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Las Pozas, Xilitla: Obra Surrealista De Sir Edward James

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Las Pozas, Xilitla: Obra Surrealista De Sir Edward James DEPARTAMENTO DE HISTORIA DEL ARTE. DOCTORADO EN GEOGRAFÍA, HISTORIA Y ARTE. TESIS DOCTORAL Las Pozas, Xilitla: Obra surrealista de sir Edward James. Alumna: Martha Elisa López Pedraza Máster Universitario en Métodos y técnicas avanzadas de investigación histórica, artística y geográfica. Especialidad: Historia del Arte. Directora de Tesis: Dra. Ma. Victoria Soto Caba CURSO 2015-2016 UNIVERSIDAD NACIONAL DE EDUCACIÓN A DISTANCIA. FACULTAD DE GEOGRAFÍA E HISTORIA. DEPARTAMENTO DE HISTORIA DEL ARTE. DOCTORADO EN GEOGRAFÍA, HISTORIA Y ARTE. CURSO 2015-2016. TESIS DOCTORAL Las Pozas, Xilitla: Obra surrealista de sir Edward James. Alumna: Martha Elisa López Pedraza. Máster Universitario en Métodos y técnicas avanzadas de investigación histórica, artística y geográfica. Especialidad: Historia del Arte. Universidad Nacional de Educación a Distancia. Directora de Tesis: Dra. Ma. Victoria Soto Caba. “... México es un país surrealista, porque aquí pasan y se hacen cosas que no pasan ni se hacen en ninguna otra nación.” Edward F. W. James Resumen A mediados de los años 40, el británico sir Edward Frank Willis James llega a Xilitla (pueblo de la Huasteca potosina) sin imaginar que posteriormente erigirá ahí el icono del lugar, a saber: el complejo permanente escultórico-arquitectónico, orgánico y ecológico de Las Pozas (rancho La Conchita), testimonio artístico del siglo XX. Edward James, implicado íntimamente con el movimiento surrealista, proyecta su obra durante más de 20 años de construcción, misma que permanecerá inconclusa según su deseo y su voluntad. Los objetivos de la presente investigación pretenden identificar el espacio intervenido por James (Xilitla), así como las influencias y características artísticas de su obra, las personalidades que interactuaron con él y, sobre todo, presentar un estudio iconográfico e iconológico con el fin de interpretar algunas de las obras de Las Pozas. Además de ser poeta, Edward James es un creador que hace de Xilitla un universo plástico. Y en esa calidad de artista, persigue un propósito obsesivamente: el deleite de crear. Palabras clave: Edward James, surrealismo, Las Pozas, Xilitla, complejo escultórico-arquitectónico, patrón, mecenas, poeta, artista. Abstract In the mid-1940s, Sir Edward Frank Willis James, a Brit, arrives at Xilitla (a village in the Huasteca Potosina) never imagining that he will subsequently erect the icon of the region, namely: a permanent sculptural-architectural, organic and ecological complex at Las Pozas (La Conchita Ranch), an artistic testimony of the 20th century. Intimately involved with the surrealist movement, Edward James projects his work in more than 20 years of construction, much of which will remain unfinished according to his will and wishes. The objectives of this research are to identify the intervened space by James (Xilitla), as well as, the artistic influences and characteristics of his work, the personalities that interacted with him and, above all, to present an iconographical and iconological study with the purpose of interpreting some of the works of Las Pozas. Besides being a poet, Edward James is a creator who makes of Xilitla a plastic universe. And in that quality as an artist, he pursues a purpose obsessively: the delight of creating. Keywords: Edward James, Surrealism, Las Pozas, Xilitla, sculptural-architectural complex, patron, poet, artist. Résumé Au milieu des années 40, le britannique sir Edward Willis James arrive à Xilitla (village de la Huastèque Potosine) sans imaginer qu’il y érigera postérieurement l'icône de la région, à savoir : l’ensemble permanent sculptural-architectonique, organique et écologique de Las Pozas (ranch de La Conchita), témoignage artistique du 20ème siècle. Intimement impliqué avec le mouvement surréaliste, Edward James projette son œuvre d’art dont la construction durera plus de 20 ans, laquelle restera inachevée selon son désir et sa volonté. Les objectifs de cette recherche sont d’identifier l'espace intervenu par James (Xilitla), les influences et les caractéristiques artistiques de son œuvre, ainsi que les personnalités qui ont interagi avec lui, mais surtout de présenter une étude iconographique et iconologique afin d’interpréter quelques-unes des œuvres de Las Pozas. En plus d'être poète, Edward James est un créateur qui fait de Xilitla un univers plastique. Et en cette qualité d'artiste, il poursuit obsessionnellement un but: le délice de créer. Mots-clés : Edward James, surréalisme, Las Pozas, Xilitla, ensemble artistique sculptural-architectonique, patron, mécène, poète, artiste. Índice 001 Agradecimientos. 002 Introducción. 007 Estado de la cuestión. 014 Capítulo I. Xilitla, lugar de la obra surrealista de sir Edward James. 