5 Pueblo Junior Officers Testify in Support of Ship's Captain
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
'Pamy}L 'Wurlitzer
'Pamy}l 'Wurlitzer 1883 • 1912 Orbil ill '"e eclronic1ynt-he1izer P,UJ ~ -~ohJre01pinel orqon equo1... ~e nevve;Iwoy lo mo <.emu1ic fromWur irzec Now with the Orbit III electronic synthesizer from slowly, just as the theatre organist did by opening and Wurlitzer you can create new synthesized sounds in closing the chamber louvers. stantly ... in performance. And with the built-in Orbit III synthesizer, this This new Wurlitzer instrument is also a theatre organ, instrument can play exciting combinations of synthe with a sectionalized vibrato/tremolo, toy counter, in sized, new sounds, along with traditional organ music. A dependent tibias on each keyboard and the penetrating built-in cassette player/recorder lets you play along with kinura voice that all combine to recreate the sounds of pre-recorded tapes for even more dimensions in sound. the twenty-ton Mighty Wurlitzers of silent screen days. But you've got to play the Orbit III to believe it. And it's a cathedral/classical organ, too, with its own in Stop in at your Wurlitzer dealer and see the Wurlitzer dividually voiced diapason, reed, string and flute voices. 4037 and 4373. Play the eerie, switched-on sounds New linear accent controls permit you to increase or of synthesized music. Ask for your free Orbit III decrease the volume of selected sections suddenly, or demonstration record. Or write: Dept. TO - 672 WURLiizER ® The Wurlitzer Company, DeKalb, Illinois 60115 . hn.4'the \T8fl cover- photo .. Farny R. Wurlitzer, Chairman Emeritus of the Board of Directors of the Wurlitzer Company, who died May 6, 1972. -
Martin Denny Exotica
NEW RELEASE DR10019 LIMITED EDITION CLASSIC LPs HIGH-DEFINITION PREMIUM VINYL PRESSING FOR SUPER FIDELITY MARTIN DENNY EXOTICA SIDE 1 1. QUIET VILLAGE 3:41 (Les Baxter) 2. RETURN TO PARADISE 2:21 (Tiomkin-Washington) 3. HONG KONG BLUES 2:17 (Hoagy Carmichael) 4. BUSY PORT 2:53 (Les Baxter) 5. LOTUS LAND 2:25 (Cyril Scott) 6. SIMILAU 1:59 (Carr-Coleman) SIDE 2 1. STONE GOD 3:09 (Les Baxter) 2. JUNGLE FLOWER 1:49 (Les Baxter) 3. CHINA NIGHTS 2:04 (Shina No Yoru) (Takeoka) 4. AMI WA FURI 2:10 (Gil Baumgart) 5. WAIPU 3:14 Exotica is the first album byMartin Denny, released (Francis Brown) 6. LOVE DANCE 2:35 in 1957. It contained Denny’s most famous piece, (Les Baxter) “Quiet Village” (originally composed by Les Baxter), and spawned an entire genre bearing its name. It was recorded December 1956 in Webley Edwards’ studio in MARTIN DENNY: piano, celeste & arrangements, Waikiki (not, as often reported, the Aluminum Dome at plus The Martin Denny Combo: Henry J. Kaiser’s Hawaiian Village Complex). Arthur Lyman (vibraphone, xylophone, percussion); John Kramer (string bass); Augie The album topped Billboard’s charts in 1959. The Colon (bongos, congas, Latin effects, bird calls, album was recorded in mono. It was re-recorded in percussion); Harold Chang (drums, percussion). stereo in 1958; by then, however, Denny’s sideman Produced by Simon Jackson. Recorded on a 3 Arthur Lyman had left the group, and was replaced hours and 25 minutes session on two track mono at Webley Edward’s Studio, Honolulu, Hawaii, by Julius Wechter. -
Toto's Shannon Forrest
