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80S 697 Songs, 2 Days, 3.53 GB
80s 697 songs, 2 days, 3.53 GB Name Artist Album Year Take on Me a-ha Hunting High and Low 1985 A Woman's Got the Power A's A Woman's Got the Power 1981 The Look of Love (Part One) ABC The Lexicon of Love 1982 Poison Arrow ABC The Lexicon of Love 1982 Hells Bells AC/DC Back in Black 1980 Back in Black AC/DC Back in Black 1980 You Shook Me All Night Long AC/DC Back in Black 1980 For Those About to Rock (We Salute You) AC/DC For Those About to Rock We Salute You 1981 Balls to the Wall Accept Balls to the Wall 1983 Antmusic Adam & The Ants Kings of the Wild Frontier 1980 Goody Two Shoes Adam Ant Friend or Foe 1982 Angel Aerosmith Permanent Vacation 1987 Rag Doll Aerosmith Permanent Vacation 1987 Dude (Looks Like a Lady) Aerosmith Permanent Vacation 1987 Love In An Elevator Aerosmith Pump 1989 Janie's Got A Gun Aerosmith Pump 1989 The Other Side Aerosmith Pump 1989 What It Takes Aerosmith Pump 1989 Lightning Strikes Aerosmith Rock in a Hard Place 1982 Der Komimissar After The Fire Der Komimissar 1982 Sirius/Eye in the Sky Alan Parsons Project Eye in the Sky 1982 The Stand Alarm Declaration 1983 Rain in the Summertime Alarm Eye of the Hurricane 1987 Big In Japan Alphaville Big In Japan 1984 Freeway of Love Aretha Franklin Who's Zoomin' Who? 1985 Who's Zooming Who Aretha Franklin Who's Zoomin' Who? 1985 Close (To The Edit) Art of Noise Who's Afraid of the Art of Noise? 1984 Solid Ashford & Simpson Solid 1984 Heat of the Moment Asia Asia 1982 Only Time Will Tell Asia Asia 1982 Sole Survivor Asia Asia 1982 Turn Up The Radio Autograph Sign In Please 1984 Love Shack B-52's Cosmic Thing 1989 Roam B-52's Cosmic Thing 1989 Private Idaho B-52's Wild Planet 1980 Change Babys Ignition 1982 Mr. -
Prince Sheila E Glamorous Life
Prince sheila e glamorous life click here to download "'The Glamorous Life' was the last song we worked on. In fact, we weren't even going to include it on the album," Sheila E. wrote in her "The Glamorous Life" is a song written by Prince, recorded by singer/percussionist Sheila E. and produced by both. The song has lyrics which reflect a cynicism Producer(s): Sheila E., Prince (as The Starr ★. Prince wrote this song at a time when he was extremely prolific, recording numerous songs for himself and for others. His side projects included the groups. Stream PRINCE- The Glamorous Life (Prince version)Unreleased I Think There's A Really Good Reason Sheila E's 1st Single Became A. The Glamorous Life (full title Sheila E. In The Glamorous Life) is the first album Prince urged Sheila E. to record a solo album starting in February , when. The Glamorous Life is the sixth and final track on Sheila E.'s first album The Glamorous Life, and, four weeks before the album's release, The. Sheila E Reflects on Her 'Glamorous Life': 'It's Hard to Be That Popular' . Your book talks about how Prince was already a fan of your music. Sheila E.'s 'The Glamorous Life,' written and co-produced by Prince, was released on May 2, A jaded and bitter song about money and consumption, this hit essentially launched the solo career of the singer and percussionist Sheila E. Lyrics to 'Glamorous Life' by Sheila E.: She wears a long fur coat of mink Even in the summer time Everybody knows from the coy little wink The girl's got a. -
Songs by Title
