VIET NAM GENERATION and BURNING CITIES PRESS ARCHIVES INVENTORY (Rev
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Accelerated Reader Quiz List - Reading Practice Quiz Book Title Author Points No
Accelerated Reader Quiz List - Reading Practice Quiz Book Title Author Points No. Level 103833 10 Little Rubber Ducks Carle, Eric 2.4 0.5 EN 73204 100th Day of School (Holidays and Haugen, Brenda 2.7 0.5 EN Celebrations), The 41025 100th Day of School, The Medearis, Angela Shelf 1.4 0.5 EN 8251 18-Wheelers Maifair, Linda 5.2 1.0 EN 661 EN 18th Emergency, The Byars, Betsy 4.7 4.0 9801 1980 U.S. Hockey Team Coffey, Wayne 6.4 1.0 EN 7351 20,000 Baseball Cards...Sea Buller, Jon 2.5 0.5 EN 900355 2061: Photographing Mars (MH Edition) Brightfield, Richard 4.6 0.5 EN 904851 20th Century African American Singers Sigue, Stephanie 6.6 1.0 EN (SF Edition) 6201 213 Valentines Cohen, Barbara 4.0 1.0 EN 12260 21st Century in Space, The Asimov, Isaac 7.1 1.0 EN 6651 24-Hour Genie, The McGinnis, Lila 3.3 1.0 EN 166 EN 4B Goes Wild Gilson, Jamie 4.6 4.0 8252 4X4's and Pickups Donahue, A.K. 4.2 1.0 EN 9001 500 Hats of Bartholomew Cubbins, The Seuss, Dr. 4.0 1.0 EN 41482 $66 Summer, The Armistead, John 4.3 6.0 EN 57142 7 x 9 = Trouble! Mills, Claudia 4.3 1.0 EN 413 EN 89th Kitten, The Nilsson, Eleanor 4.7 2.0 44096 "A" es para decir Am?ricas Pe?a, Chin-Lee/de la 6.3 0.5 SP Accelerated Reader Quiz List - Reading Practice Quiz Book Title Author Points No. -
Retriever (Labrador)
Health - DNA Test Report: DNA - HNPK Gundog - Retriever (Labrador) Dog Name Reg No DOB Sex Sire Dam Test Date Test Result A SENSE OF PLEASURE'S EL TORO AT AV0901389 27/08/2017 Dog BLACKSUGAR LUIS WATERLINE'S SELLERIA 27/11/2018 Clear BALLADOOLE (IMP DEU) (ATCAQ02385BEL) A SENSE OF PLEASURE'S GET LUCKY (IMP AV0904592 09/04/2018 Dog CLEARCREEK BONAVENTURE A SENSE OF PLEASURE'S TEA FOR 27/11/2018 Clear DEU) WINDSOCK TWO (IMP DEU) AALINCARREY PUMPKIN AT LADROW AT04277704 30/10/2016 Bitch MATTAND EXODUS AALINCARREY SUMMER LOVE 20/11/2018 Carrier AALINCARREY SUMMER LOVE AR03425707 19/08/2014 Bitch BRIGHTON SARRACENIA (IMP POL) AALINCARREY FAIRY DUST 27/08/2019 Carrier AALINCARREY SUMMER MAGIC AR03425706 19/08/2014 Dog BRIGHTON SARRACENIA (IMP POL) AALINCARREY FAIRY DUST 23/08/2017 Clear AALINCARREY WISPA AT01657504 09/04/2016 Bitch AALINCARREY MANNANAN AFINMORE AIRS AND GRACES 03/03/2020 Clear AARDVAR WINCHESTER AH02202701 09/05/2007 Dog AMBERSTOPE BLUE MOON TISSALIAN GIGI 12/09/2016 Clear AARDVAR WOODWARD AR03033605 25/08/2014 Dog AMBERSTOPE REBEL YELL CAMBREMER SEE THE STARS 29/11/2016 Carrier AARDVAR ZOLI AU00841405 31/01/2017 Bitch AARDVAR WINCHESTER CAMBREMER SEE THE STARS 12/04/2017 Clear ABBEYSTEAD GLAMOUR AT TANRONENS AW03454808 20/08/2019 Bitch GLOBETROTTER LAB'S VALLEY AT ABBEYSTEAD HOPE 25/02/2021 Clear BRIGBURN (IMP SVK) ABBEYSTEAD HORATIO OF HASELORHILL AU01380005 07/03/2017 Dog ROCHEBY HORN BLOWER HASELORHILL ENCORE 05/12/2019 Clear ABBEYSTEAD PAGEANT AT RUMHILL AV01630402 10/04/2018 Dog PARADOCS BELLWETHER HEATH HASELORHILL ENCORE -
Stone Wall June & July 09
BRCWRT — Vol. XVI, Issue 5—June/July 2009 Page 1 The Newsletter of the Bull Run Civil War Round Table — Vol. XVI, Issue 5—June/July, 2009 MEET OUR JUNE SPEAKER MARC LEEPSON GENERAL MEMBERSHIP MEETING By Nancy Anwyll JUNE 11, 2009 Marc Leepson is a journalist, author, and histo- 7:00 P.M. rian whose most recent work is Desperate Engagement, a history of the July 9, 1864, Civil War Battle of Mono- Centreville Library cacy, which is often called the battle that saved Wash- ington, D.C. This battle near Frederick, Maryland was GUEST SPEAKER: between 12,000 battle-hardened Confederate troops led by General Jubal Early and 5,800 troops, many of then untested in battle, under the leadership of Gen. Lew Marc Leepson Wallace, who is best known as the author of Ben Hur. Despite Wallace losing 1,200 Union troops at Monocacy TOPIC: compared to Early losing 800 casualties, the delay in Early’s march to D.C. caused by the battle of