WORTH WIN A TAMA/MEINL PACKAGE MORE THAN $6,000 THE WORLD’S #1 DRUM MAGAZINE 25 GR E AT ’80s DRUM TRACKS Toto’s Shannon ForrestThe Quest For Excellence NEW GEAR REVIEWED! BOSPHORUS • ROLAND • TURKISH OCTOBER 2016 + PLUS + STEVEN WOLF • CHARLES HAYNES • NAVENE KOPERWEIS WILL KENNEDY • BUN E. CARLOS • TERENCE HIGGINS PURE PURPLEHEARTTM 12 Modern Drummer June 2014 CALIFORNIA CUSTOM SHOP Purpleheart Snare Ad - 6-2016 (MD).indd 1 7/22/16 2:33 PM ILL SURPRISE YOU & ILITY W THE F SAT UN VER WIL HE L IN T SP IR E Y OU 18" AA SICK HATS New Big & Ugly Big & Ugly is all about sonic Thin and very dry overall, 18" AA Sick Hats are 18" AA Sick Hats versatility, tonal complexity − surprisingly controllable. 28 holes allow them 14" XSR Monarch Hats and huge fun. Learn more. to breathe in ways other Hats simply cannot. 18" XSR Monarch With virtually no airlock, you’ll hear everything. 20" XSR Monarch 14" AA Apollo Hats Want more body, less air in your face, and 16" AA Apollo Hats the ability to play patterns without the holes 18" AA Apollo getting in your way? Just flip ‘em over! 20" AA Apollo SABIAN.COM/BIGUGLY Advertisement: New Big & Ugly Ad · Publication: Modern Drummer · Trim Size: 7.875" x 10.75" · Date: 2015 Contact: Luis Cardoso · Tel: (506) 272.1238 · Fax: (506) 272.1265 · Email: [email protected] SABIAN Ltd., 219 Main St., Meductic, NB, CANADA, E6H 2L5 YOUR BEST PERFORMANCE STARTS AT THE CORE At the core of every great performance is Carl Palmer's confidence—Confidence in your ability, your SIGNATURE 20" DUO RIDE preparation & your equipment. -
May 2008AAJ-NY.Qxd
NEW YORK May 2008 | No. 73 Your FREE Monthly Guide to the New York Jazz Scene newyork.allaboutjazz.com AHMAD JAMAL IT'S MAGIC Vince Giordano • George Garzone • Les Disques Victo • Dizzy’s Club • Event Calendar NEW YORK May is significant in the history of Miles Davis. Not only is the 26th the late trumpeter’s birthday but many of his most enduring works were New York@Night recorded during this month, including the Charlie Parker All-Stars (1948); the 4 Miles Davis-Tadd Dameron Quintet’s run in Paris (1949), most of the Workin’, Steamin’ and Relaxin’ triumvirate by the quintet with John Coltrane (1956), Miles Interview: Vince Giordano Ahead and At Carnegie Hall, both with the Gil Evans Orchestra (1957 and 1961 6 by Michael Hittman respectively); and the bulk of Miles in the Sky (1968). Now in May 2008, another chapter to the Miles Legacy will be written with an ambitious concert at Town Artist Feature: George Garzone Hall May 9th, “Miles From India”. A companion concert to a just-released album 7 by Matthew Miller of the same name, the concert brings together musicians who played with the legend throughout his career as well as a number of classical Indian musicians for Label Spotlight: Les Disques Victo what is billed as a “cross-cultural summit meeting”. Our Encore this month, 8 by Kurt Gottschalk guitarist Pete Cosey, is participating in what is sure to be a monumental event. But, as is typical for New York, the happenings don’t stop happening there. Club Profile: Dizzy’s Club Pianist Ahmad Jamal (Cover) brings his trio to Blue Note in a pre-release by Laurel Gross celebration of his first new album in three years, It’s Magic (Birdology-Dreyfus), due out in June. -
Martin Denny and the Sounds of Exotica
Martin Denny and the Sounds of Exotica This in an updated version of an article originally published in Film Score Monthly (Vol. 2, No. 4, June 1997). A look at the unique circumstances of Forbidden Island. The mysteries of the tropics await! by Kerry J. Byrnes, Okemos High Class of 1963 Some twenty years ago John Bender=s article (“First Dive...Into the Dark Pool of ‘Soundtrack Related’”) published in Film Score Monthly (FSM#69) prompted me to pick up the I, Swinger CD by the musical group Combustible Edison, especially as Bender had referred to the CD as a “knock off” of a number of musicians, including Martin Denny, one of my all-time favorites. But I was most intrigued by Bender’s statement that Denny had “even managed to get one film score under his belt.” Bender=s next sentence added the needed clarification: “Let’s hope Denny=s music for Forbidden Island isn’t as hopelessly lost as the film itself seems to be.” But Forbidden Island, as later clarified, is not lost (though not yet commercially available on DVD). Produced by C.B. Griffith in 1959, Forbidden Island was shown on cable’s TNT in August of 1992 as part of a package of films TNT licensed from Columbia, now owned by Sony (film not included in the current package of newer films Sony has licensed to TNT). Fortunately, a video of TNT’s screening of Forbidden Island was preserved by none other than the Maestro of Exotica – Martin Denny – who kindly loaned his copy so I could make a dub. -
