The Yardbirds 1992.Pdf
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Ho Li Day Se Asons and Va Ca Tions Fei Er Tag Und Be Triebs Fe Rien BEAR FAMILY Will Be on Christmas Ho Li Days from Vom 23
Ho li day se asons and va ca tions Fei er tag und Be triebs fe rien BEAR FAMILY will be on Christmas ho li days from Vom 23. De zem ber bis zum 12. Ja nuar macht De cem ber 23rd to Ja nuary 12th. During that peri od BEAR FAMILY Weihnach tsfe rien. Bestel len Sie in die ser plea se send written orders only. The staff will be back Zeit bitte nur schriftlich. Ab dem 12. Janu ar 2004 sind ser ving you du ring our re gu lar bu si ness hours on Mon- wir wie der für Sie da. Bei die ser Ge le gen heit be dan ken day 12th, 2004. We would like to thank all our custo - wir uns für die gute Zusam menar beit im ver gange nen mers for their co-opera ti on in 2003. It has been a Jahr. plea su re wor king with you. BEAR FAMILY is wis hing you a Wir wünschen Ihnen ein fro hes Weih nachts- Merry Christmas and a Happy New Year. fest und ein glüc kliches neu es Jahr. COUNTRY...............................2 BEAT, 60s/70s.........................66 AMERICANA/ROOTS/ALT. ........................19 SURF ........................................73 OUTLAWS/SINGER-SONGWRITER ..................22 REVIVAL/NEO ROCKABILLY .......................75 WESTERN .....................................27 BRITISH R&R ...................................80 C&W SOUNDTRACKS............................28 INSTRUMENTAL R&R/BEAT ........................80 C&W SPECIAL COLLECTIONS ......................28 COUNTRY AUSTRALIA/NEW ZEALAND ...............29 POP ......................................82 COUNTRY DEUTSCHLAND/EUROPE .................30 POP INSTRUMENTAL ............................90 -
Jeff Beck (From the 1991 Album BECKOLOGY VOL 2 / JEFF BECK GROUP ) Transcribed by Tone Jone's Words and Music by Don Nix Arranged by Jeff Beck
GOING DOWN As recorded by Jeff Beck (From the 1991 Album BECKOLOGY VOL 2 / JEFF BECK GROUP ) Transcribed by Tone Jone's Words and Music by Don Nix Arranged by Jeff Beck A Intro w/Piano B Band Enter's Moderate Rock = 90 P 1 V e Ie 4 U Gtr I Gtr.1 Jeff Beck (Distortion f T A 17 B 3 sl. 8va 8va 4 e P V V V j V V V l j j l V V V Ie z V V V V V u u Full 1/4 Full [[[[[ M M M [[[[[[[[[[[ 15 T 18 (18) 15 18 3 A 3 5 3 3 B 3 1 3 H O 8va 8va 7 V V V e V k V V V V V V V V V V V V V V V V k Ie u [[[[[[[Full Full Full Full Full Full Full M M M M M M M 18 18 15 18 15 13 T 18 18 18 (18) 18 18 18 18 (18) A O O O O O B P H P sl. sl. V V V V V V V V V V 10 fV eV fV V V V eV fV V V V V V e l l j l j j l k d Ie V W V V V * Tremolo Bar Full 1 1/2 M * T 18 16 15 16 16 16 16 15 16 16 16 17 17 19 0 (0) A 15 14 15 15 15 15 14 15 15 B 1 sl. -
Arabs Threaten to Blow up Where
V" A > A O E FORTY WEDNESDAY, JU N E 10/ 1970 ilanrljpatifr Ettaninn il|fralii Most Manchester Stores Open Until 9 O ’clock About Town Average Daily Net Preee Ron On Sunday 14 people becanje Weiss To Pursue mamben of Omter Oon8:re- Q1 For The Week Ended gntlonal CSnirch. They are Mrs. K V ^ June 6, 1070 The Weather NelUe F, Allinaon, 114 Orcep Case Mt. Purchase Moatly fair, mild tosUght with ^I'ectors last night instructed Town 1 5 ,9 0 3 lows 60 to 60. Tomorrow partly Albert J. IMachene HI. 87 Sum- Kobeii; Weiss to meet with owners of Case sunny, humid; ohande o< thun- /} V-»V\ A mar St.; Peter Raymond Mo- ^loimtain and other interested agencies to decide wheth- lUancheoter— A City of Village Charm ■WnrtMwons fate In the day. High quln, 87 Foater St.; Mr. and er the town should apply for'a new federal oiien-spaces about 90. Mra. Kenneth R. Mnness, 262 grant to acquii"e the land. ------ — ------------ --- - VOL. LXXXIX, NO. 214 (TWENTY-FOUR PAGES—^TWO SECinONS) Kue Ridge Dr.; Mrs. Sara K. Last nights’ vote on a motion priority, the town’s share of the MANCHESTER. CONN., THURSDAY, JUNE 11, 1970 Robinson. 181A Downey Dr.; by Director William FitzGerald r„st was estimated at $128,000. h (ClMstfled Adverttslng on Boge St) PRICE TEN CENTS Mrs. Alice Scagel, 170 Charter who strongly supported the ac- The federal government also Oak St.; Mrs. Harriet C. Sliney, qulsition. came after the direc- requires that there be an ” lndl- 851 Summit St.; Mr. -