Monocacy Desperate Engagement: allowed President Lincoln and the military leaders of Battle of Monocacy Washington, D.C. time to rush troops from the Peters- burg area to fill the forts and entrenchments along the northern edge of the city. Marc Leepson graduated from George Washing- ton University in 1967. After serving in the U. S. Army from 1967 – 69, including a year in the Vietnam during the war, he received his honorable discharge and went on to earn a masters Degree in history from George Washington University in 1971. He was a staff writer for Congres- sional Quarterly and has been a free-lance writer since 1986. -
Introduction
Notes Introduction 1. Gellner differentiates nations from states and holds that both can emerge independent of each other. See Gellner, E. 2008. Nations and Nationalism. New York: Cornell University Press. 2. During the inter-war period and war years documentary was used for propa- gandist purposes to shape favourable public opinion towards the war. Leni Riefenstahl’s spectacular representations of Germany around the time of the Nazi ascendance to power, and Britain’s charged propaganda documentaries during the war both come to mind here. Propagandist documentary has also been mobilized to celebrate national development and planning pro- grammes, for example, Dziga Vertov’s dynamic representations of the Soviet Union’s five-year plans through his kino-pravda series and other full-length documentaries. The vast body of investigative, activist and exposé documen- taries has questioned nations, their institutions and ideological discourses. 3. Corner, J. 1996. The Art of Record: A Critical Introduction to Documentary. New York: Manchester University Press. 4. I take my cue here from Noel Carroll who, while discussing objectivity in relation to the non-fiction film, argues that documentary debate has been marred by con- fusions in the use of language that conflate objectivity with truth (Carroll 1983: 14). While I agree with Carroll that lack of objectivity does not necessarily mean bias, as a practitioner I am inclined to hold documentary making and reception as subjective experiences exercising subjects’, makers’ and the audiences’ ideo- logical stances, knowledge systems and even aesthetic preferences. 5. Governmental and semi-governmental funding bodies such as Prasar Bharati (Broadcasting Corporation of India), Public Service Broadcasting Trust and the Indian Foundation for the Arts offer financial support for documentary makers and Indian filmmakers have also secured funding from international agencies such as the European Union’s cultural funds. -
CONFERENCE 2016 RICHMOND MARRIOTT 500 EAST BROAD STREET RICHMOND, VA the 2015 Plutarch Award
BIOGRAPHERS INTERNATIONAL SEVENTH JUNE 35 ANNUAL CONFERENCE 2016 RICHMOND MARRIOTT 500 EAST BROAD STREET RICHMOND, VA The 2015 Plutarch Award Biographers International Organization is proud to present the Plutarch Award for the best biography of 2015, as chosen by you. Congratulations to the ten nominees for the Best Biography of 2015: The 2016 BIO Award Recipient: Claire Tomalin Claire Tomalin, née Delavenay, was born in London in 1933 to a French father and English mother, studied at Cambridge, and worked in pub- lishing and journalism, becoming literary editor of the New Statesman, then of the (British) Sunday Times, while bringing up her children. In 1974, she published The Life and Death of Mary Wollstonecraft, which won the Whitbread First Book Prize. Since then she has written Shelley and His World, 1980; Katherine Mansfield: A Secret Life, 1987; The Invisible Woman: The Story of Nelly Ternan and Charles Dickens, 1991 (which won the NCR, Hawthornden, and James Tait Black prizes, and is now a film);Mrs. Jordan’s Profession, 1994; Jane Austen: A Life, 1997; Samuel Pepys: The Unequalled Self, 2002 (winner of the Whitbread Biography and Book of the Year prizes, Pepys Society Prize, and Rose Crawshay Prize from the Royal Academy). Thomas Hardy: The Time-Torn Man, 2006, and Charles Dickens: A Life, 2011, followed. She has honorary doctorates from Cambridge and many other universities, has served on the Committee of the London Library, is a trustee of the National Portrait Gallery, and is a vice-president of the Royal Literary Fund, the Royal Society of Literature, and English PEN. -
