Example of Folk Music in the Philippines
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UNIVERSITY of CALIFORNIA RIVERSIDE Naming
UNIVERSITY OF CALIFORNIA RIVERSIDE Naming the Artist, Composing the Philippines: Listening for the Nation in the National Artist Award A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music by Neal D. Matherne June 2014 Dissertation Committee: Dr. Deborah Wong, Chairperson Dr. René T.A. Lysloff Dr. Sally Ann Ness Dr. Jonathan Ritter Dr. Christina Schwenkel Copyright by Neal D. Matherne 2014 The Dissertation of Neal D. Matherne is approved: Committee Chairperson University of California, Riverside Acknowledgements This work is the result of four years spent in two countries (the U.S. and the Philippines). A small army of people believed in this project and I am eternally grateful. Thank you to my committee members: Rene Lysloff, Sally Ness, Jonathan Ritter, Christina Schwenkel. It is an honor to receive your expert commentary on my research. And to my mentor and chair, Deborah Wong: although we may see this dissertation as the end of a long journey together, I will forever benefit from your words and your example. You taught me that a scholar is not simply an expert, but a responsible citizen of the university, the community, the nation, and the world. I am truly grateful for your time, patience, and efforts during the application, research, and writing phases of this work. This dissertation would not have been possible without a year-long research grant (2011-2012) from the IIE Graduate Fellowship for International Study with funding from the Andrew W. Mellon Foundation. I was one of eighty fortunate scholars who received this fellowship after the Fulbright-Hays Doctoral Dissertation Research Abroad Program was cancelled by the U.S. -
Donn Borcherdt Collection
http://oac.cdlib.org/findaid/ark:/13030/kt0t1nc989 No online items Finding Aid for the Donn Borcherdt Collection 1960-1964 Processed by . Ethnomusicology Archive UCLA 1630 Schoenberg Music Building Box 951657 Los Angeles, CA 90095-1657 Phone: (310) 825-1695 Fax: (310) 206-4738 Email: [email protected] URL: http://www.ethnomusic.ucla.edu/Archive/ ©2007 The Regents of the University of California. All rights reserved. Finding Aid for the Donn 1966.01 1 Borcherdt Collection 1960-1964 Descriptive Summary Title: Donn Borcherdt Collection, Date (inclusive): 1960-1964 Collection number: 1966.01 Creator: Borcherdt, Donn Extent: 7 boxes Repository: University of California, Los Angeles. Library. Ethnomusicology Archive Los Angeles, California 90095-1490 Abstract: This collection consists of sound recordings and field notes. Language of Material: Collection materials in English, Spanish Access Archive materials may be accessed in the Archive. As many of our collections are stored off-site at SRLF, we recommend you contact the Archive in advance to check on the availability of the materials. Publication Rights Archive materials do not circulate and may not be duplicated or published without written permission from the copyright holders, collectors, and/or performers. For more information contact the Archive Librarians: [email protected]. Preferred Citation [Identification of item], Donn Borcherdt Collection, 1966.01, Ethnomusicology Archive, University of California, Los Angeles. Biography Donn Borcherdt was born in Montrose, California. Borcherdt was a composer and pianist. After he received his BA from UCLA in composition and conducting, he began his graduate studies in ethnomusicology in 1956, focusing first on Armenian folk music and, later, on the music of Mexico. -
Download ART ARCHIVE 01
