Amy Adams Stars in SHARP OBJECTS Debuting July 8 on HBO
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Information Packet for Prospective Students
Information Packet for Prospective Students This packet includes: ! Information about our major ! FAQs ! Press packet with news items on our students, faculty and alumni Be sure to visit our website for more information about our department: http://film.ucsc.edu/ For information about our facilities and to watch student films, visit SlugFilm: http://slugfilm.ucsc.edu/ If you have any questions, you can send an email to [email protected] Scroll Down for packet information More%information%can%be%found%on%the%UCSC%Admissions%website:%% UC Santa Cruz Undergraduate Admissions Film and Digital Media Introduction The Film and Digital Media major at UC Santa Cruz offers an integrated curriculum where students study the cultural impact of movies, television, video, and the Internet and also have the opportunity to pursue creating work in video and interactive digital media, if so desired. Graduates of the UC Santa Cruz Film and Digital Media program have enjoyed considerable success in the professional world and have gained admission to top graduate schools in the field. Degrees Offered ▪ B.A. ▪ M.A. ▪ Minor ▪ Ph.D. Study and Research Opportunities Department-sponsored independent field study opportunities (with faculty and department approval) Information for First-Year Students (Freshmen) High school students who plan to major in Film and Digital Media need no special preparation other than the courses required for UC admission. Freshmen interested in pursuing the major will find pertinent information on the advising web site, which includes a first-year academic plan. advising.ucsc.edu/summaries/summary-docs/FILM_FR.pdf Information for Transfers Transfer students should speak with an academic adviser at the department office prior to enrolling in classes to determine their status and to begin the declaration of major process as soon as possible. -
SUE BLAINEY, ACE Editor
SUE BLAINEY, ACE Editor PROJECTS Partial List DIRECTORS STUDIOS/PRODUCERS POWER BOOK III: RAISING KANAN Various Directors STARZ / LIONSGATE TV Season 1 Tim Christenson, Bart Wenrich Shana Stein, Courtney Kemp, Sascha Penn THE WALKING DEAD: WORLD BEYOND Michael Cudlitz AMC Season 1, Episode 7 Jonathan Starch, Matt Negrete THE GOOD LORD BIRD Albert Hughes SHOWTIME / BLUMHOUSE Limited Series O’Shea Read, Olga Hamlet STRANGE ANGEL David Lowery SCOTT FREE / CBS Pilot & Season 1 - 2 David Zucker, Mark Heyman WHAT IF Various Directors WARNER BROS. / NETFLIX Series Mike Kelley 13 REASONS WHY Various Directors PARAMOUNT TV / NETFLIX Season 2 Kim Cybulski, Brian Yorkey ANIMAL KINGDOM Various Directors WARNER BROS. / TNT Season 1 Terri Murphy, Lou Wells 11/22/63 Kevin MacDonald BAD ROBOT / HULU Series Jill Risk, Bridget Carpenter THE MAGICIANS Mike Cahill SYFY / Desiree Cadena, John McNamara Pilot Michael London MOZART IN THE JUNGLE Paul Weitz AMAZON Season 1 Caroline Baron, Roman Coppola Jason Schwartzman, Paul Weitz UN-REAL Roger Kumble LIFETIME Pilot Sarah Shapiro, Marti Noxon IN PLAIN SIGHT Various Directors NBC Season 3 Dan Lerner, John McNamara Consulting Producer Karen Moore HAPPY TOWN Darnell Martin ABC Season 1 Mick Garris Paul Rabwin, Josh Appelbaum John Polson André Nemec EASY VIRTUE Stephan Elliott EALING STUDIOS Toronto Film Festival Barnaby Thompson, Alexandra Ferguson THE HILLS HAVE EYES 2 Martin Weisz FOX / ATOMIC Co-Editor Wes Craven, Marianne Maddalena SIX DEGREES David Semel BAD ROBOT / ABC Series Wendey Stanzler J.J. Abrams, Jane Raab, Bryan Burke LOST Jack Bender ABC Season 2 Finale J.J. Abrams, Ra’uf Glasgow, Bryan Burke Nomination, Best Editing – ACE Eddie Awards Nomination, Best Editing – Emmy Awards HOUSE Greg Yaitanes FOX Series Keith Gordon Katie Jacobs, David Shore SIX FEET UNDER Kathy Bates HBO Series Migel Arteta Alan Ball, Alan Poul Lisa Cholodenko THE ADVENTURES OF PRISCILLA Stephan Elliott POLYGRAM QUEEN OF THE DESERT Al Clark, Michael Hamlyn Cannes Film Festival INNOVATIVE-PRODUCTION.COM | 310.656.5151 . -
Pizzas $ 99 5Each (Additional Toppings $1.40 Each)
