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A Case Study of Russia and Ukraine's Use of the Eurovision Song
Lund University FKVK02 Department of Political Science Spring 2020 Peace and Conflict Studies Supervisor: Fredrika Larsson The Battle of Eurovision A case study of Russia and Ukraine’s use of the Eurovision Song Contest as a cultural battlefield Character count: 59 832 Julia Orinius Welander Abstract This study aims to explore and analyze how Eurovision Song Contest functioned as an alternative – cultural – battlefield in the Russian-Ukrainian conflict over Crimea. With the use of soft power politics in warfare as the root of interest, this study uses the theories of cultural diplomacy and visual international relations to explore how images may be central to modern-day warfare and conflicts as the perception of. The study has a theory-building approach and aims to build on the concept of cultural diplomacy in order to explain how the images sent out by states can be politized and used to conduct cultural warfare. To explore how Russia and Ukraine used Eurovision Song Contest as a cultural battlefield this study uses the methodological framework of a qualitative case study with the empirical data being Ukraine’s and Russia’s Eurovision Song Contest performances in 2016 and 2017, respectively, which was analyzed using Roland Barthes’ method of image analysis. The main finding of the study was that both Russia and Ukraine used ESC as a cultural battlefield on which they used their performances to alter the perception of themselves and the other by instrumentalizing culture for political gain. Keywords: cultural diplomacy, visual IR, Eurovision Song Contest, Crimea Word count: 9 732 Table of Contents 1 Introduction ............................................................................................................ -
Quick Guide to the Eurovision Song Contest 2018
The 100% Unofficial Quick Guide to the Eurovision Song Contest 2018 O Guia Rápido 100% Não-Oficial do Eurovision Song Contest 2018 for Commentators Broadcasters Media & Fans Compiled by Lisa-Jayne Lewis & Samantha Ross Compilado por Lisa-Jayne Lewis e Samantha Ross with Eleanor Chalkley & Rachel Humphrey 2018 Host City: Lisbon Since the Neolithic period, people have been making their homes where the Tagus meets the Atlantic. The sheltered harbour conditions have made Lisbon a major port for two millennia, and as a result of the maritime exploits of the Age of Discoveries Lisbon became the centre of an imperial Portugal. Modern Lisbon is a diverse, exciting, creative city where the ancient and modern mix, and adventure hides around every corner. 2018 Venue: The Altice Arena Sitting like a beautiful UFO on the banks of the River Tagus, the Altice Arena has hosted events as diverse as technology forum Web Summit, the 2002 World Fencing Championships and Kylie Minogue’s Portuguese debut concert. With a maximum capacity of 20000 people and an innovative wooden internal structure intended to invoke the form of Portuguese carrack, the arena was constructed specially for Expo ‘98 and very well served by the Lisbon public transport system. 2018 Hosts: Sílvia Alberto, Filomena Cautela, Catarina Furtado, Daniela Ruah Sílvia Alberto is a graduate of both Lisbon Film and Theatre School and RTP’s Clube Disney. She has hosted Portugal’s edition of Dancing With The Stars and since 2008 has been the face of Festival da Cançao. Filomena Cautela is the funniest person on Portuguese TV. -