265 Edward M. Christian*
COPYRIGHT INFRINGEMENT ANALYSIS IN MUSIC: KATY PERRY A “DARK HORSE” CANDIDATE TO SPARK CHANGE? Edward M. Christian* ABSTRACT The music industry is at a crossroad. Initial copyright infringement judgments against artists like Katy Perry and Robin Thicke threaten millions of dollars in damages, with the songs at issue sharing only very basic musical similarities or sometimes no similarities at all other than the “feel” of the song. The Second Circuit’s “Lay Listener” test and the Ninth Circuit’s “Total Concept and Feel” test have emerged as the dominating analyses used to determine the similarity between songs, but each have their flaws. I present a new test—a test I call the “Holistic Sliding Scale” test—to better provide for commonsense solutions to these cases so that artists will more confidently be able to write songs stemming from their influences without fear of erroneous lawsuits, while simultaneously being able to ensure that their original works will be adequately protected from instances of true copying. * J.D. Candidate, Rutgers Law School, January 2021. I would like to thank my advisor, Professor John Kettle, for sparking my interest in intellectual property law and for his feedback and guidance while I wrote this Note, and my Senior Notes & Comments Editor, Ernesto Claeyssen, for his suggestions during the drafting process. I would also like to thank my parents and sister for their unending support in all of my endeavors, and my fiancée for her constant love, understanding, and encouragement while I juggled writing this Note, working full time, and attending night classes. 265 266 RUTGERS UNIVERSITY LAW REVIEW [Vol. -
November / December 2017
November / December 2017 See Page 21 2 Love The Blues? Live The Blues? The Detroit Blues Society’s Lifetime Achievement Award Honorees Board of Directors 2017 President Steve Soviak 2013: [email protected] 2008: Vice President / Editor Jane Cassisi [email protected] 2006: 2005: Secretary William Toll [email protected] Director At Large Cynthia Davis [email protected] Director At Large Blues Horizon Award Winners Luther Keith [email protected] Joe Von Battle Director At Large Victoria Linsley 1993: [email protected] 1992: 2008: Committee Chairs - 2017 James S. Henry Award Winners 2010: Bryan Iglesias/Zerapath Membership - Tom McNab 2009: Jake Bishop 2005: Jeremy Haberman [email protected] Volunteer - Jane Cassisi New & Renewed Members from [email protected] August 10, 2017 to October 11, 2017 Blue Notes - Jane Cassisi [email protected] Street Team - Victoria Linsley Daniel & Deanna Adams, Elaine & Gerald Arnold, [email protected] B.J. Belcoure, Larry “Mugs” Benedict, Lars Bjorn, Website - William Toll [email protected] Alan Chunn, Larry Everhart, Ken Gilbert, Thomas Keating, Lynne Martinez, Doug Montgomery, Publicity – Cynthia Davis [email protected] Surayyah R Muwwakkil, Russ & Cindy Ortisi, Har- old Price, Robert Stevens and Randy Schwartz Blues Challenge - Steve Soviak [email protected] Youth Challenge - Cheri Lowe Our sincere appreciation goes out to all new and [email protected] renewing members. Daniel & Deanna Adams, B.J. Monthly Meetings/Jams - Jane Cassisi Belcoure, Lars Bjorn, Larry Everhart, Ken Gilbert [email protected] and Thomas Keating all took advantage of the dis- Victoria Linsley [email protected] count available with a multiple year membership. -
