Journal of Psychical, Occult, and Mystical Research
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Thesis June 2019
UNIVERSITEIT VAN AMSTERDAM The Medium is the Messenger: An Exploration into Ethel Le Rossignol’s Visionary Art with Studies of Anna Howitt’s and Hilma af Klint’s works Kathryn Branch-Channer Department of History, European Studies and Religious Studies History of Hermetic Philosophy and Related Currents M.A. Thesis in Religious Studies Supervisor: Dr. Marco Pasi Second Reader: Dr. Peter Forshaw Universiteit van Amsterdam Submitted August 2019 !1 UNIVERSITEIT VAN AMSTERDAM Table of Contents Introduction 3 1. Spiritualism, Mediumship and Art 4 1.1. The Origins of Spiritualism 4 1.2. Women and Spiritualism in Post-World War I 6 1.3. Female Mediumship 6 1.4. Theosophy 8 1.5. Modernism 9 2. Ethel Le Rossignol in Historical Context 11 2.1. Spiritualism in England During and After World War I 11 2.2. Correspondences 11 2.3. Context 12 3. Ethel Le Rossignol: The Holy Sphere 14 3.1. A Goodly Company 14 3.2. Healing 17 3.3. Gender and Sexuality 18 3.4. Exhibition and Audience 18 4. Anna Mary Howitt: A Glorious Fruition 20 4.1. Spirit Drawing Methods 21 4.2. Symbolism 22 4.3. Anna Mary Howitt and Ethel Le Rossignol 23 5. Hilma af Klint: Freedom and Opposition 26 5.1. Theosophy and Feminist Politics 27 5.2. Hilma af Klint: Background 27 5.3. Evolution and Gender 29 5.4. Automatism 29 5.5. Exhibitions and Intentions 29 5.6. Hilma af Klint and Ethel Le Rossignol 30 Final Conclusion 32 Image Appendix 34 Bibliography 53 !2 UNIVERSITEIT VAN AMSTERDAM Introduction Intuition is a practice, but can it make you a master of art? The interest in this thesis comes from the number of female artists active in mediumship at the turn of the century and what motivated them to create their radical spirit art. -
Picturing the Future: the Feminist Orientation of Portraiture in the Ebony Frame and an Example of Victorian Spirit Art
Picturing the Future: The Feminist Orientation of Portraiture in The Ebony Frame and an Example of Victorian Spirit Art CATHY JEWISON As a visible expression of Victorian culture, portraiture reflected the many and varied interests of the era, including a preoccupation with death and a possible afterlife, and the growing debate regarding the role of women in society. Portraits often featured in period ghost stories, and also made an appearance in spiritualist art. The ghost story and spiritualism have each been interpreted as a means of linking the Victorian present to its quickly receding past. A comparison of two contrasting portraits, one described in ‘The Ebony Frame’, a ghost story by Edith Nesbit, the other an image drawn by artist-medium Anna Mary Howitt Watts, challenges this perspective. Both demonstrate a feminist orientation that looks forward, rather than backward, envisioning a progressive future rather than a nostalgic past. Whether they were hanging on the walls of the family drawing room or being described in the pages of the most recent novel, portraits provided a visible expression of the concerns of Victorian society. These many and varied interests included a preoccupation with death and a possible afterlife, as well as the growing debate regarding the role of women in society. The portrait makes frequent appearances in that most quintessential of Victorian literary forms, the ghost story, and is also represented in spirit art, a lesser-known expression of Victorian material culture. Women played an active role in both fields, as accomplished writers of the ghost story and talented spiritualist mediums. The Victorian ghost story and spiritualism have both been identified as means for a society in transition to cope with its vanishing culture and customs. -
Bibliography of Occult and Fantastic Beliefs Vol.1: a - D
Bruno Antonio Buike, editor / undercover-collective „Paul Smith“, alias University of Melbourne, Australia Bibliography of Occult and Fantastic Beliefs vol.1: A - D © Neuss / Germany: Bruno Buike 2017 Buike Music and Science [email protected] BBWV E27 Bruno Antonio Buike, editor / undercover-collective „Paul Smith“, alias University of Melbourne, Australia Bibliography of Occult and Fantastic Beliefs - vol.1: A - D Neuss: Bruno Buike 2017 CONTENT Vol. 1 A-D 273 p. Vol. 2 E-K 271 p. Vol. 3 L-R 263 p. Vol. 4 S-Z 239 p. Appr. 21.000 title entries - total 1046 p. ---xxx--- 1. Dies ist ein wissenschaftliches Projekt ohne kommerzielle Interessen. 2. Wer finanzielle Forderungen gegen dieses Projekt erhebt, dessen Beitrag und Name werden in der nächsten Auflage gelöscht. 3. Das Projekt wurde gefördert von der Bundesrepublik Deutschland, Sozialamt Neuss. 4. Rechtschreibfehler zu unterlassen, konnte ich meinem Computer trotz jahrelanger Versuche nicht beibringen. Im Gegenteil: Das Biest fügt immer wieder neue Fehler ein, wo vorher keine waren! 1. This is a scientific project without commercial interests, that is not in bookstores, but free in Internet. 2. Financial and legal claims against this project, will result in the contribution and the name of contributor in the next edition canceled. 3. This project has been sponsored by the Federal Republic of Germany, Department for Social Benefits, city of Neuss. 4. Correct spelling and orthography is subject of a constant fight between me and my computer – AND THE SOFTWARE in use – and normally the other side is the winning party! Editor`s note – Vorwort des Herausgebers preface 1 ENGLISH SHORT PREFACE „Paul Smith“ is a FAKE-IDENTY behind which very probably is a COLLCETIVE of writers and researchers, using a more RATIONAL and SOBER approach towards the complex of Rennes-le-Chateau and to related complex of „Priory of Sion“ (Prieure de Sion of Pierre Plantard, Geradrd de Sede, Phlippe de Cherisey, Jean-Luc Chaumeil and others). -