La Instrumentalización Política Del Festival De Eurovisión: El Caso Del Enfrentamiento Entre Rusia Y Ucrania (2010-2019)”
FACULTAD DE COMUNICACIÓN GRADO EN PERIODISMO TRABAJO DE FIN DE GRADO “La instrumentalización política del Festival de Eurovisión: el caso del enfrentamiento entre Rusia y Ucrania (2010-2019)” JUNIO 2020. SEVILLA. AUTOR: DANIEL LINDO GARCÍA TUTOR: FERNANDO RAMÓN CONTRERAS MEDINA RESUMEN La cuestionada gestión de los servicios públicos de televisión, y la influencia de la Unión Europea de Radiodifusión y sus derivados en los cinco continentes, hacen del Festival de Eurovisión un escenario perfecto para la propagación de las consignas políticas que defienden los dispares gobiernos europeos que administran los primeros. La Revolución del Maidán y la anexión rusa de Crimea no solo provocaron una colisión entre Kiev y Moscú, también lograron acercar a una antigua república soviética como Ucrania a Bruselas. El longevo evento de música, reflejo del poder económico occidental, no ha sido sino la mayor plataforma mediática donde Rusia y su país vecino han librado una de sus muchas batallas. Palabras clave: Rusia, Ucrania, Eurovisión, Europa, canciones, televisión. ÍNDICE 1. INTRODUCCIÓN ...................................................................................................... 1 1.1. INTERÉS EN EL TEMA DE ESTUDIO E HIPÓTESIS ...................................... 1 1.2. ESTRUCTURA ..................................................................................................... 2 1.3. PLANTEAMIENTO GENERAL .......................................................................... 3 1.3.1. Objetivos ........................................................................................................ -
World Dog Show Leipzig 2017
WORLD DOG SHOW LEIPZIG 2017 09.-12. November 2017, Tag 2 in der Leipziger Messe Schirmherrin: Staatsministerin für Soziales und Verbraucherschutz Barbara Klepsch Patron: Minister of State for Social Affairs and Consumer Protection Barbara Klepsch IMPRESSUM / FLAG Veranstalter / Promoter: Verband für das Deutsche Hundewesen (VDH) e.V. Westfalendamm 174, 44141 Dortmund Telefon: (02 31) 5 65 00-0 Mo – Do 9.00 – 12.30/13.00 – 16.00 Uhr, Fr 9.00 – 12.30 Uhr Telefax: (02 31) 59 24 40 E-Mail: [email protected], Internet: www.vdh.de Chairmann/ Prof. Dr. Peter Friedrich Präsident der World Dog Show Secretary / Leif Kopernik Ausstellungsleitung Organization Commitee / VDH Service GmbH, Westfalendamm 174, 44141 Dortmund Organisation USt.-IdNr. DE 814257237 Amtsgericht Dortmund HRB 18593 Geschäftsführer: Leif Kopernik, Jörg Bartscherer TAGESEINTEILUNG / DAILY SCHEDULE FREITAG, 10.11.2017: Gruppe 5/ Group 5: Nordische Schlitten-, Jagd-, Wach- und Hütehunde, europäische und asiatische Spitze, Urtyp / Spitz and primitive types Gruppe 9 / Group 9: Gesellschafts- und Begleithunde / Companion and Toy Dogs TAGESABLAUF / DAILY ROUTINE 7.00 – 9.00 Uhr Einlass der Hunde / Entry for the Dogs 9.00 – 15.15 Uhr Bewertung der Hunde / Evaluation of the Dogs NOTICE: The World Winner 2017, World Junior Winner 2017 and the World Veteran Winner will get a Trophy. A Redelivery is not possible. HINWEIS: Die World Winner 2017, World Junior Winner 2017 und der World Veteranen Winner 2017 erhal- ten einen Pokal. Eine Nachlieferung ist nach der Veranstaltung nicht möglich. WETTBEWERBSRICHTER / JUDGES MAIN RING (WORLD DOG SHOW TAG 2) FREITAG, 10. NOVEMBER 2017 / FRIDAY, 10. NOVEMBER 2017 Junior Handling: Gerald Jipping (NLD) Zuchtgruppen / Best Breeders Group: Vija Klucniece (LVA) Paarklassen / Best Brace / Couple: Ramune Kazlauskaite (LTU) Veteranen / Best Veteran: Chan Weng Woh (MYS) Nachzuchtgruppen / Best Progeny Group: Dr. -