ART ARCHIVE 01 CONTENTS The Japan Foundation, Manila Introduction ART ARCHIVE 01 NEW TRAJECTORIES OF CONTEMPORARY VISUAL AND PERFORMING ARTS IN THE PHILIPPINES by Patricia Tumang Retracing Movement Redefining Contemporary Histories & Performativity Visual Art EXCAVATING SPACES AND HISTORIES: UNDERSTANDING THE CONTEMPORARY FILTERS: The Case of Shop 6 IN PHILIPPINE THEATER A View of Recent by Ringo Bunoan by Sir Anril Pineda Tiatco,PhD Philippine Contemporary Photography by Irwin Cruz VISUAL ARTS AND ACTIVISM IN THE PHILIPPINES: MAPPING OUT CONTEMPORARY DANCE Notes on a New Season of Discontent IN THE PHILIPPINES GLOBAL FILIPINO CONTEMPORARY ARTISTS by Lisa Ito-Tapang by Rina Angela Corpus by Jewel Chuaunsu BRIDGE OVER THE CURRENT: S A _ L A B A S / O U T S I D E R S: CONTEMPORARY VISUAL ART IN CEBU Artist-Run Festivals in the Philippines A Brief History of Why/When/Where We Do by Duffie Hufana Osental by Mayumi Hirano What We Do in Performance by Sipat Lawin Ensemble Contributor Biographies reFLECT & reGENERATE: A Community Conversation About Organizing Ourselves by Marika Constantino Directory of Philippine Art and Cultural Institutions ABOUT ART ARCHIVE 01 The Japan Foundation is the only institution dedicated to carrying out Japan’s comprehensive international cultural exchange programs throughout the world. With the objective of cultivating friendship and ties between Japan and the world through culture, language, and dialogue, the Japan Foundation creates global opportunities to foster friendship, trust, and mutual understanding. With a global network consisting of its Tokyo headquarters, the Kyoto office, two Japanese-language institutes, and 24 overseas offices in 23 countries, the Japan Foundation is active in three areas: Arts and Cultural Exchange, Japanese-Language Education, and Japanese Studies and Intellectual Exchange. -
PH - Songs on Streaming Server 1 TITLE NO ARTIST
TITLE NO ARTIST 22 5050 TAYLOR SWIFT 214 4261 RIVER MAYA ( I LOVE YOU) FOR SENTIMENTALS REASONS SAM COOKEÿ (SITTIN’ ON) THE DOCK OF THE BAY OTIS REDDINGÿ (YOU DRIVE ME) CRAZY 4284 BRITNEY SPEARS (YOU’VE GOT) THE MAGIC TOUCH THE PLATTERSÿ 19-2000 GORILLAZ 4 SEASONS OF LONELINESS BOYZ II MEN 9-1-1 EMERGENCY SONG 1 A BIG HUNK O’ LOVE 2 ELVIS PRESLEY A BOY AND A GIRL IN A LITTLE CANOE 3 A CERTAIN SMILE INTROVOYS A LITTLE BIT 4461 M.Y.M.P. A LOVE SONG FOR NO ONE 4262 JOHN MAYER A LOVE TO LAST A LIFETIME 4 JOSE MARI CHAN A MEDIA LUZ 5 A MILLION THANKS TO YOU PILITA CORRALESÿ A MOTHER’S SONG 6 A SHOOTING STAR (YELLOW) F4ÿ A SONG FOR MAMA BOYZ II MEN A SONG FOR MAMA 4861 BOYZ II MEN A SUMMER PLACE 7 LETTERMAN A SUNDAY KIND OF LOVE ETTA JAMESÿ A TEAR FELL VICTOR WOOD A TEAR FELL 4862 VICTOR WOOD A THOUSAND YEARS 4462 CHRISTINA PERRI A TO Z, COME SING WITH ME 8 A WOMAN’S NEED ARIEL RIVERA A-GOONG WENT THE LITTLE GREEN FROG 13 A-TISKET, A-TASKET 53 ACERCATE MAS 9 OSVALDO FARRES ADAPTATION MAE RIVERA ADIOS MARIQUITA LINDA 10 MARCO A. JIMENEZ AFRAID FOR LOVE TO FADE 11 JOSE MARI CHAN AFTERTHOUGHTS ON A TV SHOW 12 JOSE MARI CHAN AH TELL ME WHY 14 P.D. AIN’T NO MOUNTAIN HIGH ENOUGH 4463 DIANA ROSS AIN’T NO SUNSHINE BILL WITHERSÿ AKING MINAHAL ROCKSTAR 2 AKO ANG NAGTANIM FOLK (MABUHAY SINGERS)ÿ AKO AY IKAW RIN NONOY ZU¥IGAÿ AKO AY MAGHIHINTAY CENON LAGMANÿ AKO AY MAYROONG PUSA AWIT PAMBATAÿ PH - Songs on Streaming Server 1 TITLE NO ARTIST AKO NA LANG ANG LALAYO FREDRICK HERRERA AKO SI SUPERMAN 15 REY VALERA AKO’ Y NAPAPA-UUHH GLADY’S & THE BOXERS AKO’Y ISANG PINOY 16 FLORANTE AKO’Y IYUNG-IYO OGIE ALCASIDÿ AKO’Y NANDIYAN PARA SA’YO 17 MICHAEL V. -
Place of Region in the Contemporary Catalogue
Place of Region in the Contemporary PHILIPPINE CONTEMPORARY ART NETWORK Place of Region in the Contemporary University of the Philippines Vargas Museum 8 December 2017 - 27 January 2018 Philippine Contemporary Art Network Patrick D. Flores Director Tessa Maria Guazon Coordinator, Exhibition and Curatorial Analysis Renan Laru-an Coordinator, Public Engagement and Artistic Formation Roberto G. Paulino Coordinator, Knowledge Production and Circulation Publication Patrick D. Flores Editing Carlos Quijon, Jr. Publication Coordination Dino Brucelas Design A.g. De Mesa Photography ©2019 Philippine Contemporary Art Network 4 PCAN: An Intro 18 Place of Region in the Contemporary Patrick D. Flores EXHIBITIONS 28 Ayco, Imao, Bose, Junyee Roberto G. Paulino 42 Traversals/Trajectories: Expansive Localities Tessa Maria Guazon 56 An Ecological, The Obligatory Renan Laru-an 70 Raymundo Albano: Texts Patrick D. Flores ESSAYS 86 Ayco, Imao, Bose, Junyee: A Historiography Roberto G. Paulino 122 Forays into Regions: Between, Beyond, and Not Quite There Tessa Maria Guazon 134 An Impossible Profession Renan Laru-an 150 By Way of Region Patrick D. Flores 160 Artist Profiles 172 