface of the boards. Some pieces find houses in flight; against the dark surface of the blackboards suggestive of deep space. The surfaces of hard-bound books are also subjects of composition. Eske Kath (b. 1975, Denmark) studied at the Royal Academy of Fine Artist in Copenhagen, DK, graduating in 2003. In 2009, Kath was commissioned to paint a chamber ceiling in the Crown Prince of Denmark’s Amalienborg Palace. Kath’s work has been exhibited internationally, including Denmark, Berlin, New York, Los Angeles, Oslo, Frankfurt and Vienna. He is represented by Galerie Mikael Andersen in Copenhagen and Berlin, by Judith Charles Gallery in New York, and by Charlie James Gallery in Los Angeles.
    [Show full text]
  • Reconstruction As Trope of Cultural Display
    Nordisk Museologi 2015 • 2, s. 49–68 Reconstruction as trope of 49 cultural display Rethinking the role of “living exhibitions” Cathrine Baglo Abstract: During the nineteenth and early twentieth century, a new and particularly widespread type of exhibition practice occurred all over the Western World, namely “living exhibitions”. They were characterized by the display of indigenous and exotic-looking peoples in zoological gardens, circuses, amusement parks, various industrial expositions, and major international expositions where representatives of indigenous and foreign peoples from all over the globe performed their everyday life in reconstructed settings. Entire milieus were recreated by bringing along dwellings, animals, objects, etc. Eventually this would also become the dominant trope of display in folkloric exhibitions. Nevertheless, the living exhibitions have not been regarded as influential to this development. Instead, the trope has most commonly been accredited to the Swedish folklorist Artur Hazelius. In this article, I stress the importance of situating his display techniques and museological ideals within a wider context, most importantly the living exhibitions. The emphasis will be on the display of Sámi. Keywords: Living exhibitions, exhibition history nineteenth and early twentieth century, Sámi, cultural reconstruction, folk-ethnographic displays, open-air museums, zoological gardens, Skansen, Sámi encampments, international expositions, wax museums. Reconstruction as trope of cultural display by archaeologists, Hazelius wanted the visitor is often accredited to the Swedish folklorist to experience complete and realistic cultural Artur Hazelius (1833−1901), the founder of environments – not detached objects estranged the Scandinavian Ethnographic Collection by typological or chronological arrangements. (the later Nordiska Museet) in Stockholm in The ambition was to exhibit Swedish folklife 1873, and the closely associated Skansen open- “in living style”.
    [Show full text]