Serebro Mama Lover Mp3, Flac, Wma
Serebro Mama Lover mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Pop Album: Mama Lover Country: Poland Released: 2011 Style: Europop MP3 version RAR size: 1746 mb FLAC version RAR size: 1158 mb WMA version RAR size: 1794 mb Rating: 4.9 Votes: 647 Other Formats: MIDI AAC XM VQF WAV ADX MP2 Tracklist Hide Credits 1 Mama Lover (Radio Edit) 3:29 2 Mama Lover (Original) 4:02 Mama Lover (WAWA Remix) 3 5:33 Remix – Wawa Mama Lover (WAWA Dub Mix) 4 5:31 Remix – Wawa Mama Lover (The Cube Guys Remix) 5 7:04 Remix – The Cube Guys* Mama Lover (Lockout's Remix) 6 5:00 Remix – Lockout Mama Lover (Gary Caos Remix) 7 6:57 Remix – Gary Caos Video 1 Mama Lover 4:04 Companies, etc. Phonographic Copyright (p) – Ego Music Phonographic Copyright (p) – Vae Victis Srl Phonographic Copyright (p) – Art & Music Recording Licensed From – Монолит Notes ℗ 2012 Ego/ Vae Victis Srl / Art & Music Recording Srl under exclusive license from Izdatelstvo Monolit LLC Other versions Category Artist Title (Format) Label Category Country Year Mama Lover (CD, Single, 9013CDS Serebro Ego Music 9013CDS Italy 2012 Car) Mama Lover (7xFile, AAC, 5999545558327 Serebro CLS Music 5999545558327 Hungary 2012 EP, 256) Mama Lover (Remixes) Mucha Mas none Serebro none Mexico 2012 (5xFile, AAC, EP, 256) Música Mama Lover (File, AAC, 5099993462655 Serebro EMI 5099993462655 Japan 2013 Single, 256) Mama Lover (Remixes) 8033712128535 Serebro Ego Music 8033712128535 Europe 2012 (5xFile, AAC, EP, 256) Related Music albums to Mama Lover by Serebro Carol Hahn - Reach Out / Come Be My Lover Eydie Gormé - Mama, Teach Me To Dance / You Bring Out The Lover In Me Mama - Horses - The Remixes Hello Lover - Hello Lover Big Mama Thornton - Cotton Picking Blues / They Call Me Big Mama Alistair Foster - Shy Lover Billie Leigh, Lee Kelton Orchestra, Keltonaires - Mama Mama / Keep Me That Way LL Cool J - Mama Said Knock You Out - Marley Marl Remix Broadhurst - Little Lover (Remixes) Serebro - Mi Mi Mi (Remixes). -
Voices of the Star an Ansteorran Bardic Publication
Voices of the Star An Ansteorran Bardic Publication Volume I A.S. XXXIX Kingdom of Ansteorra Kingdom Bards of Ansteorra* Antonia Bianca Santiago da Lagos - 01/03/2004 Pendaran Glamorgan - 01/04/2003 Antigonus Bearbait - 01/05/2002 Eleanor Fairchild - 01/06/2001 Ulf Gunnarsson - 12/11/1999 Willow de Wisp - 11/07/1998 Galen of Bristol - 11/15/1997 Robin of Gilwell - 12/14/1996 Finnacan Dub - 11/04/1995 Cedric Fithelere - 06/18/1994 Margery de Bray - 03/27/1993 Karina des Pensees - 12/21/1991 Hossein Ali Qomi - 01/12/1991 Cadfan ap Morgan Godrudd - 02/17/1990 Robin of Gilwell - 01/14/1989 Catrin ferch Gwilym o Gonway - 01/30/1988 Roselynde d'Angleterre - 08/09/1986 Sieglinde Syr - 06/22/1985 Einar of Langfjord - 09/29/1984 Harald Bodvarson - 08/07/1983 Jonathan DeLaufyson Macebearer - 03/27/1982 Titled Bards of Ansteorra* Aldersruhe – Lord Alexander von Ness Middleford – Sir Kenneth MacQuarrie of Tobermory Bjornsborg – None Moonschadowe – Lady Angelique Le Woulfe Blacklake – Namron – Lord Grímólfr Einarsson Bonwicke – Duchess