Songs by Title Title Artist Versions Title Artist Versions #1 Crush Garbage SC 1999 Prince PI SC #Selfie Chainsmokers SS 2 Become 1 Spice Girls DK MM SC (Can't Stop) Giving You Up Kylie Minogue SF 2 Hearts Kylie Minogue MR (Don't Take Her) She's All I Tracy Byrd MM 2 Minutes To Midnight Iron Maiden SF Got 2 Stars Camp Rock DI (I Don't Know Why) But I Clarence Frogman Henry MM 2 Step DJ Unk PH Do 2000 Miles Pretenders, The ZO (I'll Never Be) Maria Sandra SF 21 Guns Green Day QH SF Magdalena 21 Questions (Feat. Nate 50 Cent SC (Take Me Home) Country Toots & The Maytals SC Dogg) Roads 21st Century Breakdown Green Day MR SF (This Ain't) No Thinkin' Trace Adkins MM Thing 21st Century Christmas Cliff Richard MR + 1 Martin Solveig SF 21st Century Girl Willow Smith SF '03 Bonnie & Clyde (Feat. Jay-Z SC 22 Lily Allen SF Beyonce) Taylor Swift MR SF ZP 1, 2 Step Ciara BH SC SF SI 23 (Feat. Miley Cyrus, Wiz Mike Will Made-It PH SP Khalifa And Juicy J) 10 Days Late Third Eye Blind SC 24 Hours At A Time Marshall Tucker Band SG 10 Million People Example SF 24 Hours From Tulsa Gene Pitney MM 10 Minutes Until The Utilities UT 24-7 Kevon Edmonds SC Karaoke Starts (5 Min 24K Magic Bruno Mars MR SF Track) 24's Richgirl & Bun B PH 10 Seconds Jazmine Sullivan PH 25 Miles Edwin Starr SC 10,000 Promises Backstreet Boys BS 25 Minutes To Go Johnny Cash SF 100 Percent Cowboy Jason Meadows PH 25 Or 6 To 4 Chicago BS PI SC 100 Years Five For Fighting SC 26 Cents Wilkinsons, The MM SC SF 100% Chance Of Rain Gary Morris SC 26 Miles Four Preps, The SA 100% Pure Love Crystal Waters PI SC 29 Nights Danni Leigh SC 10000 Nights Alphabeat MR SF 29 Palms Robert Plant SC SF 10th Avenue Freeze Out Bruce Springsteen SG 3 Britney Spears CB MR PH 1-2-3 Gloria Estefan BS SC QH SF Len Barry DK 3 AM Matchbox 20 MM SC 1-2-3 Redlight 1910 Fruitgum Co. -
2012–2013 Season Sponsors
2012–2013 SEASON SPONSORS The City of Cerritos gratefully thanks our 2012–2013 Season Sponsors for their generous support of the Cerritos Center for the Performing Arts. YOUR FAVORITE ENTERTAINERS, YOUR FAVORITE THEATER If your company would like to become a Cerritos Center for the Performing Arts sponsor, please contact the CCPA Administrative Offices at 562-916-8510. THE CERRITOS CENTER FOR THE PERFORMING ARTS (CCPA) thanks the following CCPA Associates who have contributed to the CCPA’s Endowment Fund. The Endowment Fund was established in 1994 under the visionary leadership of the Cerritos City Council to ensure that the CCPA would remain a welcoming, accessible, and affordable venue in which patrons can experience the joy of entertainment and cultural enrichment. For more information about the Endowment Fund or to make a contribution, please contact the CCPA Administrative Offices at (562) 916-8510. ENCORE Terry Bales Patricia and Mitchell Childs Bryan A. Stirrat & Associates Sallie Barnett Drs. Frances and Philip Chinn The Capital Group Companies Alan Barry Nancy and Lance Chontos Charitable Foundation Cynthia Bates Patricia Christie Jose Iturbi Foundation Dennis Becker Richard “Dick” Christy National Endowment for the Arts Barbara S. Behrens Rozanne and James Churchill Eleanor and David St. Clair Aldenise Belcer Neal Clyde Yvette Belcher Mark Cochrane HEADLINER Peggy Bell Michael Cohn Chamber Music Society of Detroit Morris Bernstein Claire Coleman The Gettys Family Norman Blanco Mr. and Mrs. Joseph Consani II Los Cerritos Center James Blevins Patricia Cookus Preserved TreeScapes International, Michael Bley Christina and Robert Copella Dennis E. Gabrick Kathleen Blomo Nancy Corralejo Marilynn and Art Segal Karen Bloom Virginia Correa Triangle Distributing Company Marilyn Bogenschutz Ron Cowan United Parcel Service Linda and Sergio Bonetti Patricia Cozzini Yamaha Patricia Bongeorno Pamela and John Crawley Gloria and Lester Boston, Jr. -
Escovedo Family Bios
Escovedo Family Bios Pete Escovedo (Pops) has had a fruitful career as a percussionist with three years in Santana, founder of Azteca, a cooperative 14-piece Latin big band, and the father of pop star Sheila E. The master percussionist’s music seamlessly flows between Latin jazz, salsa, funk and R&B styles. This incredible ensemble features Juan and Peter Michael Escovedo along with a mix of musicians from both Los Angeles and the Bay Area. After several decades, Pete Escovedo has become an internationally recognized percussionist, nominated for two Grammy Awards and hailed as a percussion master. He is recognized by some of the greatest artists of our time and has