Mascotte Elementary School Accelerated Reader List by Level
Mascotte Elementary School 2007 AR List - By Book Level Mascotte Elementary School 2007 Accelerated Reader Quiz List - Book Level Quiz No. Title Author Book Level Points 46623 EN Hello, Doctor Marx, David F. 0.2 0.5 46618 EN Cats! Brimner, Larry Dane 0.3 0.5 46456 EN Come Here, Tiger! Moran, Alex 0.3 0.5 58033 EN I Can Read, Too: Book #1 Sargent, Dave/Pat 0.3 0.5 58034 EN I Can Read, Too: Book #10 Sargent, Dave/Pat 0.3 0.5 58036 EN I Can Read, Too: Book #3 Sargent, Dave/Pat 0.3 0.5 58037 EN I Can Read, Too: Book #4 Sargent, Dave/Pat 0.3 0.5 58038 EN I Can Read, Too: Book #5 Sargent, Dave/Pat 0.3 0.5 58039 EN I Can Read, Too: Book #6 Sargent, Dave/Pat 0.3 0.5 58040 EN I Can Read, Too: Book #7 Sargent, Dave/Pat 0.3 0.5 58041 EN I Can Read, Too: Book #8 Sargent, Dave/Pat 0.3 0.5 36919 EN Kk Doudna, Kelly 0.3 0.5 9340 EN Snow Joe Greene, Carol 0.3 0.5 46865 EN Where Is Max? Pearson, Mary E. 0.3 0.5 36911 EN Cc Doudna, Kelly 0.4 0.5 84997 SP colores y el número 1, Los Sargent, Daina 0.4 0.5 84998 SP colores y el número 10, Los Sargent, Daina 0.4 0.5 85000 SP colores y el número 3, Los Sargent, Daina 0.4 0.5 85003 SP colores y el número 6, Los Sargent, Daina 0.4 0.5 84997 EN Colors and the Number 1 Sargent, Daina 0.4 0.5 84998 EN Colors and the Number 10 Sargent, Daina 0.4 0.5 85001 EN Colors and the Number 4 Sargent, Daina 0.4 0.5 85003 EN Colors and the Number 6 Sargent, Daina 0.4 0.5 58035 EN I Can Read, Too: Book #2 Sargent, Dave/Pat 0.4 0.5 58042 EN I Can Read, Too: Book #9 Sargent, Dave/Pat 0.4 0.5 31862 EN My Camp-Out Leonard, Marcia -
Framing 'The Other'. a Critical Review of Vietnam War Movies and Their Representation of Asians and Vietnamese.*
Framing ‘the Other’. A critical review of Vietnam war movies and their representation of Asians and Vietnamese.* John Kleinen W e W ere Soldiers (2002), depicting the first major clash between regular North-Vietnamese troops and U.S. troops at Ia Drang in Southern Vietnam over three days in November 1965, is the Vietnam War version of Saving Private Ryan and The Thin Red Line. Director, writer and producer, Randall Wallace, shows the viewer both American family values and dying soldiers. The movie is based on the book W e were soldiers once ... and young by the U.S. commander in the battle, retired Lieutenant General Harold G. Moore (a John Wayne- like performance by Mel Gibson).1 In the film, the U.S. troops have little idea of what they face, are overrun and suffer heavy casualties. The American GIs are seen fighting for their comrades, not their fatherland. This narrow patriotism is accompanied by a new theme: the respect for the victims ‘on the other side’. For the first time in the Hollywood tradition, we see fading shots of dying ‘VC’ and of their widows reading loved ones’ diaries. This is not because the filmmaker was emphasizing ‘love’ or ‘peace’ instead of ‘war’, but more importantly, Wallace seems to say, that war is noble. Ironically, the popular Vietnamese actor, Don Duong, who plays the communist commander Nguyen Huu An who led the Vietnamese People’s Army to victory, has been criticized at home for tarnishing the image of Vietnamese soldiers. Don Duong has appeared in several foreign films and numerous Vietnamese-made movies about the War. -
The Last Firebase Archive Created by Lydia Fish