Willow de Wisp Northkeep – Centurian Owen ap Aeddan ap Trehearn Bordermarch – Master Modius von Mergentheim Raven’s Fort – HL Annes Clotilde von Bamburg Brad Leah – Dona Antonia Bianca Santiago da Lagos Rivers Run – Bryn Gwlad – Dona Antonia Bianca Santiago da Lagos Rosenfeld – Geoffrey Clark Chemin Noir – Seawinds – Lord Henri de Gauthier Crossrode Keep – Lord Seamus O'Dubhoa Skarrgard – Lord Gunnar Thordarsson Dragonsfire Tor – Master Robin of Gilwell Shadowlands – Lord Alden Drake Eldern Hills – Lady Serena Dominicci -
Deploying Musical Narratives of Internal Others in Soviet and Post-Soviet Ukraine
“THEY BELIEVE THE DAWN WILL COME”: DEPLOYING MUSICAL NARRATIVES OF INTERNAL OTHERS IN SOVIET AND POST-SOVIET UKRAINE Melissa Bialecki A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2017 Committee: Katherine Meizel, Advisor Sidra Lawrence © 2017 Melissa Bialecki All Rights Reserved iii ABSTRACT Katherine Meizel, Advisor This thesis explores the roles of internal others in constructing a Soviet and post-Soviet Ukrainian national identity. I begin with an analysis of the kobzars—a group of blind, itinerant minstrels who performed across Ukraine in the late 19th and early 20th centuries, before they disappeared entirely during Stalin’s Great Terror in the 1930s. First, I explore the ways in which the Ukrainian bandura, an asymmetrical lute instrument, has become a site for documenting epistemologies of blind musicians in Ukraine. I then examine how these ways of knowing blindness have been influenced by myths of blind musicians in Ukraine that seek to demystify these internal “others.” Furthermore, I discuss how these myths continue to influence 21st century depictions of blind minstrels through an analysis of the 2014 Ukrainian film, The Guide. Finally, I turn my focus to the Eurovision Song Contest in order to examine how narratives of internal others are deployed in order to negotiate Ukraine’s position in 21st century Europe and in the context of the Russian-Ukrainian conflict. I then reflect on the ways in which deploying these narratives of internal others does not draw these groups into the mainstream, but instead emphasizes and exploits their difference for the purpose of rejecting external hegemony in Ukraine. -
European Youth Forum Trogen 2017 | 1 Tuesday, 21St March 2017
Tuesday, 21st March 2017 EUROPEAN YOUT H FORUM at the PESTALOZZI CHILDREN’S V ILLAGE Photo: Marta Greetings humans! Stereotype busters Carlo and Daria Angelina There are a lot of stereotypes of each country and for this reason we Today is our 3rd day in the eyft2017 selected the most famous, just for fun! project and in this newspaper we want to tell you more about our group life. We’ll also talk about events that hap - Russia Hungary Ukraine Ukrainians eat pened recently, a small review of some Russians have Hungaryans eat important and gorgeous places in the bears as a pet spicy food cont- salo and drink village and like yesterday a tutorial and ains lot of fat vodka every day a music album review. Did you know how to write a letter to Europe? If not we wrote an article Switzerland Turkey Turkish men are about it especially for you. More about Swiss are extre- very jealous and it you’ll find just inside the newspaper. mely punctual and have their often fight for Don’t forget to check the Youth club own bank woman news out, it will be worth it. So enjoy your free time and stay tuned! (P.S. don’t forget about the radio show Latvia Germany Italy at 6p.m.) Latvians always Germans drink a Italians love pizza sing and dance lot of beer and pasta and they are in mafia European Youth Forum Trogen 2017 | 1 Tuesday, 21st March 2017 Dear Europe... Marta Yesterday the Identity group wrote some letters to Europe where they ex- press their hope, their fears and some advices. -