014 1.1. Xilitla, pueblo mágico. 020 1.2. Breve historia de Xilitla. 023 1.3. El coronel Castillo y su familia. 030 1.4. Las propiedades en Xilitla de Edward James y Plutarco Gastélum. 036 1.5. Posada El Castillo. 041 Capítulo II. La biografía de sir Edward James, una historia de relaciones con el surrealismo. 041 2.1. Sir Edward Frank Willis James. 043 2.2. Edward James y John Betjeman. 046 2.3. Su amor imposible, Tilly Losch. 051 2.4. Obra literaria de Edward James. 064 2.5. Inmersión al surrealismo. 066 2.6. Edward James y Salvador Dalí. 082 2.6.1. Rostro metafísico de Edward James. 084 2.7. Edward James y Pablo Picasso. 086 2.8. Edward James y René Magritte. 093 2.9. Edward James y Luis Buñuel. 096 2.10. Edward James y Leonora Carrington. 106 Capítulo III. Sir Edward James en Xilitla. 106 3.1. Edward James llega a México. 107 3.2. Edward James y Plutarco Gastélum. 112 3.2.1. La nevada. 117 3.2.2. El carpintero. 119 3.2.3. El constructor y encargado de la obra. 124 3.3. Algunas ideas e inspiraciones. 131 3.4. Edward James y Desmond Guinness. 135 3.5. Amante de la naturaleza y de los animales. 138 3.6. Hacia una revolución constructiva en Xilitla. 141 3.7. Etapa final. 144 3.8. Las Pozas hoy. 147 3.9. El monumento artístico del Conjunto Escultórico de Xilitla. 150 3.9.1. Propiedad privada de Las Pozas. 151 3.10. Fundación Edward James. 149 Capítulo IV. Las Pozas, Xilitla. 154 4.1. Ficha técnica de Las Pozas. 155 4.2. Mapa. 156 4.3. Iconografía e iconología de la obra surrealista de Edward James. 159 4.4. El Surrealismo. 163 4.5. Imaginación, sueño, utopía o fantasía. 164 4.6. Las Pozas: obra surrealista. 169 4.6.1. Cortina de bambú. 171 4.6.2. Anillo de la reina o Anillo de compromiso. 173 4.6.3. Los siete pecados capitales. 175 4.6.4. Hongos o Dragones. 176 4.6.5. La mano del gigante. 178 4.6.6. Arcoíris de oriente y La cornucopia. 179 4.6.7. Plaza Don Eduardo o Plaza San Isidro. 181 4.6.8. El puente de la fleur-de-lis. 182 4.6.9. El ojo de Dios. 182 4.6.10. La puerta de San Pedro y San Pablo. 185 4.6.11. La biblioteca o El palacio de bambú. 187 4.6.12. La bañera en forma de ojo. 189 4.6.13. La ballena. 190 4.6.14. La columna de la bromelia. 191 4.6.15. La poza del coronel. 193 4.6.16. La bóveda de los murciélagos 194 4.6.17. La casa de Don Eduardo. 198 4.6.18. El cinematógrafo. 200 4.7. Obra surrealista, orgánica y ecológica. 209 4.8. Lo gótico en Edward James. 213 Conclusiones. 219 Anexo. 224 Lista de figuras. 249 Bibliografía. 249 1. Libros. 257 2. Catálogos de exposiciones. 257 3. Artículos de prensa y revistas. 260 4. Entrevistas. 261 5. Webgrafía y video. Agradecimientos. El presente proyecto de investigación doctoral tiene el propósito de dar cumplimiento a las disposiciones de la Facultad de Geografía e Historia de la Universidad Nacional de Educación a Distancia (UNED), para obtener el título de Doctorado en Geografía, Historia y Arte. Después de haber obtenido el título de Máster Universitario en Métodos y técnicas avanzadas de investigación histórica, artística y geográfica. Especialidad: Historia del Arte. Agradezco por todo su apoyo y comprensión a mi tutora Dra. Victoria Soto; a mis padres, Francisco Adolfo López Campa y Ma. del Rosario Pedraza Almaguer; y a mi hermano Adolfo Daniel López Pedraza (†). A mis papás y a Fito. Edward Frank Willis James: Su jardín se torna en palabras, las aves circulan sus poemas; de Las Pozas emanan melodías que de sueños erigen armonías. MELP 2013 1 Introducción. La investigación planteada surge del deseo de profundizar el conocimiento de las obras surrealistas de sir Edward James realizadas en el municipio de Xilitla, San Luis Potosí, México, durante el periodo de 1960-1984. Esta investigación cuenta con material de primera mano en virtud de que parte de mi familia vivió en Xilitla y tuvo relación con los terrenos que serían años más tarde el jardín y complejo escultórico-arquitectónico de sir Edward James. Durante mis visitas —de adolescencia y juventud— a las construcciones hechas en el rancho La Conchita o Las Pozas, Xilitla, me impresionaron y causaron una gran curiosidad, además de un deseo de entender el porqué de cada construcción y de sus escenarios singulares. La gente que visita Las Pozas aparece y desaparece debido a la exuberante vegetación que se mezcla con los diseños hechos en concreto aparente, de manera que se podría decir que el visitante “se adentra a un mundo de sueño colosal”. La creatividad de Edward James se materializa en un ambiente cálido y húmedo, el conjunto escultórico-arquitectónico logrado es una muestra artística y cultural del siglo XX localizada en la Huasteca perteneciente al estado de San Luis Potosí en la República Mexicana. La vivienda de Xilitla en la que sir Edward James vivió por temporadas es una casona que atrae la atención después de su reconstrucción al estar realizada arquitectónicamente de una manera muy singular después de varias remodelaciones.
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