Expedition Evan M
Washington University in St. Louis Washington University Open Scholarship Graduate School of Art Theses Graduate School of Art Spring 5-16-2014 Expedition Evan M. Crankshaw Washington University in St Louis, [email protected] Follow this and additional works at: https://openscholarship.wustl.edu/samfox_art_etds Part of the Art and Design Commons Recommended Citation Crankshaw, Evan M., "Expedition" (2014). Graduate School of Art Theses. ETD 19. https://doi.org/10.7936/K7MS3QN3. This Thesis is brought to you for free and open access by the Graduate School of Art at Washington University Open Scholarship. It has been accepted for inclusion in Graduate School of Art Theses by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. Expedition by EVan Crankshaw 1 Contents Abstract.........................................................................................................3 Part One: Exotic.......................................................................................4 1. “Exotic”......................................................................................................5 2. The Exot.....................................................................................................6 3. Time and the Primitive..................................................................................9 4. A New Exot...............................................................................................13 Part Two: Exotica...................................................................................15 -
Great Instrumental
I grew up during the heyday of pop instrumental music in the 1950s and the 1960s (there were 30 instrumental hits in the Top 40 in 1961), and I would listen to the radio faithfully for the 30 seconds before the hourly news when they would play instrumentals (however the first 45’s I bought were vocals: Bimbo by Jim Reeves in 1954, The Ballad of Davy Crockett with the flip side Farewell by Fess Parker in 1955, and Sixteen Tons by Tennessee Ernie Ford in 1956). I also listened to my Dad’s 78s, and my favorite song of those was Raymond Scott’s Powerhouse from 1937 (which was often heard in Warner Bros. cartoons). and to records that my friends had, and that their parents had - artists such as: (This is not meant to be a complete or definitive list of the music of these artists, or a definitive list of instrumental artists – rather it is just a list of many of the instrumental songs I heard and loved when I was growing up - therefore this list just goes up to the early 1970s): Floyd Cramer (Last Date and On the Rebound and Let’s Go and Hot Pepper and Flip Flop & Bob and The First Hurt and Fancy Pants and Shrum and All Keyed Up and San Antonio Rose and [These Are] The Young Years and What’d I Say and Java and How High the Moon), The Ventures (Walk Don't Run and Walk Don’t Run ‘64 and Perfidia and Ram-Bunk-Shush and Diamond Head and The Cruel Sea and Hawaii Five-O and Oh Pretty Woman and Go and Pedal Pusher and Tall Cool One and Slaughter on Tenth Avenue), Booker T. -
The Blue Ridge Mountain Messenger