150+ Free Online Resources for Learning
150+ Free Online Resources for learning Ukrainian My dear Ukrainian language lovers, I would like to share with you the best 100+ Free online resources that you can use for practicing Ukrainian well. For example, if you want to practice your reading skills, I advise you to read Ukrainian newspapers, magazines, books and try to understand the main idea, then do the translation and take out new vocabulary from it. If you are an auditory learner, then you should practice and learn new words by listening radio or music. Online Dictionaries: Online UA-EN, EN-UA translators: http://translate.meta.ua/ua/перекладач/українська/англійська/ https://translate.google.com https://perevod.i.ua/anglo-ukrainskiy/ https://pereklad.online.ua/anglo-ukrainskiy/ http://english-ukrainian.translate.ua/ru The explanatory dictionary: https://www.slovnyk.ua Transliteration of the words: https://www.slovnyk.ua/translit.php The defining dictionary: http://sum.in.ua The online dictionary for checking the verb conjugation: http://www.verbix.com/languages/ukrainian.shtml Ukrainian keyboard: https://www.branah.com/ukrainian The list of Ukrainian vocabulary: http://www.goethe- verlag.com/book2/_VOCAB/EN/ENUK/ENUK.HTM Ukrainian radio: http://www.nrcu.gov.ua/online_broadcast https://play.tavr.media/hitfm/ukr/ http://radio.i.ua/pershykanal/ https://www.nasheradio.ua/ https://www.radioroks.ua/ http://radio.obozrevatel.com/ua/chanel/onlyukraine https://maximum.fm/maksimum-ukrayinske_station15 Ukrainian music: POP MUSIC: ⠀ Джамала⠀ Тіна Кароль ⠀ Tayanna⠀ Христина Соловій ⠀ -
Gfk Certificazioni Single Digital Wk 11-2020.Xls
GfK Italia CERTIFICAZIONE Singoli Digitali dalla settimana 1 del 2010 alla settimana 11 del 2020 LEGENDA New Award Settimana di Titolo Artista Etichetta Distributore Release Date Certificazione premiazione Despacito Luis Fonsi feat. Daddy Yankee Universal Music UNI 2017/01/13 DIAMANTE 35/2017 Cheap Thrills Sia feat. Sean Paul RCA INT. SME 2016/02/19 DIAMANTE 38/2017 Shape Of You Ed Sheeran Atlantic Records UK WMI 2017/01/06 DIAMANTE 46/2017 Roma Bangkok Baby K feat. Giusy Ferreri SONY MUSIC SME 2015/06/15 DIAMANTE 32/2019 Bailando Enrique Iglesias Republic Records UNI 2014/05/02 9 PLATINO 12/2019 Perfect Ed Sheeran ATLANTIC RECORDS UK WMI 2017/03/03 9 PLATINO 15/2019 Faded Alan Walker SME Sweden SME 2015/12/04 9 PLATINO 52/2019 Ai Se Eu Te Pego Michel Teló X-Energy MADE IN ETALY 2011/12/02 8 PLATINO El Perdón Nicky Jam & Enrique Iglesias SONY MUSIC SME 2015/02/06 8 PLATINO 16/2018 Sofia Alvaro Soler AIRFORCE1 UNI 2016/04/15 8 PLATINO 18/2018 Hymn For The Weekend Coldplay Parlophone UK WMI 2016/02/05 8 PLATINO 34/2018 La musica non c'è Coez UNDAMENTO SOUNDAY 2017/05/05 8 PLATINO 29/2019 Senza pagare J-AX & Fedez feat. T-Pain SMI EPC SME 2017/01/20 8 PLATINO 40/2019 All Of Me John Legend COLUMBIA SME 2013/08/06 8 PLATINO 49/2019 Someone Like You Adele XL Recordings XL Recordings 2000/01/01 7 PLATINO Lean On Major Lazer feat. DJ Snake & MØ Mad Decent WMI 2015/03/02 7 PLATINO 18/2017 Vorrei ma non posto J-AX & Fedez Epic SME 2016/05/06 7 PLATINO 33/2017 One Dance Drake feat. -