had the opportunity to collaborate and share the stage with musical stars like Prince, Herbie Hancock, The Temptations and Stevie Wonder. Sheila E. was born into a rich heritage of Latin music in Oakland, California. She picked up drumsticks and started making music at the precocious age of three while watching her father, legendary percussionist Pete Escovedo, rehearse for his gigs with Tito Puente and Carlos Santana. She and her two younger brothers and sister grew up in a close-knit artistic family where it wasn’t uncommon for the top musicians of the day to jam in their small apartment until the early morning hours. And if they often struggled to make ends meet, they were rich in love and family unity. She began her career in the mid-1970s as a percussionist and singer for The George Duke Band. After leaving the group in 1983, Sheila began a successful solo career, starting with her critically acclaimed debut album, which included the career-defining song, “The Glamorous Life”. -
American Country Music of the Second Half of the Twentieth Century
PALACKÝ UNIVERSITY OLOMOUC FACULTY OF ARTS Department of English and American Studies Martin Hujčák AMERICAN COUNTRY MUSIC OF THE SECOND HALF OF THE TWENTIETH CENTURY Master thesis Supervisor: Mgr. Jiří Flajšar, Ph.D. Olomouc 2015 UNIVERZITA PALACKÉHO V OLOMOUCI FILOZOFICKÁ FAKULTA Katedra anglistiky a amerikanistiky Martin Hujčák AMERICKÁ COUNTRY HUDBA DRUHÉ POLOVINY 20. STOLETÍ Diplomová práca Vedúci práce: Mgr. Jiří Flajšar, Ph.D. Olomouc 2015 Prehlásenie Prehlasujem, ţe som diplomovú prácu na tému: American country music of the second half of the twentieth century vypracoval samostatne pod odborným dohľadom vedúceho diplomovej práce a uviedol som všetky pouţité podklady a literatúru. V Olomouci dňa……. ….……….. Podpis ……………………… Ďakujem vedúcemu mojej diplomovej práce Mgr. Jiřímu Flajšarovi, Ph.D. za uţitočné rady a pripomienky. Ďalej pánu doktorovi ďakujem za podnetné diskusie a trpezlivosť pri odpovedaní mojich otázok. V Olomouci 2.12.2015 Martin Hujčák Contents: Introduction ....................................................................................... 8 1 Country music background ............................................................... 10 1.1 American Folk music ..................................................................... 10 1.2 Society and the birth of Folk music ................................................ 11 1.3 Western music ................................................................................ 13 1.4 The beginning of commercial development ................................... 14 1.5 The -
Musicology 98T General Education Course Information Sheet Please Submit This Sheet for Each Proposed Course
Musicology 98T General Education Course Information Sheet Please submit this sheet for each proposed course Department & Course Number Musicology 98T Course Title Prince and the (1980s U.S. Cultural) Revolution Indicate if Seminar and/or Writing II course Seminar 1 Check the recommended GE foundation area(s) and subgroups(s) for this course Foundations of the Arts and Humanities • Literary and Cultural Analysis • Philosophic and Linguistic Analysis • Visual and Performance Arts Analysis and Practice X Foundations of Society and Culture • Historical Analysis X • Social Analysis X Foundations of Scientific Inquiry • Physical Science With Laboratory or Demonstration Component must be 5 units (or more) • Life Science With Laboratory or Demonstration Component must be 5 units (or more) 2. Briefly describe the rationale for assignment to foundation area(s) and subgroup(s) chosen. Class will engage with recorded music, seeking to increase students’ listening skills, allowing them to speak and write critically about musical sound (Visual-Perf. Arts Analysis). Class also will use Prince’s music to engage issues such as generational difference, race, gender, sexuality, religion, censorship, health, and capitalism in 1980s American history (Historical/Social Analyses). 