AJW Landscaping • 910-271-3777 June 30 - July 6, 2018 Mowing – Edging – Pruning – Mulching FREE Estimates – Licensed – Insured – Local References MANAGEr’s SPECIAL 2 MEDIUM 2-TOPPING Pizzas $ 99 5EACH (Additional toppings $1.40 each) Joy Nash and Julianna Margulies 1352 E Broad Ave. 1227 S Main St. Girl power star in “Dietland” Rockingham, NC 28379 Laurinburg, NC 28352 (910) 997-5696 (910) 276-6565 *Not valid with any other offers Joy Jacobs, Store Manager 234 E. Church Street Laurinburg, NC 910-277-8588 www.kimbrells.com Page 2 — Saturday, June 30, 2018 — Laurinburg Exchange Feminist television: AMC’s biting satire ‘Dietland’ tackles big issues By Kyla Brewer called “perfect” body, she’s torn be- Filmed in New York City, the series TV Media tween old ideas and new extremes tackles important issues and is likely when she’s approached by an un- to spark heated conversations revolution is brewing — a tele- derground organization determined among viewers. In fact, AMC is Avision revolution, that is. While to challenge the status quo. She also counting on it. The network has there’s no shortage of lighthearted learns of a group of feminists bent paired the series with an aftershow fare in prime time, socially conscious on getting revenge against sexual in the vein of “Talking Dead,” the TV shows have been trending as of predators. companion series to its mega-hit late, and AMC’s latest hit packs a The role requires an actress capa- “The Walking Dead.” “Unapologetic powerful punch with its feminist ble of being both conflicted and fun- With Aisha Tyler” airs immediately slant. -
Buffy's Glory, Angel's Jasmine, Blood Magic, and Name Magic
Please do not remove this page Giving Evil a Name: Buffy's Glory, Angel's Jasmine, Blood Magic, and Name Magic Croft, Janet Brennan https://scholarship.libraries.rutgers.edu/discovery/delivery/01RUT_INST:ResearchRepository/12643454990004646?l#13643522530004646 Croft, J. B. (2015). Giving Evil a Name: Buffy’s Glory, Angel’s Jasmine, Blood Magic, and Name Magic. Slayage: The Journal of the Joss Whedon Studies Association, 12(2). https://doi.org/10.7282/T3FF3V1J This work is protected by copyright. You are free to use this resource, with proper attribution, for research and educational purposes. Other uses, such as reproduction or publication, may require the permission of the copyright holder. Downloaded On 2021/10/02 09:39:58 -0400 Janet Brennan Croft1 Giving Evil a Name: Buffy’s Glory, Angel’s Jasmine, Blood Magic, and Name Magic “It’s about power. Who’s got it. Who knows how to use it.” (“Lessons” 7.1) “I would suggest, then, that the monsters are not an inexplicable blunder of taste; they are essential, fundamentally allied to the underlying ideas of the poem …” (J.R.R. Tolkien, “Beowulf: The Monsters and the Critics”) Introduction: Names and Blood in the Buffyverse [1] In Joss Whedon’s Buffy the Vampire Slayer (1997-2003) and Angel (1999- 2004), words are not something to be taken lightly. A word read out of place can set a book on fire (“Superstar” 4.17) or send a person to a hell dimension (“Belonging” A2.19); a poorly performed spell can turn mortal enemies into soppy lovebirds (“Something Blue” 4.9); a word in a prophecy might mean “to live” or “to die” or both (“To Shanshu in L.A.” A1.22). -
Code Black a Film By
PRESENTS CODE BLACK A FILM BY RYAN McGARRY, M.D. 82 min., USA, 2014 Best Documentary Feature – Los Angeles Film Festival Best Documentary Feature – Hamptons International Film Festival Audience Award – Aspen Film Festival People’s Choice Award – Starz Denver Film Festival PRESS MATERIALS: http://www.musicboxfilms.com/codeblack OFFICIAL SITE: http://www.musicboxfilms.com/codeblack Music Box Films Marketing & Publicity Distribution Contact Brian Andreotti: [email protected] Andrew Carlin Rebecca Gordon: [email protected] [email protected] 312-508-5361/ 312-508-5362 312-508-5360 Home Entertainment Publicity Margarita Sophia PR Margarita Sophia Cortes [email protected] 917-474-7292 SYNOPSIS In his vivid and thought-provoking filmmaking debut, physician Ryan McGarry gives us unprecedented access to America's