PCAN Members 178 Object List 192 Acknowledgment 4 The project initiates the Philippine Contemporary Art Network Philippine Contemporary Art Network Philippine Contemporary (PCAN), which is temporarily based at the University of the Philippines Vargas Museum in Diliman. In this preliminary task, it dwells on three activities: Knowledge Production and Circulation; Exhibition and Curatorial Analysis; Public Engagement and Artistic Formation. It endeavors to activate a network to coordinate a range of interventions in contemporary art in the Philippines and to cast a sharper profile for it on an inter-local and trans-regional scale. -
An Exceptional Inclusion: on Moma's Exhibition Recent American Prints in Color and the First Exhibition of Southeast Asian
An Exceptional Inclusion: On MoMA’s Exhibition Recent American Prints in Color and the First Exhibition of Southeast Asian Art Kathleen Ditzig Southeast of Now: Directions in Contemporary and Modern Art in Asia, Volume 1, Number 1, March 2017, pp. 39-80 (Article) Published by NUS Press Pte Ltd DOI: https://doi.org/10.1353/sen.2017.0002 For additional information about this article https://muse.jhu.edu/article/646477 [ Access provided at 26 Sep 2021 16:50 GMT with no institutional affiliation ] An Exceptional Inclusion: On MoMA’s Exhibition Recent American Prints in Color and the First Exhibition of Southeast Asian Art KATHLEEN DITZIG The exhibition of the First Southeast Asia Art Conference and Competition in Manila in 1957 was one of the first post-war events that sought to bring together the then contemporary art from the region.1 What is unusual and worthy of study about this exhibition is that not only was it the first survey exhibition of Southeast Asia, it also included the Museum of Modern Art (MoMA) International Program’s travelling exhibition, Recent American Prints in Color.2 Little is known of the history behind the First Southeast Asia Art Conference and Competition. There have been no studies which recount in detail how the conference and competition came to be, who it served and what it represented.3 Even less is known about how the MoMA exhibition came to be included in this unprecedented platform. However, its inclusion as a participant in the one-room survey exhibition complicates an indigenous art organisation’s attempt to present Southeast Asia as a cultural region within an exhibitionary frame. -
History of Philippine Music
PRESENTED BY: Frances Ramona Pantig Joyce Cristene Marquez Fatima Munoz Bianca Monique Bargas Fundamentals of Music 1 Fundamentals of Music 2 Filipinos are said to be Musical Peoples. In most cases, singing is accompanied by dancing. They used Bamboo canes, Palm leaves and bark of trees to write their songs and a piece of sharp stick or iron for their pen. Even their instruments were made of Bamboo and wood which indicated their primitiveness. Fundamentals of Music 3 Functions of their music: Religious Social life Characteristics of their Music: Recitative Mostly simple two note music Example of these are: | Dal-lot – a song sung by farmers during wedding, baptismal and others parties accompanied by Kutibeng (guitar). | Pamulinawen – is a love song | Dung-aw – is a song requesting a dead person to be good in his next life. Fundamentals of Music 4 Early Filipinos music was influenced by trade relations other races like: |Malays |Indonesians |Arabs |Chinese |Indo-Chinese |Japanese and |Hindus Fundamentals of Music 5 Chinese, Japanese and Hindus introduce their five-tone scale called pentatonic. The rhythmic effects through the use of gongs, drums and cymbals were brought by Hindus and Mohammedans. Reed type of wind instruments were brought by Japanese and Chinese Fundamentals of Music 6 Ordinary songs (diyuna, talindaw) Street songs (indulamin, suliranin) Sorrow (dalit, umbay) Wedding (ihiman) Rowing (tigpasin, kalusan) Lullaby (hele-hele, hili, oyayi, iyaya) Success (baling-kungkong, dapayanin, hiliran, sambotani, tagumpay) House (tingad) General merry making (kalipay) Counting (urukay) Fundamentals of Music 7 Musical Airs From different Regions Filipino Music has grown from the simple two note melody to the music that has become today. -
Titel Interpret