Oreanisis As Composers
Songs: "Can't You Tell?" "Let's Tie Our Sails to a Sailboat" "My Dream Boat" oreanisis"Sand on the Desert" "Sing, O' Rolling River" "Who'll Send Me Love?" GEORGE R. HENNINGER. Born As in Binghamton, N.Y., 1895. Died in 1953. Educated at University of Pittsburgh. Organist in theatres and on radio. ABC staff in New York. ComposersFilm scores for: Chloe Hired Wife PARTII Playthings of Desire Songs: "God Is Everywhere" "In Flanders" "In Suniland" Compiled by Lloyd E. Klos "Little Darlin"' "Old Prairie Wagon" "Our Graduation Waltz" W. STUART ("STU") GREEN. "I Confess" "St. Patricks' Bells" Born in Rochester, N.Y. in 1912. "Love Wail" "Sunset Lullabye" Grad. Syracuse University as Music "Second Honeymoon" Major in 1938. Played Regent, Har "The Greatest Love" IAN L. KEITH. Born in Lynn, vard, Avon, Brighton, Rivoli and "The Military Polka" Mass., 1911. Educated at New Eng Riviera Theatres in Syracuse in late land Conservatory and Del Castillo '20s and the Lyric Theatre in Stuart, ETHWELL "EDDIE" HANSON. Theatre Organ School. Also studied Florida in 1930. Played many silent Born in New London, Wisconsin. with organist Arthur Martel. Organ film revivals under auspices of Studied at American Conservatory ist at Paramount Theatre in Lynn, Drama Dept. of Syracuse University with organist Fran Van Dusen; Mass. and on staff of WESX, Salem, at Syracuse Civic Theatre in late Lawrence College with Mason Slade; for eight years. '30s. Now lives in California and is and Chicago College of Music with Instrumental: "Tahiti" the Editor Emeritus of this publica Clarence Eddy. Soloist with Sousa's tion. -
O Festival Da Eurovisão E O Regulamento (A)Político Da Canção
O Festival da Eurovisão e o regulamento (a)político da Canção Rita Alexandra Pereira Dissertação de Mestrado em Ciências da Comunicação – Comunicação e Artes Maio, 2018 Versão corrigida e melhorada após a sua defesa pública. Agradecimentos À memória da minha mãe. Às minhas avós, pelo apoio incondicional para eu prosseguir os estudos. Aos meus melhores amigos, pelo incentivo na realização desta tese e paciência em ouvir-me falar do ESC durante todos estes anos e, em especial, ao meu amigo André pela revisão do texto. Aos meus amigos eurovisivos e a todos os fãs do Festival Eurovisão da Canção. Agradeço particularmente à minha orientadora, a professora Cláudia Madeira por todo o apoio, incentivo e disponibilidade que me prestou durante a realização deste trabalho. Finalmente, deixo aqui o meu especial agradecimento aos meus entrevistados que desde os meus 10 anos de idade fazem parte da minha vida através do universo do Festival Eurovisão da Canção. Este trabalho deu-me o privilégio de privar com eles e o seu contributo foi fundamental para poder realizar esta dissertação. Muito obrigada ao Eládio Clímaco, José Poiares, Nuno Duarte, Nuno Galopim e Roman Kalyn. Muito obrigada à professora Paula Gomes Ribeiro por me ter incentivado desde o início do mestrado a trabalhar o Festival Eurovisão da Canção. Um grande agradecimento também ao Irving Wolther e à RTP, nomeadamente à Isabel de Carvalho e ao José Nunes pelos regulamentos e à Sofia Vieira Lopes por toda a ajuda nas várias frentes. Finalmente, um agradecimento também aos meus queridos Bernardo Pereira, Catarina Gouveia, Inês Félix e Jéssica Mendes pelos contactos que gentilmente me forneceram.