busiest Emergency Department. Amidst real life-and- death situations, McGarry follows a dedicated team of charismatic young doctors-in-training as they wrestle with both their ideals and the realities of saving lives in a complex and overburdened system. Their training ground and source of inspiration is "C-Booth," Los Angeles County Hospital's legendary trauma bay, the birthplace of Emergency Medicine, where “more people have died and more people have been saved than in any other square footage in the United States.” CODE BLACK offers a tense, doctor's-eye view right into the heart of the healthcare debate – bringing us face to face with America's only 24/7 safety net. 2 DIRECTOR’S STATEMENT When I first started documenting CBooth at LA County Hospital, as a first-year resident already working 80-hour weeks, I didn’t plan to make a film. -
2020 Sundance Film Festival: 118 Feature Films Announced
FOR IMMEDIATE RELEASE Media Contact: December 4, 2019 Spencer Alcorn 310.360.1981 [email protected] 2020 SUNDANCE FILM FESTIVAL: 118 FEATURE FILMS ANNOUNCED Drawn From a Record High of 15,100 Submissions Across The Program, Including 3,853 Features, Selected Films Represent 27 Countries Once Upon A Time in Venezuela, photo by John Marquez; The Mountains Are a Dream That Call to Me, photo by Jake Magee; Bloody Nose, Empty Pockets, courtesy of Sundance Institute; Beast Beast, photo by Kristian Zuniga; I Carry You With Me, photo by Alejandro López; Ema, courtesy of Sundance Institute. Park City, UT — The nonprofit Sundance Institute announced today the showcase of new independent feature films selected across all categories for the 2020 Sundance Film Festival. The Festival hosts screenings in Park City, Salt Lake City and at Sundance Mountain Resort, from January 23–February 2, 2020. The Sundance Film Festival is Sundance Institute’s flagship public program, widely regarded as the largest American independent film festival and attended by more than 120,000 people and 1,300 accredited press, and powered by more than 2,000 volunteers last year. Sundance Institute also presents public programs throughout the year and around the world, including Festivals in Hong Kong and London, an international short film tour, an indigenous shorts program, a free summer screening series in Utah, and more. Alongside these public programs, the majority of the nonprofit Institute's resources support independent artists around the world as they make and develop new work, via Labs, direct grants, fellowships, residencies and other strategic and tactical interventions. -
Buffy at Play: Tricksters, Deconstruction, and Chaos
BUFFY AT PLAY: TRICKSTERS, DECONSTRUCTION, AND CHAOS AT WORK IN THE WHEDONVERSE by Brita Marie Graham A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in English MONTANA STATE UNIVERSTIY Bozeman, Montana April 2007 © COPYRIGHT by Brita Marie Graham 2007 All Rights Reserved ii APPROVAL Of a thesis submitted by Brita Marie Graham This thesis has been read by each member of the thesis committee and has been found to be satisfactory regarding content, English usage, format, citations, bibliographic style, and consistency, and is ready for submission to the Division of Graduate Education. Dr. Linda Karell, Committee Chair Approved for the Department of English Dr. Linda Karell, Department Head Approved for the Division of Graduate Education Dr. Carl A. Fox, Vice Provost iii STATEMENT OF PERMISSION TO USE In presenting this thesis in partial fulfillment of the requirements for a master’s degree at Montana State University, I agree that the Library shall make it availably to borrowers under rules of the Library. If I have indicated my intention to copyright this thesis by including a copyright notice page, copying is allowable only for scholarly purposes, consistent with “fair use” as prescribed in the U.S. Copyright Law. Requests for permission for extended quotation from or reproduction of this thesis in whole or in parts may be granted only by the copyright holder. Brita Marie Graham April 2007 iv ACKNOWLEDGMENTS In gratitude, I wish to acknowledge all of the exceptional faculty members of Montana State University’s English Department, who encouraged me along the way and promoted my desire to pursue a graduate degree. -