Titel Interpret ( I LOVE YOU)FOR SENTIMENTAL REASONS SAM COOKE (SITTIN' ON)THE DOCK OF THE BAY OTIS REDDING (YOU'VE GOT) THE MAGIC TOUCH THE PLATTERS A MILLION THANKS TO YOU PILITA CORRALES A SHOOTING STAR (YELLOW) F4 A SUNDAY KIND OF LOVE ETTA JAMES AIN'T NO SUNSHINE BILL WITHERS AKO ANG NAGTANIM FOLK (MABUHAY SINGERS) AKO AY IKAW RIN NONOY ZUÑIGA AKO AY MAGHIHINTAY CENON LAGMAN AKO AY MAYROONG PUSA AWIT PAMBATA AKO'Y IYUNG~IYO OGIE ALCASID ALIPIN AKO MARI ALITAPTAP FOLK (MABUHAY SINGERS) ALIVE JENNIFER LOPEZ ALL MY ONLY DREAMS THE WONDERS ALL OF ME FRANK SINATRA ALL RISE BLUE ALPABETONG PILIPINO AWIT PAMBATA ALWAYS YOU SOPHIE ZELMANI AM I THE SAME GIRL SWING OUT SISTER AMERICAN JUNK APO HIKING SOCIETY ANG ALAGA KONG ASO AWIT PAMBATA ANG DALAGANG PILIPINA FOLK (F. AGUILAR) ANG HANAP KO AY 'YONG PAG-IBIG MICHELLE AYALA ANG LAHAT NG ITO'Y PARA SA `YO HAJJI ALEJANDRO ANG LANGIT KO'Y IKAW CONSTANCIO DE GUZMAN ANG PIPIT FOLK (MABUHAY SINGERS) ANG ULAN AWIT PAMBATA ANIMALS MICHAEL LEARNS TO ROCK ANNIE BATUNGBAKAL HOTDOG ANO BA ANG NANGYARI APRIL BOYS ANO KA HILO GEE GIRLS ANONG DALING SABIHIN LADINE ROXAS ANOTHER CHANCE KENO ANTIPOLO FOLK (MABUHAY SINGERS) ANYWHERE IS ENYA AREGADENG AWIT PAMBATA AS LONG AS IT MATTERS GIN BLOSSOMS ASEREJE (The Ketchup Song) LAS KETCHUP ASK FOR MORE F4 BABAE HAGIBIS BABE COME HOME TO ME PAUL TOLEDO BABY I LOVE YOUR WAY BIG MOUNTAIN BABY'S IN BLACK THE BEATLES BAD TO ME BILLY J KRAMER BAHAY KUBO AWIT PAMBATA BAKIT ANG BABAE APO HIKING SOCIETY BAKIT DI KITA MALIMOT CENON LAGMAN BAKIT KITA MAHAL APRIL BOYS BAKIT -
Convention De 2003 Pour La Sauvegarde
2003 Convention for the Safeguarding of the Intangible Cultural Heritage MEDIA KIT 2015 www.unesco.org/culture/ich/ In this kit, you will find... 1. Introduction ................................................................................................................................................................ 3 Intangible cultural heritage ................................................................................................................................................................................ 3 The Convention ................................................................................................................................................................................................. 3 Safeguarding intangible cultural heritage........................................................................................................................................................... 4 Intangible cultural heritage domains .................................................................................................................................................................. 4 Benefits of implementation of the Convention.................................................................................................................................................... 5 Statutory organs of the Convention ................................................................................................................................................................... 5 2. Frequently asked -
MUSIC Grade 7 Teacher’S Guide (Units 1 and 2)
MUSIC Grade 7 Teacher’s Guide (Units 1 and 2) MUSIC TEACHING GUIDE 1: Music of Cordillera I TARGET GRADE LEVEL: Grade 7 II MODULE 1: Music of the Cordillera III TIME ALLOTMENT: 2 Hours IV OVERVIEW OF THE MODULE The lesson is an overview on the music of the Cordillera or the Highlands of Luzon where several ethnolinguistic groups in the mountains of Cordillera live.. Through the lesson, one will discover how the Cordillerans express their feelings towards each other and the environment, their history, and their supernatural beliefs through the medium of voice and/or musical instruments. A group performance inspired by examples of Cordillera music examples will culminate the educational experience. V PERFORMANCE STANDARD Analyzes musical elements and processes of Philippine music. Correlates Philippine music to Philippine culture. Performs examples of Philippine music, alone and with others, in appropriate tone, pitch, rhythm, expression and style. VI COMPETENCIES/OBJECTIVES Analyzes an example