Music & Entertainment Auction
Hugo Marsh Neil Thomas Plant (Director) Shuttleworth (Director) (Director) Music & Entertainment Auction 20th February 2018 at 10.00 For enquiries relating to the sale, Viewing: 19th February 2018 10:00 - 16:00 Please contact: Otherwise by Appointment Saleroom One, 81 Greenham Business Park, NEWBURY RG19 6HW Telephone: 01635 580595 Christopher David Martin David Howe Fax: 0871 714 6905 Proudfoot Music & Music & Email: [email protected] Mechanical Entertainment Entertainment www.specialauctionservices.com Music As per our Terms and Conditions and with particular reference to autograph material or works, it is imperative that potential buyers or their agents have inspected pieces that interest them to ensure satisfaction with the lot prior to the auction; the purchase will be made at their own risk. Special Auction Services will give indica- tions of provenance where stated by vendors. Subject to our normal Terms and Conditions, we cannot accept returns. Buyers Premium: 17.5% plus Value Added Tax making a total of 21% of the Hammer Price Internet Buyers Premium: 20.5% plus Value Added Tax making a total of 24.6% of the Hammer Price Historic Vocal & other Records 9. Music Hall records, fifty-two, by 16. Thirty-nine vocal records, 12- Askey (3), Wilkie Bard, Fred Barnes, Billy inch, by de Tura, Devries (3), Doloukhanova, 1. English Vocal records, sixty-three, Bennett (5), Byng (3), Harry Champion (4), Domingo, Dragoni (5), Dufranne, Eames (16 12-inch, by Buckman, Butt (11 - several Casey Kids (2), GH Chirgwin, (2), Clapham and inc IRCC20, IRCC24, AGSB60), Easton, Edvina, operatic), T Davies(6), Dawson (19), Deller, Dwyer, de Casalis, GH Elliot (3), Florrie Ford (6), Elmo, Endreze (6) (39, in T1) £40-60 Dearth (4), Dodds, Ellis, N Evans, Falkner, Fear, Harry Fay, Frankau, Will Fyfe (3), Alf Gordon, Ferrier, Florence, Furmidge, Fuller, Foster (63, Tommy Handley (5), Charles Hawtrey, Harry 17. -
Song Lyrics of the 1950S
Song Lyrics of the 1950s 1951 C’mon a my house by Rosemary Clooney Because of you by Tony Bennett Come on-a my house my house, I’m gonna give Because of you you candy Because of you, Come on-a my house, my house, I’m gonna give a There's a song in my heart. you Apple a plum and apricot-a too eh Because of you, Come on-a my house, my house a come on My romance had its start. Come on-a my house, my house a come on Come on-a my house, my house I’m gonna give a Because of you, you The sun will shine. Figs and dates and grapes and cakes eh The moon and stars will say you're Come on-a my house, my house a come on mine, Come on-a my house, my house a come on Come on-a my house, my house, I’m gonna give Forever and never to part. you candy Come on-a my house, my house, I’m gonna give I only live for your love and your kiss. you everything It's paradise to be near you like this. Because of you, (instrumental interlude) My life is now worthwhile, And I can smile, Come on-a my house my house, I’m gonna give you Christmas tree Because of you. Come on-a my house, my house, I’m gonna give you Because of you, Marriage ring and a pomegranate too ah There's a song in my heart. -
Box of Frogs Box of Frogs Mp3, Flac, Wma