Blue Ridge 9:00 a.m. Sunday School United Methodist Church The Blue Ridge 10:30 a.m. Worship Service 235 Orvin Lance Drive Mountain Messenger Blue Ridge, GA 30513 Worship on YouTube/Facebook Office Phone – 706-632-2327 The monthly newsletter of Blue Ridge www.brumc.life United Methodist Church… Dr. James Hughes -Pastor “Ambassadors of Christ” 7-4 Sun—Happy 4th of July Naomi Owen - Office Manager 7-5 Mon—Church office closed in observance of Independence Day 7-6 Tues 3:00 pm—Staff meeting in office Linda Patterson—PT Admin Asst. 7-8 Thurs 5:30 pm—Finance Meeting FH Don Cheyne - Choir Director 7-12 Mon 1:00 pm—Book Club Meeting FH 7-13 Tues 2:00 pm—Card Ministry FH Jeff Keeler-Praise Band Director 7-13 Tues 5:30 pm—UMM Dinner Mtg FH 7-15 Thurs 6:00 pm—Admin Council Meeting FH Judy Cheyne - Pianist/Accompanist 7-19 Mon 5:30 pm—Trustee Meeting FH JULIUS WECHTER 7-30 Fri 8:00 am—UMM Breakfast FH On February 1, 1999, Julius Wechter died of lung cancer. Most of you will not recognize his name, but Church Office Hours: there was a time when he was one of the most recognized musicians in America. He was a songwriter, a Mon-Thurs 9 am - 5 pm percussionist, and leader of his own band for over ten years. His music was recorded by over sixty artists, from the Osmond Brothers to the Boston Pops. His music has appeared as television theme songs, on commercials, and in movies. -
HYS Fall 2013 Newsletter
Hawaii Youth Symphony Newsletter Learn • Perform • Grow Summer/Fall 2013 ...of Where Hawaii’s youth make NOTE exceptional music together Summer Programs Turn Up Heat on Music Learning SAVE THESE DATES! Na Mele: The Gift of Music With Jimmy Borges & Th e Waitiki 7 Sun., October 20, 4:30 pm Hilton Hawaiian Village YSII Community Concert With Hawaii Youth Opera Chorus Sat., November 16, time TBA ummer is a favorite part of the year for us at HYS, as it is a time when many of our alumni return Kawaiahao Church S and reconnect with us to share their wonderful musicianship and teaching abilities with our up- and-coming youth. Th is summer was no exception! Fift een of our esteemed alumni taught nearly Symphony Program 150 students in our Summer Strings and Pacifi c Music Institute programs. Winter Concerts YSI, YSII, CO omprised of two classes (Beginning and Intermediate), Sun., December 1, 4:00 pm C Summer Strings—which met daily for fi ve weeks—helped novice Blaisdell Concert Hall string students build skills and practice techniques that will last them their musical lives. Th e program was held at the Atherton YMCA, where HYS Listen & Learn Concerts alumnus Tony Yee is Executive Director. Conductor Chad Uyehara, who YSI &YSII also conducts HYS’s top two Academy string orchestras, remarked on the Mon., Dec. 2, & Tues, Dec. 3 importance of these summer classes. “Not only are we cultivating basic skills Blaisdell Concert Hall like how to play the instrument, but we also learn how to play in a group, follow the conductor; how to listen to each other, and how to be aware of the CO ensemble and ourselves.” Uyehara was impressed with the students’ hard Mon., December 9 work. -
PHILLIPS End to BEGINNING
MAY 2019—ISSUE 205 YOUR FREE guide TO tHe NYC JAZZ sCENE NYCJAZZRECORD.COM BARRE PHILLIPS END TO BEGINNING janis simon mulatu danny siegel nabatov astatke barker Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East MAY 2019—ISSUE 205 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 new york@nigHt 4 Laurence Donohue-Greene: interview : janis siegel 6 by jim motavalli [email protected] Andrey Henkin: artist Feature : simon nabatov 7 by john sharpe [email protected] General Inquiries: on The Cover : barre pHillips 8 by andrey henkin [email protected] Advertising: enCore : mulatu astatke 10 by mike cobb [email protected] Calendar: lest we Forget : danny barker 10 by john pietaro [email protected] VOXNews: LAbel spotligHt : pfMENTUM 11 by robert bush [email protected] VOXNEWS by suzanne lorge US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or obituaries 12 by andrey henkin money order to the address above or email [email protected] Cd reviews 14 Staff Writers Duck Baker, Stuart Broomer, Robert Bush, Kevin