3. List faculty member(s) who will serve as instructor (give academic rank): Schuyler Whelden, Teaching Fellow; Faculty Mentor – Tamara Levitz, Professor Do you intend to use graduate student instructors (TAs) in this course? Yes No X If yes, please indicate the number of TAs 4. Indicate when do you anticipate teaching this course: 2018-2019 Fall Winter Spring Enrollment Enrollment X Enrollment 5. GE Course Units Is this an existing course that has been modified for inclusion in the new GE? Yes No X If yes, provide a brief explanation of what has changed. -
Mediamonkey Filelist
MediaMonkey Filelist Track # Artist Title Length Album Year Genre Rating Bitrate Media # No One's Gonna Love Just the Way You Local 1 SOS Band 6:42 8 1984 RnB 4 128 You Like It Disk Local 2 Five Star All Fall Down 3:25 Luxury of Life 2 1985 Pop 128 Disk Nothing Can Come Stronger Than Local 3 Sade 4:24 3 1988 Soul 128 Between Us Pride Disk Billboard Hot Local 4 Sheila E A Love Bizarre 3:50 100 Singles 83 1986 Pop 1 180 Disk 1986 Wake Me Up Before You Local 5 Wham 3:51 Make It Big 1 1984 RnB 128 Go-Go Disk Eric B & Follow The Local 6 Microphone Fiend 5:13 2 1988 Rap 3 128 Rakim Leader Disk Sign O the Local 7 Prince Forever In My Life 3:30 9 1987 Pop 128 Times Disk Let My People Local 8 Winans Redeemed 4:57 2 1985 Gospel 128 Go Disk Say You (Would Love for Local 9 Whispers 4:58 Imagination 3 1980 Soul 128 Me Too) Disk Malcolm McLaren Presents World Famous Malcolm Local 10 Buffalo Gals (Extended) 5:04 Supreme Team 1981 Rap 4 128 McClaren Disk Show Round The Outside, Round The Outside! Big Daddy Long Live the Local 11 Ain't No Half Steppin' 5:20 6 1988 Rap 3 150 Kane Kane Disk Local 12 D Nice Call Me D 3:49 Call Me D-Nice 2 1989 Rap 3 128 Disk Atlantic All in Name of Local 13 Interlude 1:34 12 1986 Pop 3 128 Starr Love Disk Local 14 Beastie Boys Time to Get Ill 3:39 Licensed to Ill 13 1986 Rap 2 128 Disk NWA & The Local 15 NWA 8 Ball (Remix) 4:52 6 1988 Rap 4 162 Possie Disk Billboard Hot James Local 16 One Hundred Ways 4:18 100 Singles 61 1982 Pop 2 185 Ingram Disk 1982 Local 17 Lo Key I Got a Thang 4 Ya! 5:40 Where Dey At? 1989 RnB 2 128 -
Sheila E Free Download Sheila E Free Download
sheila e free download Sheila e free download. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 67b03cb3bfc7dab4 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Sheila e free download. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 67b03cb48a8d16c3 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. -
List by Song Title
Song Title Artists 4 AM Goapele 73 Jennifer Hanson 1969 Keith Stegall 1985 Bowling For Soup 1999 Prince 3121 Prince 6-8-12 Brian McKnight #1 *** Nelly #1 Dee Jay Goody Goody #1 Fun Frankie J (Anesthesia) - Pulling Teeth Metallica (Another Song) All Over Again Justin Timberlake (At) The End (Of The Rainbow) Earl Grant (Baby) Hully Gully Olympics (The) (Da Le) Taleo Santana (Da Le) Yaleo Santana (Do The) Push And Pull, Part 1 Rufus Thomas (Don't Fear) The Reaper Blue Oyster Cult (Every Time I Turn Around) Back In Love Again L.T.D. (Everything I Do) I Do It For You Brandy (Get Your Kicks On) Route 66 Nat King Cole (Ghost) Riders In The Sky Johnny Cash (Goin') Wild For You Baby Bonnie Raitt (Hey Won't You Play) Another Somebody Done Somebody WrongB.J. Thomas Song (I Can't Get No) Satisfaction Otis Redding (I Don't Know Why) But I Do Clarence "Frogman" Henry (I Got) A Good 'Un John Lee Hooker (I Hate) Everything About You Three Days Grace (I Just Want It) To Be Over Keyshia Cole (I Just) Died In Your Arms Cutting Crew (The) (I Just) Died In Your Arms Cutting Crew (The) (I Know) I'm Losing You Temptations (The) (I Love You) For Sentimental Reasons Nat King Cole (I Love You) For Sentimental Reasons Nat King Cole (I Love You) For Sentimental Reasons ** Sam Cooke (If Only Life Could Be Like) Hollywood Killian Wells (If You're Not In It For Love) I'm Outta Here Shania Twain (If You're Not In It For Love) I'm Outta Here! ** Shania Twain (I'm A) Stand By My Woman Man Ronnie Milsap (I'm Not Your) Steppin' Stone Monkeys (The) (I'm Settin') Fancy Free Oak Ridge Boys (The) (It Must Have Been Ol') Santa Claus Harry Connick, Jr. -