DAVID KLOTZ Music Editor TELEVISION CREDITS
DAVID KLOTZ Music Editor David Klotz has devoted his career to the music side of the film and tv industry, primarily as a music editor, but also as a composer, songwriter and music supervisor. He has won six Emmy awards for his work on Stranger Things, Game of Thrones, and American Horror Story. He got his start music supervising Christopher Nolan’s critically acclaimed film, Memento. Soon after, he moved into music editing, working on the shows Buffy The Vampire Slayer, Angel, Firefly, and Blade, the TV Series, to name a few. In 2005, he formed Galaxy Beat Media, his music editorial and production company, working on TV shows including Entourage, Prison Break, Glee, and the Marvel feature film, Iron Man. David co-wrote and performed the theme song to the 2001 Robert Rodriguez blockbuster, Spy Kids. He most recently produced and arranged a cover of the 1984 classic “Never Ending Story” for Stranger Things Season 3, available on the show’s soundtrack album. David’s band Dream System 8 has created music for dozens of TV shows including 9-1-1, American Horror Story, Scream Queens, and Pose. TELEVISION CREDITS Perry Mason (TV Series) I Am Not Okay with This (TV Series) Executive Producers: Robert Downey Jr., Susan Downey, Executive Producers: Josh S. Barry, Dan Cohen, Jonathan Ron Fitzgerald, Rolin Jones, Timothy Van Patten, Entwistle, Christy Hall, Dan Levine & Shawn Levy Matthew Rhys, Amanda Burrell & Joseph Horacek 21 Laps Entertainment/Netflix HBO American Horror Story (TV Series – Seasons 1- Ratched (TV Series) 10) Executive Producers: -
Presseheft Gretel
GRETEL & HÄNSEL Ein Film von Osgood Perkins mit Sophia Lillis, Samuel J. Leakey, Alice Krige, Jessica De Gouw, Charles Babalola u. v. m. Horror, Kanada/USA/Irland 2020, 87 Minuten (OT: Gretel & Hansel) Kinostart: 9. Juli 2020 Im Verleih von capelight pictures Im Vertrieb von 24 Bilder PRESSEHEFT Pressebetreuung Verleih mm filmpresse capelight pictures OHG Schliemannstraße 5 | 10437 Berlin Lessingstr. 16 | 16356 Ahrensfelde Tel.: 030 41 71 57 23 Tel.: 030 70 22 80 06 Fax: 030 41 71 57 25 Marco Heiter E-Mail: [email protected] E-Mail: [email protected] www.mm-filmpresse.de www.capelight.de Besetzung Gretel SOPHIA LILLIS Holda ALICE KRIGE Hänsel SAMUEL J. LEAKEY Der Jäger CHARLES BABALOLA Holda (jung) JESSICA DE GOUW Stab Regie OSGOOD PERKINS Drehbuch ROB HAYES Kamera GALO OLIVARES Schnitt JOSH ETHIER Szenenbild JEREMY REED Kostümbild LEONIE PRENDERGAST Produktion BRIAN KAVANAUGH-JONES, FRED BERGER Ausführende Produktion MACDARA KELLEHER, SANDRA YEE LING Casting CLAIRE CURRY, JULIE HARKIN Synopsis Vor langer Zeit in einem verfluchten Land: Die verzweifelte Suche nach Nahrung und Arbeit zwingt die junge Gretel (Sophia Lillis) und ihren kleinen Bruder Hänsel (Samuel J. Leakey) dazu, das elterliche Haus zu verlassen. Völlig orientierungslos irren sie umher und verlaufen sich in einem tiefen, dunklen Wald. Als sie auf eine Hütte stoßen, in der eine alte, freundlich wirkende Frau (Alice Krige) lebt, glauben Gretel und Hänsel, Zuflucht gefunden zu haben. Aber die von der Alten in Zeiten der Hungersnot aufgetischten Festmähler, das unheimliche Gemurmel fremder Kinderstimmen und mysteriöse Erscheinungen im Haus lassen Gretel erahnen, dass sich hinter ihrem scheinbaren Glück etwas Böses verbirgt. -
Customizable • Ease of Access • Cost Effective • Large Film Library