Canfield, misCellany 33 Marco Cangiano, Thomas Conrad, Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, event Calendar Tom Greenland, George Grella, 34 Anders Griffen, Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Mark Keresman, Marilyn Lester, Suzanne Lorge, Marc Medwin, Jim Motavalli, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Contributing Writers Mike Cobb, Pierre Crépon, George Kanzler, Steven Loewy, Franz Matzner, If jazz is inherently, wonderfully, about uncertainty, about where that next note is going to Annie Murnighan, Eric Wendell come from and how it will interact with all that happening around it, the same can be said for a career in jazz. -
Martin Denny in Person Mp3, Flac, Wma
Martin Denny In Person mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Folk, World, & Country Album: In Person Country: US Released: 1962 Style: Easy Listening, Space-Age, Pacific MP3 version RAR size: 1404 mb FLAC version RAR size: 1513 mb WMA version RAR size: 1393 mb Rating: 4.7 Votes: 555 Other Formats: DTS DXD AA MP2 AA MP2 AC3 Tracklist Hide Credits Rain A1 2:48 Written-By – Les Baxter Hilo March A2 2:25 Written-By – Kalapana* Hawaiian Wedding Song A3 3:14 Written-By – Hoffman*, King*, Manning* Volga Boatmen A4 2:51 Written-By – Martin Denny Black Orchid A5 2:40 Written-By – Cal Tjader Pretty Maui Girl B1 2:49 Written-By – White*, Aloma*, Wolfson* Cockeyed Mayor Of Kaunakakai B2 2:33 Written-By – Stillman*, Anderson* Lei Aloha Lei Makamae B3 2:52 Written-By – Charles King* On The Beach At Waikiki B4 2:52 Written-By – Stover*, Kailimai* Ol' Man River B5 5:14 Written-By – J. Kern-Hammerstein 2* Companies, etc. Manufactured By – Liberty Records, Inc. Recorded At – Duke Kahanamoku's Credits Design [Cover] – Francis & Monahan, Inc. Engineer – Bob Lang Producer – Si Waronker Notes Audition Record Recorded Live At Duke Kahanamoku's in Honolulu Printed in U.S.A. Publishing: Track A1: Ardmore Music Corp. - ASCAP Track A2: Criterion Music Corp. - ASCAP Track A3: Pickwick Music Corp. - ASCAP Track A4: Exotica Publ. Co. - ASCAP Track A5: Radcliffe Publ. Co. - BMI Track B1: Famous Music Corp. - ASCAP Track B2: E. B. Marks Music Corp. - BMI Track B3: Criterion Music Corp. - ACSAP Track B4: Miller Music Corp. -
Martin Denny Exotica Mp3, Flac, Wma
Martin Denny Exotica mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Pop / Folk, World, & Country Album: Exotica Country: US Released: 1957 Style: Space-Age, Easy Listening, Pacific MP3 version RAR size: 1767 mb FLAC version RAR size: 1395 mb WMA version RAR size: 1393 mb Rating: 4.1 Votes: 749 Other Formats: ASF MPC APE AU MMF WMA AA Tracklist Hide Credits Quiet Village A1 3:38 Written-By – Les Baxter Return To Paradise A2 2:19 Written-By – Tiomkin*, Washington* Hong Kong Blues A3 2:14 Written-By – Hoagy Carmichael Busy Port A4 2:51 Written-By – Les Baxter Lotus Land A5 2:23 Written-By – Cyril Scott Similau A6 1:57 Written-By – Carr*, Coleman* Stone God B1 3:05 Written-By – Les Baxter Jungle Flower B2 1:47 Written-By – Les Baxter China Nights (Shina No Yoru) B3 2:02 Written-By – Takeoka* Ah Me Furi B4 2:07 Written-By – Gil Baumgart Waipio B5 3:14 Written-By – Francis Brown Love Dance B6 2:38 Written-By – Les Baxter Companies, etc. Copyright (c) – Liberty Records, Inc. Manufactured By – Liberty Records, Inc. Credits Bass – John Kramer Bongos [Bongoes] – August Colon Engineer – Ted Keep Photography By [Cover] – Garrett-Howard Piano – Martin Denny Producer – Simon Jackson Vibraphone [Vibes] – Arthur Lyman Notes EXOTICA - THE SOUNDS OF MARTIN DENNY (Title on Front Cover) EXOTICA ...the exciting sounds of... Martin Denny (Title on Back Cover and spine) EXOTICA was recorded in Hollywood, California during December of 1956. LIBERTY'S SPECTRA-SONIC-SOUND ...the ultimate in High Fidelity [RIAA Curve] (Notes on Backcover) Barcode and Other