Conferenceprogram Sept04 FI
1 2 Places, Spaces, and the Victorian Periodical Press Conference Program Table of Contents Welcome .............................. 5 Schedule .............................. 6 Program ............................... 7 Abstracts ............................. 12 Acknowledgements .............. 89 Notes ................................... 90 3 4 Welcome to the 46th Annual Conference of RSVP It is a great pleasure to welcome you to The First State, as well as to Wilmington, its largest city, and to the University of Delaware. In addition to our annual gathering together for two days of intellectual conviviality and sociable exchange, I hope that you will enjoy the rich cultural legacy of the Brandywine Valley and the region. A conference such as this would be impossible without the hard work and support of many colleagues, and I would like to thank them here. Maria Frawley, herself a UD alumna, chaired the Program Committee and she, Julie Codell, and Rob Breton have put together a rich and dynamic array of papers on a theme that matches well with our setting and the opportunities available through both the pre-conference visits and our Friday evening event at the Delaware Art Museum. For making those visits possible, I am grateful to Margaretta Frederick and Saralyn Rosenfeld at the DAM, Mark Samuels Lasner and his collection at the University of Delaware Morris Library, Richard McKinstry and Emily Guthrie at Winterthur, and Eric Rau and Max Moeller at the Hagley Museum. Previous hosts of the conference, including Alexis Easley, Kitty Ledbetter, Brian Maidment, and Linda Peterson were an invaluable source of information and advice, and I am grateful to them for sharing their experience and wisdom. At the University of Delaware and beyond, a host of colleagues provided assistance and support. -
James Robertson
Noble Pioneer: The Life Story Of Emma Hardinge Britten Author: James Robertson An Edited, Annotated Edition Published by The Emma Hardinge Britten Archive www.ehbritten.org/text/annotated/2009-01-01-2.pdf EHB Archive # 2009.01.01.3 Noble Pioneer: The Life Story Of Emma Hardinge Britten (James Robertson) : EHB Archive # 2009.01.01.3 This edition of the text is published under the terms of a Creative Commons license. The Emma Hardinge Britten Archive (www.ehbritten.org) Page 2 About This Text This edited and annotated text of this document was reproduced from an Acrobat PDF of the work, the orignal of which is held in the collection of the National Library of Australia (http://nla.gov.au/nla.cat-vn858850), using OmniPage Pro and a Canon LiDE scanner. The resulting machine-readable text was corrected, by hand, against the physical original, with house-style punctuation being normalized, and non-significant typesetting errors and incorrect spellings being, in most cases, silently amended. Pagination has been removed, and scholarly attributions requiring original pagination will of necessity need to be made based on the photofacsimile edition. The physical version of this text exists in only a few repository libraries, and as far as is known, in only one state. As described by the National Library of Australia, the physical text is a roughly 11 by 8 inch, 16 page pamphlet. The title page of the original is as follows (damage in original): Noble Pioneer: The Life Story Of Emma Hardinge Britten (James Robertson) : EHB Archive # 2009.01.01.3 Page structure is indicated in the example below. -
A Journal of Psychical Occult; and Mystical Research
A Journal of Psychical Occult; and Mystical Research. “LIGHT! Mcre Light V—Goethe. No. 167.—Vol. IV. SATURDAY, MARCH 15, 1884. Price Twopence. CONTENTS. some extraordinary things at the house of a friend of my .Notes by the Way. By “ALA. The Direct Writing of Sanskrit.... 107 (Oxon.)”....................................... 103 The London Spiritualist Alliance.. 108 son, Mr. Virtue Tebbs : the medium, a Miss Nichols.” CORRKSPONDBNCE An Authentic Report of the Bastian Natural Objects Existant ......... 104 Affair at Vienna.......................... 10!) Mrs. Watts, indeed, was by extraction, a member of a Idealism and Science ............... 104 Phases of Materialisation ............ ill Pires Lighted by Supernatural Report of the Societyfor Psychical religious body, the Society of Eriends, to whom the things Agency................................... 106 Research on the “Shropshire A Remarkable Cure of a Case of Mystery ”................. 11'2 of the spirit could hardly come in other than familiar guise Obsession..,......................... 106 Spiritualism in the Provinces .... 112 when the first shock of their phenomenal presentation had passed. The Eriends were, by meditation, and by a habit [77/6 Editor of “ Light ” desires it to be distinctly of silent communing with the world of spirit, prepared to understood that he can accept no responsibility as to the understand its more refined and purely spiritual manifesta tions on the plane of matter. Visions and mental im opinions expressed by Contributors and Correspondents. pressions were not strange to them : how then could they Free and courteous discussion is invited, biot writers arc be surprised, if in an extraordinary epoch of the race alone responsible for the articles to which their names are extraordinary evidence of spiritual power were vouchsafed ? Very early in these volumes we are introduced to Mrs.