Box Of Frogs Box Of Frogs mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Box Of Frogs Country: Canada Released: 1984 Style: Blues Rock, Arena Rock MP3 version RAR size: 1384 mb FLAC version RAR size: 1915 mb WMA version RAR size: 1277 mb Rating: 4.1 Votes: 635 Other Formats: DMF VOX VQF AC3 MP4 DTS ASF Tracklist Hide Credits Back Where I Started A1 3:54 Harmonica – Mark FelthamKeyboards – Peter-John Vettese* Harder A2 3:44 Lead Guitar, Backing Vocals, Percussion – Ray Majors Another Wasted Day A3 4:12 Keyboards – Peter-John Vettese* Love Inside You A4 2:47 Slide Guitar, Lead Guitar – Dzal* The Edge A5 4:02 Slide Guitar – Rory Gallagher B1 Two Steps Ahead 4:33 Into The Dark B2 4:07 Lead Guitar – Dzal*Slide Guitar, Sitar [Electric] – Rory GallagherTrumpet – Guy Barker Just A Boy Again B3 5:38 Lead Guitar – Dzal*Piano – Peter-John Vettese* Poor Boy B4 4:26 Piano – Geraint Watkins Companies, etc. Manufactured By – CBS Records Canada Ltd. Distributed By – CBS Records Canada Ltd. Copyright (c) – CBS Inc. Phonographic Copyright (p) – CBS Inc. Credits Bass, Backing Vocals, Percussion, Synthesizer – Paul Samwell-Smith Design – Mark Larson Drums, Percussion, Backing Vocals – Jim McCarty Keyboards – Max Middleton (tracks: A2, A4, A5, B2) Lead Guitar – Jeff Beck (tracks: A1, A3, B1, B4) Lead Vocals, Acoustic Guitar, Electric Guitar, Backing Vocals, Percussion, Synthesizer – John Fiddler Mixed By – Gary Edwards Photography By – Chris Dreja, Peter Wood Producer – Paul Samwell-Smith Recorded By – Max Norman Rhythm Guitar, Lead Guitar, Backing -
Eric Clapton
ERIC CLAPTON BIOGRAFIA Eric Patrick Clapton nasceu em 30/03/1945 em Ripley, Inglaterra. Ganhou a sua primeira guitarra aos 13 anos e se interessou pelo Blues americano de artistas como Robert Johnson e Muddy Waters. Apelidado de Slowhand, é considerado um dos melhores guitarristas do mundo. O reconhecimento de Clapton só começou quando entrou no “Yardbirds”, banda inglesa de grande influência que teve o mérito de reunir três dos maiores guitarristas de todos os tempos em sua formação: Eric Clapton, Jeff Beck e Jimmy Page. Apesar do sucesso que o grupo fazia, Clapton não admitia abandonar o Blues e, em sua opinião, o Yardbirds estava seguindo uma direção muito pop. Sai do grupo em 1965, quando John Mayall o convida a juntar-se à sua banda, os “Blues Breakers”. Gravam o álbum “Blues Breakers with Eric Clapton”, mas o relacionamento com Mayall não era dos melhores e Clapton deixa o grupo pouco tempo depois. Em 1966, forma os “Cream” com o baixista Jack Bruce e o baterista Ginger Baker. Com a gravação de 4 álbuns (“Fresh Cream”, “Disraeli Gears”, “Wheels Of Fire” e “Goodbye”) e muitos shows em terras norte americanas, os Cream atingiram enorme sucesso e Eric Clapton já era tido como um dos melhores guitarristas da história. A banda separa-se no fim de 1968 devido ao distanciamento entre os membros. Neste mesmo ano, Clapton a convite de seu amigo George Harisson, toca na faixa “While My Guitar Gently Weeps” do White Album dos Beatles. Forma os “Blind Faith” em 1969 com Steve Winwood, Ginger Baker e Rick Grech, que durou por pouco tempo, lançando apenas um album. -
Copy UPDATED KAREOKE 2013
Artist Song Title Disc # ? & THE MYSTERIANS 96 TEARS 6781 10 YEARS THROUGH THE IRIS 13637 WASTELAND 13417 10,000 MANIACS BECAUSE THE NIGHT 9703 CANDY EVERYBODY WANTS 1693 LIKE THE WEATHER 6903 MORE THAN THIS 50 TROUBLE ME 6958 100 PROOF AGED IN SOUL SOMEBODY'S BEEN SLEEPING 5612 10CC I'M NOT IN LOVE 1910 112 DANCE WITH ME 10268 PEACHES & CREAM 9282 RIGHT HERE FOR YOU 12650 112 & LUDACRIS HOT & WET 12569 1910 FRUITGUM CO. 1, 2, 3 RED LIGHT 10237 SIMON SAYS 7083 2 PAC CALIFORNIA LOVE 3847 CHANGES 11513 DEAR MAMA 1729 HOW DO YOU WANT IT 7163 THUGZ MANSION 11277 2 PAC & EMINEM ONE DAY AT A TIME 12686 2 UNLIMITED DO WHAT'S GOOD FOR ME 11184 20 FINGERS SHORT DICK MAN 7505 21 DEMANDS GIVE ME A MINUTE 14122 3 DOORS DOWN AWAY FROM THE SUN 12664 BE LIKE THAT 8899 BEHIND THOSE EYES 13174 DUCK & RUN 7913 HERE WITHOUT YOU 12784 KRYPTONITE 5441 LET ME GO 13044 LIVE FOR TODAY 13364 LOSER 7609 ROAD I'M ON, THE 11419 WHEN I'M GONE 10651 3 DOORS DOWN & BOB SEGER LANDING IN LONDON 13517 3 OF HEARTS ARIZONA RAIN 9135 30 SECONDS TO MARS KILL, THE 13625 311 ALL MIXED UP 6641 AMBER 10513 BEYOND THE GREY SKY 12594 FIRST STRAW 12855 I'LL BE HERE AWHILE 9456 YOU WOULDN'T BELIEVE 8907 38 SPECIAL HOLD ON LOOSELY 2815 SECOND CHANCE 8559 3LW I DO 10524 NO MORE (BABY I'MA DO RIGHT) 178 PLAYAS GON' PLAY 8862 3RD STRIKE NO LIGHT 10310 REDEMPTION 10573 3T ANYTHING 6643 4 NON BLONDES WHAT'S UP 1412 4 P.M. -