CUSTOMIZABLE • EASE OF ACCESS • COST EFFECTIVE • LARGE FILM LIBRARY A division of www.criterionondemand.com Criterion-on-Demand is the ONLY customizable on-line Feature Film Solution focused specifically for organizations such as Public Libraries, Recreation Centres, Schools and many more A Licence with Criterion-on-Demand includes 24/7 Access If you already have an annual Public Performance Licence from Criterion Pictures, you can add Criterion-on-Demand. Inquire Today 1-800-565-1996 or [email protected] A division of LARGE FILM LIBRARY Numerous Titles are Available Multiple Genres for Educational from Studios including: and Research purposes: • 20th Century Fox • Children’s Films • Fox National Geographic • Animated Favourites • Warner Brothers • Classics • Paramount Pictures • Blockbuster Films • eOne • Documentaries • Elevation Pictures • Biographies • Mongrel Media • Literary Adaptations • MK2-Mile End • Academy Award Winners, and many more... etc. KEY FEATURES • Over 3,300 Feature Films and Documentaries, many available in French • Unlimited 24/7 Access with No Hidden Fees • Complete with Public Performance Rights for Communal Screenings • Huge Selection of Animated and Family Films • Access via IP Authentication • Features both “Current” and Hard-to-Find” Titles • “Easy to Use” Search Engine CUSTOMIZATION • Criterion Pictures has the rights to over 15,000 titles • Criterion-on-Demand Updates Titles Quarterly • *Criterion-on-Demand is customizable. If a title is missing, Criterion will add it to the platform providing the -
LISLE ENGLE Re-Recording Mixer
LISLE ENGLE Re-Recording Mixer RE-RECORDING MIXER | SELECT TELEVISION CREDITS & AWARDS THE FLIGHT ATTENDENT Steve Yockey WBTV Jerry Bruckheimer COUNCIL OF DADS Tony Phelan/Joan Rater Television DISPATCHES FROM ELSEWHERE Jason Segal AMC Originals TREADSTONE Tim Kring USA Brandon Margolis/Brandon L.A.'S FINEST Sony Pictures Television Sonnier QUANTICO Joshua Safran ABC Studios RIVERDALE Roberto Aguirre-Sacasa WBTV CODE BLACK Michael Seitzman ABC Studios I’M DYING UP HERE (Season 1) David Flebotte/Jim Carrey Showtime Networks GREENLEAF (Season 2) Craig Wright Lionsgate BULL (Season 1) Paul Attanasio/Phil McGraw CBS Television Studios Henry Bromell/Blake FALLING WATER (Season 1) USA Network Masters THIS IS US (Pilot) Dan Fogelman 20th Century Fox Television Marti Noxon/Sarah UNREAL (1 episode) Lifetime Gertrude Shapiro FLAKED (Season 1) Will Arnett/Mark Chappell Netflix MINORITY REPORT (Season 1) Max Borenstein Amblin Television AGENT X (Season 1) W. Blake Herron Turner Original Productions RUNNER (Pilot) Michael Offer 20th Century Fox Television Steven Kane/Hank THE LAST SHIP TNT Originals Steinberg COMPLICATIONS (Season 1) Matt Nix Fox 21 RECKLESS (Season 1) Dana Stevens CBS Television Studios Daniel Cerone/David S. CONSTANTINE DC Comics/WBTV Goyer BURN NOTICE (3 Seasons) Matt Nix Fox Television Studios THE KILLING (Season 3) Veena Sud Fox Television Studios ARRESTED DEVELOPMENT (Season 4) Mitchell Hurwitz Imagine Entertainment Warner Bros. Post Production Creative Services | 4000 Warner Blvd. | Burbank, CA 91522 | 818.954.5305 Award Key: -
The Order Review Netflix
The Order Review Netflix Hatching Toddie merge, his monomarks disarranged overemphasizing damply. Unpalsied Alonso always hidden his highway if Vite is echoless or gown acock. Shabbier Pincus reassemble, his playboy dints undersign extortionately. RX VRPHWKLQJ HYHQ PRUH DZHVRPH. Jack has a lot of resentment towards Edward for being the reason his mother killed herself, but not as much as his grandfather did, at the begining. Vera not expelling Jack. Where as most of the tough choices previously in the season were far far far too nonchalant. Jack is a werewolf. Netflix ends with a major cliffhanger. Setting user session class. Jordan asked Netflix not to stream it in the country. Netflix is not endorsed, moderated, owned by or affiliated with Netflix or any of its partners in any capacity. Beyond that this review from review geek is on point. College freshman Jack Morton joins a fabled secret society, The Order, where he is thrust into a world of magic, monsters and intrigue. He was a college student, and one of the neophytes of the Order. Salvador made the same potion and included it in the food. First Input Delay end. Welcome to Custom CSS! Fallon barely moving or saying a word. Could you proofread this post, please? Put subtitles on their own line by default. When everyone else mysteriously vanishes from their wealthy town, the teen residents of West Ham must forge their own society to survive. The Order on Netflix location: Where is The Order filmed? May all thinly established premises have such capable comic minds keeping them afloat.