933 Songs, 2.7 Days, 4.95 GB
Page 1 of 28 '80s 933 songs, 2.7 days, 4.95 GB Artist Name Album Time Year a-ha Take on Me Hunting High and Low 5:55 1985 A's A Woman's Got the Power A Woman's Got the Power 4:46 1981 ABC The Look of Love (Part One) The Lexicon of Love 3:33 1982 ABC Poison Arrow The Lexicon of Love 3:29 1982 AC/DC For Those About to Rock (We Salute You) For Those About to Rock We Salute… 5:44 1981 Accept Balls to the Wall Balls to the Wall 5:43 1983 Adam and the Ants Antmusic Kings of the Wild Frontier 3:39 1980 Adam Ant Goody Two Shoes Friend or Foe 3:30 1982 Aerosmith Angel Permanent Vacation 5:08 1987 Aerosmith Rag Doll Permanent Vacation 4:26 1987 Aerosmith Dude (Looks Like a Lady) Permanent Vacation 4:27 1987 Aerosmith Love In An Elevator Pump 5:39 1989 Aerosmith Janie's Got A Gun Pump 5:33 1989 Aerosmith The Other Side Pump 4:57 1989 Aerosmith What It Takes Pump 6:30 1989 Aerosmith Lightning Strikes Rock in a Hard Place 4:27 1982 Afrika Bambaataa Planet Rock (single) Planet Rock: Album 4:16 1982 After The Fire Der Komimissar Der Komimissar 4:07 1982 Alan Parsons Project Sirius/Eye in the Sky Eye in the Sky 6:30 1982 Alarm The Stand Declaration 3:17 1983 Alarm Rain in the Summertime Eye of the Hurricane 5:12 1987 Aldo Nova Fantasy Fantasy 5:06 1981 Alphaville Big In Japan Big In Japan 3:52 1984 Aretha Franklin Freeway of Love Who's Zoomin' Who? 5:51 1985 Aretha Franklin Who's Zooming Who Who's Zoomin' Who? 4:43 1985 Art of Noise Close (To The Edit) Who's Afraid of the Art of Noise? 3:55 1984 Ashford & Simpson Solid Solid 3:45 1984 Asia Heat of the Moment Asia 3:55 1982 Asia Only Time Will Tell Asia 4:48 1982 Asia Sole Survivor Asia 4:52 1982 Autograph Turn Up The Radio Sign In Please 4:39 1984 '80s Page 2 of 28 Artist Name Album Time Year B-52's Love Shack Cosmic Thing 5:22 1989 B-52's Roam Cosmic Thing 4:55 1989 B-52's Private Idaho Wild Planet 3:35 1980 Babys Change Ignition 3:16 1982 Babys Mr. -
Holladay Dissertation
ABSTRACT Jesus on the Radio: Theological Reflection and Prophetic Witness of American Popular Music Meredith Anne Holladay, Ph.D. Mentor: Christopher Marsh, Ph.D. The image of God in humanity is the image of the creator, the creative spirit, the imagination, manifest in our ability to understand, appreciate, and reflect on the beauty of God in creation. Therefore, the spirit of imagination, beauty, and creativity is intrinsic to the fullness of a life of faith. Art is a boon to a life of faith; additionally art and creativity allow for and create a space for genuine theological reflection. Arguments made about art in general can be applied to forms of popular culture. The foundation for this project explores the nuances between definitions of “popular culture”, and asserts that popular culture can be and often is meaning-making and identity-forming. The theological significance of popular culture is couched in terms of theological reflection and prophetic witness. The implicit assumption that anything dubbed “Christian” maintains theological depth, and creations lacking that distinction are ‘secular,’ or ‘profane,’ and therefore devoid of any moral good or theological import, is false, and a distinction this project serves in dissolving. The third chapter asserts a strong link between theological and prophetic tasks, one flowing from the other. Genuine theological reflection must result in an outward and public response. Theological reflection connects to the truth of one’s lived experience, and speaks honestly about the human story; out of that experience, voices of prophetic witness speak truth to power, out of and in solidarity with lived experiences.