THE LAST FIREBASE ARCHIVE INVENTORY THE LAST FIREBASE ARCHIVE CREATED BY LYDIA FISH INVENTORY / COMPILED BY JOHN K. MCASKILL GENERAL CONTENTS BOX 1. File titles: Allen – Lifetime p. 2 BOX 2. File titles: Lin – Veterans Day 1993 p. 19 BOX 3. File titles: Veterans Day 1994 – Ziegele p. 35 BOX 3A. Interview tapes: A-K (no. 1-18) p. 47 BOX 3B. Interview tapes: L-Z (no. 19-34) p. 49 INDEX p. 50 1 THE LAST FIREBASE ARCHIVE INVENTORY BOX 1. Folder titles in bold. Abercrombie, Sharon. “Vietnam ritual” Creation spirituality 8/4 (July/Aug. 1992), p. 18-21. (3 copies – 1 complete issue, 2 photocopies). “An account of a memorable occasion of remembering and healing with Robert Bly, Matthew Fox and Michael Mead”—Contents page. Abrams, Arnold. “Feeling the pain : hands reach out to the vets’ names and offer remembrances” Newsday (Nov. 9, 1984), part II, p. 2-3. (photocopy) Acai, Steve. (Raleigh, NC and North Carolina Vietnam Veterans Memorial Committee) (see also Interview tapes Box 3A Tape 1) Correspondence with LF (ALS and TLS), photos, copies of articles concerning the Vietnam Veterans Memorial, the visit of the Moving Wall to North Carolina and the development of the NC VVM. Also includes some family news (Lydia Fish’s mother was resident in NC). (ca. 50 items, 1986-1991) Allen, Christine Hope. “Public celebrations and private grieving : the public healing process after death” [paper read at the American Studies Assn. meeting Nov. 4, 1983] (17 leaves, photocopy) Allen, Henry (see folder titled: Vietnam Veterans Memorial articles) Allen, Jane Addams (see folder titled: The statue) Allen, Leslie. -
Feature Films
Libraries FEATURE FILMS The Media and Reserve Library, located in the lower level of the west wing, has over 9,000 videotapes, DVDs and audiobooks covering a multitude of subjects. For more information on these titles, consult the Libraries' online catalog. 0.5mm DVD-8746 2012 DVD-4759 10 Things I Hate About You DVD-0812 21 Grams DVD-8358 1000 Eyes of Dr. Mabuse DVD-0048 21 Up South Africa DVD-3691 10th Victim DVD-5591 24 Hour Party People DVD-8359 12 DVD-1200 24 Season 1 (Discs 1-3) DVD-2780 Discs 12 and Holding DVD-5110 25th Hour DVD-2291 12 Angry Men DVD-0850 25th Hour c.2 DVD-2291 c.2 12 Monkeys DVD-8358 25th Hour c.3 DVD-2291 c.3 DVD-3375 27 Dresses DVD-8204 12 Years a Slave DVD-7691 28 Days Later DVD-4333 13 Going on 30 DVD-8704 28 Days Later c.2 DVD-4333 c.2 1776 DVD-0397 28 Days Later c.3 DVD-4333 c.3 1900 DVD-4443 28 Weeks Later c.2 DVD-4805 c.2 1984 (Hurt) DVD-6795 3 Days of the Condor DVD-8360 DVD-4640 3 Women DVD-4850 1984 (O'Brien) DVD-6971 3 Worlds of Gulliver DVD-4239 2 Autumns, 3 Summers DVD-7930 3:10 to Yuma DVD-4340 2 or 3 Things I Know About Her DVD-6091 30 Days of Night DVD-4812 20 Million Miles to Earth DVD-3608 300 DVD-9078 20,000 Leagues Under the Sea DVD-8356 DVD-6064 2001: A Space Odyssey DVD-8357 300: Rise of the Empire DVD-9092 DVD-0260 35 Shots of Rum DVD-4729 2010: The Year We Make Contact DVD-3418 36th Chamber of Shaolin DVD-9181 1/25/2018 39 Steps DVD-0337 About Last Night DVD-0928 39 Steps c.2 DVD-0337 c.2 Abraham (Bible Collection) DVD-0602 4 Films by Virgil Wildrich DVD-8361 Absence of Malice DVD-8243 -
Top 30 Vietnam War Books
America's wars have inspired some of the world's best literature, and the Vietnam War is no exception By Marc Leepson The Vietnam War has left many legacies. Among the most positive is an abundance of top-notch books, many written by veterans of the conflict. NONFICTION These include winners of National Book Awards and Pulitzer Prizes, AMERICA'S LONGEST WAR: • • • • • both fiction and nonfiction. A slew of war memoirs stand with the best THE UNITED STATES writing of that genre. Nearly all of the big books about the Vietnam War AND VIETNAM, 1950-1975 remain in print in 2014, and the 50th anniversary commemoration of by George Herring, 1978 the war is an opportune time to recognize the best of them. This book is widely viewed as the besj concise history of the Vietnam War. Her• In the short history of Vietnam War literature, publishers would ring, a former University of Kentucky hardly touch a book on the war until the late 1970s and early 1980s—a history professor, covers virtually every part of the self-induced national amnesia about that conflict and its important event in the conflict, present• outcome. After sufficient time had elapsed to ease some of the war's ing the war objectively and assessing its psychic wounds, we saw a mini explosion of important books. Most legacy. Revised and updated over the of the books on the following, very subjective, list of the top 15 fiction years, America's Longest War is used in and nonfiction titles, came out in the late '70s and throughout the '80s. -