In the Studio: the Role of Recording Techniques in Rock Music (2006)
21 In the Studio: The Role of Recording Techniques in Rock Music (2006) John Covach I want this record to be perfect. Meticulously perfect. Steely Dan-perfect. -Dave Grohl, commencing work on the Foo Fighters 2002 record One by One When we speak of popular music, we should speak not of songs but rather; of recordings, which are created in the studio by musicians, engineers and producers who aim not only to capture good performances, but more, to create aesthetic objects. (Zak 200 I, xvi-xvii) In this "interlude" Jon Covach, Professor of Music at the Eastman School of Music, provides a clear introduction to the basic elements of recorded sound: ambience, which includes reverb and echo; equalization; and stereo placement He also describes a particularly useful means of visualizing and analyzing recordings. The student might begin by becoming sensitive to the three dimensions of height (frequency range), width (stereo placement) and depth (ambience), and from there go on to con sider other special effects. One way to analyze the music, then, is to work backward from the final product, to listen carefully and imagine how it was created by the engineer and producer. To illustrate this process, Covach provides analyses .of two songs created by famous producers in different eras: Steely Dan's "Josie" and Phil Spector's "Da Doo Ron Ron:' Records, tapes, and CDs are central to the history of rock music, and since the mid 1990s, digital downloading and file sharing have also become significant factors in how music gets from the artists to listeners. Live performance is also important, and some groups-such as the Grateful Dead, the Allman Brothers Band, and more recently Phish and Widespread Panic-have been more oriented toward performances that change from night to night than with authoritative versions of tunes that are produced in a recording studio. -
Untitled Document
Untitled Document http://www.pivotalalliance.com/webzine/reviews.php?subaction=showf... 5 – The album is excellent, it could also be considered perfect or near perfect. There may be a few glitches or setbacks, but they are not detrimental. 4 – The album is very good. There aren’t too many glitches or setbacks but the ones that are present keep the album from being excellent. 3 – The album is mediocre. While the album is alright, there isn’t anything that makes it stand out above other albums. Some of it is good, and some of it needs work. 2 – The album is bad. Many things have gone wrong, and unless it happens to be within your personal favorite genre, chances are it’s not even worth your time. The band has a lot to work on. 1 – The album is terrible. The album isn’t worth your time, no exceptions. Note: Be aware that in November 2004 the grading scale was revised to how it is shown above in order to maintain more consistences between our reviewers. Many of the reviews in our Archive may include ½ marks and ¼ marks and please be aware that the ratings at that time were also more open to our reviewers’ interpretations of the rating scale, as opposed to this now absolute grading scale which our reviewers are responsible to follow in their rating procedures. Cactus - Live (DVD) - added - November 25th, 2007 Reviewer: Ruben Mosqueda Cactus returned to form in the summer of 2006, hot on the heals of their V album. The band received rave reviews for the album and also for their first performance in 30 years, which took place at B.