of Philippine folk music from the Highlands and Lowlands of Luzon, and describe how the musical elements are used. Explains the distinguishing characteristics of representative Philippine folk music from the Highlands and Lowlands of Luzon, in relation to history and culture of the area. Analyzes the relationship of functions of Philippine music from the Highlands and Lowlands of Luzon, to the lives of the people. Sings accurately representative folk songs from the Highlands and Lowlands of Luzon, alone and / or with others. Performs on available instruments music from the Highlands and Lowlands of Luzon, alone and / or with others. Improvises simple rhythmic / harmonic accompaniments to selected Philippine folk music from the Highlands and Lowlands of Luzon. -
Rotary Club of Pasig
ROTARY CLUB OF PASIG Tinig Newsletter February 4, 2021 Virtual Meeting via Zoom February 4, 2021, 12:00 Noon Pangkat No. 2 Leader PP John Javier Call to Order Pres. RJ Ermita Invocation Rtn. Roland Vasquez National Anthem Video Record FOUR-WAY TEST PP Ferd Rivera Introduction of Visiting Rotarians & Guests Rtn. Tet Mallare Community Singing Rtn. Nick de Guzman Wise or Otherwise Fining Moments PP Ogie Lim President’s Time Pres. RJ Ermita Rtn. Paolo Miguel "Nico" A. David & Rtn Joaquin "Jake" Oh CLASSIFICATION TALK Open Forum Adjournment Pres. RJ Ermita PP John Javier Emcee * FEBRUARY IS WORLD UNDERSTANDING MONTH * ROTARY CLUB OF PASIG Tinig Newsletter February 4, 2021 Almighty Father, As we continue to tread on uncertainties of the future brought about by the pandemic, may You grant us Your constant abiding Presence so we may be guided always by your Most Holy Will . This we ask through Christ our Lord. Amen ROTARY CLUB OF PASIG Tinig Newsletter February 4, 2021 of the things we think, say or do: 1. Is it the TRUTH? 2. Is it FAIR to all concerned? 3. Will it build GOODWILL and BETTER FRIENDSHIPS? 4. Will it be BENEFICIAL to all concerned? The Object of Rotary is to encourage and foster the ideal of service as a basis of worthy enterprise and, in particular, to encourage and foster: First : The development of acquaintance as an opportunity for Service; Second : High Ethical standards in business and professions; the Recognition of the worthiness of all useful occupations; and the dignifying of each Rotarian’s occupation as an opportunity to serve society; Third : The application of the ideal of service in each Rotarian’s personal, business and community life; Fourth : The advancement of international understanding, goodwill, and peace through a world fellowship of business and professional persons united in the ideal of service. -
Kami Muna Napo
Kami muna napo Kami nAPO Muna ULIT is the second and final compilation tribute album recorded to honor the 1970s Filipino musical group, APO Hiking Society. The album was released. Oct 03, 2013 ·. KAMI NAPO MUNA - NONSTOP FAVORITES YouTube; Tunog Kalye Non-Stop! - Duration: 1:12:59. YUTE oliverio 985,745 views. … May 31, 2014 · Kami nAPO Muna is the first tribute album recorded to honor the 1970s Filipino musical group, APO Hiking Society. "Kami nAPO Muna", in Filipino, literally. Kami Napo Muna is on Facebook. Join Facebook to connect with Kami Napo Muna and others you may know. Facebook gives people the power to share and makes... Rent Kami nAPO Muna: The Concert and other Movies & TV Shows on Blu-ray & DVD. 1-month free trial! Fast, free delivery. No late fees. There are no critic reviews yet for Kami nAPO Muna: The Concert. Keep checking Rotten Tomatoes for updates! Rate movies & TV and see your friends' ratings . Get recommendations personalized for you . Join the discussion with other movie buffs You have no Favorite Channels. To follow a channel click the. If you wish to view your Favorite Channels from anywhere on the site, click on the My Favorites link. Aug 23, 2006 · Kami nAPO muna (Tribute to APO Hiking Society) August 23, 2006 at 9:18 am The long wait is over. The most celebrated composers/singers of. Jan 28, 2010 · I wrote this article many years back for the Writer’s Guild’s (now defunct) blog, Project Backspace, in SPi. “Nandirito kami ang iyong barkada mong. Kami nAPO Muna ULIT (Disk 2) - download at 4shared.