Engendering ASEAN Identity: the Role of Film*
ERIA-DP-2015-75 ERIA Discussion Paper Series Engendering ASEAN Identity: The Role of Film* Jose Miguel R. de la ROSA Communication and Social Marketing Expert, Philippines November 2015 Abstract: The role of film, which is used here in generic terms to include audiovisual images as well as animation, in engendering the much-sought after Association of Southeast Asian Nations (ASEAN) identity is a necessary ingredient in the general framework of development leading to the realisation of the ASEAN Community. Film is an economic tool as it brings unquantifiable benefits to sectors participating in the industry. It is an effective information mechanism translating messages in more meaningful ways that appeal to the emotions. Film mirrors the cultural lives of people and reflects their heritage, values, and traditions. With the advancement in technology, film now comes in different platforms and formats, and is not confined to cinema or theatre. It becomes accessible through personal gadgets, the Internet, television (TV), cable TV, and digital versatile discs (DVDs). Thus, the reach and influence of films are vital in the people-oriented and people- centred agenda of an identity search and ensure that stakeholders down to the community level in all ASEAN member states (AMS) benefit from this approach. The ASEAN Socio-Cultural Community (ASCC) Blueprint clearly identifies the goals and strategies that AMS should support through the multilevel mechanisms in the Committee on Culture and Information (COCI), the Senior Officials Meeting Responsible for Information (SOMRI), and the ASEAN Ministers Responsible for Information (AMRI). This set of goals and strategies can be facilitated and implemented by collectively engaging government agencies in charge of film development in the AMS under the management of a technical expert group for this area and referred to as FILM ASEAN. -
War and Cinema
Theatres of Representation Discourses of War and Cinema Daniel Binns SID: 16123117 ! ! ! ! Doctor of Philosophy, 2013 University of Western Sydney Table of Contents Acknowledgements i. Dedication ii. Abstract iii. 1. Introduction – War and Cinema 1 2. Survey of the Field & Analytic Narrative 23 3. For Glory: World Wars I and II 58 4. Fear, Frustration, Paranoia: Vietnam 103 5. Live from the Front Line: Conflict in the Middle East 148 6. Extended Discourses of War: Video Games & Comic Books 192 7. Conclusion: Cycles of Violence, Repeat Performances 225 Sources 238 Appendix: Sample Film Analysis 254 Acknowledgements This thesis has felt, at times, like a battle. Now that the battle is over, I must take some time to thank my comrades-in-arms, without whom none of what you hold would have been possible. To the various people with whom I had personal correspondence or conversation during the course of this research, thank you for your time and expertise. These fine souls include, but are not limited to, Bill Nichols, Bruce Isaacs, Richard Smith, David Burchell, David Axe, Brendan Keogh, Elizabeth Roberts, and Hunter Cordaiy. Thanks to Jonathan Foye, and JT Velikovsky, for casting an objective eye over the piece in its final stages – and for your validation. To the employers who have graciously worked around my research commitments, continuing to further my experience in the film industry and academia, thank you. To my supervisors – Dr. Paul Ryder and Dr. Peter Dallow – your patience, commitment, wisdom, and good humour have been invaluable. It is needless to say that this document would not exist without you both.